<SPAN name="Page_693" id="Page_693">[Pg 693]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="THE_GRAND_OPERA" id="THE_GRAND_OPERA"></SPAN>THE GRAND OPERA</h2>
<h3>BY BILLY BAXTER</h3>
<p>Well, I decided to get into my class, so I started for the smoking-room.
I hadn't gone three feet till some woman held me up and began telling me
how she adored Grand Opera. I didn't even reply. I fled madly, and
remained hidden in the tall grasses of the smoking-room until it was
time to go home. Jim, should any one ever tell you that Grand Opera is
all right, he is either trying to even up or he is not a true friend. I
was over in New York with the family last winter, and they made me go
with them to <i>Die Walkure</i> at the Metropolitan Opera House. When I got
the tickets I asked the man's advice as to the best location. He said
that all true lovers of music occupied the dress-circle and balconies,
and that he had some good center dress-circle seats at three bones per.
Here's a tip, Jim. If the box man ever hands you that true-lover game,
just reach in through the little hole and soak him in the solar for me.
It's coming to him. I'll give you my word of honor we were a quarter of
a mile from the stage. We went up in an elevator, were shown to our
seats, and who was right behind us but my old pal, Bud Hathaway, from
Chicago. Bud had his two sisters with him, and he gave me one sad look,
which said plainer than words, "So you're up against it, too, eh!" We
introduced all hands around, and about nine o'clock the curtain went up.
After we had waited fully ten minutes, out came a big, fat, greasy
looking Dago<span class='pagenum'><SPAN name="Page_694" id="Page_694">[Pg 694]</SPAN></span> with nothing on but a bear robe. He went over to the side
of the stage and sat down on a bum rock. It was plainly to be seen, even
from my true lovers' seat, that his bearlets was sorer than a dog about
something. Presently in came a woman, and none of the true lovers seemed
to know who she was. Some said it was Melba, others Nordica. Bud and I
decided that it was May Irwin. We were mistaken, though, as Irwin has
this woman lashed to the mast at any time or place. As soon as Mike the
Dago espied the dame it was all off. He rushed and drove a straight-arm
jab, which had it reached would have given him the purse. But shifty
Sadie wasn't there. She ducked, side-stepped, and landed a clever
half-arm hook, which seemed to stun the big fellow. They clinched, and
swayed back and forth, growling continually, while the orchestra played
this trembly Eliza-crossing-the-ice music. Jim, I'm not swelling this a
bit. On the level, it happened just as I write it. All of a sudden some
one seemed to win. They broke away, and ran wildly to the front of the
stage with their arms outstretched, yelling to beat three of a kind. The
band cut loose something fierce. The leader tore out about $9.00 worth
of hair, and acted generally as though he had bats in his belfry. I
thought sure the place would be pinched. It reminded me of Thirsty
Thornton's dance-hall out in Merrill, Wisconsin, when the Silent Swede
used to start a general survival of the fittest every time Mamie the
Mink danced twice in succession with the young fellow from Albany, whose
father owned the big mill up Rough River. Of course, this audience was
perfectly orderly, and showed no intention whatever of cutting in, and
there were no chairs or glasses in the air, but I am forced to admit
that the opera had Thornton's faded for noise. I asked Bud what the
trouble was, and he answered that I could search<span class='pagenum'><SPAN name="Page_695" id="Page_695">[Pg 695]</SPAN></span> him. The audience
apparently went wild. Everybody said "Simply sublime!" "Isn't it grand?"
"Perfectly superb!" "Bravo!" etc.; not because they really enjoyed it,
but merely because they thought it was the proper thing to do. After
that for three solid hours Rough House Mike and Shifty Sadie seemed to
be apologizing to the audience for their disgraceful street brawl, which
was honestly the only good thing in the show. Along about twelve o'clock
I thought I would talk over old times with Bud, but when I turned his
way I found my tired and trusty comrade "Asleep at the Switch."</p>
<p>At the finish, the woman next to me, who seemed to be on, said that the
main lady was dying. After it was too late, Mike seemed kind of sorry.
