<SPAN name="Page_602" id="Page_602">[Pg 602]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="THE_ECONOMICAL_PAIR" id="THE_ECONOMICAL_PAIR"></SPAN>THE ECONOMICAL PAIR</h2>
<h3>BY CAROLYN WELLS</h3>
<p>Once on a Time there was a Man and his Wife who had Different Ideas
concerning Family Expenditures.</p>
<p>The Man said: "I am Exceedingly Economical; although I spend Small Sums
here and there for Cigars, Wines, Theater Tickets, and Little Dinners,
yet I do not buy me a Yacht or a Villa at Newport."</p>
<p>But even with these Praiseworthy Principles, it soon Came About that the
Man was Bankrupt.</p>
<p>Whereupon he Reproached his Wife, who Answered his Accusations with
Surprise.</p>
<p>"Me! My dear!" she exclaimed. "Why, I am Exceedingly Economical. True, I
Occasionally buy me a Set of Sables or a Diamond Tiara, but I am
Scrupulously Careful about Small Sums; I Diligently unknot all Strings
that come around Parcels, and Save Them, and I use the Backs of old
Envelopes for Scribbling-Paper. Yet, somehow, my Bank-Account is also
Exhausted."</p>
<h3>MORALS:</h3>
<p>This Fable teaches to Takes Care of the Pence and the Pounds will Take
Care of Themselves, and that we Should Not Be Penny-Wise and
Pound-Foolish.<span class='pagenum'><SPAN name="Page_603" id="Page_603">[Pg 603]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="THE_TWO_PEDESTRIANS" id="THE_TWO_PEDESTRIANS"></SPAN>THE TWO PEDESTRIANS</h2>
<h3>BY CAROLYN WELLS</h3>
<p>Once on a time there were two Men, one of whom was a Good Man and the
other a Rogue.</p>
<p>The Good Man one day saw a Wretched Drunkard endeavoring to find his way
Home.</p>
<p>Being most kind-hearted, the Good Man assisted the Wretched Drunkard to
his feet and accompanied him along the Highway toward his Home.</p>
<p>The Good Man held fast the arm of the Wretched Drunkard, and the result
of this was that when the Wretched Drunkard lurched giddily the Good Man
perforce lurched too.</p>
<p>Whereupon, as the Passing Populace saw the pair, they said: "Aha!
Another good man gone wrong," and they Wisely Wagged their Heads.</p>
<p>Now the Bad Man of this tale, being withal of a shrewd and canny Nature,
stood often on a street corner, and engaged in grave conversation with
the Magnates of the town.</p>
<p>To be sure, the Magnates shook him as soon as possible, but in no wise
discouraged he cheerfully sauntered up to another Magnate. Thus did he
gain a Reputation of being a friend of the Great.</p>
<h3>MORALS:</h3>
<p>This Fable teaches us that A Man is known by the Company he Keeps, and
that We Must not Judge by Appearances.<span class='pagenum'><SPAN name="Page_604" id="Page_604">[Pg 604]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="A_COMPLAINT_OF_FRIENDS" id="A_COMPLAINT_OF_FRIENDS"></SPAN>A COMPLAINT OF FRIENDS</h2>
<h3>BY GAIL HAMILTON</h3>
<p>If things would not run into each other so, it would be a thousand times
easier and a million times pleasanter to get on in the world. Let the
sheepiness be set on one side and the goatiness on the other, and
immediately you know where you are. It is not necessary to ask that
there be any increase of the one or any diminution of the other, but
only that each shall preëmpt its own territory and stay there. Milk is
good, and water is good, but don't set the milk-pail under the pump.
Pleasure softens pain, but pain embitters pleasure; and who would not
rather have his happiness concentrated into one memorable day, that
shall gleam and glow through a lifetime, than have it spread out over a
dozen comfortable, commonplace, humdrum forenoons and afternoons, each
one as like the others as two peas in a pod? Since the law of
compensation obtains, I suppose it is the best law for us; but if it had
been left with me, I should have made the clever people rich and
handsome, and left poverty and ugliness to the stupid people;
because—don't you see?—the stupid people won't know they are ugly, and
won't care if they are poor, but the clever people will be hampered and
tortured. I would have given the good wives to the good husbands, and
made drunken men marry drunken women. Then there would have been one
family exquisitely happy instead of two struggling against misery. I
would have made the rose stem downy, and put all the thorns<span class='pagenum'><SPAN name="Page_605" id="Page_605">[Pg 605]</SPAN></span> on the
thistles. I would have gouged out the jewel from the toad's head, and
given the peacock the nightingale's voice, and not set everything so at
half and half.</p>
<p>But that is the way it is. We find the world made to our hand. The wise
men marry the foolish virgins, and the splendid virgins marry dolts, and
matters in general are so mixed up, that the choice lies between nice
things about spoiled, and vile things that are not so bad after all, and
it is hard to tell sometimes which you like the best, or which you
loathe least.</p>
<p>I expect to lose every friend I have in the world by the publication of
this paper—except the dunces who are impaled in it. They will never
read it, and if they do, will never suspect I mean them; while the
sensible and true friends, who do me good and not evil all the days of
their lives, will think I am driving at their noble hearts, and will at
once fall off and leave me inconsolable. Still I am going to write it.
You must open the safety-valve once in a while, even if the steam does
whiz and shriek, or there will be an explosion, which is fatal, while
the whizzing and shrieking are only disagreeable.</p>
<p>Doubtless friendship has its advantages and its pleasures; doubtless
hostility has its isolations and its revenges; still, if called upon to
choose once for all between friends and foes, I think, on the whole, I
should cast my vote for the foes. Twenty enemies will not do you the
mischief of one friend. Enemies you always know where to find. They are
in fair and square perpetual hostility, and you keep your armor on and
your sentinels posted; but with friends you are inveigled into a false
security, and, before you know it, your honor, your modesty, your
delicacy are scudding before the gales. Moreover, with your friend you
can never make reprisals. If your enemy attacks you, you can always
strike back and hit hard.<span class='pagenum'><SPAN name="Page_606" id="Page_606">[Pg 606]</SPAN></span> You are expected to defend yourself against
him to the top of your bent. He is your legal opponent in honorable
warfare. You can pour hot-shot into him with murderous vigor; and the
more he writhes, the better you feel. In fact, it is rather refreshing
to measure swords once in a while with such a one. You like to exert
your power and keep yourself in practice. You do not rejoice so much in
overcoming your enemy as in overcoming. If a marble statue could show
fight you would just as soon fight it; but as it can not, you take
something that can, and something, besides, that has had the temerity to
attack you, and so has made a lawful target of itself. But against your
friend your hands are tied. He has injured you. He has disgusted you. He
has infuriated you. But it was most Christianly done. You can not hurl a
thunderbolt, or pull a trigger, or lisp a syllable against those amiable
monsters who, with tenderest fingers, are sticking pins all over you. So
you shut fast the doors of your lips, and inwardly sigh for a good,
stout, brawny, malignant foe, who, under any and every circumstance,
will design you harm, and on whom you can lavish your lusty blows with a
hearty will and a clear conscience.</p>
<p>Your enemy keeps clear of you. He neither grants nor claims favors. He
awards you your rights,—no more, no less,—and demands the same from
you. Consequently there is no friction. Your friend, on the contrary, is
continually getting himself tangled up with you "because he is your
friend." I have heard that Shelley was never better pleased than when
his associates made free with his coats, boots, and hats for their own
use, and that he appropriated their property in the same way. Shelley
was a poet, and perhaps idealized his friends. He saw them, probably, in
a state of pure intellect. I am not a poet; I look at people in the
concrete. The most obvi<span class='pagenum'><SPAN name="Page_607" id="Page_607">[Pg 607]</SPAN></span>ous thing about my friends is their avoirdupois;
and I prefer that they should wear their own cloaks and suffer me to
wear mine. There is no neck in the world that I want my collar to span
except my own. It is very exasperating to me to go to my bookcase and
miss a book of which I am in immediate and pressing need, because an
intimate friend has carried it off without asking leave, on the score of
his intimacy. I have not, and do not wish to have, any alliance that
shall abrogate the eighth commandment. A great mistake is lying round
loose hereabouts,—a mistake fatal to many friendships that did run
well. The common fallacy is that intimacy dispenses with the necessity
of politeness. The truth is just the opposite of this. The more points
of contact there are, the more danger of friction there is, and the more
carefully should people guard against it. If you see a man only once a
month, it is not of so vital importance that you do not trench on his
rights, tastes, or whims. He can bear to be crossed or annoyed
occasionally. If he does not have a very high regard for you, it is
comparatively unimportant, because your paths are generally so diverse.
But you and the man with whom you dine every day have it in your power
to make each other exceedingly uncomfortable. A very little dropping
will wear away rock, if it only keep at it. The thing that you would not
think of, if it occurred only twice a year, becomes an intolerable
burden when it happens twice a day. This is where husbands and wives run
aground. They take too much for granted. If they would but see that they
have something to gain, something to save, as well as something to
enjoy, it would be better for them; but they proceed on the assumption
that their love is an inexhaustible tank, and not a fountain depending
for its supply on the stream that trickles into it. So, for every little
annoying<span class='pagenum'><SPAN name="Page_608" id="Page_608">[Pg 608]</SPAN></span> habit, or weakness, or fault, they draw on the tank, without
being careful to keep the supply open, till they awake one morning to
find the pump dry, and, instead of love, at best, nothing but a cold
habit of complacence. On the contrary, the more intimate friends become,
whether married or unmarried, the more scrupulously should they strive
to repress in themselves everything annoying, and to cherish both in
themselves and each other everything pleasing. While each should draw on
his love to neutralize the faults of his friend, it is suicidal to draw
on his friend's love to neutralize his own faults. Love should be
cumulative, since it can not be stationary. If it does not increase, it
decreases. Love, like confidence, is a plant of slow growth, and of most
exotic fragility. It must be constantly and tenderly cherished. Every
noxious and foreign element must be carefully removed from it. All
sunshine, and sweet airs, and morning dews, and evening showers must
breathe upon it perpetual fragrance, or it dies into a hideous and
repulsive deformity, fit only to be cast out and trodden under foot of
men, while, properly cultivated, it is a Tree of Life.</p>
<p>Your enemy keeps clear of you, not only in business, but in society. If
circumstances thrust him into contact with you, he is curt and
centrifugal. But your friend breaks in upon your "saintly solitude" with
perfect equanimity. He never for a moment harbors a suspicion that he
can intrude, "because he is your friend." So he drops in on his way to
the office to chat half an hour over the latest news. The half-hour
isn't much in itself. If it were after dinner, you wouldn't mind it; but
after breakfast every moment "runs itself in golden sands," and the
break in your time crashes a worse break in your temper. "Are you busy?"
asks the considerate wretch, adding insult to injury. What can you do?
Say yes, and wound<span class='pagenum'><SPAN name="Page_609" id="Page_609">[Pg 609]</SPAN></span> his self-love forever? But he has a wife and family.
You respect their feelings, smile and smile, and are villain enough to
be civil with your lips, and hide the poison of asps under your tongue,
till you have a chance to relieve your o'ercharged heart by shaking your
fist in impotent wrath at his retreating form. You will receive the
reward of your hypocrisy, as you richly deserve, for ten to one he will
drop in again when he comes back from his office, and arrest you
wandering in Dreamland in the beautiful twilight. Delighted to find that
you are neither reading nor writing,—the absurd dolt! as if a man
weren't at work unless he be wielding a sledge-hammer!—he will preach
out, and prose out, and twaddle out another hour of your golden
eventide, "because he is your friend." You don't care whether he is
judge or jury,—whether he talks sense or nonsense; you don't want him
to talk at all. You don't want him there anyway. You want to be alone.
If you don't, why are you sitting there in the deepening twilight? If
you wanted him, couldn't you send for him? Why don't you go out into the
drawing-room, where are music and lights, and gay people? What right
have I to suppose, that, because you are not using your eyes, you are
not using your brain? What right have I to set myself up as a judge of
the value of your time, and so rob you of perhaps the most delicious
hour in all your day, on pretense that it is of no use to you?—take a
pound of flesh clean out of your heart, and trip on my smiling way as if
I had not earned the gallows?</p>
<p>And what in Heaven's name is the good of all this ceaseless talk? To
what purpose are you wearied, exhausted, dragged out and out to the very
extreme of tenuity? A sprightly badinage,—a running fire of nonsense
for half an hour,—a tramp over unfamiliar ground with<span class='pagenum'><SPAN name="Page_610" id="Page_610">[Pg 610]</SPAN></span> a familiar
guide,—a discussion of something with somebody who knows all about it,
or who, not knowing, wants to learn from you,—a pleasant interchange of
commonplaces with a circle of friends around the fire, at such hours as
you give to society: all this is not only tolerable, but
agreeable,—often positively delightful; but to have an indifferent
person, on no score but that of friendship, break into your sacred
presence, and suck your blood through indefinite cycles of time, is an
abomination. If he clatters on an indifferent subject, you can do well
enough for fifteen minutes, buoyed up by the hope that he will presently
have a fit, or be sent for, or come to some kind of an end. But when you
gradually open to the conviction that <i>vis inertiæ</i> rules the hour, and
the thing which has been is that which shall be, you wax listless; your
chariot-wheels drive heavily; your end of the pole drags in the mud, and
you speedily wallow in unmitigated disgust. If he broaches a subject on
which you have a real and deep living interest, you shrink from
unbosoming yourself to him. You feel that it would be sacrilege. He
feels nothing of the sort. He treads over your heart-strings in his
cowhide brogans, and does not see that they are not whip-cords. He pokes
his gold-headed cane in among your treasures, blind to the fact that you
are clutching both arms around them, that no gleam of flashing gold may
reveal their whereabouts to him. You draw yourself up in your shell,
projecting a monosyllabic claw occasionally as a sign of continued
vitality; but the pachyderm does not withdraw, and you gradually lower
into an indignation,—smothered, fierce, intense.</p>
<p>Why, <i>why</i>, <span class="smcap">why</span> will people inundate their unfortunate victims with such
"weak, washy, everlasting floods?" Why will they haul everything out
into the open day?<span class='pagenum'><SPAN name="Page_611" id="Page_611">[Pg 611]</SPAN></span> Why will they make the Holy of Holies common and
unclean? Why will they be so ineffably stupid as not to see that there
is that which speech profanes? Why will they lower their drag-nets into
the unfathomable waters, in the vain attempt to bring up your pearls and
gems, whose luster would pale to ashes in the garish light, whose only
sparkle is in the deep sea-soundings? <i>Procul, O procul este, profani!</i></p>
<p>O, the matchless power of silence! There are words that concentrate in
themselves the glory of a lifetime; but there is a silence that is more
precious than they. Speech ripples over the surface of life, but silence
sinks into its depths. Airy pleasantnesses bubble up in airy, pleasant
words. Weak sorrows quaver out their shallow being, and are not. When
the heart is cleft to its core, there is no speech nor language.</p>
<p>Do not now, Messrs. Bores, think to retrieve your character by coming
into my house and sitting mute for two hours. Heaven forbid that your
blood should be found on my skirts! but I believe I shall kill you, if
you do. The only reason why I have not laid violent hands on you
heretofore is that your vapid talk has operated as a wire to conduct my
electricity to the receptive and kindly earth; but if you intrude upon
my magnetisms without any such life-preserver, your future in this world
is not worth a crossed sixpence. Your silence would break the reed that
your talk but bruised. The only people with whom it is a joy to sit
silent are the people with whom it is a joy to talk. Clear out!</p>
<p>Friendship plays the mischief in the false ideas of constancy which are
generated and cherished in its name, if not by its agency. Your enemies
are intense, but temporary. Time wears off the edge of hostility. It is
the alembic in which offenses are dissolved into thin air, and<span class='pagenum'><SPAN name="Page_612" id="Page_612">[Pg 612]</SPAN></span> a calm
indifference reigns in their stead. But your friends are expected to be
a permanent arrangement. They are not only a sore evil, but of long
continuance. Adhesiveness seems to be the head and front, the bones and
the blood, of their creed. It is not the direction of the quality, but
the quality itself, which they swear by. Only stick, it is no matter
what you stick to. Fall out with a man, and you can kiss and be friends
as soon as you like; the recording angel will set it down on the credit
side of his books. Fall in, and you are expected to stay in, <i>ad
infinitum, ad nauseam</i>. No matter what combination of laws got you
there, there you are, and there you must stay, for better, for worse,
till merciful death you do part,—or you are—"fickle." You find a man
entertaining for an hour, a week, a concert, a journey, and presto! you
are saddled with him forever. What preposterous absurdity! Do but look
at it calmly. You are thrown into contact with a person, and, as in duty
bound, you proceed to fathom him: for every man is a possible
revelation. In the deeps of his soul there may lie unknown worlds for
you. Consequently you proceed at once to experiment on him. It takes a
little while to get your tackle in order. Then the line begins to run
off rapidly, and your eager soul cries out, "Ah! what depth! What
perpetual calmness must be down below! What rest is here for all my
tumult! What a grand, vast nature is this!" Surely, surely, you are on
the high seas. Surely, you will not float serenely down the eternities!
But by and by there is a kink. You find that, though the line runs off
so fast, it does not go down,—it only floats out. A current has caught
it and bears it on horizontally. It does not sink plumb. You have been
deceived. Your grand Pacific Ocean is nothing but a shallow little
brook, that you can ford all the year round, if it does not utterly<span class='pagenum'><SPAN name="Page_613" id="Page_613">[Pg 613]</SPAN></span> dry
up in the summer heats, when you want it most; or, at best, it is a
fussy little tormenting river, that won't and can't sail a sloop. What
are you going to do about it? You are going to wind up your lead and
line, shoulder your birch canoe, as the old sea-kings used, and thrid
the deep forests, and scale the purple hills, till you come to water
again, when you will unroll your lead and line for another essay. Is
that fickleness? What else can you do? Must you launch your bark on the
unquiet stream, against whose pebbly bottom the keel continually grates
and rasps your nerves—simply that your reputation suffer no detriment?
Fickleness? There is no fickleness about it. You were trying an
experiment which you had every right to try. As soon as you were
satisfied, you stopped. If you had stopped sooner, you would have been
unsatisfied. If you had stopped later, you would have been dissatisfied.
It is a criminal contempt of the magnificent possibilities of life not
to lay hold of "God's occasions floating by." It is an equally criminal
perversion of them to cling tenaciously to what was only the
<i>simulacrum</i> of an occasion. A man will toil many days and nights among
the mountains to find an ingot of gold, which, found, he bears home with
infinite pains and just rejoicing; but he would be a fool who should
lade his mules with iron-pyrites to justify his labors, however severe.</p>
<p>Fickleness! what is it, that we make such an ado about it? And what is
constancy, that it commands such usurious interest? The one is a foible
only in its relations. The other is only thus a virtue. "Fickle as the
winds" is our death-seal upon a man; but should we like our winds
unfickle? Would a perpetual northeaster lay us open to perpetual
gratitude? or is a soft south gale to be orisoned and vespered
forevermore?<span class='pagenum'><SPAN name="Page_614" id="Page_614">[Pg 614]</SPAN></span></p>
<p>I am tired of this eternal prating of devotion and constancy. It is
senseless in itself and harmful in its tendencies. The dictate of reason
is to treat men and women as we do oranges. Suck all the juice out and
then let them go. Where is the good of keeping the peel and pulp-cells
till they get old, dry, and mouldy? Let them go, and they will help feed
the earth-worms and bugs and beetles who can hardly find existence a
continued banquet, and fertilize the earth, which will have you give
before you receive. Thus they will ultimately spring up in new and
beautiful shapes. Clung to with constancy, they stain your knife and
napkin, impart a bad odor to your dining-room, and degenerate into
something that is neither pleasant to the eye nor good for food. I
believe in a rotation of crops, morally and socially, as well as
agriculturally. When you have taken the measure of a man, when you have
sounded him and know that you can not wade in him more than ankle-deep,
when you have got out of him all that he has to yield for your soul's
sustenance and strength, what is the next thing to be done? Obviously,
pass him on; and turn you "to fresh woods and pastures new." Do you work
him an injury? By no means. Friends that are simply glued on, and don't
grow out of, are little worth. He has nothing more for you, nor you for
him; but he may be rich in juices wherewithal to nourish the heart of
another man, and their two lives, set together, may have an endosmose
and exosmose whose result shall be richness of soil, grandeur of growth,
beauty of foliage, and perfectness of fruit, while you and he would only
have languished into aridity and a stunted crab-tree.</p>
<p>For my part, I desire to sweep off my old friends with the old year, and
begin the new with a clean record. It is a measure absolutely necessary.
The snake does not<span class='pagenum'><SPAN name="Page_615" id="Page_615">[Pg 615]</SPAN></span> put on his new skin over the old one. He sloughs off
the first, before he dons the second. He would be a very clumsy serpent,
if he did not. One can not have successive layers of friendships any
more than the snake has successive layers of skins. One must adopt some
system to guard against a congestion of the heart from plethora of
loves. I go in for the much-abused, fair-weather, skin-deep,
April-shower friends,—the friends who will drop off, if let alone,—who
must be kept awake to be kept at all,—who will talk and laugh with you
as long as it suits your respective humors and you are prosperous and
happy,—the blessed butterfly-race, who flutter about your June
mornings, and when the clouds lower, and the drops patter, and the rains
descend, and the winds blow, will spread their gay wings and float
gracefully away to sunny, southern lands, where the skies are yet blue
and the breezes violet-scented. They are not only agreeable, but deeply
wise. So long as a man keeps his streamer flying, his sails set, and his
hull above water, it is pleasant to paddle alongside; but when the sails
split, the yards crack, and the keel goes staggering down, by all means
paddle off. Why should you be submerged in his whirlpool? Will he drown
any more easily because you are drowning with him? Lung is lung. He dies
from want of air, not from want of sympathy. When a poor fellow sits
down among the ashes, the best thing his friends can do is to stand afar
off. Job bore the loss of property, children, health, with equanimity.
Satan himself found his match there; and for all his buffeting, Job
sinned not, nor charged God foolishly. But Job's three friends must
needs make an appointment together to come and mourn with him and to
comfort him, and after this Job opened his mouth, and cursed his
day,—and no wonder.</p>
<p>Your friends have an intimate knowledge of you that<span class='pagenum'><SPAN name="Page_616" id="Page_616">[Pg 616]</SPAN></span> is astonishing to
contemplate. It is not that they know your affairs, which he who runs
may read, but they know you. From a bit of bone, Cuvier could predicate
a whole animal, even to the hide and hair. Such moral naturalists are
your dear five hundred friends. It seems to yourself that you are
immeasurably reticent. You know, of a certainty, that you project only
the smallest possible fragment of yourself. You yield your universality
to the bond of common brotherhood; but your individualism—what it is
that makes you you—withdraws itself naturally, involuntarily,
inevitably into the background,—the dim distance which their eyes can
not penetrate. But, from the fraction which you do project, they
construct another you, call it by your name, and pass it around for the
real, the actual you. You bristle with jest and laughter and wild whims,
to keep them at a distance; and they fancy this to be your every-day
equipment. They think your life holds constant carnival. It is
astonishing what ideas spring up in the heads of sensible people. There
are those who assume that a person can never have had any grief, unless
somebody has died, or he has been disappointed in love,—not knowing
that every avenue of joy lies open to the tramp of pain. They see the
flashing coronet on the queen's brow, and they infer a diamond woman,
not recking of the human heart that throbs wildly out of sight. They see
the foam-crest on the wave, and picture an Atlantic Ocean of froth, and
not the solemn sea that stands below in eternal equipoise. You turn to
them the luminous crescent of your life, and they call it the whole
round globe; and so they love you with a love that is agate, not pearl,
because what they love in you is something infinitely below the highest.
