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<h2> CHAPTER XLIII </h2>
<p>Anna Klein had gone home, at three o'clock that terrible morning, a
trembling, white-faced girl. She had done her best, and she had failed.
Unlike Graham, she had no feeling of personal responsibility, but she felt
she could never again face her father, with the thing that she knew
between them. There were other reasons, too. Herman would be arrested, and
she would be called to testify. She had known. She had warned Mr. Spencer.
The gang, Rudolph's gang, would get her for that.</p>
<p>She knew where they were now. They would be at Gus's, in the back room,
drinking to the success of their scheme, and Gus, who was a German too,
would be with them, offering a round of drinks on the house now and then
as his share of the night's rejoicing. Gus, who was already arranging to
help draft-dodgers by sending them over the Mexican border.</p>
<p>She would have to go back, to get in and out again if she could, before
Herman came back. She had no clothes, except what she stood up in, and
those in her haste that night were, only her print house-dress with a long
coat. She would have to find a new position, and she would have to have
her clothing to get about in. She dragged along, singularly unmolested.
Once or twice a man eyed her, but her white face and vacant eyes were
unattractive, almost sodden.</p>
<p>She was barely able to climb the hill, and as she neared the house her
trepidation increased. What if Herman had come back? If he suspected her
he would kill her. He must have been half mad to have done the thing,
anyhow. He would surely be half mad now. And because she was young and
strong, and life was still a mystery to be solved, she did not want to
die. Strangely enough, face to face with danger there was still, in the
back of her head, an exultant thrill in her very determination to live.
She would start over again, and she would work hard and make good.</p>
<p>"You bet I'll make good," she resolved. "Just give me a chance and I'll
work my fool head off."</p>
<p>Which was by way of being a prayer.</p>
<p>It was the darkest hour before the dawn when she reached the cottage. It
was black and very still, and outside the gate she stooped and slipped off
her shoes. The window into the shed by which she had escaped was still
open, and she crouched outside, listening. When the stillness remained
unbroken she climbed in, tense for a movement or a blow.</p>
<p>Once inside, however, she drew a long breath. The doors were still locked,
and the keys gone. So Herman had not returned. But as she stood there,
hurried stealthy footsteps came along the street and turned in at the
gate. In a panic she flew up the stairs and into her room, where the door
still hung crazily on its hinges. She stood there, listening, her heart
pounding in her ears, and below she distinctly heard a key in the kitchen
door. She did the only thing she could think of. She lifted the door into
place, and stood against it, bracing it with her body.</p>
<p>Whoever it was was in the kitchen now, moving however more swiftly than
Herman. She heard matches striking. Then:</p>
<p>"Hsst!"</p>
<p>She knew that it was Rudolph, and she braced herself mentally. Rudolph was
keener than Herman. If he found her door in that condition, and she
herself dressed! Working silently and still holding the door in place, she
flung off her coat. She even unpinned her hair and unfastened her dress.</p>
<p>When his signal remained unanswered a second time he called her by name,
and she heard him coming up.</p>
<p>"Anna!" he repeated.</p>
<p>"Yes?"</p>
<p>He was startled to hear her voice so close to the door. In the dark she
heard him fumbling for the knob. He happened on the padlock instead, and
he laughed a little. By that she knew that he was not quite sober.</p>
<p>"Locked you in, has he?"</p>
<p>"What do you want?"</p>
<p>"Has Herman come home yet?"</p>
<p>"He doesn't get home until seven."</p>
<p>"Hasn't he been back at all, to-night?"</p>
<p>She hesitated.</p>
<p>"How do I know? I've been asleep!"</p>
<p>"Some sleep!" he said, and suddenly lurched against the door. In spite of
her it yielded, and although she braced herself with all her strength, his
weight against it caused it to give way. It was a suspicious, crafty
Rudolph who picked himself up and made a clutch at her in the dark.</p>
<p>"You little liar," he said thickly. And struck a match. She cowered away
from him.</p>
<p>"I was going to run away, Rudolph," she cried. "He hasn't any business
locking me in, I won't stand for it."</p>
<p>"You've been out."</p>
<p>"No!"</p>
<p>"Out—after him!"</p>
<p>"Honest to God, Rudolph, no. I hate him. I don't ever want to see him
again."</p>
<p>He put a hand out into the darkness, and finding her, tried to draw her to
him. She struggled, and he released her. All at once she knew that he was
weak with fright. The bravado had died out of him. The face she had
touched was covered with a clammy sweat.</p>
<p>"I wish to God Herman would come."</p>
<p>"What d' you want with him?"</p>
<p>"Have you got any whisky?"</p>
<p>"You've had enough of that stuff."</p>
<p>Some one was walking along the street outside. She felt that he was
listening, crouched ready to run; but the steps went on.</p>
<p>"Look here, Anna," he said, when he had pulled himself together again.
