A classic collection of oral German folklore, brought together for posterity by the scholarly brothers Grimm in the 1800s, this epitome of fairy tales includes many of the world’s best known stories. In these dark foreboding woods, you will find: Rapunzel, Hansel and Gretel, Rumpelstiltskin, Lily and the Lion (better known as Beauty and the Beast), and Snow White and Rose Red, among other timeless works. These tales were later heavily revised and sanitised, but here are presented closer to their grim and beloved originals.
The miserly Ebenezer Scrooge is a cold-hearted man of business and has little time for the good humor and charity of the Christmas season. But that's about to change. A visit from his deceased business partner sets in motion a night in which Scrooge is visited by the ghosts of Christmas past, present, and future. Will his listen to their messages? Will he heed their warnings? Ebenezer Scrooge is about to take a Christmas journey that he won't soon forget.
Le Morte d'Arthur (spelled Le Morte Darthur in the first printing and also in some modern editions, Middle French for la mort d'Arthur, "the death of Arthur") is Sir Thomas Malory's compilation of some French and English Arthurian romances. The book contains some of Malory's own original material (the Gareth story) and retells the older stories in light of Malory's own views and interpretations. First published in 1485 by William Caxton, Le Morte d'Arthur is perhaps the best-known work of English-language Arthurian literature today. Many modern Arthurian writers have used Malory as their source, including T. H. White for his popular The Once and Future King.
Faust is the protagonist of a classic German legend; a highly successful scholar, but also dissatisfied with his life, and so makes a deal with the devil, exchanging his soul for unlimited knowledge and worldly pleasures.
Johann Wolfgang von Goethe's Faust is a tragic play in two parts. It is Goethe's most famous work and considered by many to be one of the greatest works of German literature.
This first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theatre, the actual plot begins with a prologue in Heaven and Scene 1 in Faust's study.
The Adventures of Pinocchio is a novel for children by Italian author Carlo Collodi (here transl. by Carol della Chiesa). The first half was published in serial form between 1881 and 1883, and then completed as a book for children in February 1883. It is about the mischievous adventures of Pinocchio, an animated marionette, and his poor father, a woodcarver named Geppetto. It is considered a classic of children’s literature and has spawned many derivative works of art, such as Disney’s classic 1940 animated movie of the same name, and commonplace ideas, such as a liar’s long nose.
The Arabian Nights is a collection of Perso-Arabic folk tales and other stories. The collection, or at least certain stories drawn from it (or purporting to be drawn from it), became widely known in the West from the 18th century, after it was translated from the Arabic — first into French and then into English and other European languages. The first English language edition, based on Galland's French rather than the original Arabic, rendered the title as The Arabian Nights' Entertainment - and this, or simply The Arabian Nights, has been the title by which it has been best known to English-speaking people ever since.
A collection of eighteen fairy tales - some popular, some lesser known - by famous Danish author H.C. Andersen.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 3 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 4 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 5 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 6 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 7 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 8 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 9 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 1 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 10 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 11 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 12 of 12.
Dating back to the 6th century BC, Aesop's Fables tell universal truths through the use of simple allegories that are easily understood. Though almost nothing is known of Aesop himself, and some scholars question whether he existed at all, these stories stand as timeless classics known in almost every culture in the world. This is volume 2 of 12.
Aesop's Fables or the Aesopica are a collection of fables credited to Aesop, a slave and story-teller believed to have lived in ancient Greece between 620 and 560 BCE. The fables remain a popular choice for moral education of children today. Many of the stories, such as The Fox and the Grapes (from which the idiom "sour grapes" derives), The Tortoise and the Hare, The North Wind and the Sun, The Boy Who Cried Wolf and The Ant and the Grasshopper are well-known throughout the world.
The scene of the following Poem is laid chiefly in the vicinity of Loch Katrine, in the Western Highlands of Perthshire. The time of Action includes Six Days, and the transactions of each Day occupy a Canto.
First published in 1908, this is a book of "beautiful legends and fairy tales of Japan" that were collected, translated and retold by the author, Yei Theodora Ozaki, who states: "...in telling them I have also found that they were still unknown to the vast majority, and this has encouraged me to write them for the children of the West." In part, the project was the result of a suggestion made by her friend Andrew Lang, another collector of fairy stories, who printed his stories in the many Colored Fairy Books.