They love you level: they have never scaled your heights nor fathomed
your depths. And when they talk of you<span class='pagenum'><SPAN name="Page_617" id="Page_617">[Pg 617]</SPAN></span> as familiarly as if they had
taken out your auricles and ventricles, and turned them inside out, and
wrung them, and shaken them,—when they prate of your transparency and
openness, the abandonment with which you draw aside the curtain and
reveal the inmost thoughts of your heart,—you, who are to yourself a
miracle and a mystery, you smile inwardly, and are content. They are on
the wrong scent, and you may pursue your plans in peace. They are
indiscriminate and satisfied. They do not know the relation of what
appears to what is. If they chance to skirt along the coasts of your
Purple Island, it will be only chance, and they will not know it. You
may close your port-holes, lower your drawbridge, and make merry, for
they will never come within gunshot of the "round tower of your heart."</p>
<p>There is no such thing as knowing a man intimately. Every soul is, for
the greater part of its mortal life, isolated from every other. Whether
it dwell in the Garden of Eden or the Desert of Sahara, it dwells alone.
Not only do we jostle against the street crowd unknowing and unknown,
but we go out and come in, we lie down and rise up, with strangers.
Jupiter and Neptune sweep the heavens not more unfamiliar to us than the
worlds that circle our own hearthstone. Day after day, and year after
year a person moves by your side; he sits at the same table; he reads
the same books; he kneels in the same church. You know every hair of his
head, every trick of his lips, every tone of his voice; you can tell him
far off by his gait. Without seeing him, you recognize his step, his
knock, his laugh. "Know him? Yes, I have known him these twenty years."
No, you don't know him. You know his gait, and hair, and voice. You know
what preacher he hears, what ticket he voted, and what were his last
year's expenses; but you don't know him.<span class='pagenum'><SPAN name="Page_618" id="Page_618">[Pg 618]</SPAN></span> He sits quietly in his chair,
but he is in the temple. You speak to him; his soul comes out into the
vestibule to answer you, and returns,—and the gates are shut; therein
you can not enter. You were discussing the state of the country; but
when you ceased, he opened a postern-gate, went down a bank, and
launched on a sea over whose waters you have no boat to sail, no star to
guide. You have loved and reverenced him. He has been your concrete of
truth and nobleness. Unwittingly you touch a secret spring, and a
Blue-Beard chamber stands revealed. You give no sign; you meet and part
as usual; but a Dead Sea rolls between you two forevermore.</p>
<p>It must be so. Not even to the nearest and dearest can one unveil the
secret place where his soul abideth, so that there shall be no more any
winding ways or hidden chambers; but to your indifferent neighbor, what
blind alleys, and deep caverns, and inaccessible mountains! To him who
"touches the electric chain wherewith you're darkly bound," your soul
sends back an answering thrill. One little window is opened, and there
is short parley. Your ships speak each other now and then in welcome,
though imperfect communication; but immediately you strike out again
into the great, shoreless sea, over which you must sail forever alone.
You may shrink from the far-reaching solitudes of your heart, but no
other foot than yours can tread them, save those</p>
<div class="poem"><div class="stanza">
<span class="i0">"That, eighteen hundred years ago, were nailed,<br /></span>
<span class="i0">For our advantage, to the bitter cross."<br /></span>
</div></div>
<p>Be thankful that it is so,—that only His eye sees whose hand formed. If
we could look in, we should be appalled at the vision. The worlds that
glide around us are mysteries too high for us. We can not attain to
them. The naked soul is a sight too awful for man to look at<span class='pagenum'><SPAN name="Page_619" id="Page_619">[Pg 619]</SPAN></span> and live.
There are individuals whose topography we would like to know a little
better, and there is danger that we crash against each other while
roaming around in the dark; but for all that, would we not have the
constitution broken up. Somebody says, "In Heaven there will be no
secrets," which, it seems to me, would be intolerable. (If that were a
revelation from the King of Heaven, of course I would not speak
flippantly of it; but though towards Heaven we look with reverence and
humble hope, I do not know that Tom, Dick and Harry's notions of it have
any special claim to our respect.) Such publicity would destroy all
individuality, and undermine the foundations of society.
Clairvoyance—if there be any such thing—always seemed to me a stupid
impertinence. When people pay visits to me, I wish them to come to the
front door, and ring the bell, and send up their names. I don't wish
them to climb in at the window, or creep through the pantry, or, worst
of all, float through the key-hole, and catch me in undress. So I
believe that in all worlds thoughts will be the subjects of
volition,—more accurately expressed when expression is desired, but
just as entirely suppressed when we will suppression.</p>
<p>After all, perhaps the chief trouble arises from a prevalent confusion
of ideas as to what constitutes a man your friend. Friendship may stand
for that peaceful complacence which you feel towards all well-behaved
people who wear clean collars and use tolerable grammar. This is a very
good meaning, if everybody will subscribe to it. But sundry of these
well-behaved people will mistake your civility and complacence for a
recognition of special affinity, and proceed at once to frame an
alliance offensive and defensive while the sun and the moon shall
endure. O, the barnacles that cling to your keel in such waters! The<span class='pagenum'><SPAN name="Page_620" id="Page_620">[Pg 620]</SPAN></span>
inevitable result is, that they win your intense rancor. You would feel
a genial kindliness toward them, if they would be satisfied with that;
but they lay out to be your specialty. They infer your innocent little
inch to be the standard-bearer of twenty ells, and goad you to frenzy. I
mean you, you desperate little horror, who nearly dethroned my reason
six years ago! I always meant to have my revenge, and here I impale you
before the public. For three months, you fastened yourself upon me, and
I could not shake you off. What availed it me, that you were an honest
and excellent man? Did I not, twenty times a day, wish you had been a
villain, who had insulted me, and I a Kentucky giant, that I might have
the unspeakable satisfaction of knocking you down? But you added to your
crimes virtue. Villainy had no part or lot in you. You were a member of
a church, in good and regular standing; you had graduated with all the
honors worth mentioning; you had not a sin, a vice, or a fault that I
knew of; and you were so thoroughly good and repulsive that you were a
great grief to me. Do you think, you dear, disinterested wretch, that I
have forgotten how you were continually putting yourself to horrible
inconveniences on my account? Do you think I am not now filled with
remorse for the aversion that rooted itself ineradicably in my soul, and
which now gloats over you, as you stand in the pillory where my own
hands have fastened you? But can nature be crushed forever? Did I not
ruin my nerves, and seriously injure my temper, by the overpowering
pressure I laid upon them to keep them quiet when you were by? Could I
not, by the sense of coming ill through all my quivering frame, presage
your advent as exactly as the barometer heralds the approaching storm?
Those three months of agony are little atoned for by this late
vengeance; but go in peace!<span class='pagenum'><SPAN name="Page_621" id="Page_621">[Pg 621]</SPAN></span></p>
<p>Mysterious are the ways of friendship. It is not a matter of reason or
of choice, but of magnetisms. You can not always give the premises nor
the argument, but the conclusion is a palpable and stubborn fact. Abana
and Pharpar may be broad, and deep, and blue, and grand; but only in
Jordan shall your soul wash and be clean. A thousand brooks are born of
the sunshine and the mountains: very, very few are they whose flow can
mingle with yours, and not disturb, but only deepen and broaden the
current.</p>
<p>Your friend! Who shall describe him, or worthily paint what he is to
you? No merchant, nor lawyer, nor farmer, nor statesman claims your
suffrage, but a kingly soul. He comes to you from God,—a prophet, a
seer, a revealer. He has a clear vision. His love is reverence. He goes
into the <i>penetralia</i> of your life,—not presumptuously, but with
uncovered head, unsandaled feet, and pours libations at the innermost
shrine. His incense is grateful. For him the sunlight brightens, the
skies grow rosy, and all the days are Junes. Wrapped in his love, you
float in a delicious rest, rocked in the bosom of purple, scented waves.
Nameless melodies sing themselves through your heart. A golden glow
suffices your atmosphere. A vague, fine ecstasy thrills to the sources
of life, and earth lays hold on Heaven. Such friendship is worship. It
elevates the most trifling services into rites. The humblest offices are
sanctified. All things are baptized into a new name. Duty is lost in
joy. Care veils itself in caresses. Drudgery becomes delight. There is
no longer anything menial, small, or servile. All is transformed</p>
<div class="poem"><div class="stanza">
<span class="i0">"Into something rich and strange."<br /></span>
</div></div>
<p>The homely household-ways lead through beds of spices<span class='pagenum'><SPAN name="Page_622" id="Page_622">[Pg 622]</SPAN></span> and orchards of
pomegranates. The daily toil among your parsnips and carrots is plucking
May violets with the dew upon them to meet the eyes you love upon their
first awaking. In the burden and heat of the day you hear the rustling
of summer showers and the whispering of summer winds. Everything is
lifted up from the plane of labor to the plane of love, and a glory
spans your life. With your friend, speech and silence are one; for a
communion mysterious and intangible reaches across from heart to heart.
The many dig and delve in your nature with fruitless toil to find the
spring of living water: he only raises his wand, and, obedient to the
hidden power, it bends at once to your secret. Your friendship, though
independent of language, gives to it life and light. The mystic spirit
stirs even in commonplaces, and the merest question is an endearment.
You are quiet because your heart is over-full. You talk because it is
pleasant, not because you have anything to say. You weary of terms that
are already love-laden, and you go out into the highways and hedges, and
gather up the rough, wild, wilful words, heavy with the hatreds of men,
and fill them to the brim with honey-dew. All things great and small,
grand or humble, you press into your service, force them to do soldier's
duty, and your banner over them is love.</p>
<p>With such a friendship, presence alone is happiness; nor is absence
wholly void,—for memories, and hopes, and pleasing fancies, sparkle
through the hours, and you know the sunshine will come back.</p>
<p>For such friendship one is grateful. No matter that it comes unsought,
and comes not for the seeking. You do not discuss the reasonableness of
your gratitude. You only know that your whole being bows with humility
and utter thankfulness to him who thus crowns you monarch of all
realms.<span class='pagenum'><SPAN name="Page_623" id="Page_623">[Pg 623]</SPAN></span></p>
<p>And the kingdom is everlasting. A weak love dies weakly with the
occasion that gave it birth; but such friendship is born of the
gods, and immortal. Clouds and darkness may sweep around it, but
within the cloud the glory lives undimmed. Death has no power over it.
Time can not diminish, nor even dishonor annul it. Its direction may
have been earthly, but itself is divine. You go back into your solitudes:
all is silent as aforetime, but you can not forget that a Voice once
resounded there. A Presence filled the valleys and gilded the
mountain-tops,—breathed upon the plains, and they sprang up in lilies
and roses,—flashed upon the waters, and they flowed to spheral
melody,—swept through the forests, and they, too, trembled into song.
And though now the warmth has faded out, though the ruddy tints and
amber clearness have paled to ashen hues, though the murmuring melodies
are dead, and forest, vale, and hill look hard and angular in the sharp
air, you know that it is not death. The fire is unquenched beneath. You
go your way not disconsolate. There needs but the Victorious Voice. At
the touch of the prince's lips, life shall rise again and be perfected
forevermore.<span class='pagenum'><SPAN name="Page_624" id="Page_624">[Pg 624]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="PONCHUS_PILUT" id="PONCHUS_PILUT"></SPAN>PONCHUS PILUT</h2>
<h3>BY JAMES WHITCOMB RILEY</h3>
<div class="poem"><div class="stanza">
<span class="i0">Ponchus Pilut <i>used</i> to be<br /></span>
<span class="i0">1st a <i>Slave</i>, an' now he's <i>free</i>.<br /></span>
<span class="i0">Slaves wuz on'y ist before<br /></span>
<span class="i0">The War wuz—an' <i>ain't</i> no more.<br /></span>
</div><div class="stanza">
<span class="i0">He works on our place fer us,—<br /></span>
<span class="i0">An' comes here—<i>sometimes</i> he does.<br /></span>
<span class="i0">He shocks corn an' shucks it.—An'<br /></span>
<span class="i0">He makes hominy "by han'!"—<br /></span>
</div><div class="stanza">
<span class="i0">Wunst he bringed us some, one trip,<br /></span>
<span class="i0">Tied up in a piller-slip:<br /></span>
<span class="i0">Pa says, when Ma cooked it, "MY!<br /></span>
<span class="i0">This-here's gooder'n you <i>buy</i>!"<br /></span>
</div><div class="stanza">
<span class="i0">Ponchus <i>pats</i> fer me an' sings;<br /></span>
<span class="i0">An' he says most <i>funny</i> things!<br /></span>
<span class="i0">Ponchus calls a dish a "<i>deesh</i>"—<br /></span>
<span class="i0">Yes, an' <i>he</i> calls fishes "<i>feesh</i>"!<br /></span>
</div><div class="stanza">
<span class="i0">When Ma want him eat wiv us<br /></span>
<span class="i0">He says, "'Skuse me—'deed you mus'!—<br /></span>
<span class="i0">Ponchus know good manners, Miss.—<br /></span>
<span class="i0">He aint eat wher' White-folks is!"<br /></span><span class='pagenum'><SPAN name="Page_625" id="Page_625">[Pg 625]</SPAN></span>
</div><div class="stanza">
<span class="i0">'Lindy takes <i>his</i> dinner out<br /></span>
<span class="i0">Wher' he's workin'—roun' about.—<br /></span>
<span class="i0">Wunst he et his dinner, spread<br /></span>
<span class="i0">In our ole wheel-borry-bed.<br /></span>
</div><div class="stanza">
<span class="i0"><i>Ponchus Pilut</i> says "<i>'at's</i> not<br /></span>
<span class="i0">His <i>right</i> name,—an' done fergot<br /></span>
<span class="i0">What his <i>sho'-nuff</i> name is now—<br /></span>
<span class="i0">An' don' matter none <i>no</i>how!"<br /></span>
</div><div class="stanza">
<span class="i0">Yes, an' Ponchus he'ps Pa, too,<br /></span>
<span class="i0">When our <i>butcherin's</i> to do,<br /></span>
<span class="i0">An' scalds hogs—an' says "Take care<br /></span>
<span class="i0">'Bout it, er you'll <i>set the hair</i>!"<br /></span>
</div><div class="stanza">
<span class="i0">Yes, an' out in our back-yard<br /></span>
<span class="i0">He he'ps 'Lindy rendur lard;<br /></span>
<span class="i0">An', wite in the fire there, he<br /></span>
<span class="i0">Roast' a pig-tail wunst fer me.—<br /></span>
</div><div class="stanza">
<span class="i0">An' ist nen th'ole tavurn-bell<br /></span>
<span class="i0">Rung, down town, an' he says "Well!—<br /></span>
<span class="i0">Hear dat! <i>Lan' o' Canaan</i>, Son,<br /></span>
<span class="i0">Aint dat bell say '<i>Pig-tail done!</i>'<br /></span>
</div><div class="stanza">
<span class="i2">—'<i>Pig-tail done!</i><br /></span>
<span class="i4"><i>Go call Son!—</i><br /></span>
<span class="i6"><i>Tell dat</i><br /></span>
<span class="i6"><i>Chile dat</i><br /></span>
<span class="i4"><i>Pig-tail done!</i>'"<br /></span>
<span class='pagenum'><SPAN name="Page_626" id="Page_626">[Pg 626]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="THE_WOLF_AT_SUSANS_DOOR" id="THE_WOLF_AT_SUSANS_DOOR"></SPAN>THE WOLF AT SUSAN'S DOOR</h2>
<h3>BY ANNE WARNER</h3>
<p>"Well, Lucy has got Hiram!"</p>
<p>There was such a strong inflection of triumphant joy in Miss Clegg's
voice as she called the momentous news to her friend that it would have
been at once—and most truthfully—surmised that the getting of Hiram
had been a more than slight labor.</p>
<p>Mrs. Lathrop was waiting by the fence, impatience written with a
wandering reflection all over the serenity of her every-day expression.
Susan only waited to lay aside her bonnet and mitts and then hastened to
the fence herself.</p>
<p>"Mrs. Lathrop, you never saw nor heard the like of this weddin' day in
all your own days to be or to come, and I don't suppose there ever will
be anything like it again, for Lucy Dill didn't cut no figger in her own
weddin' a-<i>tall</i>,—the whole thing was Gran'ma Mullins first, last and
forever hereafter. I tell you it looked once or twice as if it wouldn't
be a earthly possibility to marry Hiram away from his mother, and now
that it's all over people can't do anything but say as after all Lucy
ought to consider herself very lucky as things turned out, for if things
hadn't turned out as they did turn out I don't believe anything on earth
could have unhooked that son, and I'm willin' to swear that anywhere to
any one.</p>
<p>"Do you know, Mrs. Lathrop, that Gran'ma Mullins was so bad off last
night as they had to put a mustard plaster onto her while Hiram went to
see Lucy for the<span class='pagenum'><SPAN name="Page_627" id="Page_627">[Pg 627]</SPAN></span> last time, an' Mrs. Macy says as she never hear the
beat o' her memory, for she says she'll take her Bible oath as Gran'ma
Mullins told her what Hiram said and done every minute o' his life while
he was gone to see Lucy Dill. And she cried, too, and took on the whole
time she was talkin' an' said Heaven help her, for nobody else could,
an' she just knowed Lucy'd get tired o' Hiram's story an' he can't be
happy a whole day without he tells it, an' she's most sure Lucy won't
like his singin' 'Marchin' Through Georgia' after the first month or
two, an' it's the only tune as Hiram has ever really took to. Mrs. Macy
says she soon found she couldn't do nothin' to stem the tide except to
drink tea an' listen, so she drank an' listened till Hiram come home
about eleven. Oh, my, but she says they had the time then! Gran'ma
Mullins let him in herself, and just as soon as he was in she bu'st into
floods of tears an' wouldn't let him loose under no consideration. She
says Hiram managed to get his back to the wall for a brace 'cause
Gran'ma Mullins nigh to upset him every fresh time as Lucy come over
her, an' Mrs. Macy says she couldn't but wonder what the end was goin'
to be when, toward midnight, Hiram just lost patience and dodged out
under her arm and run up the ladder to the roof-room an' they couldn't
get him to come down again. She says when Gran'ma Mullins realized as he
wouldn't come down she most went mad over the notion of her only son's
spendin' the Christmas Eve to his own weddin' sleepin' on the floor o'
the attic and she wanted to poke the cot up to him but Mrs. Macy says
she drew the line at cot-pokin' when the cot was all she'd have to sleep
on herself, and in the end they poked quilts up, an' pillows an'
doughnuts an' cider an' blankets, an' Hiram made a bed on the floor an'
they all got to sleep about three o'clock.<span class='pagenum'><SPAN name="Page_628" id="Page_628">[Pg 628]</SPAN></span></p>
<p>"Well, Mrs. Lathrop, what do you think? What <i>do</i> you think? They was so
awful tired that none of 'em woke till Mrs. Sperrit come at eleven next
day to take 'em to the weddin'! Mrs. Macy says she hopes she'll be put
forward all her back-slidin's if she ever gets such a start again. She
says when she peeked out between the blinds an' see Mrs. Sperrit's
Sunday bonnet an' realized her own state she nearly had a fit. Mrs.
Sperrit had to come in an' be explained to, an' the worst of it was as
Hiram couldn't be woke nohow. He'd pulled the ladder up after him an'
put the lid on the hole so's to feel safe, an' there he was snug as a
bug in a rug an' where no human bein' could get at him. They hollered
an' banged doors an' sharpened the carvin' knife an' poured grease on
the stove an' did anything they could think of, but he never budged.
Mrs. Macy says she never was so close beside herself in all her life
before, for Gran'ma Mullins cried worse 'n ever each minute an' Hiram
seemed like the very dead couldn't wake him.</p>
<p>"They was all hoppin' around half crazy when Mr. Sperrit come along on
his way to the weddin' an' his wife run out an' told him what was the
matter an' he come right in an' looked up at the matter. It didn't take
long for him to unsettle Hiram, Mrs. Macy says. He got a sulphur candle
an' tied it to a stick an' h'isted the lid with another stick, an' in
less 'n two minutes they could all hear Hiram sneezin' an' comin' to.
An' Mrs. Macy says when they hollered what time it was she wishes the
whole town might have been there to see Hiram Mullins come down to
earth. Mr. Sperrit didn't hardly have time to get out o' the way an' he
didn't give his mother no show for one single grab,—he just bounced
into his room and you could have heard him gettin' dressed on the far
side o' the far bridge.<span class='pagenum'><SPAN name="Page_629" id="Page_629">[Pg 629]</SPAN></span></p>
<p>"O' course, us at Lucy's didn't know anythin' a-<i>tall</i> about Mrs. Macy's
troubles. We had our own, Heaven help us, an' they was enough, for the
very first thing of all Mr. Dill caught his pocket on the corner of Mrs.
Dill an' come within a ace of pullin' her off her easel. That would have
been a pretty beginnin' to Lucy's weddin' day if her father had smashed
her mother to bits, I guess, but it couldn't have made Lucy any worse;
for I will say, Mrs. Lathrop, as I never see no one in all my born life
act foolisher than Lucy Dill this day. First she'd laugh an' then she'd
cry an' then she'd lose suthin' as we'd got to have to work with. An'
when it come to dressin' her!—well, if she'd known as Hiram was
sleepin' a sleep as next to knowed no wakin' she couldn't have put on
more things wrong side out an' hind side before! She wasn't dressed till
most every one was there an' I was gettin' pretty anxious, for Hiram
wasn't there neither, an' the more fidgety people got the more they
caught their corners on Mrs. Dill. I just saved her from Mr. Kimball,
an' Amelia saw her goin' as a result o' Judge Fitch an' hardly had time
for a jump. The minister himself was beginnin' to cough when, all of a
sudden, some one cried as the Sperrits was there.</p>
<p>"Well, we all squeezed to the window, an' such a sight you never saw.