He must have give her the knife or the drops, because there wasn't a
minute that he could look in on her according to the rules. He laid her
out on the bum rock, they set off a lot of red fire for some unknown
reason, and the curtain dropped at 12:25. Never again for my money. Far
be it from me knocking, but any time I want noise I'll take to a
boiler-shop or a Union Station, where I can understand what's coming
off. I'm for a good-mother show. Do you remember <i>The White Slave</i>, Jim?
Well, that's me. Wasn't it immense where the main lady spurned the
leering villain's gold and exclaimed with flashing eye, "Rags are royal
raiment when worn for virtue's sake." Great! <i>The White Slave</i> had <i>Die
Walkure</i> beaten to a pulp, and they don't get to you for three cases
gate-money, either.<span class='pagenum'><SPAN name="Page_696" id="Page_696">[Pg 696]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="IN_A_STATE_OF_SIN3" id="IN_A_STATE_OF_SIN3"></SPAN>IN A STATE OF SIN<SPAN name="FNanchor_3_3" id="FNanchor_3_3"></SPAN><SPAN href="#Footnote_3_3" class="fnanchor">[3]</SPAN></h2>
<h3>BY OWEN WISTER</h3>
<p>Judge and Mrs. Henry, Molly Wood, and two strangers, a lady and a
gentleman, were the party which had been driving in the large
three-seated wagon. They had seemed a merry party. But as I came within
hearing of their talk, it was a fragment of the minister's sonority
which reached me first:</p>
<p>"... more opportunity for them to have the benefit of hearing frequent
sermons," was the sentence I heard him bring to completion.</p>
<p>"Yes, to be sure, sir." Judge Henry gave me (it almost seemed)
additional warmth of welcome for arriving to break up the present
discourse. "Let me introduce you to the Rev. Dr. Alexander MacBride.
Doctor, another guest we have been hoping for about this time," was my
host's cordial explanation to him of me. There remained the gentleman
with his wife from New York, and to these I made my final bows. But I
had not broken up the discourse.</p>
<p>"We may be said to have met already." Dr. MacBride had fixed upon me his
full, mastering eye; and it occurred to me that if they had policemen in
heaven, he would be at least a centurion in the force. But he did not
mean to be unpleasant; it was only that in a mind full of matters less
worldly, pleasure was left out. "I observed your friend was a skilful
horseman," he continued. "I was saying to Judge Henry that I could wish
such skilful<span class='pagenum'><SPAN name="Page_697" id="Page_697">[Pg 697]</SPAN></span> horsemen might ride to a church upon the Sabbath. A
church, that is, of right doctrine, where they would have opportunity to
hear frequent sermons."</p>
<p>"Yes," said Judge Henry, "yes. It would be a good thing."</p>
<p>Mrs. Henry, with some murmur about the kitchen, here went into the
house.</p>
<p>"I was informed," Dr. MacBride held the rest of us, "before undertaking
my journey that I should find a desolate and mainly godless country. But
nobody gave me to understand that from Medicine Bow I was to drive three
hundred miles and pass no church of any faith."</p>
<p>The Judge explained that there had been a few a long way to the right
and left of him. "Still," he conceded, "you are quite right. But don't
forget that this is the newest part of a new world."</p>
<p>"Judge," said his wife, coming to the door, "how can you keep them
standing in the dust with your talking?"</p>
<p>This most efficiently did break up the discourse. As our little party,
with the smiles and the polite holdings back of new acquaintanceship,
moved into the house, the Judge detained me behind all of them long
enough to whisper dolorously, "He's going to stay a whole week."</p>
<p>I had hopes that he would not stay a whole week when I presently learned
of the crowded arrangements which our hosts, with many hospitable
apologies, disclosed to us. They were delighted to have us, but they
hadn't foreseen that we should all be simultaneous. The foreman's house
had been prepared for two of us, and did we mind? The two of us were Dr.