A young man named Anodos experiences dream-like adventures in Fairy Land, where he meets tree-spirits, endures the presence of the overwhelming shadow, journeys to the palace of the fairy queen, and searches for the spirit of the earth. The story conveys a profound sadness and a poignant longing for death.
Master storyteller Padraic Colum's rich, musical voice captures all the magic and majesty of the Norse sagas in his retellings of the adventures of the gods and goddesses who lived in the Northern paradise of Asgard before the dawn of history. Here are the matchless tales of All-Father Odin, who crosses the Rainbow Bridge to walk among men in Midgard and sacrifices his right eye to drink from the Well of Wisdom; of Thor, whose mighty hammer defends Asgard; of Loki, whose mischievous cunning leads him to treachery against the gods; of giants, dragons, dwarfs and Valkyries; and of the terrible last battle that destroyed their world.
This book deals mainly with some aspects of what may be termed the psychical life of the inhabitants of the Madras Presidency, and the Native States of Travancore and Cochin.
Donald Alexander Mackenzie (1873 – March 2, 1936) was a Scottish journalist and prolific writer on religion, mythology and anthropology in the early 20th century. His works included Indian Myth and Legend, Celtic Folklore and Myths of China and Japan.
As well as writing books, articles and poems, he often gave lectures, and also broadcast talks on Celtic mythology.
This volume deals with the myths and legends of Babylonia and Assyria, and as these reflect the civilization in which they developed, a historical narrative has been provided, beginning with the early Sumerian Age and concluding with the periods of the Persian and Grecian Empires. Over thirty centuries of human progress are thus passed under review.
Tales of Old Japan by Lord Redesdale is a collection of short stories focusing on Japanese life of the Edo period (1803 - 1868). It contains a number of classic Japanese stories, fairy tales, and other folklore; as well as Japanese sermons and non-fiction pieces on special ceremonies in Japanese life, such as marriage and harakiri, as observed by Lord Redesdale. The best know story of these is "The Forty-seven Ronins" a true account of samurai revenge as it happened at the beginning of 18th century Japan.
Algernon Bertram Freeman-Mitford, 1st Baron Redesdale (1837 - 1916) was a British diplomat, collector and writer. He worked in Japan as second secretary to the British Legation at the time of the Meiji Restoration. He wrote Tales of Old Japan in 1871.
This collection of fantasy stories was originally serialized in regional newspapers, prior to being published as a complete volume. The stories, as critics have noted, lack the high-fantasy aspect of the best of Baum's work, in Oz or out. With ironic or nonsensical morals attached to their ends, their tone is more satirical, glib, and tongue-in-cheek than is usual in children's stories; the serialization in newspapers for adult readers was appropriate for the materials.
This is one of the oldest written collections of fairy tales. Although the names are different, listeners should recognise many of the stories as the basis of modern fairy tales. Be warned however, that these stories are a lot more violent and gruesome then the Disney versions you may be familiar with. Parents should listen to the files to gauge their suitability before allowing children to listen to them.
Asgard Stories - Tales from Norse Mythology. To all our Children who have loved the hearing of these Asgard Stories. This little volume is the outcome of several years experience in telling to classes of children the classic myths, both southern and northern.
"A broad simplicity, so very different from the light gracefulness of the old Greek paganism, distinguishes this Norse system. It is thought, the genuine thought of deep, rude, earnest minds, fairly opened to the things about them, - a face-to-face and heart-to-heart inspection of things, - the first characteristic of all good thought in all times." wrote Carlyle.
Anderson, the author of “Norse Mythology,” wrote: “In the Norse mythology the centralizing idea is its peculiar feature; in it lies its strength and beauty. The one myth and the one divinity is inextricably in communion with the other; and thus also the idea of unity, centralization, is a prominent feature and one of the chief characteristics of the Teutonic nations."
”The Fisherman and his Soul” is a fairy tale first published in November of 1891 in Wilde’s “A House of Pomegranates”. It tells of a fisherman who nets and falls in love with a mermaid. But to be with her he must shed his soul, which goes off to have adventures of its own. Will forbidden love endure? -- This reader has also recorded the three other tales in “A House of Pomegranates” which can be found in the LibriVox Short Story Collections, volumes 37, 38, and 39.
One of the earliest recorded histories of Britain; Nennius wrote the book around 796BC. These days Nennius is recognised as being a teller, and embellisher, of historic characters and events; but his book is notable as one of the earliest that mention Arthur (of Arthurian legend).
