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Phaedra
In the court of Louis XIV, adaptations of Greek tragedies were very popular. This play, heavily influenced by Euripides' Hippolytus, deals with love that violates social taboos. Note: In Racine's work, a new "scene" begins whenever a character enters or exits. Therefore, there are no stage directions, only a list of the characters on stage for each scene. The action is continuous for the entire act. -
Romeo and Juliet
Romeo and Juliet is perhaps the most famous of Shakespeare’s plays and is thought to be the most famous love story in Western history. It concerns the fate of two very young lovers who would do anything to be together
The Montagues and the Capulets of Verona, Italy, are in the midst of a long-standing feud when Romeo Montague drops in on a masquerade party at the Capulets’. While there he meets and woos the daughter of the house, Juliet. She likewise returns his passion, and their secret meeting later that night on her bedroom balcony begins a series of tragic events that no one could have foretold. -
Tragical History of Doctor Faustus, The (1616 version)
The Tragicall History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is a play by Christopher Marlowe, based on the Faust story, in which a man sells his soul to the devil for power and knowledge. Doctor Faustus was first published in 1604, eleven years after Marlowe's death and at least twelve years after the first performance of the play. "No Elizabethan play outside the Shakespeare canon has raised more controversy than Doctor Faustus. There is no agreement concerning the nature of the text and the date of composition... and the centrality of the Faust legend in the history of the Western world precludes any definitive agreement on the interpretation of the play. This recording uses the 1616 quarto, published by John Wright, which contains significant alterations from and additions to the quarto of 1604. -
Philoctetes
Sophocles' play recounts an episode from the Trojan War, in which the wily Odysseus and Achilles' son Neoptolemus travel to a remote island to persuade Philoctetes to come with them to Troy. A prophet has foreseen that the Greeks will need Philoctetes and his bow (given to him by Heracles before his death) in order to defeat the Trojans. The problem is that years before Odysseus had engineered Philoctetes' abandonment on the island, due to a festering, stinking wound he had received from a snakebite. Will Philoctetes forgive and forget, or will he take his revenge? -
Titus Andronicus
Titus Andronicus may be Shakespeare's earliest tragedy; it is believed to have been written in the early 1590s. It depicts a Roman general who is engaged in a cycle of revenge with his enemy Tamora, the Queen of the Goths. The play is by far Shakespeare's bloodiest work. It lost popularity during the Victorian era because of its gore, and it has only recently seen its fortunes revive. -
Trachiniai (Campbell Translation)
Women of Trachis (Ancient Greek: ??a????a?, Trachiniai; also translated as The Trachiniae or The Trachinian Maidens) is an Athenian tragedy by Sophocles. The story begins with Deianeira, the wife of Heracles, relating the story of her early life and her plight adjusting to married life. She is now distraught over her husband's neglect of her family. Often involved in some adventure, he rarely visits them. She sends their son Hyllus to find him, as she is concerned over prophecies about Heracles and the land he is currently in. After Hyllus sets off, a messenger arrives with word that Heracles, victorious in his recent battle, is making offerings on Cape Cenaeum and coming home soon to Trachis. But Heracles' arrival with a beautiful young slave girl complicates the marital situation more than ever, leading to desperate measures on the part of Deianeira and a tragic denouement. -
Edward II
Christopher Marlowe's Elizabethan tragedy focuses on the downfall of King Edward II, whose love for his favorite courtier, Piers Gaveston, leads to rebellion. -
Measure for Measure (version 3)