They was gettin' Gran'ma Mullins out an' Hiram was tryin' to keep her
from runnin' the color of his cravat all down his shirt while she was
sobbin' 'Hi-i-i-i-ram, Hi-i-i-i-i-ram,' in a voice as would wring your
very heart dry. They got her out an' got her in an' got her upstairs,
an' we all sat down an' begin to get ready while Amelia played 'Lead,
Kindly Light' and 'The Joyous Farmer' alternate, 'cause she'd mislaid
her Weddin' March.</p>
<p>"Well, Mrs. Lathrop, you never knowed nothin' like<span class='pagenum'><SPAN name="Page_630" id="Page_630">[Pg 630]</SPAN></span> it!—we waited,
<i>an'</i> we waited, <i>an'</i> we waited, an' the minister most coughed himself
into consumption, an' Mrs. Dill got caught on so often that Mr. Kimball
told Ed to stand back of her an' hold her to the easel every minute.
Amelia was just beginning over again for the seventeenth time when at
last we heard 'em bumpin' along downstairs. Seems as all the delay come
from Lucy's idea o' wantin' to walk with her father an' have a weddin'
procession, instid o' her an' Hiram comin' in together like Christians
an' lettin' Mr. Dill hold Gran'ma Mullins up anywhere. Polly says she
never see such a time as they had of it; she says fightin' wolves was
layin' lambs beside the way they talked. Hiram said frank an' open as
the reason he didn't want to walk in with his mother was he was sure she
wouldn't let him out to get married, but Lucy was dead set on the
procession idea. So in the end they done it so, an' Gran'ma Mullins's
sobs fairly shook the house as they come through the dinin'-room door.
Lucy was first with her father an' they both had their heads turned
backward lookin' at Hiram an' his mother.</p>
<p>"Well, Mrs. Lathrop, it was certainly a sight worth seem'! The way that
Gran'ma Mullins was glued on! All I can say is as octopuses has got
their backs turned in comparison to the way that Hiram seemed to be all
wrapped up in her. It looked like wild horses, not to speak of Lucy
Dill, wouldn't never be able to get him loose enough to marry him. The
minister was scared; we was all scared. I never see a worse situation to
be in.</p>
<p>"They come along through the back parlor, Lucy lookin' back, Mr. Dill
white as a sheet, an' Hiram walkin' like a snow-plough as isn't sure how
long it can keep on makin' it. It seemed like a month as they was under
way before they finally got stopped in front o' the minister. An' then
come <i>the</i> time! Hiram had to step beside Lucy<span class='pagenum'><SPAN name="Page_631" id="Page_631">[Pg 631]</SPAN></span> an' take her hand an' he
couldn't! We all just gasped. There was Hiram tryin' to get loose and
Mr. Dill tryin' to help him. Gran'ma Mullins's tears dripped till you
could hear 'em, but she hung on to Hiram like he'd paid for it. They
worked like Trojan beavers, but as fast as they'd get one side of him
uncovered she'd take a fresh wind-round. I tell you, we all just held
our breath, and I bet Lucy was sorry she persisted in havin' a
procession when she see the perspiration runnin' off her father an'
Hiram.</p>
<p>"Finally Polly got frightened and begun to cry, an' at that the deacon
put his arm around her an' give her a hug, an' Gran'ma Mullins looked up
just in time to see the arm an' the hug. It seemed like it was the last
hay in the donkey, for she give a weak screech an' went right over on
Mr. Dill. She had such a grip on Hiram that if it hadn't been for Lucy
he'd have gone over, too, but Lucy just hung on herself that time, an'
Hiram was rescued without nothin' worse than his hair mussed an' one
sleeve a little tore. Mr. Sperrit an' Mr. Jilkins carried Gran'ma
Mullins into the dinin'-room, an' I said to just leave her fainted till
after we'd got Hiram well an' truly married; so they did.</p>
<p>"I never see the minister rattle nothin' through like that
marriage-service. Every one was on whole papers of pins an' needles, an'
the minute it was over every one just felt like sittin' right straight
down.</p>
<p>"Mrs. Macy an' me went up an' watered Gran'ma Mullins till we brought
her to, and when she learned as it was all done she picked up wonderful
and felt as hungry as any one, an' come downstairs an' kissed Lucy an'
caught a corner on Mrs. Dill just like she'd never been no trouble to no
one from first to last. I never seen such a sudden change in all my
life; it was like some miracle had come<span class='pagenum'><SPAN name="Page_632" id="Page_632">[Pg 632]</SPAN></span> out all over her and there
wasn't no one there as wasn't rejoiced to death over the change.</p>
<p>"We all went out in the dinin'-room and the sun shone in and every one
laughed over nothin' a-<i>tall</i>. Mrs. Sperrit pinned Hiram up from inside
so his tear didn't show, and Lucy and he set side by side and looked
like no one was ever goin' to ever be married again. Polly an' the
deacon set opposite and the minister an' his wife an' Mr. Dill an'
Gran'ma Mullins made up the table. The rest stood around, and we was all
as lively as words can tell. The cake was one o' the handsomest as I
ever see, two pigeons peckin' a bell on top and Hiram an' Lucy runnin'
around below in pink. There was a dime inside an' a ring, an' I got the
dime, an' they must have forgot to put in the ring for no one got it."</p>
<p>Susan paused and panted.</p>
<p>"It was—" commented Mrs. Lathrop, thoughtfully.</p>
<p>"Nice that I got the dime?—yes, I should say. There certainly wasn't no
one there as needed it worse, an', although I'd never be one to call a
dime a fortune, still it <i>is</i> a dime, an' no one can't deny it the
honor, no matter how they feel. But, Mrs. Lathrop, what you'd ought to
have seen was Hiram and Lucy ready to go off. I bet no one knows they're
brides—I bet no one knows <i>what</i> they are,—you never saw the like in
all your worst dreams. Hiram wore spectacles an' carpet-slippers an'
that old umbrella as Mr. Shores keeps at the store to keep from bein'
stole, and Lucy wore clothes she'd found in trunks an' her hair in
curl-papers, an' her cold-cream gloves. They certainly was a sight, an'
Gran'ma Mullins laughed as hard as any one over them. Mr. Sperrit drove
'em to the train, an' Hiram says he's goin' to spend two dollars a day
right along till he comes back; so I guess Lucy'll have a good time for
once in her life. An' Gran'ma Mullins walked<span class='pagenum'><SPAN name="Page_633" id="Page_633">[Pg 633]</SPAN></span> back with me an' not one
word o' Hiram did she speak. She was all Polly an' the deacon. She said
it wa'n't in reason as Polly could imagine him with hair, an' she said
she was thinkin' very seriously o' givin' her a piece o' his hair as
she's got, for a weddin' present. She said Polly 'd never know what he
was like the night he give her that hair. She said the moon was shinin'
an' the frogs were croakin', an' she kind o' choked; she says she can't
smell a marsh to this day without seein' the deacon givin' her that
piece of hair. I cheered her up all I could—I told her anyhow he
couldn't give Polly a piece of his hair if he died for it. She smiled a
weak smile an' went on up to Mrs. Brown's. Mrs. Brown asked her to stay
with her a day or two. Mrs. Brown has her faults, but nobody can't deny
as she's got a good heart,—in fact, sometimes I think Mrs. Brown's good
heart is about the worst fault she's got. I've knowed it lead her to do
very foolish things time an' again—things as I thank my star I'd never
think o' doin'—not in this world."</p>
<p>Mrs. Lathrop shifted her elbows a little; Susan withdrew at once from
the fence.</p>
<p>"I must go in," she said, "to-morrow is goin' to be a more 'n full day.
There's Polly's weddin' an' then in the evenin' Mr. Weskin is comin' up.
You needn't look surprised, Mrs. Lathrop, because I've thought the
subject over up an' down an' hind end foremost an' there ain't nothin'
left for me to do. I can't sell nothin' else an' I've got to have money,
so I'm goin' to let go of one of those bonds as father left me. There
ain't no way out of it; I told Mr. Weskin I'd expect him at sharp eight
on sharp business an' he'll come. An' I must go as a consequence. Good
night."</p>
<hr style='width: 45%;' />
<p>Polly Allen's wedding took place the next day, and<span class='pagenum'><SPAN name="Page_634" id="Page_634">[Pg 634]</SPAN></span> Mrs. Lathrop came
out on her front piazza about half past five to wait for her share in
the event.</p>
<p>The sight of Mrs. Brown going by with her head bound up in a white
cloth, accompanied by Gran'ma Mullins with both hands similarly treated,
was the first inkling the stay-at-home had that strange doings had been
lately done.</p>
<p>Susan came next and Susan was a sight!</p>
<p>Not only did her ears stand up with a size and conspicuousness never
inherited from either her father or her mother, but also her right eye
was completely closed and she walked lame.</p>
<p>"The Lord have mercy!" cried Mrs. Lathrop, when the full force of her
friend's affliction effected its complete entrance into her
brain,—"Why, Susan, what—"</p>
<p>"Mrs. Lathrop," said Miss Clegg, "all I can say is I come out better
than the most of 'em, an' if you could see Sam Duruy or Mr. Kimball or
the minister you'd know I spoke the truth. The deacon an' Polly is both
in bed an' can't see how each other looks, an' them as has a eye is
goin' to tend them as can't see at all, an' God help 'em all if young
Dr. Brown an' the mud run dry!" with which pious ejaculation Susan
painfully mounted the steps and sat down with exceeding gentleness upon
a chair.</p>
<p>Mrs. Lathrop stared at her in dumb and wholly bewildered amazement.
After a while Miss Clegg continued.</p>
<p>"It was all the deacon's fault. Him an' Polly was so dead set on bein'
fashionable an' bein' a contrast to Hiram an' Lucy, an' I hope to-night
as they lay there all puffed up as they'll reflect on their folly an'
think a little on how the rest of us as didn't care rhyme or reason for
folly is got no choice but to puff up, too. Mrs. Jilkins is awful mad;
she says Mr. Jilkins wanted to wear his<span class='pagenum'><SPAN name="Page_635" id="Page_635">[Pg 635]</SPAN></span> straw hat anyhow and, she says
she always has hated his silk hat 'cause it reminds her o' when she was
young and foolish enough to be willin' to go and marry into a family as
was foolish enough to marry into Deacon White. Mrs. Jilkins is extra hot
because she got one in the neck, but my own idea is as Polly Allen's
weddin' was the silliest doin's as I ever see from the beginnin', an'
the end wan't no more than might o' been expected—all things
considered.</p>
<p>"When I got to the church, what do you think was the first thing as I
see, Mrs. Lathrop? Well, you'd never guess till kingdom come, so I may
as well tell you. It was Ed an' Sam Duruy an' Henry Ward Beecher an'
Johnny standin' there waitin' to show us to our pews like we didn't know
our own pews after sittin' in 'em for all our life-times! I just shook
my head an' walked to my pew, an' there, if it wasn't looped shut with a
daisy-chain! Well, Mrs. Lathrop, I wish you could have been there to
have felt for me, for I may remark as a cyclone is a caterpillar wove up
in hisself beside my face when I see myself daisy-chained out o' my own
pew by Polly Allen. Ed was behind me an' he whispered 'That's reserved
for the family.' I give him one look an' I will state, Mrs. Lathrop, as
he wilted. It didn't take me long to break that daisy-chain an' sit down
in that pew, an' I can assure you as no one asked me to get up again.
Mrs. Jilkins's cousins from Meadville come an' looked at me sittin'
there, but I give them jus' one look back an' they went an' sat with
Mrs. Macy themselves. A good many other folks was as surprised as me
over where they had to sit, but we soon had other surprises as took the
taste o' the first clean out o' our mouths.</p>
<p>"Just as Mrs. Davison begin to play the organ, Ed an' Johnny come down
with two clothes-lines wound<span class='pagenum'><SPAN name="Page_636" id="Page_636">[Pg 636]</SPAN></span> 'round with clematis an' tied us all in
where we sat. Then they went back an' we all stayed still an' couldn't
but wonder what under the sun was to be done to us next. But we didn't
have long to wait, an' I will say as anythin' to beat Polly's ideas I
never see—no—nor no one else neither.</p>
<p>"'Long down the aisle, two an' two, an' hand in hand, like they thought
they was suthin' pretty to look at, come Ed an' Johnny an' Henry Ward
Beecher an' Sam Duruy, an' I vow an' declare, Mrs. Lathrop, I never was
so nigh to laughin' in church in all my life. They knowed they was
funny, too, an' their mouths an' eyes was tight set sober, but some one
in the back just <i>had</i> to giggle, an' when we heard it we knew as things
as wasn't much any other day would use us up this day, sure. They
stopped in front an' lined up, two on a side, an' then, for all the
world like it was a machine-play, the little door opened an' out come
the minister an' solemnly walked down to between them. I must say we was
all more than a little disappointed at its only bein' the minister, an'
he must have felt our feelin's, for he began to cough an' clear up his
throat an' his little desk all at once. Then Mrs. Davison jerked out the
loud stop an' began to play for all she was worth, an' the door behind
banged an' every one turned aroun' to see.</p>
<p>"Well, Mrs. Lathrop, we saw,—an' I will in truth remark as such a
sawin' we'll never probably get a chance to do again! Mrs. Sweet says
they practised it over four times at the church, so they can't deny as
they meant it all, an' you might lay me crossways an' cut me into
chipped beef an' still I would declare as I wouldn't have the face to
own to havin' had any hand in plannin' any such weddin'.</p>
<p>"First come 'Liza Em'ly an' Rachel Rebecca hand in<span class='pagenum'><SPAN name="Page_637" id="Page_637">[Pg 637]</SPAN></span> hand carryin'
daisies—of all things in the world to take to a weddin'—an' then come
Brunhilde Susan, with a daisy-chain around her neck an' her belt stuck
full o' daisies an'—you can believe me or not, jus' as you please, Mrs.
Lathrop, an' still it won't help matters any—an' a daisy stuck in every
button down her back, an' daisies tangled up in her hair, an' a bunch o'
daisies under one arm.</p>
<p>"Well, we was nigh to overcome by Brunhilde Susan, but we drawed some
fresh breath an' kept on lookin', an' next come Polly an' Mr. Allen. I
will say for Mr. Allen as he seemed to feel the ridiculousness of it
all, for a redder man I never see, nor one as looked more uncomfortable.
He was daisied, too—had three in his button-hole;—but what took us all
was the way him an' Polly walked. I bet no people gettin' married ever
zig-zagged like that before, an' Mrs. Sweet says they practised it by
countin' two an' then swingin' out to one side, an' then countin' two
an' swingin' out to the other—she watched 'em out of her attic window
down through the broke blind to the church. Well, all I can say is, that
to my order o' thinkin' countin' an' swingin' is a pretty frame o' mind
to get a husband in, but so it was, an' we was all starin' our eyes off
to beat the band when the little door opened an', to crown everythin'
else, out come the deacon an' Mr. Jilkins, each with a daisy an' a silk
hat, an' I will remark, Mrs. Lathrop, as new-born kittens is blood-red
murderers compared to how innocent that hat o' Mr. Jilkins' looked. Any
one could see as it wasn't new, but he wasn't new either, as far as that
goes, an' that was what struck me in particular about the whole
thing—nothin' an' nobody wasn't any different only for Polly's
foolishness and the daisies.</p>
<p>"Well, they sorted out an' begun to get married, an'<span class='pagenum'><SPAN name="Page_638" id="Page_638">[Pg 638]</SPAN></span> us all sittin'
lookin' on an' no more guessin' what was comin' next than a ant looks
for a mornin' paper. The minister was gettin' most through an' the
deacon was gettin' out the ring, an' we was lookin' to get up an' out
pretty quick, when—my heavens alive, Mrs. Lathrop, I never will forget
that minute—when Mr. Jilkins—poor man, he's sufferin' enough for it,
Lord knows!—when Mr. Jilkins dropped his hat!</p>
<p>"That very next second him an' Ed an' Brunhilde Susan all hopped an'
yelled at once, an' the next thing we see was the minister droppin' his
book an' grabbin' his arm an' the deacon tryin' madly to do hisself up
in Polly's veil. We would 'a' all been glum petrified at such goin's on
any other day, only by that time the last one of us was feelin' to hop
and grab an' yell on his own account. Gran'ma Mullins was tryin' to slap
herself with the seat cushion, an' the way the daisies flew as folks
went over an' under that clematis rope was a caution. I got out as quick
as I—"</p>
<p>"But what—" interrupted Mrs. Lathrop, her eyes fairly marble-like in
their redundant curiosity.</p>
<p>"It was wasps!" said Susan, "it was a young wasps' nest in Mr. Jilkins's
hat. Seems they carried their hats to church in their hands 'cause Polly
didn't want no red rings around 'em, an' so he never suspected nothin'
till he dropped it. An' oh, poor little Brunhilde Susan in them short
skirts of hers—she might as well have wore a bee hive as to be like she
is now. I got off easy, an' you can look at me an' figure on what them
as got it hard has got on them. Young Dr. Brown went right to work with
mud an' Polly's veil an' plastered 'em over as fast as they could get
into Mrs. Sweet's. Mrs. Sweet was mighty obligin' an' turned two
flower-beds inside out an' let every one scoop with her kitchen spoons,
besides run<span class='pagenum'><SPAN name="Page_639" id="Page_639">[Pg 639]</SPAN></span>nin' aroun' herself like she was a slave gettin' paid. They
took the deacon an' Polly right to their own house. They can't see one
another anyhow, an' they was most all married anyway, so it didn't seem
worth while to wait till the minister gets the use of his upper lip
again."</p>
<p>"Why—" interrogated Mrs. Lathrop.</p>
<p>"Young Dr. Brown wanted to," said Susan, "he wanted to fill my ears with
mud, an' my eye, too, but I didn't feel to have it done. You can't die
o' wasps' bills, an' you can o' young Dr. Brown's—leastways when you
ain't got no money to pay 'em, like I ain't got just at present."</p>
<p>"It's—" said Mrs. Lathrop.</p>
<p>"Yes," said Susan, "it struck me that way, too. This seems to be a very
unlucky town. Anything as comes seems to catch us all in a bunch. The
cow most lamed the whole community an' the automobile most broke its
back; time'll tell what'll be the result o' these wasps, but there won't
be no church Sunday for one thing, I know.</p>
<p>"An' it ain't the least o' my woes, Mrs. Lathrop, to think as I've got
to sit an' smile on Mr. Weskin to-night from between two such ears as
I've got, for a man is a man, an' it can't be denied as a woman as is
mainly ears ain't beguilin'. Besides, I may in confidence state to you,
Mrs. Lathrop, as the one as buzzed aroun' my head wan't really no wasp
a-<i>tall</i> in comparison to the one as got under my skirts."</p>
<p>Mrs. Lathrop's eyes were full of sincere condolence; she did not even
imagine a smile as she gazed upon her afflicted friend.</p>
<p>"I must go," said the latter, rising with a groan, "seems like I never
will reach the bottom o' my troubles this year. I keep thinkin' there's
nothin' left an' then I<span class='pagenum'><SPAN name="Page_640" id="Page_640">[Pg 640]</SPAN></span> get a wasp at each end at once. Well, I'll come
over when Mr. Weskin goes—if I have strength."</p>
<p>Then she limped home.</p>
<hr style='width: 45%;' />
<p>It was about nine that night that she returned and pounded vigorously on
her friend's window-pane. Mrs. Lathrop woke from her rocker-nap, went to
the window and opened it. Susan stood below and the moon illuminated her
smile and her ears with its most silvery beams.</p>
<p>"He's just gone!" she announced.</p>
<p>"Yes," said Mrs. Lathrop, rubbing her eyes.</p>
<p>"He's gone; I come over to tell you."</p>
<p>"What—" said Mrs. Lathrop.</p>
<p>"I wouldn't care if my ears was as big as a elephant's now."</p>
<p>"Why—" asked Mrs. Lathrop.</p>
<p>"Mrs. Lathrop, you know as I took them bonds straight after father died
an' locked 'em up an' I ain't never unlocked 'em since?"</p>
<p>Mrs. Lathrop assented with a single rapt nod.</p>
<p>"Well, when I explained to Mr. Weskin as I'd got to have money an' how
was the best way to sell a bond, he just looked at me, an' what do you
think he said—what <i>do</i> you think he said, Mrs. Lathrop?"</p>
<p>Mrs. Lathrop hung far out over the window-sill—her gaze was the gaze of
the ever earnest and interested.</p>
<p>Susan stood below. Her face was aglow with the joy of the affluent—her
very voice might have been for once entitled as silvery.</p>
<p>"He said, Mrs. Lathrop, he said, 'Miss Clegg, why don't you go down to
the bank and cut your coupons?'"<span class='pagenum'><SPAN name="Page_641" id="Page_641">[Pg 641]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="THE_TWO_PRISONERS" id="THE_TWO_PRISONERS"></SPAN>THE TWO PRISONERS</h2>
<h3>BY CAROLYN WELLS</h3>
<p>Once upon a time there were two Prisoners at the bar, who endeavored to
plead for themselves with Tact and Wisdom.</p>
<p>One concealed certain Facts prejudicial to his Cause; upon which the
Judge said: "If you had Confessed the Truth it would have Biased me in
your Favor; as it is, I Condemn you to Punishment."</p>
<p>The other stated his Case with absolute Truth and Sincerity, concealing
Nothing; and the result was that he was Condemned for his Misdemeanors.</p>
<h3>MORALS:</h3>
<p>This Fable teaches that Honesty is the Best Policy, and that the Truth
should not Be spoken at All Times.<span class='pagenum'><SPAN name="Page_642" id="Page_642">[Pg 642]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="A_MODERN_ADVANTAGE" id="A_MODERN_ADVANTAGE"></SPAN>A MODERN ADVANTAGE</h2>
<h3>BY CHARLOTTE BECKER</h3>
<div class="poem"><div class="stanza">
<span class="i0">One morning, when the sun shone bright<br /></span>
<span class="i2">And all the earth was fair,<br /></span>
<span class="i0">I met a little city child,<br /></span>
<span class="i2">Whose ravings rent the air.<br /></span>
</div><div class="stanza">
<span class="i0">"I lucidly can penetrate<br /></span>
<span class="i2">The Which," I heard him say,—<br /></span>
<span class="i0">"The How is, wonderfully, come<br /></span>
<span class="i2">To clear the limpid way.<br /></span>
</div><div class="stanza">
<span class="i0">"The sentence, rarely, rose and fell<br /></span>
<span class="i2">From ceiling to the floor;<br /></span>
<span class="i0">Her words were spotlessly arranged,<br /></span>
<span class="i2">She gave me, strangely, more."<br /></span>
</div><div class="stanza">
<span class="i0">"What troubles you, my little man?"<br /></span>
<span class="i2">I dared to ask him then,—<br /></span>
<span class="i0">He fixed me with a subtle stare,<br /></span>
<span class="i2">And said, "Most clearly, when<br /></span>
</div><div class="stanza">
<span class="i0">"You see I'm occupied, it's rude<br /></span>