MacBride and myself; and I expected him to mind. But I wronged him
grossly. It would be much better, he assured Mrs. Henry, than straw in a
stable, which he had tried several times, and was quite ready for. So I
saw that though he kept his vigorous<span class='pagenum'><SPAN name="Page_698" id="Page_698">[Pg 698]</SPAN></span> body clean when he could, he cared
nothing for it in the face of his mission. How the foreman and his wife
relished being turned out during a week for a missionary and myself was
not my concern, although while he and I made ready for supper over
there, it struck me as hard on them. The room with its two cots and
furniture was as nice as possible; and we closed the door upon the
adjoining room, which, however, seemed also untenanted.</p>
<p>Mrs. Henry gave us a meal so good that I have remembered it, and her
husband, the Judge, strove his best that we should eat it in merriment.
He poured out his anecdotes like wine, and we should have quickly warmed
to them; but Dr. MacBride sat among us, giving occasional heavy ha-ha's,
which produced, as Miss Molly Wood whispered to me, a "dreadfully
cavernous effect." Was it his sermon, we wondered, that he was thinking
over? I told her of the copious sheaf of them I had seen him pull from
his wallet over at the foreman's. "Goodness!" said she. "Then are we to
hear one every evening?" This I doubted; he had probably been picking
one out suitable for the occasion. "Putting his best foot foremost," was
her comment; "I suppose they have best feet, like the rest of us." Then
she grew delightfully sharp. "Do you know, when I first heard him I
thought his voice was hearty. But if you listen, you'll find it's merely
militant. He never really meets you with it. He's off on his hill
watching the battle-field the whole time."</p>
<p>"He will find a hardened pagan here."</p>
<p>"Judge Henry?"</p>
<p>"Oh, no! The wild man you're taming. He's brought you <i>Kenilworth</i> safe
back."</p>
<p>She was smooth. "Oh, as for taming him! But don't you find him
intelligent?"</p>
<p>Suddenly I somehow knew that she didn't want to tame<span class='pagenum'><SPAN name="Page_699" id="Page_699">[Pg 699]</SPAN></span> him. But what did
she want to do? The thought of her had made him blush this afternoon. No
thought of him made her blush this evening.</p>
<p>A great laugh from the rest of the company made me aware that the Judge
had consummated his tale of the "Sole Survivor."</p>
<p>"And so," he finished, "they all went off as mad as hops because it
hadn't been a massacre." Mr. and Mrs. Ogden—they were the New
Yorkers—gave this story much applause, and Dr. MacBride half a minute
later laid his "ha-ha," like a heavy stone, upon the gaiety.</p>
<p>"I'll never be able to stand seven sermons," said Miss Wood to me.</p>
<hr style='width: 45%;' />
<p>"Do you often have these visitations?" Ogden inquired of Judge Henry.
Our host was giving us whisky in his office, and Dr. MacBride, while we
smoked apart from the ladies, had repaired to his quarters in the
foreman's house previous to the service which he was shortly to hold.</p>
<p>The Judge laughed. "They come now and then through the year. I like the
bishop to come. And the men always like it. But I fear our friend will
scarcely please them so well."</p>
<p>"You don't mean they'll—"</p>
<p>"Oh, no. They'll keep quiet. The fact is, they have a good deal better
manners than he has, if he only knew it. They'll be able to bear him.
But as for any good he'll do—"</p>
<p>"I doubt if he knows a word of science," said I, musing about the
Doctor.</p>
<p>"Science! He doesn't know what Christianity is yet. I've entertained
many guests, but none—The whole secret," broke off Judge Henry, "lies
in the way you treat<span class='pagenum'><SPAN name="Page_700" id="Page_700">[Pg 700]</SPAN></span> people. As soon as you treat men as your brothers,
they are ready to acknowledge you—if you deserve it—as their superior.