Measure for Measure is one of William Shakespeare's more enigmatic works. As one of the so-called "problem plays," it mixes a dark plot with light overtones, without resolving the tensions inherent in either. Its central conflict is spurred on when the Duke of Vienna, Vincentio, confers his powers on the law-abiding judge Angelo before leaving on a diplomatic mission. In reality, Vincentio has merely disguised himself as a lowly friar to watch Angelo's rule from afar—a rule that is quickly characterized by its overzealous cruelty and harshness. When Angelo has a man condemned to death for fornication, the man's sister, a pious novitiate named Isabella, intercedes on his behalf and begs Angelo for leniency. It is through this encounter that Angelo's true self emerges, as well as the play's presiding themes of moral justice, civil corruption, and the neverending conflict between the powers of sin and virtue. Can Isabella thwart Angelo's wicked intentions? Will the Duke restore peace and sanity in Vienna? Will compassion prevail? Take a listen, for all will be revealed. -
White Devil
John Webster's The White Devil (1612) is a Jacobean revenge tragedy, replete with adultery, murder, ghosts, and violence. The Duke of Brachiano and Vittoria Corombona decide to kill their spouses, Isabella and Camillo, in order to be together, aided by the crafty and ambitious Flamineo, Vittoria's brother. Their actions prompt vows of revenge from Isabella's brother Francisco, the Duke of Florence, and Count Lodovico, who was secretly in love with her. The title refers to the early modern proverb that "the white devil is worse than the black," indicating the hypocrisy practiced by many of the characters in the play. -
Father
The Father is a naturalistic drama by Swedish playwright August Strindberg. The central conflict is between the Captain and his wife Laura about their daughter Bertha's future. In order to gain sole custody of her daughter, Laura tries to convince the Captain that he has gone mad. -
Lady From the Sea
The title character in Ibsen's drama, Ellida Wangel, is married to a prosperous doctor, but feels stifled by her roles as wife and stepmother to her husband's two daughters by a previous marriage, Hilde and Bolette. Ten years earlier she had promised to marry another man - and on a sultry summer day, he comes back to her. Ellida must decide whether to choose the safety of her life with Wangel, or to yield to the siren song of the sea. -
Hecuba
Like Euripides' Trojan Women, this play takes place after the sack of Troy. Hecuba, widow of King Priam, suffers the loss of her daughter Polyxena and her son Polydore, and is hungry for revenge on those who have wronged her. -
Persians
This is one of the few Greek tragedies that deals with historical events rather than mythological ones. The elders of the Persian court await new of the outcome of the Battle of Salamis, and mourn when they find that their king, Xerxes, has lost to the Greeks. -
Orestes
In accordance with the advice of the god Apollo, Orestes has killed his mother Clytemnestra to avenge the death of his father Agamemnon at her hands. Despite Apollo’s earlier prophecy, Orestes finds himself tormented by Erinyes or Furies to the blood guilt stemming from his matricide. The only person capable of calming Orestes down from his madness is his sister Electra. To complicate matters further, a leading political faction of Argos wants to put Orestes to death for the murder. Orestes’ only hope to save his life lies in his uncle Menelaus, who has returned with Helen after spending ten years in Troy and several more years amassing wealth in Egypt. In the chronology of events following Orestes, this play takes place after the events contained in plays such as Electra by Euripides or The Libation Bearers by Aeschylus, and before events contained in plays like The Eumenides by Aeschylus and Andromache by Euripides. As Buckley's translation of the argument concludes, "The play is among the most celebrated on the stage, but infamous in its morals; for, with the exception of Pylades, all the characters are bad persons." -
Iphigenia in Tauris
Orestes, coming into Tauri in Scythia, in company with Pylades, had been commanded to bear away the image of Diana, after which he was to meet with a respite from the avenging Erinnyes of his mother. His sister Iphigenia, who had been carried away by Diana from Aulis, when on the point of being sacrificed by her father, chances to be expiating a dream that led her to suppose Orestes dead, when a herdsman announces to her the arrival and detection of two strangers, whom she is bound by her office to sacrifice to Diana. On meeting, a mutual discovery takes place, and they plot their escape. -
Persians (version 2)
