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<h2> CHAPTER III—APPARITION TO FATHER MABEUF </h2>
<p>Marius no longer went to see any one, but he sometimes encountered Father
Mabeuf by chance.</p>
<p>While Marius was slowly descending those melancholy steps which may be
called the cellar stairs, and which lead to places without light, where
the happy can be heard walking overhead, M. Mabeuf was descending on his
side.</p>
<p>The Flora of Cauteretz no longer sold at all. The experiments on indigo
had not been successful in the little garden of Austerlitz, which had a
bad exposure. M. Mabeuf could cultivate there only a few plants which love
shade and dampness. Nevertheless, he did not become discouraged. He had
obtained a corner in the Jardin des Plantes, with a good exposure, to make
his trials with indigo "at his own expense." For this purpose he had
pawned his copperplates of the Flora. He had reduced his breakfast to two
eggs, and he left one of these for his old servant, to whom he had paid no
wages for the last fifteen months. And often his breakfast was his only
meal. He no longer smiled with his infantile smile, he had grown morose
and no longer received visitors. Marius did well not to dream of going
thither. Sometimes, at the hour when M. Mabeuf was on his way to the
Jardin des Plantes, the old man and the young man passed each other on the
Boulevard de l'Hopital. They did not speak, and only exchanged a
melancholy sign of the head. A heart-breaking thing it is that there comes
a moment when misery looses bonds! Two men who have been friends become
two chance passers-by.</p>
<p>Royal the bookseller was dead. M. Mabeuf no longer knew his books, his
garden, or his indigo: these were the three forms which happiness,
pleasure, and hope had assumed for him. This sufficed him for his living.
He said to himself: "When I shall have made my balls of blueing, I shall
be rich, I will withdraw my copperplates from the pawn-shop, I will put my
Flora in vogue again with trickery, plenty of money and advertisements in
the newspapers and I will buy, I know well where, a copy of Pierre de
Medine's Art de Naviguer, with wood-cuts, edition of 1655." In the
meantime, he toiled all day over his plot of indigo, and at night he
returned home to water his garden, and to read his books. At that epoch,
M. Mabeuf was nearly eighty years of age.</p>
<p>One evening he had a singular apparition.</p>
<p>He had returned home while it was still broad daylight. Mother Plutarque,
whose health was declining, was ill and in bed. He had dined on a bone, on
which a little meat lingered, and a bit of bread that he had found on the
kitchen table, and had seated himself on an overturned stone post, which
took the place of a bench in his garden.</p>
<p>Near this bench there rose, after the fashion in orchard-gardens, a sort
of large chest, of beams and planks, much dilapidated, a rabbit-hutch on
the ground floor, a fruit-closet on the first. There was nothing in the
hutch, but there were a few apples in the fruit-closet,—the remains
of the winter's provision.</p>
<p>M. Mabeuf had set himself to turning over and reading, with the aid of his
glasses, two books of which he was passionately fond and in which, a
serious thing at his age, he was interested. His natural timidity rendered
him accessible to the acceptance of superstitions in a certain degree. The
first of these books was the famous treatise of Pr�sident Delancre, De
l'inconstance des Demons; the other was a quarto by Mutor de la
Rubaudi�re, Sur les Diables de Vauvert et les Gobelins de la Bievre. This
last-mentioned old volume interested him all the more, because his garden
had been one of the spots haunted by goblins in former times. The twilight
had begun to whiten what was on high and to blacken all below. As he read,
over the top of the book which he held in his hand, Father Mabeuf was
surveying his plants, and among others a magnificent rhododendron which
was one of his consolations; four days of heat, wind, and sun without a
drop of rain, had passed; the stalks were bending, the buds drooping, the
leaves falling; all this needed water, the rhododendron was particularly
sad. Father Mabeuf was one of those persons for whom plants have souls.
