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<h2> CHAPTER LXXIII </h2>
<h3> THE HEARTH </h3>
<p>A Catherine is not an unmixed good in a strange house. The governing power
is strong in her. She has scarce crossed the threshold ere the utensils
seem to brighten; the hearth to sweep itself; the windows to let in more
light; and the soul of an enormous cricket to animate the dwelling-place.
But this cricket is a Busy Body. And that is a tremendous character. It
has no discrimination. It sets everything to rights, and everybody. Now
many things are the better for being set to rights. But everything is not.
Everything is the one thing that won't stand being set to rights; except
in that calm and cool retreat, the grave.</p>
<p>Catherine altered the position of every chair and table in Margaret's
house; and perhaps for the better.</p>
<p>But she must go farther, and upset the live furniture.</p>
<p>When Margaret's time was close at hand, Catherine treacherously invited
the aid of Denys and Martin; and on the poor, simple-minded fellows asking
her earnestly what service they could be, she told them they might make
themselves comparatively useful by going for a little walk. So far so
good. But she intimated further that should the promenade extend into the
middle of next week all the better. This was not ingratiating. The
subsequent conduct of the strong under the yoke of the weak might have
propitiated a she-bear with three cubs, one sickly. They generally slipped
out of the house at daybreak; and stole in like thieves at night; and if
by any chance they were at home, they went about like cats on a wall
tipped with broken glass, and wearing awe-struck visages, and a general
air of subjugation and depression.</p>
<p>But all would not do. Their very presence was ill-timed; and jarred upon
Catherine's nerves.</p>
<p>Did instinct whisper, a pair of depopulators had no business in a house
with multipliers twain?</p>
<p>The breastplate is no armour against a female tongue; and Catherine ran
infinite pins and needles of speech into them. In a word, when Margaret
came down stairs, she found the kitchen swept of heroes.</p>
<p>Martin, old and stiff, had retreated no farther than the street, and with
the honours of war: for he had carried off his baggage, a stool; and sat
on it in the air.</p>
<p>Margaret saw he was out in the sun; but was not aware he was a fixture in
that luminary. She asked for Denys. “Good, kind Denys; he will be right
pleased to see me about again.”</p>
<p>Catherine, wiping a bowl with now superfluous vigour, told her Denys was
gone to his friends in Burgundy. “And high time, Hasn't been anigh them
this three years, by all accounts.”</p>
<p>“What, gone without bidding me farewell?” said Margaret, uplifting two
tender eyes like full-blown violets.</p>
<p>Catherine reddened. For this new view of the matter set her conscience
pricking her.</p>
<p>But she gave a little toss and said, “Oh, you were asleep at the time: and
I would not have you wakened.”</p>
<p>“Poor Denys,” said Margaret, and the dew gathered visibly on the open
violets.</p>
<p>Catherine saw out of the corner of her eye, and without taking a bit of
open notice, slipped off and lavished hospitality and tenderness on the
surviving depopulator.</p>
<p>It was sudden: and Martin old and stiff in more ways than one—</p>
<p>“No, thank you, dame. I have got used to out o' doors. And I love not
changing and changing. I meddle wi' nobody here; and nobody meddles wi'
me.”</p>
<p>“Oh, you nasty, cross old wretch!” screamed Catherine, passing in a moment
from treacle to sharpest vinegar. And she flounced back into the house.</p>
<p>On calm reflection she had a little cry. Then she half reconciled herself
to her conduct by vowing to be so kind, Margaret should never miss her
plagues of soldiers. But feeling still a little uneasy, she dispersed all
regrets by a process at once simple and sovereign.</p>
<p>She took and washed the child.</p>
<p>From head to foot she washed him in tepid water; and heroes, and their
wrongs, became as dust in an ocean—of soap and water.</p>
<p>While this celestial ceremony proceeded, Margaret could not keep quiet.