The earliest of Aeschylus' plays to survive is "The Persians" (Persai), performed in 472 BC and based on experiences in Aeschylus's own life, specifically the Battle of Salamis. It is unique among surviving Greek tragedies in that it describes a recent historical event. "The Persians" focuses on the popular Greek theme of hubris by blaming Persia's loss on the pride of its king. It is the second and only surviving part of a now otherwise lost trilogy that won the first prize at the dramatic competitions in Athens’ City Dionysia festival in 472 BCE, with Pericles serving as choregos. The first play in the trilogy was called "Phineus"; it presumably dealt with Jason and the Argonauts' rescue of King Phineus from the torture that the monstrous harpies inflicted at the behest of Zeus. The subject of the third play, "Glaucus," was either a mythical Corinthian king who was devoured by his horses because he angered the goddess Aphrodite or a Boeotian farmer who ate a magical herb that transformed him into a sea deity with the gift of prophecy. In "The Persians," Xerxes invites the gods' enmity for his hubristic expedition against Greece in 480/79 BCE; the focus of the drama is the defeat of Xerxes' navy at Salamis. Aeschylus himself had fought the Persians at Marathon (490 BC). He may also have fought at Salamis, just eight years before the play was performed. Summary by Wikipedia (edited by Expatriate) -
Hippolytus
Eurpides' tragedy tells of Theseus' chaste son Hippolytus, who refuses to worship Aphrodite in favor of Artemis. Aphrodite gets revenge by causing Hippolytus' stepmother Phaedra to fall in love with him, unleashing a chain of tragic events. -
Bacchae
The tragedy is based on the mythological story of King Pentheus of Thebes and his mother Agavë, and their punishment by the god Dionysus (who is Pentheus' cousin) for refusing to worship him. -
Oresteia
The Oresteia is a trilogy by Aeschylus, one of the foremost playwrights of ancient Greece. It encompasses three plays: Agamemnon, The Libation Bearers, and The Furies. It tells the tragic tale of the House of Atreus, whose inhabitants have been cursed and are doomed to play out their bloody, vengeful destinies. At the beginning of the first part, the Trojan War has ended and the Greek general, Agamemnon, is returning victorious to his wife Clytemnestra. Yet she finds it difficult to forgive his sacrifice of their daughter, Iphigenia, who was killed to ensure the Greek fleet fair winds in their voyage to Troy. Her desire for vengeance, and its dire consequences, instigates the action of these poetic tragedies. -
Oresteia
The Oresteia is a trilogy by Aeschylus, one of the foremost playwrights of ancient Greece. It encompasses three plays: Agamemnon, The Libation Bearers, and The Furies. It tells the tragic tale of the House of Atreus, whose inhabitants have been cursed and are doomed to play out their bloody, vengeful destinies. At the beginning of the first part, the Trojan War has ended and the Greek general, Agamemnon, is returning victorious to his wife Clytemnestra. Yet she finds it difficult to forgive his sacrifice of their daughter, Iphigenia, who was killed to ensure the Greek fleet fair winds in their voyage to Troy. Her desire for vengeance, and its dire consequences, instigates the action of these poetic tragedies. -
Tamburlaine the Great, Part 2
Tamburlaine the Great is the name of a play in two parts by Christopher Marlowe. It is loosely based on the life of the Central Asian emperor, Timur 'the lame'. Written in 1587 or 1588, the play is a milestone in Elizabethan public drama; it marks a turning away from the clumsy language and loose plotting of the earlier Tudor dramatists, and a new interest in fresh and vivid language, memorable action, and intellectual complexity. Along with Thomas Kyd's The Spanish Tragedy, it may be considered the first popular success of London's public stage.
In Part 2, Tamburlaine grooms his sons to be conquerors in his wake as he continues to conquer his neighbouring kingdoms. One of his sons, Calyphas, preferring to stay by his mother's side and not risk death, incurs Tamburlaine's wrath. Seeing this son as a coward, Tamburlaine kills him in anger after a battle in which he refuses to fight. During this time, Bajazeth's son, Callapine, plans to avenge his father's death. Finally, while attacking an Islamic nation, he scornfully burns a copy of the Qur'an and claims to be greater than God. Suddenly, Tamburlaine is struck ill and dies, giving his power to his remaining sons, but still aspiring to greatness as he departs life. -
Melting Pot
Russian-Jew David Quixano has come to America after surviving a pogrom which has killed his family. He has written a symphony which embodies his vision of America as a melting pot, into which people from all the nations of the earth come, and "the great Alchemist melts and fuses them with his purging flame! Here shall they all unite to build the Republic of Man and the Kingdom of God." But old hatreds and old sins die hard....