Robin Hood is a heroic outlaw in English folklore. A highly skilled archer and swordsman, he is known for "robbing from the rich and giving to the poor", assisted by a group of fellow outlaws known as his "Merry Men". Traditionally Robin Hood and his men are depicted wearing Lincoln green clothes. The origin of the legend is claimed by some to have stemmed from actual outlaws, or from ballads or tales of outlaws.
Three monkey brothers, Thumb, Thimble, and Nod, are Mulla-mulgars or royal monkeys. As she dies, their mother gives them the enchanted Wonderstone for protection, and tells them to follow their father. They embark on a journey of fantastical adventure to find their father, who left years earlier in search of the kingdom of his brother, the Prince of the Valleys of Tishnar, promising to return for them after he had found the way.
Venus and Adonis is Shakespeare's narrative poem about the love of the goddess Venus for the mortal youth Adonis, dedicated partly to his patron, the Earl of Southampton (thought by some to be the beautiful youth to which many of the Sonnets are addressed). The poem recounts Venus' attempts to woo Adonis, their passionate coupling, and Adonis' rejection of the goddess, to which she responds with jealousy, with tragic results. This recording features three different readers performing the narration, Venus, and Adonis.
Both Ovid and Spenser also treat this ancient myth, but Spenser alters the ending, converting the tale into an archetype of fulfilled love, whereas Ovid, like Shakespeare, combines humor with pathos as a buffer against sentimentality. Ovid’s Venus behaves absurdly out of character, becoming a huntress to keep her lover company in the woods. Shakespeare, however, preserves decorum; his Venus remains at all times the queen of love. The humor arises rather from the fact that the would-be paramour isn’t interested. This endows the goddess’s wooing with nearly slapstick over-exertion, and yet her sincerity makes her appealing, while Adonis’s immaturity forces us to respect his chastity. The pathos comes, of course, from the unhappy ending—more unhappy because we do not expect a comedy to end sadly, especially not when we sympathize with the characters.The poetic form or genre, the epyllion, is an erotic narrative based on mythology, like Marlowe's Hero and Leander and, later, Phineus Fletcher's Venus and Anchises, also found in the Librivox catalogue. Venus and Adonis and The Rape of Lucrece, both narrative poems, are the only works that Shakespeare ever carefully saw through the press.
This version of the book is done as a Dramatic Reading with various people speaking each characters part.
When the King of Barodia receives a pair of seven-league boots as a birthday present, his habit of flying over the King of Euralia's castle during breakfast provokes a series of incidents which escalate into war. While the King of Euralia is away, his daughter Hyacinth tries to rule in his stead and counter the machiavellian ambitions of the king's favourite, the Countess Belvane. Ostensibly a typical fairytale, it tells the story of the war between the kingdoms of Euralia and Barodia and the political shenanigans which take place in Euralia in the king's absence. The book introduces us to a princess who is far from helpless; a prince who, whilst handsome, is also pompous and vain; an enchantment which is almost entirely humorous; a villain who is not entirely villainous and receives no real comeuppance; a good king who isn't always good; an evil king who isn't always evil, and so on. The result is a book which children may not enjoy as much as adults. The book was written by Milne partly for his wife, upon whom the character of the Countess Belvane was partially based.
When the King of Barodia receives a pair of seven-league boots as a birthday present, his habit of flying over the King of Euralia's castle during breakfast provokes a series of incidents which escalate into war. While the King of Euralia is away, his daughter Hyacinth tries to rule in his stead and counter the machiavellian ambitions of the king's favourite, the Countess Belvane. Written in 1917, Milne's own introduction begins 'This is an odd book', and indeed it is very difficult to classify. Ostensibly a typical fairytale, it tells the story of the war between the kingdoms of Euralia and Barodia and the political shenanigans which take place in Euralia in the king's absence, all supposedly rewritten by Milne from the writings of the fictional historian "Roger Scurvilegs". Milne created the story to contain believable, three-dimensional characters, rather than the stereotypes which will satisfy children. Hence the book introduces us to a princess who is far from helpless; a prince who, whilst handsome, is also pompous and vain; an enchantment which is almost entirely humorous; a villain who is not entirely villainous and receives no real comeuppance; a good king who isn't always good; an evil king who isn't always evil, and so on. The result is a book which children may not enjoy as much as adults. The book was written by Milne partly for his wife, upon whom the character of the Countess Belvane was partially based.
