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<h2> CHAPTER XXXIII </h2>
<p>The declaration of war found Graham desperately unhappy. Natalie held him
rigidly to his promise, but it is doubtful if Natalie alone could have
kept, him out of the army. Marion was using her influence, too! She held
him by alternating between almost agreeing to runaway marriage and threats
of breaking the engagement if he went to war. She had tacitly agreed to
play Natalie's game, and she was doing it.</p>
<p>Graham did not analyze his own misery. What he said to himself was that he
was making a mess of things. Life, which had seemed to be a simple thing,
compounded of work and play, had become involved, difficult and wretched.</p>
<p>Some times he watched Clayton almost with envy. He seemed so sure of
himself; he was so poised, so calm, so strong. And he wondered if there
had been a tumultuous youth behind the quiet of his maturity. He compared
the even course of Clayton's days, his work, his club, the immaculate
orderliness of his life, with his own disordered existence.</p>
<p>He was hedged about with women. Wherever he turned, they obtruded
themselves. He made plans and women brushed them aside. He tried to live
his life, and women stepped in and lived it for him. His mother, Marion,
Anna Klein. Even Delight, with her friendship always overclouded with
disapproval. Wherever he turned, a woman stood in the way. Yet he could
not do without them. He needed them even while he resented them.</p>
<p>Then, gradually, into his self-engrossment there penetrated a conviction
that all was not well between his father and his mother. He had always
taken them for granted much as he did the house and the servants. In his
brief vacations during his college days they had agreed or disagreed,
amicably enough. He had considered, in those days, that life was a very
simple thing. People married and lived together. Marriage, he considered,
was rather the end of things.</p>
<p>But he was older now, and he knew that marriage was a beginning and not an
end. It did not change people fundamentally. It only changed their habits.</p>
<p>His discovery that his father and mother differed about the war was the
first of other discoveries; that they differed about him; that they
differed about many matters; that, indeed, they had no common ground at
all on which to meet; between them, although Graham did not put it that
way, was a No-Man's Land strewn with dead happiness, lost desires, and the
wreckage of years of dissension.</p>
<p>It was incredible to Graham that he should ever reach the forties, but he
wondered some times if all of life was either looking forward or looking
back. And it seemed to him rather tragic that for Clayton, who still
looked like a boy, there should be nothing but his day at the mill, his
silent evening at home, or some stodgy dinner-party where the women were
all middle-aged, and the other men a trifle corpulent.</p>
<p>For the first time he was beginning to think of Clayton as a man, rather
than a father.</p>
<p>Not that all of this was coherently thought out. It was a series of
impressions, outgrowth of his own beginning development and of his own
uneasiness.</p>
<p>He wondered, too, about Rodney Page. He seemed to be always around,
underfoot, suave, fastidious, bowing Natalie out of the room and in again.
He had deplored the war until he found his attitude unfashionable, and
then he began, with great enthusiasm, to arrange pageants for Red Cross
funds, and even to make little speeches, graceful and artificial,
patterned on his best after-dinner manner.</p>
<p>Graham was certain that he supported his mother in trying to keep him at
home, and he began to hate him with a healthy young hate. However, late in
April, he posed in one of the pageants, rather ungraciously, in a khaki
uniform. It was not until the last minute that he knew that Delight
Haverford was to be the nurse bending over his prostrate figure. He turned
rather savage.</p>
<p>"Rotten nonsense," he said to her, "when they stood waiting to be posed.</p>
<p>"Oh, I don't know. They're rather pretty."</p>
<p>"Pretty! Do you suppose I want it be pretty?"</p>
<p>"Well, I do," said Delight, calmly.</p>
<p>"It's fake. That's what I hate. If you were really a nurse, and was really
in uniform—! But this parading in somebody else's clothes, or stuff
hired for the occasion—it's sickening."</p>
<p>Delight regarded him with clear, appraising eyes.</p>
<p>"Why don't you get a uniform of your own, then?" she inquired. She smiled
a little.</p>
<p>He never knew what the effort cost her. He was pale and angry, and his
face in the tableau was so set that it brought a round of applause. With
the ringing down of the curtain he confronted her, almost menacingly.</p>
<p>"What did you mean by that?" he demanded. "We've hardly got into this
thing yet."</p>
<p>"We are in it, Graham."</p>
<p>"Just because I don't leap into the first recruiting office and beg them
to take me—what right have you got to call me a slacker?"</p>
<p>"But I heard—"</p>
<p>"Go on!"</p>
<p>"It doesn't matter what I heard, if you are going."</p>
<p>"Of course I'm going," he said, truculently.</p>
<p>He meant it, too. He would get Anna settled somewhere—she had begun
to mend—and then he would have it out with Marion and his mother.