<span class="i2">To question of my aims—<br /></span>
<span class="i0">I'm going to the adverb school<br /></span>
<span class="i2">Of Mr. Henry James!"<br /></span>
<span class='pagenum'><SPAN name="Page_643" id="Page_643">[Pg 643]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="THE_RAGGEDY_MAN" id="THE_RAGGEDY_MAN"></SPAN>THE RAGGEDY MAN</h2>
<h3>BY JAMES WHITCOMB RILEY</h3>
<div class="poem"><div class="stanza">
<span class="i0">O the Raggedy Man! He works fer Pa;<br /></span>
<span class="i0">An' he's the goodest man ever you saw!<br /></span>
<span class="i0">He comes to our house every day,<br /></span>
<span class="i0">An' waters the horses, an' feeds 'em hay;<br /></span>
<span class="i0">An' he opens the shed—an' we all ist laugh<br /></span>
<span class="i0">When he drives out our little old wobble-ly calf;<br /></span>
<span class="i0">An' nen—ef our hired girl says he can—<br /></span>
<span class="i0">He milks the cow fer 'Lizabuth Ann.—<br /></span>
<span class="i2">Aint he a' awful good Raggedy Man?<br /></span>
<span class="i4">Raggedy! Raggedy! Raggedy Man!<br /></span>
</div><div class="stanza">
<span class="i2">W'y, The Raggedy Man—he's ist so good<br /></span>
<span class="i0">He splits the kindlin' an' chops the wood;<br /></span>
<span class="i0">An' nen he spades in our garden, too,<br /></span>
<span class="i0">An' does most things 'at <i>boys</i> can't do!—<br /></span>
<span class="i0">He clumbed clean up in our big tree<br /></span>
<span class="i0">An' shooked a' apple down fer me—<br /></span>
<span class="i0">An' nother'n, too, fer 'Lizabuth Ann—<br /></span>
<span class="i0">An' nother'n, too, fer The Raggedy Man.—<br /></span>
<span class="i2">Aint he a' awful kind Raggedy Man?<br /></span>
<span class="i4">Raggedy! Raggedy! Raggedy Man!<br /></span>
</div><div class="stanza">
<span class="i0">An' The Raggedy Man, he knows most rhymes<br /></span>
<span class="i0">An' tells 'em, ef I be good, sometimes:<br /></span>
<span class="i0">Knows 'bout Giunts, an' Griffuns, an' Elves,<br /></span>
<span class="i0">An' the Squidgicum-Squees 'at swallers therselves!<br /></span><span class='pagenum'><SPAN name="Page_644" id="Page_644">[Pg 644]</SPAN></span>
<span class="i0">An', wite by the pump in our pasture-lot,<br /></span>
<span class="i0">He showed me the hole 'at the Wunks is got,<br /></span>
<span class="i0">'At lives 'way deep in the ground, an' can<br /></span>
<span class="i0">Turn into me, er 'Lizabuth Ann!<br /></span>
<span class="i2">Aint he a funny old Raggedy Man?<br /></span>
<span class="i4">Raggedy! Raggedy! Raggedy Man!<br /></span>
</div><div class="stanza">
<span class="i0">The Raggedy Man—one time when he<br /></span>
<span class="i0">Wuz makin' a little bow-'n'-orry fer me,<br /></span>
<span class="i0">Says "When <i>you're</i> big like your Pa is,<br /></span>
<span class="i0">Air you go' to keep a fine store like his—<br /></span>
<span class="i0">An' be a rich merchunt—an' wear fine clothes?—<br /></span>
<span class="i0">Er what <i>air</i> you go' to be, goodness knows!"<br /></span>
<span class="i0">An' nen he laughed at 'Lizabuth Ann,<br /></span>
<span class="i0">An' I says "'M go' to be a Raggedy Man!—<br /></span>
<span class="i2">I'm ist go' to be a nice Raggedy Man!"<br /></span>
<span class="i4">Raggedy! Raggedy! Raggedy Man!<br /></span>
<span class='pagenum'><SPAN name="Page_645" id="Page_645">[Pg 645]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="A_MODERN_ECLOGUE" id="A_MODERN_ECLOGUE"></SPAN>A MODERN ECLOGUE</h2>
<h3>BY BLISS CARMAN</h3>
<h3><span class="smcap">She</span></h3>
<div class="poem"><div class="stanza">
<span class="i0">If you were ferryman at Charon's ford,<br /></span>
<span class="i0">And I came down the bank and called to you,<br /></span>
<span class="i0">Waved you my hand and asked to come aboard,<br /></span>
<span class="i0">And threw you kisses there, what would you do?<br /></span>
</div><div class="stanza">
<span class="i0">Would there be such a crowd of other girls,<br /></span>
<span class="i0">Pleading and pale and lonely as the sea,<br /></span>
<span class="i0">You'd growl in your old beard, and shake your curls,<br /></span>
<span class="i0">And say there was no room for little me?<br /></span>
</div><div class="stanza">
<span class="i0">Would you remember each of them in turn?<br /></span>
<span class="i0">Put all your faded fancies in the bow,<br /></span>
<span class="i0">And all the rest before you in the stern,<br /></span>
<span class="i0">And row them out with panic on your brow?<br /></span>
</div><div class="stanza">
<span class="i0">If I came down and offered you my fare<br /></span>
<span class="i0">And more beside, could you refuse me there?<br /></span>
</div></div>
<h3><span class="smcap">He</span></h3>
<div class="poem"><div class="stanza">
<span class="i0">If I were ferryman in Charon's place,<br /></span>
<span class="i0">And ran that crazy scow with perilous skill,<br /></span>
<span class="i0">I should be so worn out with keeping trace<br /></span>
<span class="i0">Of gibbering ghosts and bidding them sit still,<br /></span><span class='pagenum'><SPAN name="Page_646" id="Page_646">[Pg 646]</SPAN></span>
</div><div class="stanza">
<span class="i0">If you should come with daisies in your hands,<br /></span>
<span class="i0">Strewing their petals on the sombre stream,—<br /></span>
<span class="i0">"He will come," and "He won't come," down the lands<br /></span>
<span class="i0">Of pallid reverie and ghostly dream,—<br /></span>
</div><div class="stanza">
<span class="i0">I would let every clamouring shape stand there,<br /></span>
<span class="i0">And give its shadowy lungs free vent in vain,<br /></span>
<span class="i0">While you with earthly roses in your hair,<br /></span>
<span class="i0">And I grown young at sight of you again,<br /></span>
</div><div class="stanza">
<span class="i0">Went down the stream once more at half-past seven<br /></span>
<span class="i0">To find some brand-new continent of heaven.<br /></span>
<span class='pagenum'><SPAN name="Page_647" id="Page_647">[Pg 647]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="A_CABLE-CAR_PREACHER" id="A_CABLE-CAR_PREACHER"></SPAN>A CABLE-CAR PREACHER</h2>
<h3>BY SAM WALTER FOSS</h3>
<h3>I</h3>
<div class="poem"><div class="stanza">
<span class="i0">"'Tis strange how thoughtless people are,"<br /></span>
<span class="i2">A man said in a cable-car,<br /></span>
<span class="i0">"How careless and how thoughtless," said<br /></span>
<span class="i2">The Loud Man in the cable-car;<br /></span>
<span class="i2">And then the Man with One Lame Leg<br /></span>
<span class="i2">Said softly, "Pardon me, I beg,<br /></span>
<span class="i0">For your valise is on my knee;<br /></span>
<span class="i2">It's sore," said he of One Lame Leg.<br /></span>
</div></div>
<h3>II</h3>
<div class="poem"><div class="stanza">
<span class="i2">A woman then came in with twins<br /></span>
<span class="i2">And stumbled o'er the Loud Man's shins;<br /></span>
<span class="i0">And she was tired half to death,<br /></span>
<span class="i2">This Woman Who Came in with Twins;<br /></span>
<span class="i2">And then the Man with One Lame Leg<br /></span>
<span class="i2">Said, "Madam, take my seat, I beg."<br /></span>
<span class="i0">She sat, with her vociferant Twins,<br /></span>
<span class="i2">And thanked the man of One Lame Leg.<br /></span>
<span class='pagenum'><SPAN name="Page_648" id="Page_648">[Pg 648]</SPAN></span></div></div>
<h3>III</h3>
<div class="poem"><div class="stanza">
<span class="i2">"'Tis strange how selfish people are,<br /></span>
<span class="i2">They carry boorishness so far;<br /></span>
<span class="i0">How selfish, careless, thoughtless," said<br /></span>
<span class="i2">The Loud Man of the cable-car.<br /></span>
<span class="i2">A Man then with the Lung Complaint<br /></span>
<span class="i2">Grew dizzy and began to faint;<br /></span>
<span class="i0">He reeled and swayed from side to side,<br /></span>
<span class="i2">This poor Man with the Lung Complaint.<br /></span>
</div></div>
<h3>IV</h3>
<div class="poem"><div class="stanza">
<span class="i2">The Woman Who Came in with Twins<br /></span>
<span class="i2">Said, "You can hardly keep your pins;<br /></span>
<span class="i0">Pray, take my seat." He sat, and thanked<br /></span>
<span class="i2">The Woman Who Came in with Twins.<br /></span>
<span class="i2">The Loud Man once again began<br /></span>
<span class="i2">To curse the selfishness of man;<br /></span>
<span class="i0">Our lack of manners he bewailed<br /></span>
<span class="i2">With vigor, did this Loud, Loud Man.<br /></span>
</div></div>
<h3>V</h3>
<div class="poem"><div class="stanza">
<span class="i2">But still the Loud Man kept his seat;<br /></span>
<span class="i2">A Blind Man stumbled o'er his feet;<br /></span>
<span class="i0">The Loud Man preached on selfishness,<br /></span>
<span class="i2">And preached, and preached, and kept his seat.<br /></span>
<span class="i2">The poor Man with the Lung Complaint<br /></span>
<span class="i2">Stood up—a brave, heroic saint—<br /></span>
<span class="i0">And to the Blind Man, "Take my seat,"<br /></span>
<span class="i2">Said he who had the Lung Complaint.<br /></span>
<span class='pagenum'><SPAN name="Page_649" id="Page_649">[Pg 649]</SPAN></span></div></div>
<h3>VI</h3>
<div class="poem"><div class="stanza">
<span class="i2">The Loud Man preached on selfish sins;<br /></span>
<span class="i2">The Woman Who Came in with Twins;<br /></span>
<span class="i0">The poor Man with the Lung Complaint,<br /></span>
<span class="i2">Stood, while he preached on selfish sins.<br /></span>
<span class="i2">And still the Man with One Lame Leg<br /></span>
<span class="i2">Stood there on his imperfect peg<br /></span>
<span class="i0">And heard the screed on selfish sins—<br /></span>
<span class="i2">This patient Man with One Lame Leg.<br /></span>
</div></div>
<h3>VII</h3>
<div class="poem"><div class="stanza">
<span class="i2">The Loud Man of the cable-car<br /></span>
<span class="i2">Sat still and preached and traveled far;<br /></span>
<span class="i0">The Blind Man spake no word unto<br /></span>
<span class="i2">The Loud Man of the cable-car.<br /></span>
<span class="i0">The Lame-Legged Man looked reconciled,<br /></span>
<span class="i2">And she with Twins her grief beguiled,<br /></span>
<span class="i0">The poor Man with the Lung Complaint—<br /></span>
<span class="i2">All stood, and sweetly, sadly smiled.<br /></span>
<span class='pagenum'><SPAN name="Page_650" id="Page_650">[Pg 650]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="HOW_TO_KNOW_THE_WILD_ANIMALS" id="HOW_TO_KNOW_THE_WILD_ANIMALS"></SPAN>HOW TO KNOW THE WILD ANIMALS</h2>
<h3>BY CAROLYN WELLS</h3>
<div class="poem"><div class="stanza">
<span class="i0">If ever you should go by chance<br /></span>
<span class="i2">To jungles in the East,<br /></span>
<span class="i0">And if there should to you advance<br /></span>
<span class="i2">A large and tawny beast—<br /></span>
<span class="i0">If he roar at you as you're dyin',<br /></span>
<span class="i2">You'll know it is the Asian Lion.<br /></span>
</div><div class="stanza">
<span class="i0">If, when in India loafing round,<br /></span>
<span class="i2">A noble wild beast meets you,<br /></span>
<span class="i0">With dark stripes on a yellow ground,<br /></span>
<span class="i2">Just notice if he eats you.<br /></span>
<span class="i0">This simple rule may help you learn<br /></span>
<span class="i2">The Bengal Tiger to discern.<br /></span>
</div><div class="stanza">
<span class="i0">When strolling forth, a beast you view<br /></span>
<span class="i2">Whose hide with spots is peppered;<br /></span>
<span class="i0">As soon as it has leapt on you,<br /></span>
<span class="i2">You'll know it is the Leopard.<br /></span>
<span class="i0">'T will do no good to roar with pain,<br /></span>
<span class="i2">He'll only lep and lep again.<br /></span>
</div><div class="stanza">
<span class="i0">If you are sauntering round your yard,<br /></span>
<span class="i2">And meet a creature there<br /></span>
<span class="i0">Who hugs you very, very hard,<br /></span>
<span class="i2">You'll know it is the Bear.<br /></span>
<span class="i0">If you have any doubt, I guess<br /></span>
<span class="i2">He'll give you just one more caress.<br /></span><span class='pagenum'><SPAN name="Page_651" id="Page_651">[Pg 651]</SPAN></span>
</div><div class="stanza">
<span class="i0">Whene'er a quadruped you view<br /></span>
<span class="i2">Attached to any tree,<br /></span>
<span class="i0">It may be 'tis the Wanderoo,<br /></span>
<span class="i2">Or yet the Chimpanzee.<br /></span>
<span class="i0">If right side up it may be both,<br /></span>
<span class="i2">If upside down it is the Sloth.<br /></span>
</div><div class="stanza">
<span class="i0">Though to distinguish beasts of prey<br /></span>
<span class="i2">A novice might nonplus;<br /></span>
<span class="i0">Yet from the Crocodile you may<br /></span>
<span class="i2">Tell the Hyena, thus:<br /></span>
<span class="i0">'Tis the Hyena if it smile;<br /></span>
<span class="i2">If weeping, 'tis the Crocodile.<br /></span>
</div><div class="stanza">
<span class="i0">The true Chameleon is small—<br /></span>
<span class="i2">A lizard sort of thing;<br /></span>
<span class="i0">He hasn't any ears at all<br /></span>
<span class="i2">And not a single wing.<br /></span>
<span class="i0">If there is nothing on the tree<br /></span>
<span class="i2">'Tis the Chameleon you see.<br /></span>
<span class='pagenum'><SPAN name="Page_652" id="Page_652">[Pg 652]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="I_REMEMBER_I_REMEMBER" id="I_REMEMBER_I_REMEMBER"></SPAN>I REMEMBER, I REMEMBER</h2>
<h3>BY PHŒBE CARY</h3>
<div class="poem"><div class="stanza">
<span class="i0">I remember, I remember,<br /></span>
<span class="i2">The house where I was wed,<br /></span>
<span class="i0">And the little room from which that night,<br /></span>
<span class="i2">My smiling bride was led.<br /></span>
<span class="i0">She didn't come a wink too soon,<br /></span>
<span class="i2">Nor make too long a stay;<br /></span>
<span class="i0">But now I often wish her folks<br /></span>
<span class="i2">Had kept the girl away!<br /></span>
</div><div class="stanza">
<span class="i0">I remember, I remember,<br /></span>
<span class="i2">Her dresses, red and white,<br /></span>
<span class="i0">Her bonnets and her caps and cloaks,—<br /></span>
<span class="i2">They cost an awful sight!<br /></span>
<span class="i0">The "corner lot" on which I built,<br /></span>
<span class="i2">And where my brother met<br /></span>
<span class="i0">At first my wife, one washing-day,—<br /></span>
<span class="i2">That man is single yet!<br /></span>
</div><div class="stanza">
<span class="i0">I remember, I remember,<br /></span>
<span class="i2">Where I was used to court,<br /></span>
<span class="i0">And thought that all of married life<br /></span>
<span class="i2">Was just such pleasant sport:—<br /></span>
<span class="i0">My spirit flew in feathers then,<br /></span>
<span class="i2">No care was on my brow;<br /></span>
<span class="i0">I scarce could wait to shut the gate,—<br /></span>
<span class="i2">I'm not so anxious now!<br /></span><span class='pagenum'><SPAN name="Page_653" id="Page_653">[Pg 653]</SPAN></span>
</div><div class="stanza">
<span class="i0">I remember, I remember,<br /></span>
<span class="i2">My dear one's smile and sigh;<br /></span>
<span class="i0">I used to think her tender heart<br /></span>
<span class="i2">Was close against the sky.<br /></span>
<span class="i0">It was a childish ignorance,<br /></span>
<span class="i2">But now it soothes me not<br /></span>
<span class="i0">To know I'm farther off from Heaven<br /></span>
<span class="i2">Then when she wasn't got.<br /></span>
<span class='pagenum'><SPAN name="Page_654" id="Page_654">[Pg 654]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="THE_COUPON_BONDS" id="THE_COUPON_BONDS"></SPAN>THE COUPON BONDS</h2>
<h3>BY J.T. TROWBRIDGE</h3>
<p>(Mr. and Mrs. Ducklow have secretly purchased bonds with money that
should have been given to their adopted son Reuben, who has sacrificed
his health in serving his country as a soldier, and, going to visit
Reuben on the morning of his return home, they hide the bonds under the
carpet of the sitting-room, and leave the house in charge of Taddy,
another adopted son.)</p>
<hr style='width: 45%;' />
<p>Mr. Ducklow had scarcely turned the corner of the street, when, looking
anxiously in the direction of his homestead, he saw a column of smoke.
It was directly over the spot where he knew his house to be situated. He
guessed at a glance what had happened. The frightful catastrophe he
foreboded had befallen. Taddy had set the house afire.</p>
<p>"Them bonds! them bonds!" he exclaimed, distractedly. He did not think
so much of the house: house and furniture were insured; if they were
burned the inconvenience would be great indeed, and at any other time
the thought of such an event would have been a sufficient cause for
trepidation; but now his chief, his only anxiety was the bonds. They
were not insured. They would be a dead loss. And, what added sharpness
to his pangs, they would be a loss which he must keep a secret, as he
had kept their existence a secret,—a loss which he could not confess,
and of which he could not complain. Had<span class='pagenum'><SPAN name="Page_655" id="Page_655">[Pg 655]</SPAN></span> he not just given his neighbors
to understand that he had no such property? And his wife,—was she not
at that very moment, if not serving up a lie upon the subject, at least
paring the truth very thin indeed?</p>
<p>"A man would think," observed Ferring, "that Ducklow had some o' them
bonds on his hands, and got scaret, he took such a sudden start. He has,
hasn't he, Mrs. Ducklow?"</p>
<p>"Has what?" said Mrs. Ducklow, pretending ignorance.</p>
<p>"Some o' them cowpon bonds. I rather guess he's got some."</p>
<p>"You mean Gov'ment bonds? Ducklow got some? 'Tain't at all likely he'd
spec'late in them without saying something to <i>me</i> about it. No, he
couldn't have any without my knowing it, I'm sure."</p>
<p>How demure, how innocent she looked, plying her knitting-needle, and
stopping to take up a stitch! How little at that moment she knew of
Ducklow's trouble and its terrible cause!</p>
<p>Ducklow's first impulse was to drive on and endeavor at all hazards to
snatch the bonds from the flames. His next was to return and alarm his
neighbors and obtain their assistance. But a minute's delay might be
fatal: so he drove on, screaming, "Fire! fire!" at the top of his voice.</p>
<p>But the old mare was a slow-footed animal; and Ducklow had no whip. He
reached forward and struck her with the reins.</p>
<p>"Git up! git up!—Fire! fire!" screamed Ducklow. "Oh, them bonds! them
bonds! Why didn't I give the money to Reuben? Fire! fire! fire!"</p>
<p>By dint of screaming and slapping, he urged her from a trot into a
gallop, which was scarcely an improvement<span class='pagenum'><SPAN name="Page_656" id="Page_656">[Pg 656]</SPAN></span> as to speed, and certainly
not as to grace. It was like the gallop of an old cow. "Why don't ye go
'long?" he cried, despairingly.</p>
<p>Slap! slap! He knocked his own hat off with the loose end of the reins.
It fell under the wheels. He cast one look behind, to satisfy himself
that it had been very thoroughly run over and crushed into the dirt, and
left it to its fate.</p>
<p>Slap! slap! "Fire! fire!" Canter, canter, canter! Neighbors looked out
of their windows, and, recognizing Ducklow's wagon and old mare in such
an astonishing plight, and Ducklow himself, without his hat, rising from
his seat and reaching forward in wild attitudes, brandishing the reins,
and at the same time rending the azure with yells, thought he must be
insane.</p>
<p>He drove to the top of the hill, and, looking beyond, in expectation of
seeing his house wrapped in flames, discovered that the smoke proceeded
from a brush-heap which his neighbor Atkins was burning in a field near
by.</p>
<p>The revulsion of feeling that ensued was almost too much for the
excitable Ducklow. His strength went out of him. For a little while
there seemed to be nothing left of him but tremor and cold sweat.
Difficult as it had been to get the old mare in motion, it was now even
more difficult to stop her.</p>
<p>"Why, what has got into Ducklow's old mare? She's running away with him!
Who ever heard of such a thing!" And Atkins, watching the ludicrous
spectacle from his field, became almost as weak from laughter as Ducklow
was from the effects of fear.</p>
<p>At length Ducklow succeeded in checking the old mare's speed and in
turning her about. It was necessary to drive back for his hat. By this
time he could hear a chorus of shouts, "Fire! fire! fire!" over the
hill. He had<span class='pagenum'><SPAN name="Page_657" id="Page_657">[Pg 657]</SPAN></span> aroused the neighbors as he passed, and now they were
flocking to extinguish the flames.</p>
<p>"A false alarm! a false alarm!" said Ducklow, looking marvelously
sheepish, as he met them. "Nothing but Atkins's brush-heap!"</p>
<p>"Seems to me you ought to have found that out 'fore you raised all
creation with your yells!" said one hyperbolical fellow. "You looked
like the Flying Dutchman! This your hat? I thought 'twas a dead cat in
the road. No fire! no fire!"—turning back to his comrades,—"only one
of Ducklow's jokes."</p>
<p>Nevertheless, two or three boys there were who would not be convinced,
but continued to leap up, swing their caps, and scream "Fire!" against
all remonstrance. Ducklow did not wait to enter his explanations, but,
turning the old mare about again, drove home amid the laughter of the
by-standers and the screams of the misguided youngsters. As he
approached the house, he met Taddy rushing wildly up the street.</p>
<p>"Thaddeus! Thaddeus! Where ye goin', Thaddeus?"</p>
<p>"Goin' to the fire!" cried Taddy.</p>
<p>"There isn't any fire, boy."</p>
<p>"Yes, there is! Didn't ye hear 'em? They've been yellin' like fury."</p>
<p>"It's nothin' but Atkins's brush."</p>
<p>"That all?" And Taddy appeared very much disappointed. "I thought there
was goin' to be some fun. I wonder who was such a fool as to yell fire
just for a darned old brush-heap!"</p>
<p>Ducklow did not inform him.</p>
<p>"I've got to drive over to town and get Reuben's trunk. You stand by the
mare while I step in and brush my hat."</p>
<p>Instead of applying himself at once to the restoration of his beaver, he
hastened to the sitting-room, to see that the bonds were safe.<span class='pagenum'><SPAN name="Page_658" id="Page_658">[Pg 658]</SPAN></span></p>
<p>"Heavens and 'arth!" said Ducklow.</p>
<p>The chair, which had been carefully planted in the spot where they were
concealed, had been removed. Three or four tacks had been taken out, and
the carpet pushed from the wall. There was straw scattered about.
