<SPAN name="startofbook"></SPAN>
<h1>THE HOUSE</h1>
<h3>BY</h3>
<h1>THE CHURCH-YARD</h1>
<h3>J. SHERIDAN LE FANU</h3>
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<h2>A PROLOGUE—BEING A DISH OF VILLAGE CHAT.<span class="pagenum"><SPAN name="Page_1" id="Page_1">[Pg 1]</SPAN></span></h2>
<div class="figleft"><ANTIMG src="images/img002.jpg" alt="Fig. 103" title="Fig. 103" /></div>
<p>e are going to talk, if you please, in the ensuing chapters, of what
was going on in Chapelizod about a hundred years ago. A hundred years,
to be sure, is a good while; but though fashions have changed, some old
phrases dropped out, and new ones come in; and snuff and hair-powder,
and sacques and solitaires quite passed away—yet men and women were men
and women all the same—as elderly fellows, like your humble servant,
who have seen and talked with rearward stragglers of that
generation—now all and long marched off—can testify, if they will.</p>
<p>In those days Chapelizod was about the gayest and prettiest of the
outpost villages in which old Dublin took a complacent pride. The
poplars which stood, in military rows, here and there, just showed a
glimpse of formality among the orchards and old timber that lined the
banks of the river and the valley of the Liffey, with a lively sort of
richness. The broad old street looked hospitable and merry, with steep
roofs and many coloured hall-doors. The jolly old inn, just beyond the
turnpike at the sweep of the road, leading over the buttressed bridge by
the mill, was first to welcome the excursionist from Dublin, under the
sign of the Phœnix. There, in the grand wainscoted back-parlour, with
'the great and good King William,' in his robe, garter, periwig, and
sceptre presiding in the panel over the chimneypiece, and confronting
the large projecting window, through which the river, and the daffodils,
and the summer foliage looked so bright and quiet, the Aldermen of
Skinner's Alley—a club of the 'true blue' dye, as old as the Jacobite
wars of the previous century—the corporation of shoemakers, or of
tailors, or the freemasons, or the musical clubs, loved to dine at the
stately hour of five, and deliver their jokes, sentiments, songs, and
wisdom, on a pleasant summer's evening. Alas! the<span class="pagenum"><SPAN name="Page_2" id="Page_2">[Pg 2]</SPAN></span> inn is as clean gone
as the guests—a dream of the shadow of smoke.</p>
<p>Lately, too, came down the old 'Salmon House'—so called from the
blazonry of that noble fish upon its painted sign-board—at the other
end of the town, that, with a couple more, wheeled out at right angles
from the line of the broad street, and directly confronting the
passenger from Dublin, gave to it something of the character of a
square, and just left room for the high road and Martin's Row to slip
between its flank and the orchard that overtopped the river wall. Well!
it is gone. I blame nobody. I suppose it was quite rotten, and that the
rats would soon have thrown up their lease of it; and that it was taken
down, in short, chiefly, as one of the players said of 'Old Drury,' to
prevent the inconvenience of its coming down of itself. Still a peevish
but harmless old fellow—who hates change, and would wish things to stay
as they were just a little, till his own great change comes; who haunts
the places where his childhood was passed, and reverences the homeliest
relics of by-gone generations—may be allowed to grumble a little at the
impertinences of improving proprietors with a taste for accurate
parallelograms and pale new brick.</p>
<p>Then there was the village church, with its tower dark and rustling from
base to summit, with thick piled, bowering ivy. The royal arms cut in
bold relief in the broad stone over the porch—where, pray, is that
stone now, the memento of its old viceregal dignity? Where is the
elevated pew, where many a lord lieutenant, in point, and gold lace, and
thunder-cloud periwig, sate in awful isolation, and listened to orthodox
and loyal sermons, and took French rappee; whence too, he stepped forth
between the files of the guard of honour of the Royal Irish Artillery
from the barrack over the way, in their courtly uniform, white, scarlet,
and blue, cocked hats, and cues, and ruffles, presenting arms—into his
emblazoned coach and six, with hanging footmen, as wonderful as
Cinderella's, and out-riders out-blazing the liveries of the troops, and
rolling grandly away in sunshine and dust.</p>
<p>The 'Ecclesiastical Commissioners' have done their office here. The
tower, indeed, remains, with half its antique growth of ivy gone; but
the body of the church is new, and I, and perhaps an elderly fellow or
two more, miss the old-fashioned square pews, distributed by a
traditional tenure among the families and dignitaries of the town and
vicinage (who are they now?), and sigh for the queer, old, clumsy
reading-desk and pulpit, grown dearer from the long and hopeless
separation; and wonder where the tables of the Ten Commandments, in long
gold letters of Queen Anne's date, upon a vivid blue ground, arched
above, and flanking the communion-table, with its tall thin rails, and
fifty other things that appeared to me in my nonage, as stable as the
earth, and as sacred as the heavens, are gone to.<span class="pagenum"><SPAN name="Page_3" id="Page_3">[Pg 3]</SPAN></span></p>
<p>As for the barrack of the Royal Irish Artillery, the great gate leading
into the parade ground, by the river side, and all that, I believe the
earth, or rather that grim giant factory, which is now the grand feature
and centre of Chapelizod, throbbing all over with steam, and whizzing
with wheels, and vomiting pitchy smoke, has swallowed them up.</p>
<p>A line of houses fronting this—old familiar faces—still look blank and
regretfully forth, through their glassy eyes, upon the changed scene.