She hovered round the fortunate performer. She must have an apparent hand
in it, if not a real. She put her finger into the water—to pave the
way for her boy, I suppose; for she could not have deceived herself so far
as to think Catherine would allow her to settle the temperature. During
the ablution she kneeled down opposite the little Gerard, and prattled to
him with amazing fluency; taking care, however, not to articulate like
grown-up people; for, how could a cherub understand their ridiculous
pronunciation?</p>
<p>“I wish you could wash out THAT,” said she, fixing her eyes on the little
boy's hand.</p>
<p>“What?”</p>
<p>“What, have you not noticed? on his little finger.”</p>
<p>Granny looked, and there was a little brown mole,</p>
<p>“Eh, but this is wonderful!” she cried. “Nature, my lass, y'are strong;
and meddlesome to boot. Hast noticed such a mark on some one else? Tell
the truth, girl!”</p>
<p>“What, on him? Nay, mother, not I.”</p>
<p>“Well then he has; and on the very spot. And you never noticed that much.
But, dear heart, I forgot; you han't known him from child to man as I
have, I have had him hundreds o' times on my knees, the same as this, and
washed him from top to toe in luke-warm water.” And she swelled with
conscious superiority; and Margaret looked meekly up to her as a woman
beyond competition.</p>
<p>Catherine looked down from her dizzy height and moralized. She differed
from other busy-bodies in this, that she now and then reflected: not
deeply; or of course I should take care not to print it.</p>
<p>“It is strange,” said she, “how things come round and about, Life is but a
whirligig. Leastways, we poor women, our lives are all cut upon one
pattern. Wasn't I for washing out my Gerard's mole in his young days? 'Oh,
fie! here's a foul blot,' quo' I; and scrubbed away at it I did till I
made the poor wight cry; so then I thought 'twas time to give over. And
now says you to me, 'Mother,' says you, 'do try and wash you out o' my
Gerard's finger,' says you. Think on't!”</p>
<p>“Wash it out?” cried Margaret; “I wouldn't for all the world, Why, it is
the sweetest bit in his little darling body. I'll kiss it morn and night
till he that owned it first comes back to us three, Oh, bless you, my
jewel of gold and silver, for being marked like your own daddy, to comfort
me.”</p>
<p>And she kissed little Gerard's little mole; but she could not stop there;
she presently had him sprawling on her lap, and kissed his back all over
again and again, and seemed to worry him as wolf a lamb; Catherine looking
on and smiling. She had seen a good many of these savage onslaughts in her
day.</p>
<p>And this little sketch indicates the tenor of Margaret's life for several
months, One or two small things occurred to her during that time which
must be told; but I reserve them, since one string will serve for many
glass beads. But while her boy's father was passing through those fearful
tempests of the soul, ending in the dead monastic calm, her life might
fairly be summed in one great blissful word—Maternity.</p>
<p>You, who know what lies in that word, enlarge my little sketch, and see
the young mother nursing and washing, and dressing and undressing, and
crowing and gambolling with her first-born; then swifter than lightning
dart your eye into Italy, and see the cold cloister; and the monks passing
like ghosts, eyes down, hands meekly crossed over bosoms dead to earthly
feelings.</p>
<p>One of these cowled ghosts is he, whose return, full of love, and youth,
and joy, that radiant young mother awaits.</p>
<p>In the valley of Grindelwald the traveller has on one side the
perpendicular Alps, all rock, ice, and everlasting snow, towering above
the clouds, and piercing to the sky; on his other hand little every-day
slopes, but green as emeralds, and studded with cows and pretty cots, and
life; whereas those lofty neighbours stand leafless, lifeless, inhuman,
sublime. Elsewhere sweet commonplaces of nature are apt to pass unnoticed;
but, fronting the grim Alps, they soothe, and even gently strike, the mind
by contrast with their tremendous opposites. Such, in their way, are the
two halves of this story, rightly looked at; on the Italian side rugged
adventure, strong passion, blasphemy, vice, penitence, pure ice, holy
snow, soaring direct at heaven. On the Dutch side, all on a humble scale
and womanish, but ever green. And as a pathway parts the ice towers of
Grindelwald, aspiring to the sky, from its little sunny braes, so here is
but a page between</p>
<p>“the Cloister and the Hearth.”</p>
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