Evidently Taddy had been interrupted, in the midst of his ransacking, by
the alarm of fire. Indeed, he was even now creeping into the house to
see what notice Ducklow would take of these evidences of his mischief.</p>
<p>In great trepidation the farmer thrust in his hand here and there, and
groped, until he found the envelope precisely where it had been placed
the night before, with the tape tied around it, which his wife had put
on to prevent its contents from slipping out and losing themselves.
Great was the joy of Ducklow. Great also was the wrath of him when he
turned and discovered Taddy.</p>
<p>"Didn't I tell you to stand by the old mare?"</p>
<p>"She won't stir," said Taddy, shrinking away again.</p>
<p>"Come here!" And Ducklow grasped him by the collar.</p>
<p>"What have you been doin'? Look at that!"</p>
<p>"'Twan't me!" beginning to whimper and ram his fists into his eyes.</p>
<p>"Don't tell me 'twan't you!" Ducklow shook him till his teeth chattered.
"What was you pullin' up the carpet for?"</p>
<p>"Lost a marble!" sniveled Taddy.</p>
<p>"Lost a marble! Ye didn't lose it under the carpet, did ye? Look at all
that straw pulled out!" shaking him again.</p>
<p>"Didn't know but it might 'a' got under the carpet, marbles roll so,"
explained Taddy, as soon as he could get his breath.</p>
<p>"Wal, sir,"—Ducklow administered a resounding box<span class='pagenum'><SPAN name="Page_659" id="Page_659">[Pg 659]</SPAN></span> on his ear,—"don't
you do such a thing again, if you lose a million marbles!"</p>
<p>"Hain't got a million!" Taddy wept, rubbing his cheek. "Hain't got but
four! Won't ye buy me some to-day?"</p>
<p>"Go to that mare, and don't you leave her again till I come, or I'll
<i>marble</i> ye in a way you won't like."</p>
<p>Understanding, by this somewhat equivocal form of expression, that
flagellation was threatened, Taddy obeyed, still feeling his smarting
and burning ear.</p>
<p>Ducklow was in trouble. What should he do with the bonds? The floor was
no place for them after what had happened; and he remembered too well
the experience of yesterday to think for a moment of carrying them about
his person. With unreasonable impatience, his mind reverted to Mrs.
Ducklow.</p>
<p>"Why ain't she to home? These women are forever a-gaddin'! I wish
Reuben's trunk was in Jericho!"</p>
<p>Thinking of the trunk reminded him of one in the garret, filled with old
papers of all sorts,—newspapers, letters, bills of sale, children's
writing-books,—accumulations of the past quarter of a century. Neither
fire nor burglar nor ransacking youngster had ever molested those
ancient records during all those five-and-twenty years. A bright thought
struck him.</p>
<p>"I'll slip the bonds down into that worthless heap o' rubbish, where no
one 'ull ever think o' lookin' for 'em, and resk 'em."</p>
<p>Having assured himself that Taddy was standing by the wagon, he paid a
hasty visit to the trunk in the garret, and concealed the envelope,
still bound in its band of tape, among the papers. He then drove away,
giving Taddy a final charge to beware of setting anything afire.</p>
<p>He had driven about half a mile, when he met a ped<span class='pagenum'><SPAN name="Page_660" id="Page_660">[Pg 660]</SPAN></span>dler. There was
nothing unusual or alarming in such a circumstance, surely; but, as
Ducklow kept on, it troubled him.</p>
<p>"He'll stop to the house, now, most likely, and want to trade. Findin'
nobody but Taddy, there's no knowin' what he'll be tempted to do. But I
ain't a-goin' to worry. I'll defy anybody to find them bonds. Besides,
she may be home by this time. I guess she'll hear of the fire-alarm and
hurry home: it'll be jest like her. She'll be there, and trade with the
peddler!" thought Ducklow, uneasily. Then a frightful fancy possessed
him. "She has threatened two or three times to sell that old trunkful of
papers. He'll offer a big price for 'em, and ten to one she'll let him
have 'em. Why <i>didn't</i> I think on't? What a stupid blunderbuss I be!"</p>
<p>As Ducklow thought of it, he felt almost certain that Mrs. Ducklow had
returned home, and that she was bargaining with the peddler at that
moment. He fancied her smilingly receiving bright tin-ware for the old
papers; and he could see the tape-tied envelope going into the bag with
the rest. The result was that he turned about and whipped his old mare
home again in terrific haste, to catch the departing peddler.</p>
<p>Arriving, he found the house as he had left it, and Taddy occupied in
making a kite-frame.</p>
<p>"Did that peddler stop here?"</p>
<p>"I hain't seen no peddler."</p>
<p>"And hain't yer Ma Ducklow been home, nuther?"</p>
<p>"No."</p>
<p>And, with a guilty look, Taddy put the kite-frame behind him.</p>
<p>Ducklow considered. The peddler had turned up a cross-street: he would
probably turn down again and stop at the house, after all: Mrs. Ducklow
might by that time<span class='pagenum'><SPAN name="Page_661" id="Page_661">[Pg 661]</SPAN></span> be at home: then the sale of old papers would be
very likely to take place. Ducklow thought of leaving word that he did
not wish any old papers in the house to be sold, but feared lest the
request might excite Taddy's suspicions.</p>
<p>"I don't see no way but for me to take the bonds with me," thought he,
with an inward groan.</p>
<p>He accordingly went to the garret, took the envelope out of the trunk,
and placed it in the breast-pocket of his overcoat, to which he pinned
it, to prevent it by any chance from getting out. He used six large,
strong pins for the purpose, and was afterwards sorry he did not use
seven.</p>
<p>"There's suthin' losin' out o' yer pocket!" bawled Taddy, as he was once
more mounting the wagon.</p>
<p>Quick as lightning, Ducklow clapped his hand to his breast. In doing so
he loosed his hold of the wagon-box and fell, raking his shin badly on
the wheel.</p>
<p>"Yer side-pocket! It's one o' yer mittens!" said Taddy.</p>
<p>"You rascal! How you scared me!"</p>
<p>Seating himself in the wagon, Ducklow gently pulled up his trousers-leg
to look at the bruised part.</p>
<p>"Got anything in your boot-leg to-day, Pa Ducklow?" asked Taddy,
innocently.</p>
<p>"Yes,—a barked shin!—all on your account, too! Go and put that straw
back, and fix the carpet; and don't ye let me hear ye speak of my
boot-leg again, or I'll boot-leg ye!"</p>
<p>So saying, Ducklow departed.</p>
<p>Instead of repairing the mischief he had done in the sitting-room, Taddy
devoted his time and talents to the more interesting occupation of
constructing his kite-frame. He worked at that until Mr. Grantly, the
minister, driving by, stopped to inquire how the folks were.<span class='pagenum'><SPAN name="Page_662" id="Page_662">[Pg 662]</SPAN></span></p>
<p>"Ain't to home: may I ride?" cried Taddy, all in a breath.</p>
<p>Mr. Grantly was an indulgent old gentleman, fond of children: so he
said, "Jump in;" and in a minute Taddy had scrambled to a seat by his
side.</p>
<p>And now occurred a circumstance which Ducklow had foreseen. The alarm of
fire had reached Reuben's; and, although the report of its falseness
followed immediately, Mrs. Ducklow's inflammable fancy was so kindled by
it that she could find no comfort in prolonging her visit.</p>
<p>"Mr. Ducklow'll be going for the trunk, and I <i>must</i> go home and see to
things, Taddy's <i>such</i> a fellow for mischief. I can foot it; I shan't
mind it."</p>
<p>And off she started, walking herself out of breath in anxiety.</p>
<p>She reached the brow of the hill just in time to see a chaise drive away
from her own door.</p>
<p>"Who <i>can</i> that be? I wonder if Taddy's ther' to guard the house! If
anything should happen to them bonds!"</p>
<p>Out of breath as she was, she quickened her pace, and trudged on,
flushed, perspiring, panting, until she reached the house.</p>
<p>"Thaddeus!" she called.</p>
<p>No Taddy answered. She went in. The house was deserted. And, lo! the
carpet torn up, and the bonds abstracted!</p>
<p>Mr. Ducklow never would have made such work, removing the bonds. Then
somebody else must have taken them, she reasoned.</p>
<p>"The man in the chaise!" she exclaimed, or rather made an effort to
exclaim, succeeding only in bringing forth a hoarse, gasping sound. Fear
dried up articulation. <i>Vox faucibus hæsit.</i><span class='pagenum'><SPAN name="Page_663" id="Page_663">[Pg 663]</SPAN></span></p>
<p>And Taddy? He had disappeared, been murdered, perhaps,—or gagged and
carried away by the man in the chaise.</p>
<p>Mrs. Ducklow flew hither and thither (to use a favorite phrase of her
own), "like a hen with her head cut off;" then rushed out of the house
and up the street, screaming after the chaise,—</p>
<p>"Murder! murder! Stop thief! stop thief!"</p>
<p>She waved her hands aloft in the air frantically. If she had trudged
before, now she trotted, now she cantered; but, if the cantering of the
old mare was fitly likened to that of a cow, to what thing, to what
manner of motion under the sun, shall we liken the cantering of Mrs.
Ducklow? It was original; it was unique; it was prodigious. Now, with
her frantically waving hands, and all her undulating and flapping
skirts, she seemed a species of huge, unwieldy bird, attempting to fly.
Then she sank down into a heavy, dragging walk,—breath and strength all
gone,—no voice left even to scream "murder!" Then, the awful
realization of the loss of the bonds once more rushing over her, she
started up again. "Half running, half flying, what progress she made!"
Then Atkins's dog saw her, and, naturally mistaking her for a prodigy,
came out at her, bristling up and bounding and barking terrifically.</p>
<p>"Come here!" cried Atkins, following the dog. "What's the matter? What's
to pay, Mrs. Ducklow?"</p>
<p>Attempting to speak, the good woman could only pant and wheeze.</p>
<p>"Robbed!" she at last managed to whisper, amid the yelpings of the cur
that refused to be silenced.</p>
<p>"Robbed? How? Who?"</p>
<p>"The chaise. Ketch it."</p>
<p>Her gestures expressed more than her words; and, At<span class='pagenum'><SPAN name="Page_664" id="Page_664">[Pg 664]</SPAN></span>kins's horse and
wagon, with which he had been drawing out brush, being in the yard
near-by, he ran to them, leaped to the seat, drove into the road, took
Mrs. Ducklow aboard, and set out in vigorous pursuit of the slow
two-wheeled vehicle.</p>
<p>"Stop, you, sir! Stop, you, sir!" shrieked Mrs. Ducklow, having
recovered her breath by the time they came up with the chaise.</p>
<p>It stopped, and Mr. Grantly, the minister, put out his good-natured,
surprised face.</p>
<p>"You've robbed my house! You've took—"</p>
<p>Mrs. Ducklow was going on in wild, accusatory accents, when she
recognized the benign countenance.</p>
<p>"What do you say? I have robbed you?" he exclaimed, very much
astonished.</p>
<p>"No, no! not you! You wouldn't do such a thing!" she stammered forth,
while Atkins, who had laughed himself weak at Mr. Ducklow's plight
earlier in the morning, now laughed himself into a side-ache at Mrs.
Ducklow's ludicrous mistake. "But did you—did you stop at my house?
Have you seen our Thaddeus?"</p>
<p>"Here I be, Ma Ducklow!" piped a small voice; and Taddy, who had till
then remained hidden, fearing punishment, peeped out of the chaise from
behind the broad back of the minister.</p>
<p>"Taddy! Taddy! how came the carpet—"</p>
<p>"I pulled it up, huntin' for a marble," said Taddy, as she paused,
overmastered by her emotions.</p>
<p>"And the—the thing tied up in a brown wrapper?"</p>
<p>"Pa Ducklow took it."</p>
<p>"Ye sure?"</p>
<p>"Yes; I seen him."</p>
<p>"Oh, dear!" said Mrs. Ducklow, "I never was so beat! Mr. Grantly, I
hope—excuse me—I didn't know what I<span class='pagenum'><SPAN name="Page_665" id="Page_665">[Pg 665]</SPAN></span> was about! Taddy, you notty boy,
what did you leave the house for? Be ye quite sure yer Pa Ducklow—"</p>
<p>Taddy replied that he was quite sure, as he climbed from the chaise into
Atkins's wagon. The minister smilingly remarked that he hoped she would
find no robbery had been committed, and went his way. Atkins, driving
back, and setting her and Taddy down at the Ducklow gate, answered her
embarrassed "Much obleeged to ye," with a sincere "Not at all,"
considering the fun he had had a sufficient compensation for his
trouble. And thus ended the morning adventures, with the exception of an
unimportant episode, in which Taddy, Mrs. Ducklow, and Mrs. Ducklow's
rattan were the principal actors.<span class='pagenum'><SPAN name="Page_666" id="Page_666">[Pg 666]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="THE_SHOOTING-MATCH" id="THE_SHOOTING-MATCH"></SPAN>THE SHOOTING-MATCH</h2>
<h3>BY A.B. LONGSTREET</h3>
<p>Shooting-matches are probably nearly coeval with the colonization of
Georgia. They are still common throughout the Southern States, though
they are not as common as they were twenty-five or thirty years ago.
Chance led me to one about a year ago. I was traveling in one of the
northeastern counties, when I overtook a swarthy, bright-eyed, smirky
little fellow, riding a small pony, and bearing on his shoulder a long,
heavy rifle, which, judging from its looks, I should say had done
service in Morgan's corps.</p>
<p>"Good morning, sir!" said I, reining up my horse as I came beside him.</p>
<p>"How goes it, stranger?" said he, with a tone of independence and
self-confidence that awakened my curiosity to know a little of his
character.</p>
<p>"Going driving?" inquired I.</p>
<p>"Not exactly," replied he, surveying my horse with a quizzical smile; "I
haven't been a driving <i>by myself</i> for a year or two; and my nose has
got so bad lately, I can't carry a cold trail <i>without hounds to help
me</i>."</p>
<p>Alone, and without hounds as he was, the question was rather a silly
one; but it answered the purpose for which it was put, which was only to
draw him into conversation, and I proceeded to make as decent a retreat
as I could.</p>
<p>"I didn't know," said I, "but that you were going to meet the huntsmen,
or going to your stand."<span class='pagenum'><SPAN name="Page_667" id="Page_667">[Pg 667]</SPAN></span></p>
<p>"Ah, sure enough," rejoined he, "that <i>mout</i> be a bee, as the old woman
said when she killed a wasp. It seems to me I ought to know you."</p>
<p>"Well, if you <i>ought</i>, why <i>don't</i> you?"</p>
<p>"What <i>mout</i> your name be?"</p>
<p>"It <i>might</i> be anything," said I, with a borrowed wit, for I knew my man
and knew what kind of conversation would please him most.</p>
<p>"Well, what <i>is</i> it, then?"</p>
<p>"It <i>is</i> Hall," said I; "but you know it might as well have been
anything else."</p>
<p>"Pretty digging!" said he. "I find you're not the fool I took you to be;
so here's to a better acquaintance with you."</p>
<p>"With all my heart," returned I; "but you must be as clever as I've
been, and give me your name."</p>
<p>"To be sure I will, my old coon; take it, take it, and welcome. Anything
else about me you'd like to have?"</p>
<p>"No," said I, "there's nothing else about you worth having."</p>
<p>"Oh, yes there is, stranger! Do you see this?" holding up his ponderous
rifle with an ease that astonished me. "If you will go with me to the
shooting-match, and see me knock out the <i>bull's-eye</i> with her a few
times, you'll agree the old <i>Soap-stick's</i> worth something when Billy
Curlew puts his shoulder to her."</p>
<p>This short sentence was replete with information to me. It taught me
that my companion was <i>Billy Curlew</i>; that he was going to a
<i>shooting-match</i>; that he called his rifle the <i>Soap-stick</i>, and that he
was very confident of winning beef with her; or, which is nearly, but
not quite the same thing, <i>driving the cross with her</i>.</p>
<p>"Well," said I, "if the shooting-match is not too far out of my way,
I'll go to it with pleasure."<span class='pagenum'><SPAN name="Page_668" id="Page_668">[Pg 668]</SPAN></span></p>
<p>"Unless your way lies through the woods from here," said Billy, "it'll
not be much out of your way; for it's only a mile ahead of us, and there
is no other road for you to take till you get there; and as that thing
you're riding in ain't well suited to fast traveling among brushy knobs,
I reckon you won't lose much by going by. I reckon you hardly ever was
at a shooting-match, stranger, from the cut of your coat?"</p>
<p>"Oh, yes," returned I, "many a time. I won beef at one when I was hardly
old enough to hold a shot-gun off-hand."</p>
<p>"<i>Children</i> don't go to shooting-matches about here," said he, with a
smile of incredulity. "I never heard of but one that did, and he was a
little <i>swinge</i> cat. He was born a shooting, and killed squirrels before
he was weaned."</p>
<p>"Nor did <i>I</i> ever hear of but one," replied I, "and that one was
myself."</p>
<p>"And where did you win beef so young, stranger?"</p>
<p>"At Berry Adams's."</p>
<p>"Why, stop, stranger, let me look at you good! Is your name <i>Lyman</i>
Hall?"</p>
<p>"The very same," said I.</p>
<p>"Well, dang my buttons, if you ain't the very boy my daddy used to tell
me about. I was too young to recollect you myself; but I've heard daddy
talk about you many a time. I believe mammy's got a neck-handkerchief
now that daddy won on your shooting at Collen Reid's store, when you
were hardly knee high. Come along, Lyman, and I'll go my death upon you
at the shooting-match, with the old Soap-stick at your shoulder."</p>
<p>"Ah, Billy," said I, "the old Soap-stick will do much better at your own
shoulder. It was my mother's notion that sent me to the shooting-match
at Berry Adams's;<span class='pagenum'><SPAN name="Page_669" id="Page_669">[Pg 669]</SPAN></span> and, to tell the honest truth, it was altogether a
chance shot that made me win beef; but that wasn't generally known; and
most everybody believed that I was carried there on account of my skill
in shooting; and my fame was spread far and wide, I well remember. I
remember, too, perfectly well, your father's bet on me at the store.
<i>He</i> was at the shooting-match, and nothing could make him believe but
that I was a great shot with a rifle as well as a shot-gun. Bet he would
on me, in spite of all I could say, though I assured him that I had
never shot a rifle in my life. It so happened, too, that there were but
two bullets, or, rather, a bullet and a half; and so confident was your
father in my skill, that he made me shoot the half bullet; and, strange
to tell, by another chance shot, I like to have drove the cross and won
his bet."</p>
<p>"Now I know you're the very chap, for I heard daddy tell that very thing
about the half bullet. Don't say anything about it, Lyman, and darn my
old shoes, if I don't tare the lint off the boys with you at the
shooting-match. They'll never 'spect such a looking man as you are of
knowing anything about a rifle. I'll risk your <i>chance</i> shots."</p>
<p>I soon discovered that the father had eaten sour grapes, and the son's
teeth were on edge; for Billy was just as incorrigibly obstinate in his
belief of my dexterity with a rifle as his father had been before him.</p>
<p>We soon reached the place appointed for the shooting-match. It went by
the name of Sims's Cross Roads, because here two roads intersected each
other; and because, from the time that the first had been laid out,
Archibald Sims had resided there. Archibald had been a justice of the
peace in his day (and where is the man of his age in Georgia who has
not?); consequently, he was called 'Squire Sims. It is the custom in
this state, when a man<span class='pagenum'><SPAN name="Page_670" id="Page_670">[Pg 670]</SPAN></span> has once acquired a title, civil or military, to
force it upon him as long as he lives; hence the countless number of
titled personages who are introduced in these sketches.</p>
<p>We stopped at the 'squire's door. Billy hastily dismounted, gave me the
shake of the hand which he had been reluctantly reserving for a mile
back, and, leading me up to the 'squire, thus introduced me: "Uncle
Archy, this is Lyman Hall; and for all you see him in these fine
clothes, he's a <i>swinge</i> cat; a darn sight cleverer fellow than he looks
to be. Wait till you see him lift the old Soap-stick, and draw a bead
upon the bull's-eye. You <i>gwine</i> to see fun here to-day. Don't say
nothing about it."</p>
<p>"Well, Mr. Swinge-cat," said the 'squire, "here's to a better
acquaintance with you," offering me his hand.</p>
<p>"How goes it, Uncle Archy?" said I, taking his hand warmly (for I am
always free and easy with those who are so with me; and in this course I
rarely fail to please). "How's the old woman?"</p>
<p>"Egad," said the 'squire, chuckling, "there you're too hard for me; for
she died two-and-twenty years ago, and I haven't heard a word from her
since."</p>
<p>"What! and you never married again?"</p>
<p>"Never, as God's my judge!" (a solemn asseveration, truly, upon so light
a subject.)</p>
<p>"Well, that's not my fault."</p>
<p>"No, nor it's not mine, <i>ni</i>ther," said the 'squire.</p>
<p>Here we were interrupted by the cry of another Rancey Sniffle. "Hello,
here! All you as wish to put in for the shoot'n'-match, come on here!
for the putt'n' in's <i>riddy</i> to begin."</p>
<p>About sixty persons, including mere spectators, had collected; the most
of whom were more or less obedient to the call of Mealy Whitecotton, for
that was the name of the self-constituted commander-in-chief. Some
hastened<span class='pagenum'><SPAN name="Page_671" id="Page_671">[Pg 671]</SPAN></span> and some loitered, as they desired to be first or last on the
list; for they shoot in the order in which their names are entered.</p>
<p>The beef was not present, nor is it ever upon such occasions; but
several of the company had seen it, who all concurred in the opinion
that it was a good beef, and well worth the price that was set upon
it—eleven dollars. A general inquiry ran around, in order to form some
opinion as to the number of shots that would be taken; for, of course,
the price of a shot is cheapened in proportion to the increase of that
number. It was soon ascertained that not more than twenty persons would
take chances; but these twenty agreed to take the number of shots, at
twenty-five cents each.</p>
<p>The competitors now began to give in their names; some for one, some for
two, three, and a few for as many as four shots.</p>
<p>Billy Curlew hung back to the last; and when the list was offered him,
five shots remained undisposed of.</p>
<p>"How many shots left?" inquired Billy.</p>
<p>"Five," was the reply.</p>
<p>"Well, I take 'em all. Put down four shots to me, and one to Lyman Hall,
paid for by William Curlew."</p>
<p>I was thunder-struck, not at his proposition to pay for my shot, because
I knew that Billy meant it as a token of friendship, and he would have
been hurt if I had refused to let him do me this favor; but at the
unexpected announcement of my name as a competitor for beef, at least
one hundred miles from the place of my residence. I was prepared for a
challenge from Billy to some of his neighbors for a <i>private</i> match upon
me; but not for this.</p>
<p>I therefore protested against his putting in for me, and urged every
reason to dissuade him from it that I could, without wounding his
feelings.<span class='pagenum'><SPAN name="Page_672" id="Page_672">[Pg 672]</SPAN></span></p>
<p>"Put it down!" said Billy, with the authority of an emperor, and with a
look that spoke volumes intelligible to every by-stander. "Reckon I
don't know what I'm about?" Then wheeling off, and muttering in an
under, self-confident tone, "Dang old Roper," continued he, "if he don't
knock that cross to the north corner of creation and back again before a
cat can lick her foot."</p>
<p>Had I been king of the cat tribe, they could not have regarded me with
more curious attention than did the whole company from this moment.