How different the company they kept some ninety or a hundred years ago!</p>
<p>Where is the mill, too, standing fast by the bridge, the manorial
appendage of the town, which I loved in my boyhood for its gaunt and
crazy aspect and dim interior, whence the clapper kept time mysteriously
to the drone of the mill-sluice? I think it is gone. Surely <i>that</i>
confounded thing can't be my venerable old friend in masquerade!</p>
<p>But I can't expect you, my reader—polite and patient as you manifestly
are—to potter about with me, all the summer day, through this
melancholy and mangled old town, with a canopy of factory soot between
your head and the pleasant sky. One glance, however, before you go, you
will vouchsafe at the village tree—that stalworth elm. It has not grown
an inch these hundred years. It does not look a day older than it did
fifty years ago, <i>I</i> can tell you. There he stands the same; and yet a
stranger in the place of his birth, in a new order of things, joyless,
busy, transformed Chapelizod, listening, as it seems to me, always to
the unchanged song and prattle of the river, with his reveries and
affections far away among by-gone times and a buried race. Thou hast a
story, too, to tell, thou slighted and solitary sage, if only the winds
would steal it musically forth, like the secret of Mildas from the
moaning reeds.</p>
<p>The palmy days of Chapelizod were just about a hundred years ago, and
those days—though I am jealous of their pleasant and kindly fame, and
specially for the preservation of the few memorials they have left
behind, were yet, I may say, in your ear, with all their colour and
adventure—perhaps, on the whole, more pleasant to read about, and dream
of, than they were to live in. Still their violence, follies, and
hospitalities, softened by distance, and illuminated with a sort of
barbaric splendour, have long presented to my fancy the glowing and
ever-shifting combinations upon which, as on the red embers, in a
winter's gloaming, I love to gaze, propping my white head upon my hand,
in a lazy luxury of reverie, from my own arm-chair, while they drop,
ever and anon, into new shapes, and silently tell their 'winter's
tales.'</p>
<p>When your humble servant, Charles de Cresseron, the compiler of this
narrative, was a boy some fourteen years old—how long ago precisely
that was, is nothing to the purpose, 'tis enough to say he remembers
what he then saw and heard a good deal<span class="pagenum"><SPAN name="Page_4" id="Page_4">[Pg 4]</SPAN></span> better than what happened a week
ago—it came to pass that he was spending a pleasant week of his
holidays with his benign uncle and godfather, the curate of Chapelizod.