That's the whole bottom of Christianity, and that's what our missionary
will never know."</p>
<hr style='width: 45%;' />
<p>Thunder sat imminent upon the missionary's brow. Many were to be at his
mercy soon. But for us he had sunshine still. "I am truly sorry to be
turning you upside down," he said importantly. "But it seems the best
place for my service." He spoke of the table pushed back and the chairs
gathered in the hall, where the storm would presently break upon the
congregation. "Eight-thirty?" he inquired.</p>
<p>This was the hour appointed, and it was only twenty minutes off. We
threw the unsmoked fractions of our cigars away, and returned to offer
our services to the ladies. This amused the ladies. They had done
without us. All was ready in the hall.</p>
<p>"We got the cook to help us," Mrs. Ogden told me, "so as not to disturb
your cigars. In spite of the cow-boys, I still recognize my own
country."</p>
<p>"In the cook?" I rather densely asked.</p>
<p>"Oh, no! I don't have a Chinaman. It's in the length of after-dinner
cigars."</p>
<p>"Had you been smoking," I returned, "you would have found them short
this evening."</p>
<p>"You make it worse," said the lady; "we have had nothing but Dr.
MacBride."</p>
<p>"We'll share him with you now," I exclaimed.</p>
<p>"Has he announced his text? I've got one for him," said Molly Wood,
joining us. She stood on tiptoe and spoke it comically in our ears. "'I
said in my haste, All men are liars.'" This made us merry as we stood
among the chairs in the congested hall.<span class='pagenum'><SPAN name="Page_701" id="Page_701">[Pg 701]</SPAN></span></p>
<p>I left the ladies, and sought the bunk house. I had heard the cheers,
but I was curious also to see the men, and how they were taking it.
There was but little for the eye. There was much noise in the room. They
were getting ready to come to church,—brushing their hair, shaving, and
making themselves clean, amid talk occasionally profane and continuously
diverting.</p>
<p>"Well, I'm a Christian, anyway," one declared.</p>
<p>"I'm a Mormon, I guess," said another.</p>
<p>"I belong to the Knights of Pythias," said a third.</p>
<p>"I'm a Mohammedist," said a fourth; "I hope I ain't goin' to hear
nothin' to shock me."</p>
<p>What with my feelings at Scipio's discretion, and my human curiosity, I
was not in that mood which best profits from a sermon. Yet even though
my expectations had been cruelly left quivering in mid air, I was not
sure how much I really wanted to "keep around." You will therefore
understand how Dr. MacBride was able to make a prayer and to read
Scripture without my being conscious of a word that he had uttered. It
was when I saw him opening the manuscript of his sermon that I suddenly
remembered I was sitting, so to speak, in church, and began once more to
think of the preacher and his congregation. Our chairs were in the front
line, of course; but, being next the wall, I could easily see the
cow-boys behind me. They were perfectly decorous. If Mrs. Ogden had
looked for pistols, dare-devil attitudes, and so forth, she must have
been greatly disappointed. Except for their weather-beaten cheeks and
eyes, they were simply American young men with mustaches and without,
and might have been sitting, say, in Danbury, Connecticut. Even Trampas
merged quietly with the general placidity. The Virginian did not, to be
sure, look like Danbury, and his frame and his features showed out<span class='pagenum'><SPAN name="Page_702" id="Page_702">[Pg 702]</SPAN></span> of
the mass; but his eyes were upon Dr. MacBride with a creamlike
propriety.</p>
<p>Our missionary did not choose Miss Wood's text. He made his selection
from another of the Psalms; and when it came, I did not dare to look at
anybody; I was much nearer unseemly conduct than the cow-boys. Dr.