Every inch of me was examined with the nicest scrutiny; and some plainly
expressed by their looks that they never would have taken me for such a
bite. I saw no alternative but to throw myself upon a third chance shot;
for though, by the rules of the sport, I would have been allowed to
shoot by proxy, by all the rules of good breeding I was bound to shoot
in person. It would have been unpardonable to disappoint the
expectations which had been raised on me. Unfortunately, too, for me,
the match differed in one respect from those which I had been in the
habit of attending in my younger days. In olden times the contest was
carried on chiefly with <i>shot-guns</i>, a generic term which, in those
days, embraced three descriptions of firearms: <i>Indian-traders</i> (a long,
cheap, but sometimes excellent kind of gun, that mother Britain used to
send hither for traffic with the Indians), <i>the large musket</i>, and the
<i>shot-gun</i>, properly so-called. Rifles were, however, always permitted
to compete with them, under equitable restrictions. These were, that
they should be fired off-hand, while the shot-guns were allowed a rest,
the distance being equal; or that the distance should be one hundred
yards for a rifle, to sixty for the shot-gun, the mode of firing being
equal.</p>
<p>But this was a match of rifles exclusively; and these are by far the
most common at this time.<span class='pagenum'><SPAN name="Page_673" id="Page_673">[Pg 673]</SPAN></span></p>
<p>Most of the competitors fire at the same target; which is usually a
board from nine inches to a foot wide, charred on one side as black as
it can be made by fire, without impairing materially the uniformity of
its surface; on the darkened side of which is <i>pegged</i> a square piece of
white paper, which is larger or smaller, according to the distance at
which it is to be placed from the marksmen. This is almost invariably
sixty yards, and for it the paper is reduced to about two and a half
inches square. Out of the center of it is cut a rhombus of about the
width of an inch, measured diagonally; this is the <i>bull's-eye</i>, or
<i>diamond</i>, as the marksmen choose to call it; in the center of this is
the cross. But every man is permitted to fix his target to his own
taste; and accordingly, some remove one-fourth of the paper, cutting
from the center of the square to the two lower corners, so as to leave a
large angle opening from the center downward; while others reduce the
angle more or less: but it is rarely the case that all are not satisfied
with one of these figures.</p>
<p>The beef is divided into five prizes, or, as they are commonly termed,
five <i>quarters</i>—the hide and tallow counting as one. For several years
after the revolutionary war, a sixth was added: the <i>lead</i> which was
shot in the match. This was the prize of the sixth best shot; and it
used to be carefully extracted from the board or tree in which it was
lodged, and afterward remoulded. But this grew out of the exigency of
the times, and has, I believe, been long since abandoned everywhere.</p>
<p>The three master shots and rivals were Moses Firmby, Larkin Spivey and
Billy Curlew; to whom was added, upon this occasion, by common consent
and with awful forebodings, your humble servant.</p>
<p>The target was fixed at an elevation of about three feet from the
ground; and the judges (Captain Turner and<span class='pagenum'><SPAN name="Page_674" id="Page_674">[Pg 674]</SPAN></span> 'Squire Porter) took their
stands by it, joined by about half the spectators.</p>
<p>The first name on the catalogue was Mealy Whitecotton. Mealy stepped
out, rifle in hand, and toed the mark. His rifle was about three inches
longer than himself, and near enough his own thickness to make the
remark of Darby Chislom, as he stepped out, tolerably appropriate: "Here
comes the corn-stalk and the sucker!" said Darby.</p>
<p>"Kiss my foot!" said Mealy. "The way I'll creep into that bull's-eye's a
fact."</p>
<p>"You'd better creep into your hind sight," said Darby. Mealy raised and
fired.</p>
<p>"A pretty good shot, Mealy!" said one.</p>
<p>"Yes, a blamed good shot!" said a second.</p>
<p>"Well done, Meal!" said a third.</p>
<p>I was rejoiced when one of the company inquired, "Where is it?" for I
could hardly believe they were founding these remarks upon the evidence
of their senses.</p>
<p>"Just on the right-hand side of the bull's-eye," was the reply.</p>
<p>I looked with all the power of my eyes, but was unable to discover the
least change in the surface of the paper. Their report, however, was
true; so much keener is the vision of a practiced than an unpracticed
eye.</p>
<p>The next in order was Hiram Baugh. Hiram was like some race-horses which
I have seen; he was too good not to contend for every prize, and too
good for nothing ever to win one.</p>
<p>"Gentlemen," said he, as he came to the mark, "I don't say that I'll win
beef; but if my piece don't blow, I'll eat the paper, or be mighty apt
to do it, if you'll b'lieve my racket. My powder are not good powder,
gentlemen; I bought it <i>thum</i> (from) Zeb Daggett, and gin him
three-quarters of a dollar a pound for it; but it are not what I<span class='pagenum'><SPAN name="Page_675" id="Page_675">[Pg 675]</SPAN></span> call
good powder, gentlemen; but if old Buck-killer burns it clear, the boy
you call Hiram Baugh eat's paper, or comes mighty near it."</p>
<p>"Well, blaze away," said Mealy, "and be d——d to you, and Zeb Daggett,
and your powder, and Buck-killer, and your powder-horn and shot-pouch to
boot! How long you gwine stand thar talking 'fore you shoot?"</p>
<p>"Never mind," said Hiram, "I can talk a little and shoot a little, too,
but that's nothin'. Here goes!"</p>
<p>Hiram assumed the figure of a note of interrogation, took a long sight,
and fired.</p>
<p>"I've eat paper," said he, at the crack of the gun, without looking, or
seeming to look, toward the target. "Buck-killer made a clear racket.
Where am I, gentlemen?"</p>
<p>"You're just between Mealy and the diamond," was the reply.</p>
<p>"I said I'd eat paper, and I've done it; haven't I, gentlemen?"</p>
<p>"And 'spose you have!" said Mealy, "what do that 'mount to? You'll not
win beef, and never did."</p>
<p>"Be that as it mout be, I've beat Meal 'Cotton mighty easy; and the boy
you call Hiram Baugh are able to do it."</p>
<p>"And what do that 'mount to? Who the devil an't able to beat Meal
'Cotton! I don't make no pretense of bein' nothin' great, no how; but
you always makes out as if you were gwine to keep 'em makin' crosses for
you constant, and then do nothin' but '<i>eat paper</i>' at last; and that's
a long way from <i>eatin' beef</i>, 'cordin' to Meal 'Cotton's notions, as
you call him."</p>
<p>Simon Stow was now called on.</p>
<p>"Oh, Lord!" exclaimed two or three: "now we have it. It'll take him as
long to shoot as it would take 'Squire Dobbins to run round a <i>track</i> o'
land."<span class='pagenum'><SPAN name="Page_676" id="Page_676">[Pg 676]</SPAN></span></p>
<p>"Good-by, boys," said Bob Martin.</p>
<p>"Where are you going, Bob?"</p>
<p>"Going to gather in my crop; I'll be back again though by the time Sime
Stow shoots."</p>
<p>Simon was used to all this, and therefore it did not disconcert him in
the least. He went off and brought his own target, and set it up with
his own hand.</p>
<p>He then wiped out his rifle, rubbed the pan with his hat, drew a piece
of tow through the touch-hole with his wiper, filled his charger with
great care, poured the powder into the rifle with equal caution, shoved
in with his finger the two or three vagrant grains that lodged round the
mouth of his piece, took out a handful of bullets, looked them all over
carefully, selected one without flaw or wrinkle, drew out his patching,
found the most even part of it, sprung open the grease-box in the breech
of his rifle; took up just so much grease, distributed it with great
equality over the chosen part of his patching, laid it over the muzzle
of his rifle, grease side down, placed his ball upon it, pressed it a
little, then took it up and turned the neck a little more
perpendicularly downward, placed his knife handle on it, just buried it
in the mouth of the rifle, cut off the redundant patching just above the
bullet, looked at it, and shook his head in token that he had cut off
too much or too little, no one knew which, sent down the ball, measured
the contents of his gun with his first and second fingers on the
protruding part of the ramrod, shook his head again, to signify there
was too much or too little powder, primed carefully, placed an arched
piece of tin over the hind sight to shade it, took his place, got a
friend to hold his hat over the foresight to shade it, took a very long
sight, fired, and didn't even eat the paper.</p>
<p>"My piece was badly <i>loadned</i>," said Simon, when he learned the place of
his ball.<span class='pagenum'><SPAN name="Page_677" id="Page_677">[Pg 677]</SPAN></span></p>
<p>"Oh, you didn't take time," said Mealy. "No man can shoot that's in such
a hurry as you is. I'd hardly got to sleep 'fore I heard the crack o'
the gun."</p>
<p>The next was Moses Firmby. He was a tall, slim man, of rather sallow
complexion; and it is a singular fact, that though probably no part of
the world is more healthy than the mountainous parts of Georgia, the
mountaineers have not generally robust frames or fine complexions: they
are, however, almost inexhaustible by toil.</p>
<p>Moses kept us not long in suspense. His rifle was already charged, and
he fixed it upon the target with a steadiness of nerve and aim that was
astonishing to me and alarming to all the rest. A few seconds, and the
report of his rifle broke the deathlike silence which prevailed.</p>
<p>"No great harm done yet," said Spivey, manifestly relieved from anxiety
by an event which seemed to me better calculated to produce despair.
Firmby's ball had cut out the lower angle of the diamond, directly on a
right line with the cross.</p>
<p>Three or four followed him without bettering his shot; all of whom,
however, with one exception, "eat the paper."</p>
<p>It now came to Spivey's turn. There was nothing remarkable in his person
or manner. He took his place, lowered his rifle slowly from a
perpendicular until it came on a line with the mark, held it there like
a vice for a moment and fired.</p>
<p>"Pretty <i>sevigrous</i>, but nothing killing yet," said Billy Curlew, as he
learned the place of Spivey's ball.</p>
<p>Spivey's ball had just broken the upper angle of the diamond; beating
Firmby about half its width.</p>
<p>A few more shots, in which there was nothing remarkable, brought us to
Billy Curlew. Billy stepped out with much confidence, and brought the
Soap-stick to an order,<span class='pagenum'><SPAN name="Page_678" id="Page_678">[Pg 678]</SPAN></span> while he deliberately rolled up his shirt
sleeves. Had I judged Billy's chance of success from the looks of his
gun, I should have said it was hopeless. The stock of Soap-stick seemed
to have been made with a case-knife; and had it been, the tool would
have been but a poor apology for its clumsy appearance. An auger-hole in
the breech served for a grease-box; a cotton string assisted a single
screw in holding on the lock; and the thimbles were made, one of brass,
one of iron, and one of tin.</p>
<p>"Where's Lark Spivey's bullet?" called out Billy to the judges, as he
finished rolling up his sleeves.</p>
<p>"About three-quarters of an inch from the cross," was the reply.</p>
<p>"Well, clear the way! the Soap-stick's coming, and she'll be along in
there among 'em presently."</p>
<p>Billy now planted himself astraddle, like an inverted V; shot forward
his left hip, drew his body back to an angle of about forty-five degrees
with the plane of the horizon, brought his cheek down close to the
breech of old Soap-stick, and fixed her upon the mark with untrembling
hand. His sight was long, and the swelling muscles of his left arm led
me to believe that he was lessening his chance of success with every
half second that he kept it burdened with his ponderous rifle; but it
neither flagged nor wavered until Soap-stick made her report.</p>
<p>"Where am I?" said Billy, as the smoke rose from before his eye.</p>
<p>"You've jist touched the cross on the lower side," was the reply of one
of the judges.</p>
<p>"I was afraid I was drawing my bead a <i>leetle</i> too fine," said Billy.
"Now, Lyman, you see what the Soap-stick can do. Take her, and show the
boys how you used to do when you was a baby."</p>
<p>I begged to reserve my shot to the last; pleading, rather<span class='pagenum'><SPAN name="Page_679" id="Page_679">[Pg 679]</SPAN></span>
sophistically, that it was, in point of fact, one of the Billy's shots.
My plea was rather indulged than sustained, and the marksmen who had
taken more than one shot commenced the second round. This round was a
manifest improvement upon the first. The cross was driven three times:
once by Spivey, once by Firmby, and once by no less a personage than
Mealy Whitecotton, whom chance seemed to favor for this time, merely
that he might retaliate upon Hiram Baugh; and the bull's-eye was
disfigured out of all shape.</p>
<p>The third and fourth rounds were shot. Billy discharged his last shot,
which left the rights of parties thus: Billy Curlew first and fourth
choice, Spivey second, Firmby third and Whitecotton fifth. Some of my
readers may perhaps be curious to learn how a distinction comes to be
made between several, all of whom drive the cross. The distinction is
perfectly natural and equitable. Threads are stretched from the
uneffaced parts of the once intersecting lines, by means of which the
original position of the cross is precisely ascertained. Each
bullet-hole being nicely pegged up as it is made, it is easy to
ascertain its circumference. To this I believe they usually, if not
invariably, measure, where none of the balls touch the cross; but if the
cross be driven, they measure from it to the center of the bullet-hole.
To make a draw shot, therefore, between two who drive the cross, it is
necessary that the center of both balls should pass directly through the
cross; a thing that very rarely happens.</p>
<p><i>The Bite</i> alone remained to shoot. Billy wiped out his rifle carefully,
loaded her to the top of his skill, and handed her to me. "Now," said
he, "Lyman, draw a fine bead, but not too fine; for Soap-stick bears up
her ball well. Take care and don't touch the trigger until you've got
your bead; for she's spring-trigger'd and goes mighty<span class='pagenum'><SPAN name="Page_680" id="Page_680">[Pg 680]</SPAN></span> easy: but you
hold her to the place you want her, and if she don't go there, dang old
Roper."</p>
<p>I took hold of Soap-stick, and lapsed immediately into the most hopeless
despair. I am sure I never handled as heavy a gun in all my life. "Why,
Billy," said I, "you little mortal, you! what do you use such a gun as
this for?"</p>
<p>"Look at the bull's-eye yonder!" said he.</p>
<p>"True," said I, "but <i>I</i> can't shoot her; it is impossible."</p>
<p>"Go 'long, you old coon!" said Billy; "I see what you're at;" intimating
that all this was merely to make the coming shot the more remarkable.
"Daddy's little boy don't shoot anything but the old Soap-stick here
to-day, I know."</p>
<p>The judges, I knew, were becoming impatient, and, withal, my situation
was growing more embarrassing every second; so I e'en resolved to try
the Soap-stick without further parley.</p>
<p>I stepped out, and the most intense interest was excited all around me,
and it flashed like electricity around the target, as I judged from the
anxious gaze of all in that direction.</p>
<p>Policy dictated that I should fire with a falling rifle, and I adopted
this mode; determining to fire as soon as the sights came on a line with
the diamond, <i>bead</i> or no <i>bead</i>. Accordingly, I commenced lowering old
Soap-stick; but, in spite of all my muscular powers, she was strictly
obedient to the laws of gravitation, and came down with a uniformly
accelerated velocity. Before I could arrest her downward flight, she had
not only passed the target, but was making rapid encroachments on my own
toes.</p>
<p>"Why, he's the weakest man in the arms I ever seed," said one, in a half
whisper.<span class='pagenum'><SPAN name="Page_681" id="Page_681">[Pg 681]</SPAN></span></p>
<p>"It's only his fun," said Billy; "I know him."</p>
<p>"It may be fun," said the other, "but it looks mightily like yearnest to
a man up a tree."</p>
<p>I now, of course, determined to reverse the mode of firing, and put
forth all my physical energies to raise Soap-stick to the mark. The
effort silenced Billy, and gave tongue to all his companions. I had just
strength enough to master Soap-stick's obstinate proclivity, and,
consequently, my nerves began to exhibit palpable signs of distress with
her first imperceptible movement upward. A trembling commenced in my
arms; increased, and extended rapidly to my body and lower extremities;
so that, by the time that I had brought Soap-stick up to the mark, I was
shaking from head to foot, exactly like a man under the continued action
of a strong galvanic battery. In the meantime my friends gave vent to
their feelings freely.</p>
<p>"I swear poin' blank," said one, "that man can't shoot."</p>
<p>"He used to shoot well," said another; "but can't now, nor never could."</p>
<p>"You better git away from 'bout that mark!" bawled a third, "for I'll be
dod darned if Broadcloth don't give some of you the dry gripes if you
stand too close thare."</p>
<p>"The stranger's got the peedoddles," said a fourth, with humorous
gravity.</p>
<p>"If he had bullets enough in his gun, he'd shoot a ring round the
bull's-eye big as a spinning wheel," said a fifth.</p>
<p>As soon as I found that Soap-stick was high enough (for I made no
farther use of the sights than to ascertain this fact), I pulled
trigger, and off she went. I have always found that the most creditable
way of relieving myself of derision was to heighten it myself as much as
possible. It is a good plan in all circles, but by far the best which
can be adopted among the plain, rough farmers of the country.
Accordingly, I brought old Soap-stick to an<span class='pagenum'><SPAN name="Page_682" id="Page_682">[Pg 682]</SPAN></span> order with an air of
triumph; tipped Billy a wink, and observed, "Now, Billy, 's your time to
make your fortune. Bet 'em two to one that I've knocked out the cross."</p>
<p>"No, I'll be dod blamed if I do," said Billy; "but I'll bet you two to
one that you hain't hit the plank."</p>
<p>"Ah, Billy," said I, "I was joking about <i>betting</i>, for I never bet; nor
would I have you to bet: indeed, I do not feel exactly right in shooting
for beef; for it is a species of gaming at last: but I'll say this much:
if that cross isn't knocked out, I'll never shoot for beef again as long
as I live."</p>
<p>"By dod," said Mealy Whitecotton, "you'll lose no great things at that."</p>
<p>"Well," said I, "I reckon I know a little about wabbling. Is it
possible, Billy, a man who shoots as well as you do, never practiced
shooting with the double wabble? It's the greatest take in the world
when you learn to drive the cross with it. Another sort for getting bets
upon, to the drop-sight, with a single wabble! And the Soap-stick's the
very yarn for it."</p>
<p>"Tell you what, stranger," said one, "you're too hard for us all here.
We never <i>hearn</i> o' that sort o' shoot'n' in these parts."</p>
<p>"Well," returned I, "you've seen it now, and I'm the boy that can do
it."</p>
<p>The judges were now approaching with the target, and a singular
combination of circumstances had kept all my party in utter ignorance of
the result of my shot. Those about the target had been prepared by Billy
Curlew for a great shot from me; their expectations had received
assurance from the courtesy which had been extended to me; and nothing
had happened to disappoint them but the single caution to them against
the "dry gripes," which was as likely to have been given in irony as in
earnest;<span class='pagenum'><SPAN name="Page_683" id="Page_683">[Pg 683]</SPAN></span> for my agonies under the weight of the Soap-stick were either
imperceptible to them at the distance of sixty yards, or, being visible,
were taken as the flourishes of an expert who wished to "astonish the
natives." The other party did not think the direction of my ball worth
the trouble of a question; or if they did, my airs and harangue had put
the thought to flight before it was delivered. Consequently, they were
all transfixed with astonishment when the judges presented the target to
them, and gravely observed, "It's only second best, after all the fuss."</p>
<p>"Second best!" exclaimed I, with uncontrollable transports.</p>
<p>The whole of my party rushed to the target to have the evidence of their
senses before they would believe the report; but most marvelous fortune
decreed that it should be true. Their incredulity and astonishment were
most fortunate for me; for they blinded my hearers to the real feelings
with which the exclamation was uttered, and allowed me sufficient time
to prepare myself for making the best use of what I had said before with
a very different object.</p>
<p>"Second best!" reiterated I, with an air of despondency, as the company
turned from the target to me. "Second best, only? Here, Billy, my son,
take the old Soap-stick; she's a good piece, but I'm getting too old and
dim-sighted to shoot a rifle, especially with the drop-sight and double
wabbles."</p>
<p>"Why, good Lord a'mighty!" said Billy, with a look that baffles all
description, "an't you <i>driv</i> the cross?"</p>
<p>"Oh, driv the cross!" rejoined I, carelessly. "What's that! Just look
where my ball is! I do believe in my soul its center is a full quarter
of an inch from the cross. I wanted to lay the center of the bullet upon
the cross, just as if you'd put it there with your fingers."<span class='pagenum'><SPAN name="Page_684" id="Page_684">[Pg 684]</SPAN></span></p>
<p>Several received this palaver with a contemptuous but very appropriate
curl of the nose; and Mealy Whitecotton offered to bet a half pint "that
I couldn't do the like again with no sort o' wabbles, he didn't care
what." But I had already fortified myself on this quarter of my
morality. A decided majority, however, were clearly of opinion that I
was serious; and they regarded me as one of the wonders of the world.