On the second day of his, or rather <i>my</i> sojourn (I take leave to return
to the first person), there was a notable funeral of an old lady. Her
name was Darby, and her journey to her last home was very considerable,
being made in a hearse, by easy stages, from her house of Lisnabane, in
the county of Sligo, to the church-yard of Chapelizod. There was a great
flat stone over that small parcel of the rector's freehold, which the
family held by a tenure, not of lives, but of deaths, renewable for
ever. So that my uncle, who was a man of an anxious temperament, had
little trouble in satisfying himself of the meerings and identity of
this narrow tenement, to which Lemuel Mattocks, the sexton, led him as
straight and confidently as he could have done to the communion-table.</p>
<p>My uncle, therefore, fiated the sexton's presentment, and the work
commenced forthwith. I don't know whether all boys have the same liking
for horrors which I am conscious of having possessed—I only know that I
liked the churchyard, and deciphering tombstones, and watching the
labours of the sexton, and hearing the old world village talk that often
got up over the relics.</p>
<p>When this particular grave was pretty nearly finished—it lay from east
to west—a lot of earth fell out at the northern side, where an old
coffin had lain, and good store of brown dust and grimy bones, and the
yellow skull itself came tumbling about the sexton's feet. These
fossils, after his wont, he lifted decently with the point of his
shovel, and pitched into a little nook beside the great mound of mould
at top.</p>
<p>'Be the powers o' war! here's a battered head-piece for yez,' said young
Tim Moran, who had picked up the cranium, and was eyeing it curiously,
turning it round the while.</p>
<p>'Show it here, Tim;' 'let <i>me</i> look,' cried two or three neighbours,
getting round as quickly as they could.</p>
<p>'Oh! murdher;' said one.</p>
<p>'Oh! be the powers o' Moll Kelly!' cried another.</p>
<p>'Oh! bloody wars!' exclaimed a third.</p>
<p>'That poor fellow got no chance for his life at all, at all!' said Tim.</p>
<p>'That was a bullet,' said one of them, putting his finger into a clean
circular aperture as large as a half-penny.</p>
<p>'An' look at them two cracks. Och, murther!'</p>
<p>'There's only one. Oh, I see you're right, <i>two</i>, begorra!'</p>
<p>'Aich o' them a wipe iv a poker.'</p>
<p>Mattocks had climbed nimbly to the upper level, and taking the skull in
his fist, turned it about this way and that, curiously. But though he
was no chicken, his memory did not go far enough back to throw any light
upon the matter.<span class="pagenum"><SPAN name="Page_5" id="Page_5">[Pg 5]</SPAN></span></p>
<p>'Could it be the Mattross that was shot in the year '90, as I often
heerd, for sthrikin' his captain?' suggested a by-stander.</p>
<p>'Oh! that poor fellow's buried round by the north side of the church,'
said Mattocks, still eyeing the skull. 'It could not be Counsellor
Gallagher, that was kilt in the jewel with Colonel Ruck—he was hot in
the head—bud it could not be—augh! not at all.'</p>
<p>'Why not, Misther Mattocks?'</p>
<p>'No, nor the Mattross neither. This, ye see, is a dhry bit o' the yard
here; there's ould Darby's coffin, at the bottom, down there, sound
enough to stand on, as you see, wid a plank; an' he was buried in the
year '93. Why, look at the coffin this skull belongs to, 'tid go into
powdher between your fingers; 'tis nothin' but tindher.'</p>
<p>'I believe you're right, Mr. Mattocks.'</p>
<p>'Phiat! to be sure. 'Tis longer undher ground by thirty years, good, or
more maybe.'</p>
<p>Just then the slim figure of my tall mild uncle, the curate, appeared,
and his long thin legs, in black worsted stockings and knee-breeches,
stepped reverently and lightly among the graves. The men raised their
hats, and Mattocks jumped lightly into the grave again, while my uncle
returned their salute with the sad sort of smile, a regretful kindness,
which he never exceeded, in these solemn precincts.</p>
<p>It was his custom to care very tenderly for the bones turned up by the
sexton, and to wait with an awful solicitude until, after the reading of
the funeral service, he saw them gently replaced, as nearly as might be,
in their old bed; and discouraging all idle curiosity or levity
respecting them, with a solemn rebuke, which all respected. Therefore it
was, that so soon as he appeared the skull was, in Hibernian phrase,
'dropt like a hot potato,' and the grave-digger betook himself to his
spade so nimbly.</p>
<p>'Oh! Uncle Charles,' I said, taking his hand, and leading him towards
the foot of the grave; 'such a wonderful skull has come up! It is shot
through with a bullet, and cracked with a poker besides.'</p>
<p>''Tis thrue for him, your raverence; he was murthered twiste over,
whoever he was—rest his sowl;' and the sexton, who had nearly completed
his work, got out of the grave again, with a demure activity, and
raising the brown relic with great reverence, out of regard for my good