MacBride gave us his text sonorously, "'They are altogether become
filthy; There is none of them that doeth good, no, not one.'" His eye
showed us plainly that present company was not excepted from this. He
repeated the text once more, then, launching upon his discourse, gave
none of us a ray of hope.</p>
<p>I had heard it all often before; but preached to cow-boys it took on a
new glare of untimeliness, of grotesque obsoleteness—as if some one
should say, "Let me persuade you to admire woman," and forthwith hold
out her bleached bones to you. The cow-boys were told that not only they
could do no good, but that if they did contrive to, it would not help
them. Nay, more: not only honest deeds availed them nothing, but even if
they accepted this especial creed which was being explained to them as
necessary for salvation, still it might not save them. Their sin was
indeed the cause of their damnation, yet, keeping from sin, they might
nevertheless be lost. It had all been settled for them not only before
they were born, but before Adam was shaped. Having told them this, he
invited them to glorify the Creator of the scheme. Even if damned, they
must praise the person who had made them expressly for damnation. That
is what I heard him prove by logic to these cow-boys. Stone upon stone
he built the black cellar of his theology, leaving out its beautiful
park and the sunshine of its garden. He did not tell them the splendor
of its past, the noble fortress for good that it had been, how its tonic
had strengthened genera<span class='pagenum'><SPAN name="Page_703" id="Page_703">[Pg 703]</SPAN></span>tions of their fathers. No; wrath he spoke of,
and never once of love. It was the bishop's way, I knew well, to hold
cow-boys by homely talk of their special hardships and temptations. And
when they fell he spoke to them of forgiveness and brought them
encouragement. But Dr. MacBride never thought once of the lives of these
waifs. Like himself, like all mankind, they were invisible dots in
creation; like him, they were to feel as nothing, to be swept up in the
potent heat of his faith. So he thrust out to them none of the sweet but
all the bitter of his creed, naked and stern as iron. Dogma was his all
in all, and poor humanity was nothing but flesh for its canons.</p>
<p>Thus to kill what chance he had for being of use seemed to me more
deplorable than it did evidently to them. Their attention merely
wandered. Three hundred years ago they would have been frightened; but
not in this electric day. I saw Scipio stifling a smile when it came to
the doctrine of original sin. "We know of its truth," said Dr. MacBride,
"from the severe troubles and distresses to which infants are liable,
and from death passing upon them before they are capable of sinning."
Yet I knew he was a good man; and I also knew that if a missionary is to
be tactless, he might almost as well be bad.</p>
<p>I said their attention wandered, but I forgot the Virginian. At first
his attitude might have been mere propriety. One can look respectfully
at a preacher and be internally breaking all the commandments. But even
with the text I saw real attention light in the Virginian's eye. And
keeping track of the concentration that grew on him with each minute
made the sermon short for me. He missed nothing. Before the end his gaze
at the preacher had become swerveless. Was he convert or critic? Convert
was incredible. Thus was an hour passed before I had thought of time.<span class='pagenum'><SPAN name="Page_704" id="Page_704">[Pg 704]</SPAN></span></p>
<p>When it was over we took it variously. The preacher was genial and spoke
of having now broken ground for the lessons that he hoped to instil. He
discoursed for a while about trout-fishing and about the rumored
uneasiness of the Indians northward where he was going. It was plain
that his personal safety never gave him a thought. He soon bade us good
night. The Ogdens shrugged their shoulders and were amused. That was
their way of taking it. Dr. MacBride sat too heavily on the Judge's
shoulders for him to shrug them. As a leading citizen in the Territory
he kept open house for all comers. Policy and good nature made him bid
welcome a wide variety of travelers. The cow-boy out of employment found
bed and a meal for himself and his horse, and missionaries had before
now been well received at Sunk Creek Ranch.</p>
<p>"I suppose I'll have to take him fishing," said the Judge ruefully.</p>
<p>"Yes, my dear," said his wife, "you will. And I shall have to make his
tea for six days."</p>
<p>"Otherwise," Ogden suggested, "it might be reported that you were
enemies of religion."</p>
<p>"That's about it," said the Judge. "I can get on with most people. But
elephants depress me."</p>
<p>So we named the Doctor "Jumbo," and I departed to my quarters.</p>
<p>At the bunk house, the comments were similar but more highly salted. The
men were going to bed. In spite of their outward decorum at the service,
they had not liked to be told that they were "altogether become filthy."