Fourteen Old Indian Legends by Native American ( Dakota ) Author Zitkala-sa. These Legends feature the exploits of Iktomi the Native American Trickster god.
Brief, and in some cases incomplete, stories of magic from ancient Egypt.
A collection of three short stories about fairies, complete with good moral lessons (as every fairy tale should be).
This is Irish folklorist Padraic Colum's masterful retelling of many Greek myths, focusing on Jason and the Argonauts' quest to find the Golden Fleece. He also includes the stories of Atalanta, Heracles, Perseus, Theseus, and others.
These 22 stories are told by the Goblin to the King Vikram. King Vikram faces many difficulties in bringing the vetala to the tantric. Each time Vikram tries to capture the vetala, it tells a story that ends with a riddle. If Vikram cannot answer the question correctly, the vampire consents to remain in captivity. If the king answers the question correctly, the vampire would escape and return to his tree. In some variations, the king is required to speak if he knows the answer, else his head will burst.
This work is taken form baital pachisi and One of its oldest recensions is found incorporated in the Katha-Sarit-Sagara ("Ocean of the Streams of Story"), a work in Sanskrit compiled in the 11th century by Somadeva. (Wikipedia)
Charlton Miner Lewis' version of Gawayne and the Green Knight, a late 14th century alliterative romance, is written in modern language telling the story of the Green Knight's challenge to Gawayne, and the romance between Sir Gawayne and Lady Elfinheart. The name Gawayne is often also spelled Gawain.
Published in 1903, Gawayne and the Green Knight is a modern-language retelling of Sir Gawain and the Green Knight, a 14th-century verse romance following a young knight of the Round Table. During Christmas celebrations, a mysterious, entirely green knight presents a challenge to King Arthur's court: that any may strike the stranger a single blow with his green axe, provided he assent to receiving the same a year later. Gawayne accepts the challenge, and its unexpected outcome leads to a great test of his courage and knighthood. A significant addition to this version is the Lady Elfinhart, whose back-story and romance with Gawayne are tightly interwoven with the plot.
Friedrich de la Motte Fouque, also the author of Undine, was a German Romantic writer whose stories were filled with knights, damsels in distress, evil enchantments, and the struggle of good against overpowering evil. 'My strength is as the strength of ten, Because my heart is pure.' Fouque blends the Romantic love for nature and ancient chivalry while telling a powerful story about a young man who yearns for that which he can never attain.
Twenty-year-old Mary Alice is bored with her home life and envious of the beautiful, poised, popular girls she sees at parties. At her mother's advice, she reluctantly visits her Godmother in New York, who teaches Mary Alice a little homemade "magic" and the one great Secret that will put her at ease with other people. How can Mary Alice learn to use these gifts to bring happiness into her own life and other lives? Although this charming novelette is subtitled "A True Fairy Story," it reveals that most of the "magic" in life can be found within ourselves.
Undine is a novel by Friedrich de la Motte Fouqué concerning Undine, a water spirit who marries a Knight named Huldebrand in order to gain a soul. It is an early German romance, which has been translated into English and other languages. The novel served as inspiration for two operas in the romantic style by Ernst Theodor Amadeus Hoffmann and Albert Lortzing, respectively, and two ballets: the nineteenth century Ondine and the twentieth century Undine. An edition of the book was illustrated by Arthur Rackham. In The Fantastic Imagination, George MacDonald writes, "Were I asked, what is a fairytale? I should reply, Read Undine: that is a fairytale ... of all fairytales I know, I think Undine the most beautiful."
This epic poem is about Alfred the Great's defense of Christian England against the pagan Viking invaders. The decisive battle is fought in sight of a white horse mark made on a hill, after which the poem is named. As the white horse mark must be continually maintained by weeding to be clearly seen, Chesterton sees it as a symbol of the continual struggle to maintain the Christian culture and values for which Alfred the Great fought.
A collection of legends and myths of the Hawaiian islands and their 'strange people' as told by His Majesty King Kalakaua, the last king of Hawaii. Introduction, including a history, geography and social and religious commentary on the islands by R.M. Daggett, United States Minister to the Hawaiian Islands 1882-1885.
This book tells of a girl named Alice falling through a rabbit hole into a fantasy world populated by peculiar, anthropomorphic creatures.