"I'm going to get out of this. I'm going away."</p>
<p>"All right. You can go for all of me."</p>
<p>"D'you mean to say you've been asleep all night? You didn't hear
anything?"</p>
<p>"Hear what?"</p>
<p>He laughed.</p>
<p>"You'll know soon enough." Then he told her, hurriedly, that he was going
away. He'd come back to get her to promise to follow him. He wasn't going
to stay here and—</p>
<p>"And what?"</p>
<p>"And be drafted," he finished, rather lamely.</p>
<p>"Gus has a friend in a town on the Mexican border," he said. "He's got
maps of the country to Mexico City, and the Germans there fix you up all
right. I'll get rich down there and some day I'll send for you? What's
that?"</p>
<p>He darted to the window, faintly outlined by a distant street-lamp. Three
men were standing quietly outside the gate, and a fourth was already in
the garden, silently moving toward the house. She felt Rudolph brush by
her, and the trembling hand he laid on her arm.</p>
<p>"Now lie!" he whispered fiercely. "You haven't seen me. I haven't been
here to-night."</p>
<p>Then he was gone. She ran to the window. The other three men were coming
in, moving watchfully and slowly, and Rudolph was at Katie's window,
cursing. If she was a prisoner, so was Rudolph. He realized that
instantly, and she heard him breaking out the sash with a chair. At the
sound the three figures broke into a run, and she heard the sash give way.
Almost instantly there was firing. The first shot was close, and she knew
it was Rudolph firing from the window. Some wild design of braining him
from behind with a chair flashed into her desperate mind, but when she had
felt her way into Katie's room he had gone. The garden below was quiet,
but there was yelling and the crackling of underbrush from the hill-side.
Then a scattering of shots again, and silence. The yard was empty.</p>
<p>The hill paid but moderate attention to shots. They were usually merely
pyrotechnic, and indicated rejoicing rather than death. But here and there
she heard a window raised, and then lowered again. The hill had gone back
to bed. Anna went into her room and dressed. For the first time it had
occurred to her that she might be held by the police, and the thought was
unbearable. It was when she was making her escape that she found a
prostrate figure in the yard, and knew that one of Rudolph's shots had
gone home. She could not go away and leave that, not unless—A
terrible hatred of Herman and Rudolph and all their kind suddenly swept
over her. She would not run away. She would stay and tell all the terrible
truth. It was her big moment, and she rose to it. She would see it
through. What was her own safety to letting this band of murderers escape?
And all that in the few seconds it took to reach the fallen figure. It was
only when she was very close that she saw it was moving.</p>
<p>"Tell Dunbar he went to the left," a voice was saying. "The left! They'll
lose him yet."</p>
<p>"Joey!"</p>
<p>"Hello," said Joey's voice. He considered that he was speaking very loud,
but it was hardly more than a whisper. "That wasn't your father, was it?
The old boy couldn't jump and run like that."</p>
<p>"Are you hurt?"</p>
<p>He coughed a little, a gurgling cough that rather startled himself. But he
was determined to be a man.</p>
<p>"No. I just lay down here for a nap. Who was it that jumped?"</p>
<p>"My cousin Rudolph. Do you think I can help you into the house?"</p>
<p>"I'll walk there myself in a minute. Unless your cousin Rudolph—"
His head dropped back on her arm. "I feel sort of all in." His voice
trailed off.</p>
<p>"Joey!"</p>
<p>"Lemme alone," he muttered. "I'm the first casualty in the American army!
I—" He made a desperate effort to speak in a man's voice, but the
higher boyish notes of sixteen conquered. "They certainly gave us hell
to-night. But we're going to build again; me and—Clayton Spen—"</p>
<p>All at once he was very still. Anna spoke to him and, that failing, gave
him a frantic little shake. But Joey had gone to another partnership
beyond the stars.</p>
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