Note: There are attitudes and terms in the play and the afterword that may be offensive to some listeners. -
John Gabriel Borkman
John Gabriel Borkman is the penultimate play of the Norwegian playwright Henrik Ibsen, written in 1896. The Borkman family fortunes have been brought low by the imprisonment of John Gabriel who used his position as a bank manager to illegally speculate with his investors' money. The action of the play takes place eight years after Borkman's release when John Gabriel Borkman, Mrs. Borkman, and her twin sister Ella Rentheim battle over the future of young Erhart Borkman. Though John Gabriel Borkman continues the line of naturalism and social commentary that marks Ibsen's middle period, the final act suggests a new phase for the playwright, a phase brought to fruition in his final more symbolic work When We Dead Awaken. -
King Lear (version 2)
The Tragedy of King Lear is a tragedy by William Shakespeare. The title character descends into madness after foolishly disposing of his estate between two of his three daughters based on their flattery, bringing tragic consequences for all. The play is based on the legend of Leir of Britain, a mythological pre-Roman Celtic king. It has been widely adapted for the stage and motion pictures, and the role of Lear has been coveted and played by many of the world's most accomplished actors. The play was written between 1603 and 1606 and later revised. Shakespeare's earlier version, The True Chronicle of the History of the Life and Death of King Lear and His Three Daughters, was published in quarto in 1608. The Tragedy of King Lear, a more theatrical version, was included in the 1623 First Folio. Modern editors usually conflate the two, though some insist that each version has its individual integrity that should be preserved. After the Restoration, the play was often revised with a happy ending for audiences who disliked its dark and depressing tone, but since the 19th century Shakespeare's original version has been regarded as one of his supreme achievements. The tragedy is particularly noted for its probing observations on the nature of human suffering and kinship. George Bernard Shaw wrote, "No man will ever write a better tragedy than Lear". -
Alcestis
Alcestis is the earliest surviving play by Euripides. Alcestis, the devoted wife of King Admetus, has agreed to die in his place, and at the beginning of the play she is close to death. In the first scene, Apollo argues with Thanatos (Death), asking to prolong Alcestis' life, but Thanatos refuses. Apollo leaves, but suggests that a man will come to Pherae who will save Alcestis. Euripides' play is perhaps the most unusual Greek drama ever written: a tragedy that is not a tragedy. -
Henry IV, A Tragedy in Three Acts
A talented actor and historian falls off his horse in a historical pageant while playing the role of Henry IV. When he comes to, he believes himself to be Henry. For the next twenty years his nephew, Count de Nolli, funds an elaborate hoax in a remote villa, where actors play the roles of Henry's privy councillors and simulate the 11th century court.
On request from his dying mother, de Nolli brings a Doctor referred to as the latest in a succession to try to cure Henry (whose real name, if it is not Henry, is never mentioned). All the action of the play occurs in this one day of the visit. -
Rosmersholm
Rosmersholm is a play written in 1886 by Norwegian playwright Henrik Ibsen. In the estimation of many critics the piece is Ibsen's masterwork, only equalled by The Wild Duck of 1884. As expressed by the protagonist, Rosmer, the theme of the play is social and political change, in which the traditional ruling classes relinquish their right to impose their ideals on the rest of society, but the action is entirely personal, resting on the conduct of the immoral, or amoral, "free thinking" heroine, Rebecca, who sets herself to undermine Rosmer's religious and political beliefs because of his influential position in the community. Rebecca has abandoned not only Christianity but, unlike Rosmer, she has abandoned the whole ethical system of Christianity as well. Possibly she may be taken as Ibsen's answer to the question of whether or not Christian ethics can be expected to survive the death of the Christian religion. -
Rosmersholm