But there was no hurry. The war would last a long time. And so it was that
Graham Spencer joined the long line of those others who had bought a piece
of ground, or five yoke of oxen, or had married a wife.</p>
<p>It was the morning after the pageant that Clayton, going down-town with
him in the car, voiced his expectation that the government would take over
their foreign contracts, and his feeling that, in that case, it would be a
mistake to profit by the nation's necessities.</p>
<p>"What do you mean, sir?"</p>
<p>"I mean we should take only a small profit. A banker's profit."</p>
<p>Graham had been fairly stunned, and had sat quiet while Clayton explained
his attitude. There were times when big profits were allowable. There was
always the risk to invested capital to consider. But he did not want to
grow fat on the nation's misfortunes. Italy was one thing. This was
different.</p>
<p>"But—we are just getting on our feet!"</p>
<p>"Think it over!" said Clayton. "This is going to be a long war, and an
expensive one. We don't particularly want to profit by it, do we?"</p>
<p>Graham flushed. He felt rather small and cheap, but with that there was a
growing admiration of his father. Suddenly he saw that this man beside him
was a big man, one to be proud of. For already he knew the cost of the
decision. He sat still, turning this new angle of war over in his mind.</p>
<p>"I'd like to see some of your directors when you put that up to them!"</p>
<p>Clayton nodded rather grimly. He did not anticipate a pleasant hour.</p>
<p>"How about mother?"</p>
<p>"I think we may take it for granted that she feels as we do."</p>
<p>Graham pondered that, too.</p>
<p>"What about the new place?"</p>
<p>"It's too soon to discuss that. We are obligated to do a certain amount.
Of course it would be wise to cut where we can."</p>
<p>Graham smiled.</p>
<p>"She'll raise the deuce of a row," was his comment.</p>
<p>It had never occurred to him before to take sides between his father and
his mother, but there was rising in him a new and ardent partisanship of
his father, a feeling that they were, in a way, men together. He had, more
than once, been tempted to go to him with the Anna Klein situation. He
would have, probably, but a fellow felt an awful fool going to somebody
and telling him that a girl was in love with him, and what the dickens was
he to do about it?</p>
<p>He wondered, too, if anybody would believe that his relationship with Anna
was straight, under the circumstances. For weeks now he had been sending
her money, out of a sheer sense of responsibility for her beating and her
illness. He took no credit for altruism. He knew quite well the
possibilities of the situation. He made no promises to himself. But such
attraction as Anna had had for him had been of her prettiness, and their
propinquity. Again she was girl, and that was all. And the attraction was
very faint now. He was only sorry for her.</p>
<p>When she could get about she took to calling him up daily from a
drug-store at a near-by corner, and once he met her after dark and they
walked a few blocks together. She was still weak, but she was
spiritualized, too. He liked her a great deal that night.</p>
<p>"Do you know you've loaned me over a hundred dollars, Graham?" she asked.</p>
<p>"That's not a loan. I owed you that."</p>
<p>"I'll pay it back. I'm going to start to-morrow to look for work, and it
won't cost me much to live."</p>
<p>"If you send it back, I'll buy you another watch!"</p>
<p>And, tragic as the subject was, they both laughed.</p>
<p>"I'd have died if I hadn't had you to think about when I was sick, Graham.
I wanted to die—except for you."</p>
<p>He had kissed her then, rather because he knew she expected him to. When
they got back to the house she said:</p>
<p>"You wouldn't care to come up?"</p>
<p>"I don't think I had better, Anna."</p>
<p>"The landlady doesn't object. There isn't any parlor. All the girls have
their callers in their rooms."</p>
<p>"I have to go out to-night," he said evasively. "I'll come some other
time."</p>
<p>As he started away he glanced back at her. She was standing in the
doorway, eying him wistfully, a lonely and depressed little figure. He was
tempted to throw discretion to the wind and go back. But he did not.</p>
<p>On the day when Clayton had broached the subject of offering their output
to the government at only a banker's profit, Anna called him up at his new
office in the munition plant.</p>
<p>He was rather annoyed. His new secretary was sitting across the desk, and
it was difficult to make his responses noncommittal.</p>
<p>"Graham!"</p>
<p>"Yes."</p>
<p>"Is anybody there? Can you talk?"</p>
<p>"Not very well."</p>
<p>"Then listen; I'll talk. I want to see you."</p>
<p>"I'm busy all day. Sorry."</p>
<p>"Listen, Graham, I must see you. I've something to tell you."</p>
<p>"All right, go ahead."</p>
<p>"It's about Rudolph. I was out looking for a position yesterday and I met
him."</p>
<p>"Yes?"</p>
<p>He looked up. Miss Peterson was absently scribbling on the cover of her
book, and listening intently.</p>
<p>"He was terrible, Graham. He accused me of all sorts of things, about
you."</p>
<p>He almost groaned aloud over the predicament he was in. It began to look
serious.</p>
<p>"Suppose I pick you up and we have dinner somewhere?"</p>
<p>"At the same corner?"</p>
<p>"Yes."</p>