The old man had toiled all day over his indigo plot, he was worn out with
fatigue, but he rose, laid his books on the bench, and walked, all bent
over and with tottering footsteps, to the well, but when he had grasped
the chain, he could not even draw it sufficiently to unhook it. Then he
turned round and cast a glance of anguish toward heaven which was becoming
studded with stars.</p>
<p>The evening had that serenity which overwhelms the troubles of man beneath
an indescribably mournful and eternal joy. The night promised to be as
arid as the day had been.</p>
<p>"Stars everywhere!" thought the old man; "not the tiniest cloud! Not a
drop of water!"</p>
<p>And his head, which had been upraised for a moment, fell back upon his
breast.</p>
<p>He raised it again, and once more looked at the sky, murmuring:—</p>
<p>"A tear of dew! A little pity!"</p>
<p>He tried again to unhook the chain of the well, and could not.</p>
<p>At that moment, he heard a voice saying:—</p>
<p>"Father Mabeuf, would you like to have me water your garden for you?"</p>
<p>At the same time, a noise as of a wild animal passing became audible in
the hedge, and he beheld emerging from the shrubbery a sort of tall,
slender girl, who drew herself up in front of him and stared boldly at
him. She had less the air of a human being than of a form which had just
blossomed forth from the twilight.</p>
<p>Before Father Mabeuf, who was easily terrified, and who was, as we have
said, quick to take alarm, was able to reply by a single syllable, this
being, whose movements had a sort of odd abruptness in the darkness, had
unhooked the chain, plunged in and withdrawn the bucket, and filled the
watering-pot, and the goodman beheld this apparition, which had bare feet
and a tattered petticoat, running about among the flower-beds distributing
life around her. The sound of the watering-pot on the leaves filled Father
Mabeuf's soul with ecstasy. It seemed to him that the rhododendron was
happy now.</p>
<p>The first bucketful emptied, the girl drew a second, then a third. She
watered the whole garden.</p>
<p>There was something about her, as she thus ran about among paths, where
her outline appeared perfectly black, waving her angular arms, and with
her fichu all in rags, that resembled a bat.</p>
<p>When she had finished, Father Mabeuf approached her with tears in his
eyes, and laid his hand on her brow.</p>
<p>"God will bless you," said he, "you are an angel since you take care of
the flowers."</p>
<p>"No," she replied. "I am the devil, but that's all the same to me."</p>
<p>The old man exclaimed, without either waiting for or hearing her response:—</p>
<p>"What a pity that I am so unhappy and so poor, and that I can do nothing
for you!"</p>
<p>"You can do something," said she.</p>
<p>"What?"</p>
<p>"Tell me where M. Marius lives."</p>
<p>The old man did not understand. "What Monsieur Marius?"</p>
<p>He raised his glassy eyes and seemed to be seeking something that had
vanished.</p>
<p>"A young man who used to come here."</p>
<p>In the meantime, M. Mabeuf had searched his memory.</p>
<p>"Ah! yes—" he exclaimed. "I know what you mean. Wait! Monsieur
Marius—the Baron Marius Pontmercy, parbleu! He lives,—or
rather, he no longer lives,—ah well, I don't know."</p>
<p>As he spoke, he had bent over to train a branch of rhododendron, and he
continued:—</p>
<p>"Hold, I know now. He very often passes along the boulevard, and goes in
the direction of the Glaciere, Rue Croulebarbe. The meadow of the Lark. Go
there. It is not hard to meet him."</p>
<p>When M. Mabeuf straightened himself up, there was no longer any one there;
the girl had disappeared.</p>
<p>He was decidedly terrified.</p>
<p>"Really," he thought, "if my garden had not been watered, I should think
that she was a spirit."</p>
<p>An hour later, when he was in bed, it came back to him, and as he fell
asleep, at that confused moment when thought, like that fabulous bird
which changes itself into a fish in order to cross the sea, little by
little assumes the form of a dream in order to traverse slumber, he said
to himself in a bewildered way:—</p>
<p>"In sooth, that greatly resembles what Rubaudi�re narrates of the goblins.
Could it have been a goblin?"</p>
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<h2> CHAPTER IV—AN APPARITION TO MARIUS </h2>
<p>Some days after this visit of a "spirit" to Farmer Mabeuf, one morning,—it
was on a Monday, the day when Marius borrowed the hundred-sou piece from
Courfeyrac for Thenardier—Marius had put this coin in his pocket,
and before carrying it to the clerk's office, he had gone "to take a
little stroll," in the hope that this would make him work on his return.
