Byron, George Gordon, Lord
Manfred is a dramatic poem in three acts by Lord Byron, and possibly a self confessional work. A noble, Manfred, is haunted by the memory of some unspeakable crime. In seeking for forgetfulness and oblivion, he wanders between his castle and the mountains. He has several encounters with the people who try to assist him, as well as spirits that rule nature and human destiny. The poem explores themes of morality, religion, guilt and the human condition.
The Imaginary Invalid (French: Le Malade imaginaire) is a three-act comédie-ballet by the French playwright Molière. It was first performed in 1673 and was the last work he wrote. In an ironic twist of fate, Molière collapsed during his fourth performance as Argan on 17 February and died soon after.
The Tragicall History of the Life and Death of Doctor Faustus, commonly referred to simply as Doctor Faustus, is a play by Christopher Marlowe, based on the Faust story, in which a man sells his soul to the devil for power and knowledge. Doctor Faustus was first published in 1604, eleven years after Marlowe's death and at least twelve years after the first performance of the play. "No Elizabethan play outside the Shakespeare canon has raised more controversy than Doctor Faustus. There is no agreement concerning the nature of the text and the date of composition... and the centrality of the Faust legend in the history of the Western world precludes any definitive agreement on the interpretation of the play. This recording uses the 1616 quarto, published by John Wright, which contains significant alterations from and additions to the quarto of 1604.
Sophocles' play recounts an episode from the Trojan War, in which the wily Odysseus and Achilles' son Neoptolemus travel to a remote island to persuade Philoctetes to come with them to Troy. A prophet has foreseen that the Greeks will need Philoctetes and his bow (given to him by Heracles before his death) in order to defeat the Trojans. The problem is that years before Odysseus had engineered Philoctetes' abandonment on the island, due to a festering, stinking wound he had received from a snakebite. Will Philoctetes forgive and forget, or will he take his revenge?
Perhaps most well-known for his fairytales and fantasy stories such as The Golden Key and Phantastes, or for his poetry, George MacDonald was a great spiritual master of the nineteenth century. He spent several years as a minister in his native Scotland; however he was forced to resign his position due to ill health. He had a profound influence on such later writers as G. K. Chesterton and C. S. Lewis – the latter of whom considered MacDonald to be his spiritual father, and edited an anthology of his works.
In The Hope of the Gospel, with his ever sagely style, MacDonald explores the essential heart of the gospel that is so often overlooked, both in his day and ours. Dissatisfied with cheap and hasty interpretations of Scripture, MacDonald invites us beneath the surface in a heartfelt meditation on all that Christ came to accomplish.
Williams, Jesse Lynch
Why Marry? is a comedy, which "tells the truth about marriage". We find a family in the throes of proving the morality of marriage to a New Age Woman. Can the family defend marriage to this self-supporting girl? Will she be convinced that marriage is the ultimate sacredness of a relationship or will she hold to her perception that marriage is the basis of separating two lovers.
"Why Marry?" won the first Pulitzer Prize for Drama.
Mackaye, Mary Keith Medbery
Pride and Prejudice, a comedy of manners and marriage, is the most famous of Jane Austen's novels. In this dramatic adaption by Mary Keith Medbery Macakaye some liberties are taken with the storyline and characters, but it is still a fun listen or read. Perhaps a good introduction for someone not ready to tackle the complete novel ~ and for the reader familiar with the work, a laugh can be had at the changes that were made in order to adapt it to the stage
von Kotzebue, August
Lovers' Vows (1798), a play by Elizabeth Inchbald arguably best known now for having been featured in Jane Austen's novel Mansfield Park (1814), is one of at least four adaptations of August von Kotzebue's Das Kind der Liebe (1780; literally "Child of Love," or "Natural Son," as it is often translated), all of which were published between 1798 and 1800. Inchbald's version is the only one to have been performed. Dealing as it does with sex outside marriage and illegitimate birth, Inchbald in the Preface to the published version declares herself to have been highly sensitive to the task of adapting the original German text for "an English audience." Even so, she left the setting as Germany.
The play was first performed at Covent Garden on Thursday, 11 October 1798, and was an immediate success: it ran for forty-two nights, "making it by some distance Covent Garden's most successful venture of that season," and went on to be performed in Bristol, Newcastle, Bath, and elsewhere. It was likewise successful as a print publication, though it also aroused controversy about its "levelling" politics and moral ambiguity. Anne Plumptre, who translated Kotzebue's play as The Natural Son, wrote (perhaps not disinterestedly as the production of Inchbald's work effectively precluded the production of her own) that Inchbald had transformed the character of Amelia into a "forward country hoyden." Others, however, defended the morality of the play. And indeed, various characters indulge in considerable moralizing about charity, honour, and forgiveness.
A small play in three acts. A kind of comic tragedy. The plot tells the story of the interaction between two very different families in rural England just after the end of the First World War. Squire Hillcrist lives in the manor house where his family has lived for generations. He has a daughter, Jill, who is in her late teens; and a wife, Amy, as well as servants and retainers. He is "old money", although his finances are at a bit of low ebb. The other family is the "nouveau riche" Hornblowers, headed by the single-minded and rich industrialist Hornblower, who throws old retainers the Jackmans out of their home (much to the Squire's disgust), and who plans to surround the Hillcrist's rural estate with factories.
Guido Ferranti, a young man, travels to Padua with his friend Ascanio after receiving a mysterious letter from a stranger, claiming to know the true secret of Guido's birth. His plan of revenge goes awry, however, when he falls in love with his enemy's beautiful wife, the Duchess of Padua.
Despite the title's bland sounding name, this book is a charming collection of 16 plays for children. These little plays—well-known stories done into dialogue—were written for children who like to imagine themselves living with their favorite characters in forest, in palace, or in fairyland. Included are Cinderella, Robin Hood, William Tell, Hansel and Gretel and many more.
Peacock, Thomas Love
Headlong Hall is the first novel by Thomas Love Peacock, published in 1815 (dated 1816). As in his later novel Crotchet Castle, Peacock assembles a group of eccentrics, each with a single monomaniacal obsession, and derives humor and social satire from their various interactions and conversations. The setting is the country estate of Squire Harry Headlong Ap-Rhaiader, Esq. in Wales.
Young Laroon plans to marry Isabel, but Father Martin manipulates Isabel's father, Jourdain, in order to seduce Isabel. However, other characters, including both of the Laroons, try to manipulate Jourdain for their own ends; they accomplish it through disguising themselves as priests and using his guilt to convince him of what they say. As Father Martin pursues Isabel, she is clever enough to realize what is happening and plans her own trap. After catching him and exposing his lust, Father Martin is set to be punished.
I find it very hard to classify "The New York Idea" under any of the established rubrics. It is rather too extravagant to rank as a comedy; it is much too serious in its purport, too searching in its character-delineation and too thoughtful in its wit, to be treated as a mere farce. Its title—not, perhaps, a very happy one—is explained in this saying of one of the characters: "Marry for whim and leave the rest to the divorce court—that's the New York idea of marriage."
Like all the plays, from Sardou's "Divorçons" onward, which deal with a too facile system of divorce, this one shows a discontented woman, who has broken up her home for a caprice, suffering agonies of jealousy when her ex-husband proposes to make use of the freedom she has given him, and returning to him at last with the admission that their divorce was at least "premature." In this central conception there is nothing particularly original. It is the wealth of humourous invention displayed in the details both of character and situation that renders the play remarkable.
This book tells of a girl named Alice falling through a rabbit hole into a fantasy world populated by peculiar, anthropomorphic creatures.