It was easy to call names; they could do that themselves. And they
appealed to me, several speaking at once, like a concerted piece at the
opera: "Say, do you believe babies go to hell?"—"Ah, of course he
don't."—"There<span class='pagenum'><SPAN name="Page_705" id="Page_705">[Pg 705]</SPAN></span> ain't no hereafter, anyway."—"Ain't there?"—"Who told
y'u?"—"Same man as told the preacher we were all a sifted set of
sons-of-guns."—"Well, I'm going to stay a Mormon."—"Well, I'm going to
quit fleeing from temptation."—"That's so! Better get it in the neck
after a good time than a poor one." And so forth. Their wit was not
extreme, yet I should like Dr. MacBride to have heard it. One fellow put
his natural soul pretty well into words, "If I happened to learn what
they had predestinated me to do, I'd do the other thing, just to show
'em!"</p>
<p>And Trampas? And the Virginian? They were out of it. The Virginian had
gone straight to his new abode. Trampas lay in his bed, not asleep, and
sullen as ever.</p>
<p>"He ain't got religion this trip," said Scipio to me.</p>
<p>"Did his new foreman get it?" I asked.</p>
<p>"Huh! It would spoil him. You keep around, that's all. Keep around."</p>
<p>Scipio was not to be probed; and I went, still baffled, to my repose.</p>
<p>No light burned in the cabin as I approached its door.</p>
<p>The Virginian's room was quiet and dark; and that Dr. MacBride slumbered
was plainly audible to me, even before I entered. Go fishing with him! I
thought, as I undressed. And I selfishly decided that the Judge might
have this privilege entirely to himself. Sleep came to me fairly soon,
in spite of the Doctor. I was wakened from it by my bed's being
jolted—not a pleasant thing that night. I must have started. And it was
the quiet voice of the Virginian that told me he was sorry to have
accidentally disturbed me. This disturbed me a good deal more. But his
steps did not go to the bunk house, as my sensational mind had
suggested. He was not wearing much, and in the dimness he seemed taller
than common.<span class='pagenum'><SPAN name="Page_706" id="Page_706">[Pg 706]</SPAN></span> I next made out that he was bending over Dr. MacBride. The
divine at last sprang upright.</p>
<p>"I am armed," he said. "Take care. Who are you?"</p>
<p>"You can lay down your gun, seh. I feel like my spirit was going to bear
witness. I feel like I might get an enlightening."</p>
<p>He was using some of the missionary's own language. The baffling I had
been treated to by Scipio melted to nothing in this. Did living men
petrify, I should have changed to mineral between the sheets. The Doctor
got out of bed, lighted his lamp, and found a book; and the two retired
into the Virginian's room, where I could hear the exhortations as I lay
amazed. In time the Doctor returned, blew out his lamp, and settled
himself. I had been very much awake, but was nearly gone to sleep again,
when the door creaked and the Virginian stood by the Doctor's side.</p>
<p>"Are you awake, seh?"</p>
<p>"What? What's that? What is it?"</p>
<p>"Excuse me, seh. The enemy is winning on me. I'm feeling less inward
opposition to sin."</p>
<p>The lamp was lighted, and I listened to some further exhortations. They
must have taken half an hour. When the Doctor was in bed again, I
thought that I heard him sigh. This upset my composure in the dark; but
I lay face downward in the pillow, and the Doctor was soon again
snoring. I envied him for a while his faculty of easy sleep. But I must
have dropped off myself; for it was the lamp in my eyes that now waked
me as he came back for the third time from the Virginian's room. Before
blowing the light out he looked at his watch, and thereupon I inquired
the hour of him.</p>
<p>"Three," said he.</p>
<p>I could not sleep any more now, and I lay watching the darkness.<span class='pagenum'><SPAN name="Page_707" id="Page_707">[Pg 707]</SPAN></span></p>
<p>"I'm afeard to be alone!" said the Virginian's voice presently in the
next room. "I'm afeard." There was a short pause, and then he shouted
very loud, "I'm losin' my desire afteh the sincere milk of the Word!"</p>
<p>"What? What's that? What?" The Doctor's cot gave a great crack as he
started up listening, and I put my face deep in the pillow.</p>
<p>"I'm afeard! I'm afeard! Sin has quit being bitter in my belly."</p>
<p>"Courage, my good man." The Doctor was out of bed with his lamp again,
and the door shut behind him. Between them they made it long this time.