Billy increased the majority by now coming out fully with my history, as
he had received it from his father; to which I listened with quite as
much astonishment as any other one of his hearers. He begged me to go
home with him for the night, or, as he expressed it, "to go home with
him and swap lies that night, and it shouldn't cost me a cent;" the true
reading of which is, that if I would go home with him, and give him the
pleasure of an evening's chat about old times, his house should be as
free to me as my own. But I could not accept his hospitality without
retracing five or six miles of the road which I had already passed, and
therefore I declined it.</p>
<p>"Well, if you won't go, what must I tell the old woman for you, for
she'll be mighty glad to hear from the boy that won the silk
handkerchief for her, and I expect she'll lick me for not bringing you
home with me."</p>
<p>"Tell her," said I, "that I send her a quarter of beef which I won, as I
did the handkerchief, by nothing in the world but mere good luck."</p>
<p>"Hold your jaw, Lyman!" said Billy; "I an't a gwine to tell the old
woman any such lies; for she's a reg'lar built Meth'dist."</p>
<p>As I turned to depart, "Stop a minute, stranger!" said one: then
lowering his voice to a confidential but distinctly audible tone, "What
you offering for?" continued he. I assured him I was not a candidate for
anything; that I had accidentally fallen in with Billy Curlew, who<span class='pagenum'><SPAN name="Page_685" id="Page_685">[Pg 685]</SPAN></span>
begged me to come with him to the shooting-match, and, as it lay right
on my road, I had stopped. "Oh," said he, with a conciliatory nod, "if
you're up for anything, you needn't be mealy-mouthed about it 'fore us
boys; for we'll all go in for you here up to the handle."</p>
<p>"Yes," said Billy, "dang old Roper if we don't go our death for you, no
matter who offers. If ever you come out for anything, Lyman, jist let
the boys of Upper Hogthief know it, and they'll go for you to the hilt,
against creation, tit or no tit, that's the <i>tatur</i>."</p>
<p>I thanked them, kindly, but repeated my assurances. The reader will not
suppose that the district took its name from the character of the
inhabitants. In almost every county in the state there is some spot or
district which bears a contemptuous appellation, usually derived from
local rivalships, or from a single accidental circumstance.<span class='pagenum'><SPAN name="Page_686" id="Page_686">[Pg 686]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="DESOLATION1" id="DESOLATION1"></SPAN>DESOLATION<SPAN name="FNanchor_1_1" id="FNanchor_1_1"></SPAN><SPAN href="#Footnote_1_1" class="fnanchor">[1]</SPAN></h2>
<h3>BY TOM MASSON</h3>
<div class="poem"><div class="stanza">
<span class="i0">Somewhat back from the village street<br /></span>
<span class="i0">Stands the old-fashioned country seat.<br /></span>
<span class="i0">Across its antique portico<br /></span>
<span class="i0">Tall poplar trees their shadows throw.<br /></span>
<span class="i0">And there throughout the livelong day,<br /></span>
<span class="i0">Jemima plays the pi-a-na.<br /></span>
<span class="i12">Do, re, mi,<br /></span>
<span class="i12">Mi, re, do.<br /></span>
</div><div class="stanza">
<span class="i0">In the front parlor, there it stands,<br /></span>
<span class="i0">And there Jemima plies her hands,<br /></span>
<span class="i0">While her papa beneath his cloak,<br /></span>
<span class="i0">Mutters and groans: "This is no joke!"<br /></span>
<span class="i0">And swears to himself and sighs, alas!<br /></span>
<span class="i0">With sorrowful voice to all who pass.<br /></span>
<span class="i12">Do, re, mi,<br /></span>
<span class="i12">Mi, re, do.<br /></span>
</div><div class="stanza">
<span class="i0">Through days of death and days of birth<br /></span>
<span class="i0">She plays as if she owned the earth.<br /></span>
<span class="i0">Through every swift vicissitude<br /></span>
<span class="i0">She drums as if it did her good,<br /></span>
<span class="i0">And still she sits from morn till night<br /></span>
<span class="i0">And plunks away with main and might,<br /></span>
<span class="i12">Do, re, mi,<br /></span>
<span class="i12">Mi, re, do.<br /></span>
</div><div class="stanza">
<span class='pagenum'><SPAN name="Page_687" id="Page_687">[Pg 687]</SPAN></span><span class="i0">In that mansion used to be<br /></span>
<span class="i0">Free-hearted hospitality;<br /></span>
<span class="i0">But that was many years before<br /></span>
<span class="i0">Jemima monkeyed with the score.<br /></span>
<span class="i0">When she began her daily plunk,<br /></span>
<span class="i0">Into their graves the neighbors sunk.<br /></span>
<span class="i12">Do, re, mi,<br /></span>
<span class="i12">Mi, re, do.<br /></span>
</div><div class="stanza">
<span class="i0">To other worlds they've long since fled,<br /></span>
<span class="i0">All thankful that they're safely dead.<br /></span>
<span class="i0">They stood the racket while alive<br /></span>
<span class="i0">Until Jemima rose at five.<br /></span>
<span class="i0">And then they laid their burdens down,<br /></span>
<span class="i0">And one and all they skipped the town.<br /></span>
<span class="i12">Do, re, mi,<br /></span>
<span class="i12">Mi, re, do.<br /></span>
<span class='pagenum'><SPAN name="Page_688" id="Page_688">[Pg 688]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="CRANKIDOXOLOGY2" id="CRANKIDOXOLOGY2"></SPAN>CRANKIDOXOLOGY<SPAN name="FNanchor_2_2" id="FNanchor_2_2"></SPAN><SPAN href="#Footnote_2_2" class="fnanchor">[2]</SPAN></h2>
<h3>BY WALLACE IRWIN</h3>
<h3>(<i>Being a Mental Attitude from Bernard Pshaw</i>)</h3>
<div class="poem"><div class="stanza">
<span class="i0">It's wrong to be thoroughly human,<br /></span>
<span class="i2">It's stupid alone to be good,<br /></span>
<span class="i0">And why should the "virtuous" woman<br /></span>
<span class="i2">Continue to do as she should?<br /></span>
<span class="i2">(It's stupid to do as you should!)<br /></span>
</div><div class="stanza">
<span class="i0">For I'd rather be famous than pleasant,<br /></span>
<span class="i2">I'd rather be rude than polite;<br /></span>
<span class="i4">It's easy to sneer<br /></span>
<span class="i4">When you're witty and queer,<br /></span>
<span class="i0">And I'd rather be Clever than Right.<br /></span>
</div><div class="stanza">
<span class="i0">I'm bored by mere Shakespeare and Milton,<br /></span>
<span class="i2">Though Hubbard compels me to rave;<br /></span>
<span class="i0">If <i>I</i> should lay laurels to wilt on<br /></span>
<span class="i2">That foggy Shakespearean grave,<br /></span>
<span class="i2">How William would squirm in his grave!<br /></span>
</div><div class="stanza">
<span class="i0">For I'd rather be Pshaw than be Shakespeare,<br /></span>
<span class="i2">I'd rather be Candid than Wise;<br /></span>
<span class="i4">And the way I amuse<br /></span>
<span class="i4">Is to roundly abuse<br /></span>
<span class="i0">The Public I feign to despise.<br /></span>
<span class='pagenum'><SPAN name="Page_689" id="Page_689">[Pg 689]</SPAN></span></div><div class="stanza">
<span class="i0">I'm a Socialist, loving my brother<br /></span>
<span class="i2">In quite an original way,<br /></span>
<span class="i0">With my maxim, "Detest One Another"—<br /></span>
<span class="i2">Though, faith, I don't mean what I say.<br /></span>
<span class="i2">(It's beastly to mean what you say!)<br /></span>
</div><div class="stanza">
<span class="i0">For I'm fonder of talk than of Husbands,<br /></span>
<span class="i2">And I'm fonder of fads than of Wives,<br /></span>
<span class="i4">So I say unto you,<br /></span>
<span class="i4">If you don't as you do<br /></span>
<span class="i0">You will do as you don't all your lives.<br /></span>
</div><div class="stanza">
<span class="i0">My "Candida's" ruddy as coral,<br /></span>
<span class="i2">With thoughts quite too awfully plain—<br /></span>
<span class="i0">If folks would just call me Immoral<br /></span>
<span class="i2">I'd feel that I'd not lived in vain.<br /></span>
<span class="i2">(It's nasty, this living in vain!)<br /></span>
</div><div class="stanza">
<span class="i0">For I'd rather be Martyred than Married,<br /></span>
<span class="i2">I'd rather be tempted than tamed,<br /></span>
<span class="i4">And if <i>I</i> had my way<br /></span>
<span class="i4">(At least, so I say)<br /></span>
<span class="i0">All Babes would be labeled, "Unclaimed."<br /></span>
</div><div class="stanza">
<span class="i0">I'm an epigrammatical Moses,<br /></span>
<span class="i2">Whose humorous tablets of stone<br /></span>
<span class="i0">Condemn affectations and poses—<br /></span>
<span class="i2">Excepting a few of my own.<br /></span>
<span class="i2">(I dote on a few of my own.)<br /></span>
</div><div class="stanza">
<span class="i0">For my method of booming the market<br /></span>
<span class="i2">When Managers ask for a play<br /></span>
<span class="i4">Is to say on a bluff,<br /></span>
<span class="i4">"I'm so fond of my stuff<br /></span>
<span class="i0">That I don't want it acted—go 'way!"<br /></span><span class='pagenum'><SPAN name="Page_690" id="Page_690">[Pg 690]</SPAN></span>
</div><div class="stanza">
<span class="i0">I'm the club-ladies' Topic of Topics,<br /></span>
<span class="i2">Where solemn discussions are spent<br /></span>
<span class="i0">In struggles as hot as the tropics,<br /></span>
<span class="i2">Attempting to find what I meant.<br /></span>
<span class="i1">(<i>I</i> never can tell what I meant!)<br /></span>
</div><div class="stanza">
<span class="i0">For it's fun to make bosh of the Gospel,<br /></span>
<span class="i2">And it's sport to make gospel of Bosh,<br /></span>
<span class="i4">While divorcées hurrah<br /></span>
<span class="i4">For the Sayings of Pshaw<br /></span>
<span class="i0">And his sub-psychological Josh.<br /></span>
<span class='pagenum'><SPAN name="Page_691" id="Page_691">[Pg 691]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="MY_HONEY_MY_LOVE" id="MY_HONEY_MY_LOVE"></SPAN>MY HONEY, MY LOVE</h2>
<h3>BY JOEL CHANDLER HARRIS</h3>
<div class="poem"><div class="stanza">
<span class="i0">Hit's a mighty fur ways up de Far'well Lane,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">You may ax Mister Crow, you may ax Mr. Crane,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Dey'll make you a bow, en dey'll tell you de same,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Hit's a mighty fur ways fer ter go in de night,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0"><i>My honey, my love, my heart's delight</i>—<br /></span>
<span class="i14"><i>My honey, my love!</i><br /></span>
</div><div class="stanza">
<span class="i0">Mister Mink, he creeps twel he wake up de snipe,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Mister Bull-Frog holler, Come alight my pipe!<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">En de Pa'tridge ax, Ain't yo' peas ripe?<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Better not walk erlong dar much atter night,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0"><i>My honey, my love, my heart's delight</i>—<br /></span>
<span class="i14"><i>My honey, my love!</i><br /></span>
</div><div class="stanza">
<span class="i0">De Bully-Bat fly mighty close ter de groun',<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Mister Fox, he coax 'er, Do come down!<br /></span>
<span class="i14">My honey, my love!<br /></span><span class='pagenum'><SPAN name="Page_692" id="Page_692">[Pg 692]</SPAN></span>
</div><div class="stanza">
<span class="i0">Mister Coon, he rack all 'roun' en 'roun',<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">In de darkes' night, oh, de nigger, he's a sight!<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0"><i>My honey, my love, my heart's delight</i>—<br /></span>
<span class="i14"><i>My honey, my love!</i><br /></span>
</div><div class="stanza">
<span class="i0">Oh, flee, Miss Nancy, flee ter my knee,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">'Lev'n big, fat coons liv' in one tree,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Oh, ladies all, won't you marry me?<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Tu'n lef, tu'n right, we'll dance all night,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0"><i>My honey, my love, my heart's delight</i>—<br /></span>
<span class="i14"><i>My honey, my love!</i><br /></span>
</div><div class="stanza">
<span class="i0">De big Owl holler en cry fer his mate,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Oh, don't stay long! Oh, don't stay late!<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Hit ain't so mighty fur ter de Good-by Gate,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Whar we all got ter go w'en we sing out de night,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0"><i>My honey, my love, my heart's delight</i>—<br /></span>
<span class="i14"><i>My honey, my love!</i><br /></span>
<span class='pagenum'><SPAN name="Page_693" id="Page_693">[Pg 693]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="THE_GRAND_OPERA" id="THE_GRAND_OPERA"></SPAN>THE GRAND OPERA</h2>
<h3>BY BILLY BAXTER</h3>
<p>Well, I decided to get into my class, so I started for the smoking-room.
I hadn't gone three feet till some woman held me up and began telling me
how she adored Grand Opera. I didn't even reply. I fled madly, and
remained hidden in the tall grasses of the smoking-room until it was
time to go home. Jim, should any one ever tell you that Grand Opera is
all right, he is either trying to even up or he is not a true friend. I
was over in New York with the family last winter, and they made me go
with them to <i>Die Walkure</i> at the Metropolitan Opera House. When I got
the tickets I asked the man's advice as to the best location. He said
that all true lovers of music occupied the dress-circle and balconies,
and that he had some good center dress-circle seats at three bones per.
Here's a tip, Jim. If the box man ever hands you that true-lover game,
just reach in through the little hole and soak him in the solar for me.
It's coming to him. I'll give you my word of honor we were a quarter of
a mile from the stage. We went up in an elevator, were shown to our
seats, and who was right behind us but my old pal, Bud Hathaway, from
Chicago. Bud had his two sisters with him, and he gave me one sad look,
which said plainer than words, "So you're up against it, too, eh!" We
introduced all hands around, and about nine o'clock the curtain went up.
After we had waited fully ten minutes, out came a big, fat, greasy
looking Dago<span class='pagenum'><SPAN name="Page_694" id="Page_694">[Pg 694]</SPAN></span> with nothing on but a bear robe. He went over to the side
of the stage and sat down on a bum rock. It was plainly to be seen, even
from my true lovers' seat, that his bearlets was sorer than a dog about
something. Presently in came a woman, and none of the true lovers seemed
to know who she was. Some said it was Melba, others Nordica. Bud and I
decided that it was May Irwin. We were mistaken, though, as Irwin has
this woman lashed to the mast at any time or place. As soon as Mike the
Dago espied the dame it was all off. He rushed and drove a straight-arm
jab, which had it reached would have given him the purse. But shifty
Sadie wasn't there. She ducked, side-stepped, and landed a clever
half-arm hook, which seemed to stun the big fellow. They clinched, and
swayed back and forth, growling continually, while the orchestra played
this trembly Eliza-crossing-the-ice music. Jim, I'm not swelling this a
bit. On the level, it happened just as I write it. All of a sudden some
one seemed to win. They broke away, and ran wildly to the front of the
stage with their arms outstretched, yelling to beat three of a kind. The
band cut loose something fierce. The leader tore out about $9.00 worth
of hair, and acted generally as though he had bats in his belfry. I
thought sure the place would be pinched. It reminded me of Thirsty
Thornton's dance-hall out in Merrill, Wisconsin, when the Silent Swede
used to start a general survival of the fittest every time Mamie the
Mink danced twice in succession with the young fellow from Albany, whose
father owned the big mill up Rough River. Of course, this audience was
perfectly orderly, and showed no intention whatever of cutting in, and
there were no chairs or glasses in the air, but I am forced to admit
that the opera had Thornton's faded for noise. I asked Bud what the
trouble was, and he answered that I could search<span class='pagenum'><SPAN name="Page_695" id="Page_695">[Pg 695]</SPAN></span> him. The audience
apparently went wild. Everybody said "Simply sublime!" "Isn't it grand?"
"Perfectly superb!" "Bravo!" etc.; not because they really enjoyed it,
but merely because they thought it was the proper thing to do. After
that for three solid hours Rough House Mike and Shifty Sadie seemed to
be apologizing to the audience for their disgraceful street brawl, which
was honestly the only good thing in the show. Along about twelve o'clock
I thought I would talk over old times with Bud, but when I turned his
way I found my tired and trusty comrade "Asleep at the Switch."</p>
<p>At the finish, the woman next to me, who seemed to be on, said that the
main lady was dying. After it was too late, Mike seemed kind of sorry.
He must have give her the knife or the drops, because there wasn't a
minute that he could look in on her according to the rules. He laid her
out on the bum rock, they set off a lot of red fire for some unknown
reason, and the curtain dropped at 12:25. Never again for my money. Far
be it from me knocking, but any time I want noise I'll take to a
boiler-shop or a Union Station, where I can understand what's coming
off. I'm for a good-mother show. Do you remember <i>The White Slave</i>, Jim?
Well, that's me. Wasn't it immense where the main lady spurned the
leering villain's gold and exclaimed with flashing eye, "Rags are royal
raiment when worn for virtue's sake." Great! <i>The White Slave</i> had <i>Die
Walkure</i> beaten to a pulp, and they don't get to you for three cases
gate-money, either.<span class='pagenum'><SPAN name="Page_696" id="Page_696">[Pg 696]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="IN_A_STATE_OF_SIN3" id="IN_A_STATE_OF_SIN3"></SPAN>IN A STATE OF SIN<SPAN name="FNanchor_3_3" id="FNanchor_3_3"></SPAN><SPAN href="#Footnote_3_3" class="fnanchor">[3]</SPAN></h2>
<h3>BY OWEN WISTER</h3>
<p>Judge and Mrs. Henry, Molly Wood, and two strangers, a lady and a
gentleman, were the party which had been driving in the large
three-seated wagon. They had seemed a merry party. But as I came within
hearing of their talk, it was a fragment of the minister's sonority
which reached me first:</p>
<p>"... more opportunity for them to have the benefit of hearing frequent
sermons," was the sentence I heard him bring to completion.</p>
<p>"Yes, to be sure, sir." Judge Henry gave me (it almost seemed)
additional warmth of welcome for arriving to break up the present
discourse. "Let me introduce you to the Rev. Dr. Alexander MacBride.
Doctor, another guest we have been hoping for about this time," was my
host's cordial explanation to him of me. There remained the gentleman
with his wife from New York, and to these I made my final bows. But I
had not broken up the discourse.</p>
<p>"We may be said to have met already." Dr. MacBride had fixed upon me his
full, mastering eye; and it occurred to me that if they had policemen in
heaven, he would be at least a centurion in the force. But he did not
mean to be unpleasant; it was only that in a mind full of matters less
worldly, pleasure was left out. "I observed your friend was a skilful
horseman," he continued. "I was saying to Judge Henry that I could wish
such skilful<span class='pagenum'><SPAN name="Page_697" id="Page_697">[Pg 697]</SPAN></span> horsemen might ride to a church upon the Sabbath. A
church, that is, of right doctrine, where they would have opportunity to
hear frequent sermons."</p>
<p>"Yes," said Judge Henry, "yes. It would be a good thing."</p>
<p>Mrs. Henry, with some murmur about the kitchen, here went into the
house.</p>
<p>"I was informed," Dr. MacBride held the rest of us, "before undertaking
my journey that I should find a desolate and mainly godless country. But
nobody gave me to understand that from Medicine Bow I was to drive three
hundred miles and pass no church of any faith."</p>
<p>The Judge explained that there had been a few a long way to the right
and left of him. "Still," he conceded, "you are quite right. But don't
forget that this is the newest part of a new world."</p>
<p>"Judge," said his wife, coming to the door, "how can you keep them
standing in the dust with your talking?"</p>
<p>This most efficiently did break up the discourse. As our little party,
with the smiles and the polite holdings back of new acquaintanceship,
moved into the house, the Judge detained me behind all of them long
enough to whisper dolorously, "He's going to stay a whole week."</p>
<p>I had hopes that he would not stay a whole week when I presently learned
of the crowded arrangements which our hosts, with many hospitable
apologies, disclosed to us. They were delighted to have us, but they
hadn't foreseen that we should all be simultaneous. The foreman's house
had been prepared for two of us, and did we mind? The two of us were Dr.
MacBride and myself; and I expected him to mind. But I wronged him
grossly. It would be much better, he assured Mrs. Henry, than straw in a
stable, which he had tried several times, and was quite ready for. So I
saw that though he kept his vigorous<span class='pagenum'><SPAN name="Page_698" id="Page_698">[Pg 698]</SPAN></span> body clean when he could, he cared
nothing for it in the face of his mission. How the foreman and his wife
relished being turned out during a week for a missionary and myself was
not my concern, although while he and I made ready for supper over
there, it struck me as hard on them. The room with its two cots and
furniture was as nice as possible; and we closed the door upon the
adjoining room, which, however, seemed also untenanted.</p>
<p>Mrs. Henry gave us a meal so good that I have remembered it, and her
husband, the Judge, strove his best that we should eat it in merriment.
He poured out his anecdotes like wine, and we should have quickly warmed
to them; but Dr. MacBride sat among us, giving occasional heavy ha-ha's,
which produced, as Miss Molly Wood whispered to me, a "dreadfully
cavernous effect." Was it his sermon, we wondered, that he was thinking
over? I told her of the copious sheaf of them I had seen him pull from
his wallet over at the foreman's. "Goodness!" said she. "Then are we to
hear one every evening?" This I doubted; he had probably been picking
one out suitable for the occasion. "Putting his best foot foremost," was
her comment; "I suppose they have best feet, like the rest of us." Then
she grew delightfully sharp. "Do you know, when I first heard him I
thought his voice was hearty. But if you listen, you'll find it's merely
militant. He never really meets you with it. He's off on his hill
watching the battle-field the whole time."</p>
<p>"He will find a hardened pagan here."</p>
<p>"Judge Henry?"</p>
<p>"Oh, no! The wild man you're taming. He's brought you <i>Kenilworth</i> safe
back."</p>
<p>She was smooth. "Oh, as for taming him! But don't you find him
intelligent?"</p>
<p>Suddenly I somehow knew that she didn't want to tame<span class='pagenum'><SPAN name="Page_699" id="Page_699">[Pg 699]</SPAN></span> him. But what did
she want to do? The thought of her had made him blush this afternoon. No
thought of him made her blush this evening.</p>
<p>A great laugh from the rest of the company made me aware that the Judge
had consummated his tale of the "Sole Survivor."</p>
<p>"And so," he finished, "they all went off as mad as hops because it
hadn't been a massacre." Mr. and Mrs. Ogden—they were the New
Yorkers—gave this story much applause, and Dr. MacBride half a minute
later laid his "ha-ha," like a heavy stone, upon the gaiety.</p>
<p>"I'll never be able to stand seven sermons," said Miss Wood to me.</p>
<hr style='width: 45%;' />
<p>"Do you often have these visitations?" Ogden inquired of Judge Henry.
Our host was giving us whisky in his office, and Dr. MacBride, while we
smoked apart from the ladies, had repaired to his quarters in the
foreman's house previous to the service which he was shortly to hold.</p>
<p>The Judge laughed. "They come now and then through the year. I like the
bishop to come. And the men always like it. But I fear our friend will
scarcely please them so well."</p>
<p>"You don't mean they'll—"</p>
<p>"Oh, no. They'll keep quiet. The fact is, they have a good deal better
manners than he has, if he only knew it. They'll be able to bear him.