<p>He was very irritable all morning. He felt as though a net was closing in
around him, and his actual innocence made him the more miserable. Miss
Peterson found him very difficult that day, and shed tears in her little
room before she went to lunch.</p>
<p>Anna herself was difficult that evening. Her landlady's son had given up a
good job and enlisted. Everybody was going. She supposed Graham would go
next, and she'd be left alone.</p>
<p>"I don't know. I'd like to."</p>
<p>"Oh, you'll go, all right. And you'll forget I ever existed." She made an
effort. "You're right, of course. I'm only looking ahead. If anything
happens to you, I'll kill myself."</p>
<p>The idea interested her. She began to dramatize herself, a forlorn figure,
driven from home, and deserted by her lover. She saw herself lying in the
cottage, stately and mysterious, while the hill girls went in and out, and
whispered.</p>
<p>"I'll kill myself," she repeated.</p>
<p>"Nothing will happen to me, Anna, dear."</p>
<p>"I don't know why I care so. I'm nothing to you."</p>
<p>"That's not so."</p>
<p>"If you cared, you'd have come up the other night. You left me alone in
that lonesome hole. It's hell, that place. All smells and whispering and
dirt."</p>
<p>"Now listen to me, Anna. You're tired, or you wouldn't say that. You know
I'm fond of you. But I've got you into trouble enough. I'm not—for
God's sake don't tempt me, Anna."</p>
<p>She looked at him half scornfully.</p>
<p>"Tempt you!" Then she gave a little scream. Graham following her eyes
looked through the window near them.</p>
<p>"Rudolph!" she whimpered. And began to weep out of pure terror.</p>
<p>But Graham saw nobody. To soothe her, however, he went outside and looked
about. There were half a dozen cars, a group of chauffeurs, but no
Rudolph. He went hack to her, to find her sitting, pale and tense, her
hands clenched together.</p>
<p>"They'll pay you out some way," she said. "I know them. They'll never
believe the truth. That was Rudolph, all right. He'll think we're living
together. He'd never believe anything else."</p>
<p>"Do you think he followed you the other day?"</p>
<p>"I gave him the shake, in the crowd."</p>
<p>"Then I don't see why you're worrying. We're just where we were before,
aren't we?"</p>
<p>"You don't know them. I do. They'll be up to something."</p>
<p>She was excited and anxious, and with the cocktail he ordered for her she
grew reckless.</p>
<p>"I'm just hung around your neck like a stone," she lamented. "You don't
care a rap for me; I know it. You're just sorry for me."</p>
<p>Her eyes filled again, and Graham rose, with an impatient movement.</p>
<p>"Let's get out of this," he said roughly. "The whole place is staring at
you."</p>
<p>But on the road the fact that she had been weeping for him made him
relent. He put an arm around her and drew her to him.</p>
<p>"Don't cry, honey," he said. "It makes me unhappy to see you miserable."</p>
<p>He kissed her. And they clung together, finding a little comfort in the
contact of warm young bodies.</p>
<p>He went up to her room that night. He was more anxious as to Rudolph than
he cared to admit, but he went up, treading softly on stairs that creaked
with every step. He had no coherent thoughts. He wanted companionship
rather than love. He was hungry for what she gave him, the touch of her
hands about his neck, the sense of his manhood that shone from her
faithful eyes, the admiration and unstinting love she offered him.</p>
<p>But alone in the little room he had a reaction, not the less keen because
it was his fastidious rather than his moral sense that revolted. The room
was untidy, close, sordid. Even Anna's youth did not redeem it. Again he
had the sense, when he had closed the door, of being caught in a trap, and
this time a dirty trap. When she had taken off her hat, and held up her
face to be kissed, he knew he would not stay.</p>
<p>"It's awful, isn't it?" she asked, following his eyes.</p>
<p>"It doesn't look like you. That's sure."</p>
<p>"I hurried out. It's not so bad when it's tidy."</p>
<p>He threw up the window, and stood there a moment. The spring air was cool
and clean, and there was a sound of tramping feet below. He looked down.
The railway station was near-by, and marching toward it, with the long
swing of regulars, a company of soldiers was moving rapidly. The night,
the absence of drums or music, the businesslike rapidity of their
progress, held him there, looking down. He turned around. Anna had slipped
off her coat, and had opened the collar of her blouse. Her neck gleamed
white and young. She smiled at him.</p>
<p>"I guess I'll be going," he stammered.</p>
<p>"Going!"</p>
<p>"I only wanted to see how you are fixed." His eyes evaded hers. "I'll see
you again in a day or two. I—"</p>
<p>He could not tell her the thoughts that were surging in him. The country
was at war. Those fellows below there were already in it, of it. And here
in this sordid room, he had meant to take her, not because he loved her,
but because she offered herself. It was cheap. It was terrible. It was—dirty.</p>
<p>"Good night," he said, and tried to kiss her. But she turned her face
away. She stood listening to his steps on the stairs as he went down,
steps that mingled and were lost in the steady tramp of the soldiers' feet
in the street below.</p>
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