I saw the window become gray; then the corners of the furniture grow
visible; and outside, the dry chorus of the blackbirds began to fill the
dawn. To these the sounds of chickens and impatient hoofs in the stable
were added, and some cow wandered by loudly calling for her calf. Next,
some one whistling passed near and grew distant. But although the cold
hue that I lay staring at through the window warmed and changed, the
Doctor continued working hard over his patient in the next room. Only a
word here and there was distinct; but it was plain from the Virginian's
fewer remarks that the sin in his belly was alarming him less. Yes, they
made this time long. But it proved, indeed, the last one. And though
some sort of catastrophe was bound to fall upon us, it was myself who
precipitated the thing that did happen.</p>
<p>Day was wholly come. I looked at my own watch, and it was six. I had
been about seven hours in my bed, and the Doctor had been about seven
hours out of his. The door opened, and he came in with his book and
lamp. He seemed to be shivering a little, and I saw him cast a longing
eye at his couch. But the Virginian followed him even as he blew out the
now quite superfluous light. They<span class='pagenum'><SPAN name="Page_708" id="Page_708">[Pg 708]</SPAN></span> made a noticeable couple in their
underclothes; the Virginian with his lean racehorse shanks running to a
point at his ankle, and the Doctor with his stomach and his fat
sedentary calves.</p>
<p>"You'll be going to breakfast and the ladies, seh, pretty soon," said
the Virginian, with a chastened voice. "But I'll worry through the day
somehow without y'u. And to-night you can turn your wolf loose on me
again."</p>
<p>Once more it was no use. My face was deep in the pillow, but I made
sounds as of a hen who has laid an egg. It broke on the Doctor with a
total instantaneous smash, quite like an egg.</p>
<p>He tried to speak calmly. "This is a disgrace. An infamous disgrace.
Never in my life have I—" Words forsook him, and his face grew redder.
"Never in my life—" He stopped again, because, at the sight of him
being dignified in his red drawers, I was making the noise of a dozen
hens. It was suddenly too much for the Virginian. He hastened into his
room, and there sank on the floor with his head in his hands. The Doctor
immediately slammed the door upon him, and this rendered me easily fit
for a lunatic asylum. I cried into my pillow, and wondered if the Doctor
would come and kill me. But he took no notice of me whatever. I could
hear the Virginian's convulsions through the door, and also the Doctor
furiously making his toilet within three feet of my head; and I lay
quite still with my face the other way, for I was really afraid to look
at him. When I heard him walk to the door in his boots, I ventured to
peep; and there he was, going out with his bag in his hand. As I still
continued to lie, weak and sore, and with a mind that had ceased all
operation, the Virginian's door opened. He was clean and dressed and
decent, but the devil still sported in his eye. I have never seen a
creature more irresistibly handsome.<span class='pagenum'><SPAN name="Page_709" id="Page_709">[Pg 709]</SPAN></span></p>
<p>Then my mind worked again. "You've gone and done it," said I. "He's
packed his valise. He'll not sleep here."</p>
<p>The Virginian looked quickly out of the door. "Why, he's leavin' us!" he
exclaimed. "Drivin' away right now in his little old buggy!" He turned
to me, and our eyes met solemnly over this large fact. I thought that I
perceived the faintest tincture of dismay in the features of Judge
Henry's new, responsible, trusty foreman. This was the first act of his
administration. Once again he looked out at the departing missionary.