It was always thus, however. As soon as he rose, he seated himself before
a book and a sheet of paper in order to scribble some translation; his
task at that epoch consisted in turning into French a celebrated quarrel
between Germans, the Gans and Savigny controversy; he took Savigny, he
took Gans, read four lines, tried to write one, could not, saw a star
between him and his paper, and rose from his chair, saying: "I shall go
out. That will put me in spirits."</p>
<p>And off he went to the Lark's meadow.</p>
<p>There he beheld more than ever the star, and less than ever Savigny and
Gans.</p>
<p>He returned home, tried to take up his work again, and did not succeed;
there was no means of re-knotting a single one of the threads which were
broken in his brain; then he said to himself: "I will not go out
to-morrow. It prevents my working." And he went out every day.</p>
<p>He lived in the Lark's meadow more than in Courfeyrac's lodgings. That was
his real address: Boulevard de la Sant�, at the seventh tree from the Rue
Croulebarbe.</p>
<p>That morning he had quitted the seventh tree and had seated himself on the
parapet of the River des Gobelins. A cheerful sunlight penetrated the
freshly unfolded and luminous leaves.</p>
<p>He was dreaming of "Her." And his meditation turning to a reproach, fell
back upon himself; he reflected dolefully on his idleness, his paralysis
of soul, which was gaining on him, and of that night which was growing
more dense every moment before him, to such a point that he no longer even
saw the sun.</p>
<p>Nevertheless, athwart this painful extrication of indistinct ideas which
was not even a monologue, so feeble had action become in him, and he had
no longer the force to care to despair, athwart this melancholy
absorption, sensations from without did reach him. He heard behind him,
beneath him, on both banks of the river, the laundresses of the Gobelins
beating their linen, and above his head, the birds chattering and singing
in the elm-trees. On the one hand, the sound of liberty, the careless
happiness of the leisure which has wings; on the other, the sound of toil.
What caused him to meditate deeply, and almost reflect, were two cheerful
sounds.</p>
<p>All at once, in the midst of his dejected ecstasy, he heard a familiar
voice saying:—</p>
<p>"Come! Here he is!"</p>
<p>He raised his eyes, and recognized that wretched child who had come to him
one morning, the elder of the Thenardier daughters, Eponine; he knew her
name now. Strange to say, she had grown poorer and prettier, two steps
which it had not seemed within her power to take. She had accomplished a
double progress, towards the light and towards distress. She was
barefooted and in rags, as on the day when she had so resolutely entered
his chamber, only her rags were two months older now, the holes were
larger, the tatters more sordid. It was the same harsh voice, the same
brow dimmed and wrinkled with tan, the same free, wild, and vacillating
glance. She had besides, more than formerly, in her face that
indescribably terrified and lamentable something which sojourn in a prison
adds to wretchedness.</p>
<p>She had bits of straw and hay in her hair, not like Ophelia through having
gone mad from the contagion of Hamlet's madness, but because she had slept
in the loft of some stable.</p>
<p>And in spite of it all, she was beautiful. What a star art thou, O youth!</p>
<p>In the meantime, she had halted in front of Marius with a trace of joy in
her livid countenance, and something which resembled a smile.</p>
<p>She stood for several moments as though incapable of speech.</p>
<p>"So I have met you at last!" she said at length. "Father Mabeuf was right,
it was on this boulevard! How I have hunted for you! If you only knew! Do
you know? I have been in the jug. A fortnight! They let me out! seeing
that there was nothing against me, and that, moreover, I had not reached
years of discretion. I lack two months of it. Oh! how I have hunted for
you! These six weeks! So you don't live down there any more?"</p>
<p>"No," said Marius.</p>
<p>"Ah! I understand. Because of that affair. Those take-downs are
disagreeable. You cleared out. Come now! Why do you wear old hats like
this! A young man like you ought to have fine clothes. Do you know,
Monsieur Marius, Father Mabeuf calls you Baron Marius, I don't know what.