Rosmersholm is a play written in 1886 by Norwegian playwright Henrik Ibsen. In the estimation of many critics the piece is Ibsen's masterwork, only equalled by The Wild Duck of 1884. As expressed by the protagonist, Rosmer, the theme of the play is social and political change, in which the traditional ruling classes relinquish their right to impose their ideals on the rest of society, but the action is entirely personal, resting on the conduct of the immoral, or amoral, "free thinking" heroine, Rebecca, who sets herself to undermine Rosmer's religious and political beliefs because of his influential position in the community. Rebecca has abandoned not only Christianity but, unlike Rosmer, she has abandoned the whole ethical system of Christianity as well. Possibly she may be taken as Ibsen's answer to the question of whether or not Christian ethics can be expected to survive the death of the Christian religion. -
Pillars of Society
Pillars of Society was Ibsen's first successful realist drama, first performed in 1877. Karsten Bernick is the dominant businessman in a small coastal town in Norway, with interests in shipping and shipbuilding in a long-established family firm. Now he is planning his most ambitious project yet, backing a railway which will connect the town to the main line and open a fertile valley which he has been secretly buying up. Suddenly his past explodes on him with the arrival of Lona Hessel, the woman he once jilted, and Johan Tonnesen, who left town in disgrace fifteen years earlier. -
Witch of Edmonton
Mother Elizabeth Sawyer is a poor, lonely, and unfairly ostracized old woman with nothing left to lose. Frank is a poor farmer who intends to marry his beloved Winnifred, who is pregnant with his child, but is pressured to marry Susan, the rich yeoman's daughter. Young Cuddy Banks is a clown who pines after a girl who doesn't love him. When Mother Sawyer turns to witchcraft after being unjustly accused of it, a talking devil-dog named Tom (performed by a human actor) comes to her aid, becoming her familiar and only friend. Though she intends to get her revenge, little does she know many of those around her are only too willing to sell their souls to the devil all by themselves. The play was inspired by the real-life story of Elizabeth Sawyer, who had been executed for witchcraft on 19 April 1621, and draws heavily on a pamphlet by Henry Goodcole, The wonderful discoverie of Elizabeth Sawyer, Witch (1621). While the pamphlet may be very ready to capitalize on the sensational story of a witch and portray Sawyer as simply a bad woman, the play does not permit an easy and comfortable demonization of her. It presents her as a product of society rather than an anomaly in it. -
Skin Game, The
A small play in three acts. A kind of comic tragedy. The plot tells the story of the interaction between two very different families in rural England just after the end of the First World War. Squire Hillcrist lives in the manor house where his family has lived for generations. He has a daughter, Jill, who is in her late teens; and a wife, Amy, as well as servants and retainers. He is "old money", although his finances are at a bit of low ebb. The other family is the "nouveau riche" Hornblowers, headed by the single-minded and rich industrialist Hornblower, who throws old retainers the Jackmans out of their home (much to the Squire's disgust), and who plans to surround the Hillcrist's rural estate with factories. -
Duchess of Padua, The
Guido Ferranti, a young man, travels to Padua with his friend Ascanio after receiving a mysterious letter from a stranger, claiming to know the true secret of Guido's birth. His plan of revenge goes awry, however, when he falls in love with his enemy's beautiful wife, the Duchess of Padua. -
Creditors
Creditors is a tragicomedy by August Strindberg that plumbs the depths of the twisted triangular relationship between Tekla, her husband Adolph, and her ex-husband Gustav. -
Iphigenia in Tauris (Murray Translation)
The apparent sacrifice of Iphigenia at Aulis by her own father Agamemnon was forestalled by the godness Artemis, who by an adroit sleight of hand that fooled all participants, substituted a deer for the daughter. Wafted magically away to the “Friendless Shores” of savage Tauris and installed as chief priestess presiding over the human sacrifice of all luckless foreigners, Iphigenia broods over her “murder” by her parents and longs for some Greeks to be shipwrecked on her shores so she can wreak a vicarious vengeance on them. Little does she expect her own little brother Orestes to be one of those Greeks brought to her altar.