uncle, he turned it about slowly before the eyes of the curate, who
scrutinised it, from a little distance, with a sort of melancholy
horror.</p>
<p>'Yes, Lemuel,' said my uncle, still holding my hand, ''twas undoubtedly
a murder; ay, indeed! He sustained two heavy blows, beside that gunshot
through the head.'</p>
<p>''Twasn't gunshot, Sir; why the hole 'id take in a grape-shot,' said an
old fellow, just from behind my uncle, in a pensioner's<span class="pagenum"><SPAN name="Page_6" id="Page_6">[Pg 6]</SPAN></span> cocked hat,
leggings, and long old-world red frock-coat, speaking with a harsh reedy
voice, and a grim sort of reserved smile.</p>
<p>I moved a little aside, with a sort of thrill, to give him freer access
to my uncle, in the hope that he might, perhaps, throw a light upon the
history of this remarkable memorial. The old fellow had a rat-like gray
eye—the other was hid under a black patch—and there was a deep red
scar across his forehead, slanting from the patch that covered the
extinguished orb. His face was purplish, the tinge deepening towards the
lumpish top of his nose, on the side of which stood a big wart, and he
carried a great walking-cane over his shoulder, and bore, as it seemed
to me, an intimidating, but caricatured resemblance to an old portrait
of Oliver Cromwell in my Whig grandfather's parlour.</p>
<p>'You don't think it a bullet wound, Sir?' said my uncle, mildly, and
touching his hat—for coming of a military stock himself, he always
treated an old soldier with uncommon respect.</p>
<p>'Why, please your raverence,' replied the man, reciprocating his
courtesy; 'I <i>know</i> it's not.'</p>
<p>'And what <i>is</i> it, then, my good man?' interrogated the sexton, as one
in authority, and standing on his own dunghill.</p>
<p>'The trepan,' said the fogey, in the tone in which he'd have cried
'attention' to a raw recruit, without turning his head, and with a
scornful momentary skew-glance from his gray eye.</p>
<p>'And do you know whose skull that was, Sir?' asked the curate.</p>
<p>'Ay do I, Sir, <i>well</i>,' with the same queer smile, he answered. 'Come,
now, you're a grave-digger, my fine fellow,' he continued, accosting the
sexton cynically; 'how long do you suppose that skull's been under
ground?'</p>
<p>'Long enough; but not so long, <i>my</i> fine fellow, as yours has been above
ground.'</p>
<p>'Well, you're right there, for <i>I</i> seen him buried,' and he took the
skull from the sexton's hands; 'and I'll tell you more, there was some
dry eyes, too, at his funeral—ha, ha, ha!'</p>
<p>'You were a resident in the town, then?' said my uncle, who did not like
the turn his recollections were taking.</p>
<p>'Ay, Sir, that I was,' he replied; 'see that broken tooth, there—I
forgot 'twas there—and the minute I seen it, I remembered it like this
morning—I could swear to it—when he laughed; ay, and that sharp corner
to it—hang him,' and he twirled the loose tooth, the last but two of
all its fellows, from' its socket, and chucked it into the grave.</p>
<p>'And were you—you weren't in the army, <i>then</i>?' enquired the curate,
who could not understand the sort of scoffing dislike he seemed to bear
it.</p>
<p>'Be my faith I was <i>so</i>, Sir—the Royal Irish Artillery,' replied he,
promptly.</p>
<p>'And in what capacity?' pursued his reverence.<span class="pagenum"><SPAN name="Page_7" id="Page_7">[Pg 7]</SPAN></span></p>
<p>'Drummer,' answered the mulberry-faced veteran.</p>
<p>'Ho!—Drummer? That's a good time ago, I dare say,' said my uncle,
looking on him reflectively.</p>
<p>'Well, so it is, not far off fifty years,' answered he. 'He was a
hard-headed codger, he was; but you see the sprig of shillelagh was too
hard for him—ha, ha, ha!' and he gave the skull a smart knock with his
walking-cane, as he grinned at it and wagged his head.</p>
<p>'Gently, gently, my good man,' said the curate, placing his hand hastily
upon his arm, for the knock was harder than was needed for the purpose
of demonstration.</p>
<p>'You see, Sir, at that time, our Colonel-in-Chief was my Lord
Blackwater,' continued the old soldier, 'not that we often seen him, for
he lived in France mostly; the Colonel-en-Second was General
Chattesworth, and Colonel Stafford was Lieutenant-Colonel, and under him
Major O'Neill; Captains, four—Cluffe, Devereux, Barton, and Burgh:
First Lieutenants—Puddock, Delany, Sackville, and Armstrong; Second
Lieutenants—Salt; Barber, Lillyman, and Pringle; Lieutenant
Fireworkers—O'Flaherty—'</p>
<p>'I beg your pardon,' interposed my uncle, '<i>Fireworkers</i>, did you say?'</p>
<p>'Yes, Sir.'</p>
<p>'And what, pray, does a Lieutenant <i>Fireworker</i> mean?'</p>
<p>'Why, law bless you, Sir! a Fireworker! 'twas his business to see that
the men loaded, sarved, laid, and fired the gun all right. But that
doesn't signify; you see this old skull, Sir: well, 'twas a nine days'
wonder, and the queerest business you ever heerd tell of. Why, Sir, the
women was frightened out of their senses, an' the men puzzled out o'