It isn't true that you are a baron? Barons are old fellows, they go to the
Luxembourg, in front of the chateau, where there is the most sun, and they
read the Quotidienne for a sou. I once carried a letter to a baron of that
sort. He was over a hundred years old. Say, where do you live now?"</p>
<p>Marius made no reply.</p>
<p>"Ah!" she went on, "you have a hole in your shirt. I must sew it up for
you."</p>
<p>She resumed with an expression which gradually clouded over:—</p>
<p>"You don't seem glad to see me."</p>
<p>Marius held his peace; she remained silent for a moment, then exclaimed:—</p>
<p>"But if I choose, nevertheless, I could force you to look glad!"</p>
<p>"What?" demanded Marius. "What do you mean?"</p>
<p>"Ah! you used to call me thou," she retorted.</p>
<p>"Well, then, what dost thou mean?"</p>
<p>She bit her lips; she seemed to hesitate, as though a prey to some sort of
inward conflict. At last she appeared to come to a decision.</p>
<p>"So much the worse, I don't care. You have a melancholy air, I want you to
be pleased. Only promise me that you will smile. I want to see you smile
and hear you say: 'Ah, well, that's good.' Poor Mr. Marius! you know? You
promised me that you would give me anything I like—"</p>
<p>"Yes! Only speak!"</p>
<p>She looked Marius full in the eye, and said:—</p>
<p>"I have the address."</p>
<p>Marius turned pale. All the blood flowed back to his heart.</p>
<p>"What address?"</p>
<p>"The address that you asked me to get!"</p>
<p>She added, as though with an effort:—</p>
<p>"The address—you know very well!"</p>
<p>"Yes!" stammered Marius.</p>
<p>"Of that young lady."</p>
<p>This word uttered, she sighed deeply.</p>
<p>Marius sprang from the parapet on which he had been sitting and seized her
hand distractedly.</p>
<p>"Oh! Well! lead me thither! Tell me! Ask of me anything you wish! Where is
it?"</p>
<p>"Come with me," she responded. "I don't know the street or number very
well; it is in quite the other direction from here, but I know the house
well, I will take you to it."</p>
<p>She withdrew her hand and went on, in a tone which could have rent the
heart of an observer, but which did not even graze Marius in his
intoxicated and ecstatic state:—</p>
<p>"Oh! how glad you are!"</p>
<p>A cloud swept across Marius' brow. He seized Eponine by the arm:—</p>
<p>"Swear one thing to me!"</p>
<p>"Swear!" said she, "what does that mean? Come! You want me to swear?"</p>
<p>And she laughed.</p>
<p>"Your father! promise me, Eponine! Swear to me that you will not give this
address to your father!"</p>
<p>She turned to him with a stupefied air.</p>
<p>"Eponine! How do you know that my name is Eponine?"</p>
<p>"Promise what I tell you!"</p>
<p>But she did not seem to hear him.</p>
<p>"That's nice! You have called me Eponine!"</p>
<p>Marius grasped both her arms at once.</p>
<p>"But answer me, in the name of Heaven! pay attention to what I am saying
to you, swear to me that you will not tell your father this address that
you know!"</p>
<p>"My father!" said she. "Ah yes, my father! Be at ease. He's in close
confinement. Besides, what do I care for my father!"</p>
<p>"But you do not promise me!" exclaimed Marius.</p>
<p>"Let go of me!" she said, bursting into a laugh, "how you do shake me!
Yes! Yes! I promise that! I swear that to you! What is that to me? I will
not tell my father the address. There! Is that right? Is that it?"</p>
<p>"Nor to any one?" said Marius.</p>
<p>"Nor to any one."</p>
<p>"Now," resumed Marius, "take me there."</p>
<p>"Immediately?"</p>
<p>"Immediately."</p>
<p>"Come along. Ah! how pleased he is!" said she.</p>
<p>After a few steps she halted.</p>
<p>"You are following me too closely, Monsieur Marius. Let me go on ahead,
and follow me so, without seeming to do it. A nice young man like you must
not be seen with a woman like me."</p>
<p>No tongue can express all that lay in that word, woman, thus pronounced by
that child.</p>
<p>She proceeded a dozen paces and then halted once more; Marius joined her.
She addressed him sideways, and without turning towards him:—</p>
<p>"By the way, you know that you promised me something?"</p>
<p>Marius fumbled in his pocket. All that he owned in the world was the five
francs intended for Thenardier the father. He took them and laid them in
Eponine's hand.</p>
<p>She opened her fingers and let the coin fall to the ground, and gazed at
him with a gloomy air.</p>
<p>"I don't want your money," said she.</p>
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