Possibly the most beautiful of the plays of Euripides, the Iphigenia in Tauris relates the final resolution of the dark tragedy of the House of Atreides. Filled with radiant imagery of sunlight and sea-foam and bird-flight (reproduced beautifully by the learned Oxford scholar Gilbert Murray), this is not a tragedy but a story with a happy ending, in which all the innocent are freed and equilibrium is restored. Despite the happy ending, this is no light romance; throughout the play the plangent tones of human sadness, homesickness, and exile remind the reader that happiness is the ephemeral thing, while sadness takes so many eternal forms.(Expatriate) -
Clouds
Strepsiades is an Athenian burdened with debt from a bad marriage and a spendthrift son. He resolves to go to the Thinking Shop, where he can purchase lessons from the famous Socrates in ways to manipulate language in order to outwit his creditors in court. Socrates, represented as a cunning, manipulative, irreverent sophist, has little success with the dull-witted Strepsiades, but is able to teach the old man's son Phidippides a few tricks. In the end, the play is a cynical, clever commentary on Old Ways vs. New Ways, to the disparagement of the former. -
There are Crimes and Crimes
Maurice, a playwright on the brink of success, feels so confident in his professional future he proposes to Jeanne, his mistress. However, upon meeting Henriette, his friend's mistress, he gets swept away by his overwhelming passion for her. The feelings are reciprocated by Henriette and their relationship quickly spins out of control. Tragedy strikes and both are swept up in accusations of murder with the potential to destroy them both. This is a story of passion, tragedy, redemption, and repentance. -
All for Love; or, The World Well Lost
All for Love is widely considered to be John Dryden's finest work, dramatic or otherwise. A tragedy written in blank verse, it retells the story of Roman general Marc Antony's love affair with the alluring Egyptian queen Cleopatra and their eventual double-suicide. Compared to the more famous rendition of the tale by William Shakespeare, however, which is grand and hectic in terms of setting, Dryden chooses instead to focus in on the lovers' last days in Alexandria as the threat of their defeat looms and their legacies are contested. The result is a swelling, elegant, emotional drama that perceptively considers such themes as loyalty and love, fidelity in marriage, the lasting endurance of friendship, and even the tenuous construct of masculinity. In short, it's truly a gem of the Restoration repertoire. -
Mary Tudor
If Queen Mary I of England wants something, you'd better not try and stop her, or else you might soon find yourself without a head! When this hot-headed young Royal's new favourite courtier, an Italian gentleman named Fabiano Fabiani who has already made himself very unpopular with the court, is caught sneaking around with another girl - a commoner no less! - the Queen begins to plan her revenge in the only way suitable for a Queen. -
Tragedy of King Richard II (version 2)
Billed by scholars as the first part of the all-encompassing Henriad, Richard II is a richly satisfying probe into the inner workings of monarchical rule and its evolution from being seen as divinely held to a more modern conception that incorporates political cunning. Shakespeare positions the titular Richard in the former position, his shortcomings as England's leader made all too clear when he bungles the handling of a judicial duel, and then later seizes money and assets that are not rightfully his in order to fund an Irish war. At the opposite end is the Machiavellian opportunist Henry Bolingbroke, who assembles enough supporters to help him dethrone the king and become the future Henry IV—the protagonist of the next two plays in this historical series. Written entirely in verse and containing some of the Bard's most florid and evocative language, Richard II never fails to transport its audience back to its time, where the furious machinations of government and kingly rule could be as captivating and intense as any battlefield siege. -
First Part of King Henry IV (version 2)
After the events of Richard II, wherein the conceited King Richard II is dethroned and assassinated, Shakespeare’s Henriad continues apace with this multifaceted work that details the reign of Richard’s illegitimate successor, King Henry IV. In this play, the first of two parts, a rift grows between the King and his former allies, the Percys, after Henry raises the ire of the irascible young Hotspur when they butt heads over ransomed prisoners from a recent battle. Collaborating closely with the Welsh and Scots, the Percys carefully plan another rebellious deposition. Meanwhile, Henry’s wayward heir, Prince Hal, is whiling away his time with highwaymen and reprobates in cheap taverns instead of at the court, with his chief companion—and secondary father figure—being the slovenly old braggart Sir John Falstaff (who remains one of Shakespeare’s greatest and most entertaining creations). The antics of Hal and Falstaff strike a lighter contrast to the Percys’ seditious scheming, until both subplots converge at the climactic Battle of Shrewsbury, where Hal’s true character emerges and Henry’s tenuous hold on the throne is put to its ultimate test. -
Troilus and Cressida
Troilus and Cressida is Shakespeare's "problem" play about the Trojan War. As the opening Chorus tells us, the play "begins in the middle" of the epic conflict, and counterpoints the drama of battle with the romance of the title characters. Just as Agamemnon and his Greek forces (particularly the smooth-tongued Ulysses) attempt to woo the invincible Achilles to resume fighting on their side, the Trojan go-between Pandarus tries to bring together Troilus, a son of King Priam, with his niece, the lovely Cressida. -