their wits—they wor—ha, ha, ha! an' I can tell you all about it—a
mighty black and bloody business it was—'</p>
<p>'I—I beg your pardon, Sir: but I think—yes—the funeral has arrived;
and for the present, I must bid you good-morning.'</p>
<p>And so my uncle hurried to the church, where he assumed his gown, and
the solemn rite proceeded.</p>
<p>When all was over, my uncle, after his wont, waited until he had seen
the disturbed remains re-deposited decently in their place; and then,
having disrobed, I saw him look with some interest about the
church-yard, and I knew 'twas in quest of the old soldier.</p>
<p>'I saw him go away during the funeral,' I said.</p>
<p>'Ay, the old pensioner,' said my uncle, peering about in quest of him.</p>
<p>And we walked through the town, and over the bridge, and we saw nothing
of his cocked hat and red single-breasted frock, and returned rather
disappointed to tea.</p>
<p>I ran into the back room which commanded the church-yard in the hope of
seeing the old fellow once more, with his cane<span class="pagenum"><SPAN name="Page_8" id="Page_8">[Pg 8]</SPAN></span> shouldered, grinning
among the tombstones in the evening sun. But there was no sign of him,
or indeed of anyone else there. So I returned, just as my uncle, having
made the tea, shut down the lid of his silver tea-pot with a little
smack; and with a kind but absent smile upon me, he took his book, sat
down and crossed one of his thin legs over the other, and waited
pleasantly until the delightful infusion should be ready for our lips,
reading his old volume, and with his disengaged hand gently stroking his
long shin-bone.</p>
<p>In the meantime, I, who thirsted more for that tale of terror which the
old soldier had all but begun, of which in that strangely battered skull
I had only an hour ago seen face to face so grizzly a memento, and of
which in all human probability I never was to hear more, looked out
dejectedly from the window, when, whom should I behold marching up the
street, at slow time, towards the Salmon House, but the identical old
soldier, cocked-hat, copper nose, great red single-breasted coat with
its prodigious wide button-holes, leggings, cane, and all, just under
the village tree.</p>
<p>'Here he is, oh! Uncle Charles, here he comes,' I cried.</p>
<p>'Eh, the soldier, is he?' said my uncle, tripping in the carpet in his
eagerness, and all but breaking the window.</p>
<p>'So it is, indeed; run down, my boy, and beg him to come up.'</p>
<p>But by the time I had reached the street, which you may be sure was not
very long, I found my uncle had got the window up and was himself
inviting the old boy, who having brought his left shoulder forward,
thanked the curate, saluting soldier-fashion, with his hand to his hat,
palm foremost. I've observed, indeed, than those grim old campaigners
who have seen the world, make it a principle to accept anything in the
shape of a treat. If it's bad, why, it costs them nothing; and if good,
so much the better.</p>
<p>So up he marched, and into the room with soldierly self-possession, and
being offered tea, preferred punch, and the ingredients were soon on the
little round table by the fire, which, the evening being sharp, was
pleasant; and the old fellow being seated, he brewed his nectar, to his
heart's content; and as we sipped our tea in pleased attention, he,
after his own fashion, commenced the story, to which I listened with an
interest which I confess has never subsided.</p>
<p>Many years after, as will sometimes happen, a flood of light was
unexpectedly poured over the details of his narrative; on my coming into
possession of the diary, curiously minute, and the voluminous
correspondence of Rebecca, sister to General Chattesworth, with whose
family I had the honour to be connected. And this journal, to me, with
my queer cat-like affection for this old village, a perfect
treasure—and the interminable <i>bundles</i> of letters, sorted and arranged
so neatly, with little abstracts of their contents in red ink, in her
own firm thin hand<span class="pagenum"><SPAN name="Page_9" id="Page_9">[Pg 9]</SPAN></span> upon the covers, from all and to all manner of
persons—for the industrious lady made fair copies of all the letters
she wrote—formed for many years my occasional, and always pleasant
winter night's reading.</p>
<p>I wish I could infuse their spirit into what I am going to tell, and
above all that I could inspire my readers with ever so little of the
peculiar interest with which the old town has always been tinted and
saddened to my eye. My boyish imagination, perhaps, kindled all the more
at the story, by reason of it being a good deal connected with the
identical old house in which we three—my dear uncle, my idle self, and
the queer old soldier—were then sitting. But wishes are as vain as
regrets; so I'll just do my best, bespeaking your attention, and
submissively abiding your judgment.</p>
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