But as for any good he'll do—"</p>
<p>"I doubt if he knows a word of science," said I, musing about the
Doctor.</p>
<p>"Science! He doesn't know what Christianity is yet. I've entertained
many guests, but none—The whole secret," broke off Judge Henry, "lies
in the way you treat<span class='pagenum'><SPAN name="Page_700" id="Page_700">[Pg 700]</SPAN></span> people. As soon as you treat men as your brothers,
they are ready to acknowledge you—if you deserve it—as their superior.
That's the whole bottom of Christianity, and that's what our missionary
will never know."</p>
<hr style='width: 45%;' />
<p>Thunder sat imminent upon the missionary's brow. Many were to be at his
mercy soon. But for us he had sunshine still. "I am truly sorry to be
turning you upside down," he said importantly. "But it seems the best
place for my service." He spoke of the table pushed back and the chairs
gathered in the hall, where the storm would presently break upon the
congregation. "Eight-thirty?" he inquired.</p>
<p>This was the hour appointed, and it was only twenty minutes off. We
threw the unsmoked fractions of our cigars away, and returned to offer
our services to the ladies. This amused the ladies. They had done
without us. All was ready in the hall.</p>
<p>"We got the cook to help us," Mrs. Ogden told me, "so as not to disturb
your cigars. In spite of the cow-boys, I still recognize my own
country."</p>
<p>"In the cook?" I rather densely asked.</p>
<p>"Oh, no! I don't have a Chinaman. It's in the length of after-dinner
cigars."</p>
<p>"Had you been smoking," I returned, "you would have found them short
this evening."</p>
<p>"You make it worse," said the lady; "we have had nothing but Dr.
MacBride."</p>
<p>"We'll share him with you now," I exclaimed.</p>
<p>"Has he announced his text? I've got one for him," said Molly Wood,
joining us. She stood on tiptoe and spoke it comically in our ears. "'I
said in my haste, All men are liars.'" This made us merry as we stood
among the chairs in the congested hall.<span class='pagenum'><SPAN name="Page_701" id="Page_701">[Pg 701]</SPAN></span></p>
<p>I left the ladies, and sought the bunk house. I had heard the cheers,
but I was curious also to see the men, and how they were taking it.
There was but little for the eye. There was much noise in the room. They
were getting ready to come to church,—brushing their hair, shaving, and
making themselves clean, amid talk occasionally profane and continuously
diverting.</p>
<p>"Well, I'm a Christian, anyway," one declared.</p>
<p>"I'm a Mormon, I guess," said another.</p>
<p>"I belong to the Knights of Pythias," said a third.</p>
<p>"I'm a Mohammedist," said a fourth; "I hope I ain't goin' to hear
nothin' to shock me."</p>
<p>What with my feelings at Scipio's discretion, and my human curiosity, I
was not in that mood which best profits from a sermon. Yet even though
my expectations had been cruelly left quivering in mid air, I was not
sure how much I really wanted to "keep around." You will therefore
understand how Dr. MacBride was able to make a prayer and to read
Scripture without my being conscious of a word that he had uttered. It
was when I saw him opening the manuscript of his sermon that I suddenly
remembered I was sitting, so to speak, in church, and began once more to
think of the preacher and his congregation. Our chairs were in the front
line, of course; but, being next the wall, I could easily see the
cow-boys behind me. They were perfectly decorous. If Mrs. Ogden had
looked for pistols, dare-devil attitudes, and so forth, she must have
been greatly disappointed. Except for their weather-beaten cheeks and
eyes, they were simply American young men with mustaches and without,
and might have been sitting, say, in Danbury, Connecticut. Even Trampas
merged quietly with the general placidity. The Virginian did not, to be
sure, look like Danbury, and his frame and his features showed out<span class='pagenum'><SPAN name="Page_702" id="Page_702">[Pg 702]</SPAN></span> of
the mass; but his eyes were upon Dr. MacBride with a creamlike
propriety.</p>
<p>Our missionary did not choose Miss Wood's text. He made his selection
from another of the Psalms; and when it came, I did not dare to look at
anybody; I was much nearer unseemly conduct than the cow-boys. Dr.
MacBride gave us his text sonorously, "'They are altogether become
filthy; There is none of them that doeth good, no, not one.'" His eye
showed us plainly that present company was not excepted from this. He
repeated the text once more, then, launching upon his discourse, gave
none of us a ray of hope.</p>
<p>I had heard it all often before; but preached to cow-boys it took on a
new glare of untimeliness, of grotesque obsoleteness—as if some one
should say, "Let me persuade you to admire woman," and forthwith hold
out her bleached bones to you. The cow-boys were told that not only they
could do no good, but that if they did contrive to, it would not help
them. Nay, more: not only honest deeds availed them nothing, but even if
they accepted this especial creed which was being explained to them as
necessary for salvation, still it might not save them. Their sin was
indeed the cause of their damnation, yet, keeping from sin, they might
nevertheless be lost. It had all been settled for them not only before
they were born, but before Adam was shaped. Having told them this, he
invited them to glorify the Creator of the scheme. Even if damned, they
must praise the person who had made them expressly for damnation. That
is what I heard him prove by logic to these cow-boys. Stone upon stone
he built the black cellar of his theology, leaving out its beautiful
park and the sunshine of its garden. He did not tell them the splendor
of its past, the noble fortress for good that it had been, how its tonic
had strengthened genera<span class='pagenum'><SPAN name="Page_703" id="Page_703">[Pg 703]</SPAN></span>tions of their fathers. No; wrath he spoke of,
and never once of love. It was the bishop's way, I knew well, to hold
cow-boys by homely talk of their special hardships and temptations. And
when they fell he spoke to them of forgiveness and brought them
encouragement. But Dr. MacBride never thought once of the lives of these
waifs. Like himself, like all mankind, they were invisible dots in
creation; like him, they were to feel as nothing, to be swept up in the
potent heat of his faith. So he thrust out to them none of the sweet but
all the bitter of his creed, naked and stern as iron. Dogma was his all
in all, and poor humanity was nothing but flesh for its canons.</p>
<p>Thus to kill what chance he had for being of use seemed to me more
deplorable than it did evidently to them. Their attention merely
wandered. Three hundred years ago they would have been frightened; but
not in this electric day. I saw Scipio stifling a smile when it came to
the doctrine of original sin. "We know of its truth," said Dr. MacBride,
"from the severe troubles and distresses to which infants are liable,
and from death passing upon them before they are capable of sinning."
Yet I knew he was a good man; and I also knew that if a missionary is to
be tactless, he might almost as well be bad.</p>
<p>I said their attention wandered, but I forgot the Virginian. At first
his attitude might have been mere propriety. One can look respectfully
at a preacher and be internally breaking all the commandments. But even
with the text I saw real attention light in the Virginian's eye. And
keeping track of the concentration that grew on him with each minute
made the sermon short for me. He missed nothing. Before the end his gaze
at the preacher had become swerveless. Was he convert or critic? Convert
was incredible. Thus was an hour passed before I had thought of time.<span class='pagenum'><SPAN name="Page_704" id="Page_704">[Pg 704]</SPAN></span></p>
<p>When it was over we took it variously. The preacher was genial and spoke
of having now broken ground for the lessons that he hoped to instil. He
discoursed for a while about trout-fishing and about the rumored
uneasiness of the Indians northward where he was going. It was plain
that his personal safety never gave him a thought. He soon bade us good
night. The Ogdens shrugged their shoulders and were amused. That was
their way of taking it. Dr. MacBride sat too heavily on the Judge's
shoulders for him to shrug them. As a leading citizen in the Territory
he kept open house for all comers. Policy and good nature made him bid
welcome a wide variety of travelers. The cow-boy out of employment found
bed and a meal for himself and his horse, and missionaries had before
now been well received at Sunk Creek Ranch.</p>
<p>"I suppose I'll have to take him fishing," said the Judge ruefully.</p>
<p>"Yes, my dear," said his wife, "you will. And I shall have to make his
tea for six days."</p>
<p>"Otherwise," Ogden suggested, "it might be reported that you were
enemies of religion."</p>
<p>"That's about it," said the Judge. "I can get on with most people. But
elephants depress me."</p>
<p>So we named the Doctor "Jumbo," and I departed to my quarters.</p>
<p>At the bunk house, the comments were similar but more highly salted. The
men were going to bed. In spite of their outward decorum at the service,
they had not liked to be told that they were "altogether become filthy."
It was easy to call names; they could do that themselves. And they
appealed to me, several speaking at once, like a concerted piece at the
opera: "Say, do you believe babies go to hell?"—"Ah, of course he
don't."—"There<span class='pagenum'><SPAN name="Page_705" id="Page_705">[Pg 705]</SPAN></span> ain't no hereafter, anyway."—"Ain't there?"—"Who told
y'u?"—"Same man as told the preacher we were all a sifted set of
sons-of-guns."—"Well, I'm going to stay a Mormon."—"Well, I'm going to
quit fleeing from temptation."—"That's so! Better get it in the neck
after a good time than a poor one." And so forth. Their wit was not
extreme, yet I should like Dr. MacBride to have heard it. One fellow put
his natural soul pretty well into words, "If I happened to learn what
they had predestinated me to do, I'd do the other thing, just to show
'em!"</p>
<p>And Trampas? And the Virginian? They were out of it. The Virginian had
gone straight to his new abode. Trampas lay in his bed, not asleep, and
sullen as ever.</p>
<p>"He ain't got religion this trip," said Scipio to me.</p>
<p>"Did his new foreman get it?" I asked.</p>
<p>"Huh! It would spoil him. You keep around, that's all. Keep around."</p>
<p>Scipio was not to be probed; and I went, still baffled, to my repose.</p>
<p>No light burned in the cabin as I approached its door.</p>
<p>The Virginian's room was quiet and dark; and that Dr. MacBride slumbered
was plainly audible to me, even before I entered. Go fishing with him! I
thought, as I undressed. And I selfishly decided that the Judge might
have this privilege entirely to himself. Sleep came to me fairly soon,
in spite of the Doctor. I was wakened from it by my bed's being
jolted—not a pleasant thing that night. I must have started. And it was
the quiet voice of the Virginian that told me he was sorry to have
accidentally disturbed me. This disturbed me a good deal more. But his
steps did not go to the bunk house, as my sensational mind had
suggested. He was not wearing much, and in the dimness he seemed taller
than common.<span class='pagenum'><SPAN name="Page_706" id="Page_706">[Pg 706]</SPAN></span> I next made out that he was bending over Dr. MacBride. The
divine at last sprang upright.</p>
<p>"I am armed," he said. "Take care. Who are you?"</p>
<p>"You can lay down your gun, seh. I feel like my spirit was going to bear
witness. I feel like I might get an enlightening."</p>
<p>He was using some of the missionary's own language. The baffling I had
been treated to by Scipio melted to nothing in this. Did living men
petrify, I should have changed to mineral between the sheets. The Doctor
got out of bed, lighted his lamp, and found a book; and the two retired
into the Virginian's room, where I could hear the exhortations as I lay
amazed. In time the Doctor returned, blew out his lamp, and settled
himself. I had been very much awake, but was nearly gone to sleep again,
when the door creaked and the Virginian stood by the Doctor's side.</p>
<p>"Are you awake, seh?"</p>
<p>"What? What's that? What is it?"</p>
<p>"Excuse me, seh. The enemy is winning on me. I'm feeling less inward
opposition to sin."</p>
<p>The lamp was lighted, and I listened to some further exhortations. They
must have taken half an hour. When the Doctor was in bed again, I
thought that I heard him sigh. This upset my composure in the dark; but
I lay face downward in the pillow, and the Doctor was soon again
snoring. I envied him for a while his faculty of easy sleep. But I must
have dropped off myself; for it was the lamp in my eyes that now waked
me as he came back for the third time from the Virginian's room. Before
blowing the light out he looked at his watch, and thereupon I inquired
the hour of him.</p>
<p>"Three," said he.</p>
<p>I could not sleep any more now, and I lay watching the darkness.<span class='pagenum'><SPAN name="Page_707" id="Page_707">[Pg 707]</SPAN></span></p>
<p>"I'm afeard to be alone!" said the Virginian's voice presently in the
next room. "I'm afeard." There was a short pause, and then he shouted
very loud, "I'm losin' my desire afteh the sincere milk of the Word!"</p>
<p>"What? What's that? What?" The Doctor's cot gave a great crack as he
started up listening, and I put my face deep in the pillow.</p>
<p>"I'm afeard! I'm afeard! Sin has quit being bitter in my belly."</p>
<p>"Courage, my good man." The Doctor was out of bed with his lamp again,
and the door shut behind him. Between them they made it long this time.
I saw the window become gray; then the corners of the furniture grow
visible; and outside, the dry chorus of the blackbirds began to fill the
dawn. To these the sounds of chickens and impatient hoofs in the stable
were added, and some cow wandered by loudly calling for her calf. Next,
some one whistling passed near and grew distant. But although the cold
hue that I lay staring at through the window warmed and changed, the
Doctor continued working hard over his patient in the next room. Only a
word here and there was distinct; but it was plain from the Virginian's
fewer remarks that the sin in his belly was alarming him less. Yes, they
made this time long. But it proved, indeed, the last one. And though
some sort of catastrophe was bound to fall upon us, it was myself who
precipitated the thing that did happen.</p>
<p>Day was wholly come. I looked at my own watch, and it was six. I had
been about seven hours in my bed, and the Doctor had been about seven
hours out of his. The door opened, and he came in with his book and
lamp. He seemed to be shivering a little, and I saw him cast a longing
eye at his couch. But the Virginian followed him even as he blew out the
now quite superfluous light. They<span class='pagenum'><SPAN name="Page_708" id="Page_708">[Pg 708]</SPAN></span> made a noticeable couple in their
underclothes; the Virginian with his lean racehorse shanks running to a
point at his ankle, and the Doctor with his stomach and his fat
sedentary calves.</p>
<p>"You'll be going to breakfast and the ladies, seh, pretty soon," said
the Virginian, with a chastened voice. "But I'll worry through the day
somehow without y'u. And to-night you can turn your wolf loose on me
again."</p>
<p>Once more it was no use. My face was deep in the pillow, but I made
sounds as of a hen who has laid an egg. It broke on the Doctor with a
total instantaneous smash, quite like an egg.</p>
<p>He tried to speak calmly. "This is a disgrace. An infamous disgrace.
Never in my life have I—" Words forsook him, and his face grew redder.
"Never in my life—" He stopped again, because, at the sight of him
being dignified in his red drawers, I was making the noise of a dozen
hens. It was suddenly too much for the Virginian. He hastened into his
room, and there sank on the floor with his head in his hands. The Doctor
immediately slammed the door upon him, and this rendered me easily fit
for a lunatic asylum. I cried into my pillow, and wondered if the Doctor
would come and kill me. But he took no notice of me whatever. I could
hear the Virginian's convulsions through the door, and also the Doctor
furiously making his toilet within three feet of my head; and I lay
quite still with my face the other way, for I was really afraid to look
at him. When I heard him walk to the door in his boots, I ventured to
peep; and there he was, going out with his bag in his hand. As I still
continued to lie, weak and sore, and with a mind that had ceased all
operation, the Virginian's door opened. He was clean and dressed and
decent, but the devil still sported in his eye. I have never seen a
creature more irresistibly handsome.<span class='pagenum'><SPAN name="Page_709" id="Page_709">[Pg 709]</SPAN></span></p>
<p>Then my mind worked again. "You've gone and done it," said I. "He's
packed his valise. He'll not sleep here."</p>
<p>The Virginian looked quickly out of the door. "Why, he's leavin' us!" he
exclaimed. "Drivin' away right now in his little old buggy!" He turned
to me, and our eyes met solemnly over this large fact. I thought that I
perceived the faintest tincture of dismay in the features of Judge
Henry's new, responsible, trusty foreman. This was the first act of his
administration. Once again he looked out at the departing missionary.
"Well," he vindictively stated, "I cert'nly ain't goin' to run afteh
him." And he looked at me again.</p>
<p>"Do you suppose the Judge knows?" I inquired.</p>
<p>He shook his head. "The windo' shades is all down still oveh yondeh." He
paused. "I don't care," he stated, quite as if he had been ten years
old. Then he grinned guiltily. "I was mighty respectful to him all
night."</p>
<p>"Oh, yes, respectful! Especially when you invited him to turn his wolf
loose."</p>
<p>The Virginian gave a joyous gulp. He now came and sat down on the edge
of my bed. "I spoke awful good English to him most of the time," said
he. "I can, y'u know, when I cinch my attention tight on to it. Yes, I
cert'nly spoke a lot o' good English. I didn't understand some of it
myself!"</p>
<p>He was now growing frankly pleased with his exploit. He had builded so
much better than he knew. He got up and looked out across the crystal
world of light. "The Doctor is at one-mile crossing," he said. "He'll
get breakfast at the N-lazy-Y." Then he returned and sat again on my
bed, and began to give me his real heart. "I never set up for being
better than others. Not even to myself. My thoughts ain't apt to travel
around making comparisons. And I shouldn't wonder if my memory took as
much no<span class='pagenum'><SPAN name="Page_710" id="Page_710">[Pg 710]</SPAN></span>tice of the meannesses I have done as of—as of the other
actions. But to have to sit like a dumb lamb and let a stranger tell y'u
for an hour that yu're a hawg and a swine, just after you have acted in
a way which them that know the facts would call pretty near white—"<span class='pagenum'><SPAN name="Page_711" id="Page_711">[Pg 711]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="AN_APRIL_ARIA" id="AN_APRIL_ARIA"></SPAN>AN APRIL ARIA</h2>
<h3>BY R.K. MUNKITTRICK</h3>
<div class="poem"><div class="stanza">
<span class="i0">Now, in the shimmer and sheen that dance on the leaf of the lily,<br /></span>
<span class="i0">Causing the bud to explode, and gilding the poodle's chinchilla,<br /></span>
<span class="i0">Gladys cavorts with the rake, and hitches the string to the lattice,<br /></span>
<span class="i0">While with the trowel she digs, and gladdens the heart of the shanghai.<br /></span>
</div><div class="stanza">
<span class="i0">Now, while the vine twists about the ribs of the cast-iron Pallas,<br /></span>
<span class="i0">And, on the zephyr afloat, the halcyon soul of the borax<br /></span>
<span class="i0">Blends with the scent of the soap, the brush of the white-washer's flying<br /></span>
<span class="i0">E'en as the chicken-hawk flies when ready to light on its quarry.<br /></span>
</div><div class="stanza">
<span class="i0">Out in the leaf-dappled wood the dainty hepatica's blowing,<br /></span>
<span class="i0">While the fiend hammers the rug from Ispahan, Lynn, or Woonsocket,<br /></span>
<span class="i0">And the grim furnace is out, and over the ash heap and bottles<br /></span>
<span class="i0">Capers the "Billy" in glee, becanning his innermost Billy.<br /></span><span class='pagenum'><SPAN name="Page_712" id="Page_712">[Pg 712]</SPAN></span>
</div><div class="stanza">
<span class="i0">Now the blue pill is on tap, and likewise the sarsaparilla,<br /></span>
<span class="i0">And on the fence and the barn, quite worthy of S. Botticelli,<br /></span>
<span class="i0">Frisk the lithe leopard and gnu, in malachite, purple, and crimson,<br /></span>
<span class="i0">That we may know at a glance the circus is out on the rampage.<br /></span>
</div><div class="stanza">
<span class="i0">Put then the flannels away and trot out the old linen duster,<br /></span>
<span class="i0">Pack the bob-sled in the barn, and bring forth the baseball and racket,<br /></span>
<span class="i0">For the spry Spring is on deck, performing her roseate breakdown<br /></span>
<span class="i0">Unto the tune of the van that rattles and bangs on the cobbles.<br /></span>
<span class='pagenum'><SPAN name="Page_713" id="Page_713">[Pg 713]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="MEDITATIONS_OF_A_MARINER4" id="MEDITATIONS_OF_A_MARINER4"></SPAN>MEDITATIONS OF A MARINER<SPAN name="FNanchor_4_4" id="FNanchor_4_4"></SPAN><SPAN href="#Footnote_4_4" class="fnanchor">[4]</SPAN></h2>
<h3>BY WALLACE IRWIN</h3>
<div class="poem"><div class="stanza">
<span class="i0">A-watchin' how the sea behaves<br /></span>
<span class="i2">For hours and hours I sit;<br /></span>
<span class="i0">And I know the sea is full o' waves—<br /></span>
<span class="i2">I've often noticed it.<br /></span>
</div><div class="stanza">
<span class="i0">For on the deck each starry night<br /></span>
<span class="i2">The wild waves and the tame<br /></span>
<span class="i0">I counts and knows 'em all by sight<br /></span>
<span class="i2">And some of 'em by name.<br /></span>
</div><div class="stanza">
<span class="i0">And then I thinks a cove like me<br /></span>
<span class="i2">Ain't got no right to roam;<br /></span>
<span class="i0">For I'm homesick when I puts to sea<br /></span>
<span class="i2">And seasick when I'm home.<br /></span>
</div></div>
<p><span class='pagenum'><SPAN name="Page_714" id="Page_714">[Pg 714]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="VICTORY5" id="VICTORY5"></SPAN>VICTORY<SPAN name="FNanchor_5_5" id="FNanchor_5_5"></SPAN><SPAN href="#Footnote_5_5" class="fnanchor">[5]</SPAN></h2>
<h3>BY TOM MASSON</h3>
<div class="poem"><div class="stanza">
<span class="i0">I turned to the dictionary<br /></span>
<span class="i2">For a word I couldn't spell,<br /></span>
<span class="i0">And closed the book when I found it<br /></span>
<span class="i2">And dipped my pen in the well.<br /></span>
</div><div class="stanza">
<span class="i0">Then I thought to myself, "How was it?"<br /></span>
<span class="i2">With a sense of inward pain,<br /></span>
<span class="i0">And still 'twas a little doubtful,<br /></span>
<span class="i2">So I turned to the book again.<br /></span>
</div><div class="stanza">
<span class="i0">This time I remarked, "How easy!"<br /></span>
<span class="i2">As I muttered each letter o'er,<br /></span>
<span class="i0">But when I got to the inkwell<br /></span>
<span class="i2">'Twas gone, as it went before.<br /></span>
</div><div class="stanza">
<span class="i0">Then I grabbed that dictionary<br /></span>
<span class="i2">And I sped its pages through,<br /></span>
<span class="i0">And under my nose I put it<br /></span>
<span class="i2">With that doubtful word in view.<br /></span>
</div><div class="stanza">
<span class="i0">I held it down with my body<br /></span>
<span class="i2">While I gripped that pen quite fast,<br /></span>
<span class="i0">And I howled, as I traced each letter:<br /></span>
<span class="i2">"I've got you now, <i>at last</i>!"<br /></span>
</div></div>
<p><span class='pagenum'>