Prometheus Bound (Browning Translation)
Whether or not it was actually written by Aeschylus, as is much disputed, "Prometheus Bound" is a powerful statement on behalf of free humanity in the face of what often seem like the impersonal, implacable Forces that rule the Universe. As one of the most compelling rebel manifestos ever composed, it has appealed not only to the expected host of scholars of Greek drama, but also to a fascinatingly free-spirited array of translators, especially since the early 19th century; Percy Bysshe Shelley, Henry David Thoreau, and activist-poet Augusta Webster are among those who have tried their poetic and linguistic powers at rendering it into English. Elizabeth Barrett Browning published not one but two completely different translations of it, the first in 1833 when she was twenty-seven years old and the second eighteen years later. It is this second, far greater, translation presented here. -
Coriolanus
Shakespeare was passionately interested in the history of Rome, as is evident from plays like Titus Andronicus, Julius Caesar, and Antony and Cleopatra. His tragedy Coriolanus was probably written around 1605-07, and dramatizes the rise and fall of a great Roman general, Caius Martius (later surnamed Coriolanus because of his military victory at Corioli). This play is unusual in that it provides a strong voice for the ordinary citizens of Rome, who begin the play rioting about the high price of food, and who continually clash with Coriolanus because of his contempt for plebians. -
Theft
This is a political play which is set in Washington DC. Howard Knox is a congressman and believes that there are corrupt practices going on at the firm of a very wealthy industrialist. Knox is being helped by the industrialists daughter who is helping him to locate documents that will support his claims. -
Richard II
Richard II by William Shakespeare is the first of eight plays that portray a historically-informed version of the War of the Roses - beginning in about 1365 and ending with Richard III's death in 1485. -
History of Troilus and Cressida (version 2)
The History of Troilus and Cressida has long baffled critics and audiences alike for its inconsistent tone, which ranges from bawdy comedy to somber tragedy, as well as its decidedly unheroic and unsympathetic cast of characters. It is also a work with a multivalent focus, jumping between different subplots and locations so that even the titular characters become lost in the shuffle of warcraft, manipulation, betrayal, and thwarted machismo. Not only do we follow the young Trojan warrior Troilus on his quest to woo the noncommittal Cressida, but also the Greek leader Agamemnon and his plot to sway the proud Achilles into battle, as well as the scurrilous fool Thersites, who rails against the hypocrisy of everyone involved in a war born (and continued) out of vanity and a bunch of overactive libidos. It is a play that caustically skewers the romance and valour of the Trojan War, as told by the likes of Homer, Chaucer, and Lydgate, while experimenting with the dramatic form in such a way that modern resonances can be found even today. -
Two Noble Kinsmen
The Two Noble Kinsmen is a Jacobean tragicomedy co-written by William Shakespeare and John Fletcher, first published in 1634. Set in ancient Greece during a war between Athens and Thebes, the narrative follows the title characters, Palamon and Arcite, noble youths whose friendship is destroyed by their mutual love for the beautiful Emilia. The subplot deals with the love and eventual madness of the Gaoler's Daughter, who falls hopelessly in love with Palamon. The play is based on "The Knight's Tale" by Chaucer, but also has echoes of Shakespeare's A Midsummer Night's Dream, as two of the major characters are Theseus and Hippolyta, who also appear in the earlier play. -
Camp of Wallenstein
This is the first play of Friedrich Schiller's Wallenstein Trilogy. Set in a Bohemian camp during the Thirty Years War, it introduces the major characters of the rest of the trilogy, like Albrecht von Wallenstein and Max Piccolomini, from their subordinates' point of view. -
Trojan Women (Murray Translation)
Euripides' play follows the fates of the women of Troy after their city has been sacked, their husbands killed, and as their remaining families are about to be taken away as slaves. However, it begins first with the gods Athena and Poseidon discussing ways to punish the Greek armies because they condoned Ajax the Lesser for dragging Cassandra away from Athena's temple. What follows shows how much the Trojan women have suffered as their grief is compounded when the Greeks dole out additional deaths and divide their shares of women. This translation by Gilbert Murray was published in 1915. -
Alice Sit-by-the-Fire
"The ever-delightful classic ... produced by Charles Frohman at the Criterion Theatre, New York, on Christmas day, 1905, and which has always been a triumphant play for the talents of the greatest ladies of the theatre, from Ethel Barrymore down to Helen Hays. Alice is the central figure who returns from India to England with her husband, and has the problem of readapting herself to the home and children she had left behind." (Author) -
Bilingual Versions - Alice's in Wonderland (English – Spanish)
This book tells of a girl named Alice falling through a rabbit hole into a fantasy world populated by peculiar, anthropomorphic creatures.