"Well," he vindictively stated, "I cert'nly ain't goin' to run afteh
him." And he looked at me again.</p>
<p>"Do you suppose the Judge knows?" I inquired.</p>
<p>He shook his head. "The windo' shades is all down still oveh yondeh." He
paused. "I don't care," he stated, quite as if he had been ten years
old. Then he grinned guiltily. "I was mighty respectful to him all
night."</p>
<p>"Oh, yes, respectful! Especially when you invited him to turn his wolf
loose."</p>
<p>The Virginian gave a joyous gulp. He now came and sat down on the edge
of my bed. "I spoke awful good English to him most of the time," said
he. "I can, y'u know, when I cinch my attention tight on to it. Yes, I
cert'nly spoke a lot o' good English. I didn't understand some of it
myself!"</p>
<p>He was now growing frankly pleased with his exploit. He had builded so
much better than he knew. He got up and looked out across the crystal
world of light. "The Doctor is at one-mile crossing," he said. "He'll
get breakfast at the N-lazy-Y." Then he returned and sat again on my
bed, and began to give me his real heart. "I never set up for being
better than others. Not even to myself. My thoughts ain't apt to travel
around making comparisons. And I shouldn't wonder if my memory took as
much no<span class='pagenum'><SPAN name="Page_710" id="Page_710">[Pg 710]</SPAN></span>tice of the meannesses I have done as of—as of the other
actions. But to have to sit like a dumb lamb and let a stranger tell y'u
for an hour that yu're a hawg and a swine, just after you have acted in
a way which them that know the facts would call pretty near white—"<span class='pagenum'><SPAN name="Page_711" id="Page_711">[Pg 711]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="AN_APRIL_ARIA" id="AN_APRIL_ARIA"></SPAN>AN APRIL ARIA</h2>
<h3>BY R.K. MUNKITTRICK</h3>
<div class="poem"><div class="stanza">
<span class="i0">Now, in the shimmer and sheen that dance on the leaf of the lily,<br /></span>
<span class="i0">Causing the bud to explode, and gilding the poodle's chinchilla,<br /></span>
<span class="i0">Gladys cavorts with the rake, and hitches the string to the lattice,<br /></span>
<span class="i0">While with the trowel she digs, and gladdens the heart of the shanghai.<br /></span>
</div><div class="stanza">
<span class="i0">Now, while the vine twists about the ribs of the cast-iron Pallas,<br /></span>
<span class="i0">And, on the zephyr afloat, the halcyon soul of the borax<br /></span>
<span class="i0">Blends with the scent of the soap, the brush of the white-washer's flying<br /></span>
<span class="i0">E'en as the chicken-hawk flies when ready to light on its quarry.<br /></span>
</div><div class="stanza">
<span class="i0">Out in the leaf-dappled wood the dainty hepatica's blowing,<br /></span>
<span class="i0">While the fiend hammers the rug from Ispahan, Lynn, or Woonsocket,<br /></span>
<span class="i0">And the grim furnace is out, and over the ash heap and bottles<br /></span>
<span class="i0">Capers the "Billy" in glee, becanning his innermost Billy.<br /></span><span class='pagenum'><SPAN name="Page_712" id="Page_712">[Pg 712]</SPAN></span>
</div><div class="stanza">
<span class="i0">Now the blue pill is on tap, and likewise the sarsaparilla,<br /></span>
<span class="i0">And on the fence and the barn, quite worthy of S. Botticelli,<br /></span>
<span class="i0">Frisk the lithe leopard and gnu, in malachite, purple, and crimson,<br /></span>
<span class="i0">That we may know at a glance the circus is out on the rampage.<br /></span>
</div><div class="stanza">
<span class="i0">Put then the flannels away and trot out the old linen duster,<br /></span>
<span class="i0">Pack the bob-sled in the barn, and bring forth the baseball and racket,<br /></span>
<span class="i0">For the spry Spring is on deck, performing her roseate breakdown<br /></span>
<span class="i0">Unto the tune of the van that rattles and bangs on the cobbles.<br /></span>
<span class='pagenum'><SPAN name="Page_713" id="Page_713">[Pg 713]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="MEDITATIONS_OF_A_MARINER4" id="MEDITATIONS_OF_A_MARINER4"></SPAN>MEDITATIONS OF A MARINER<SPAN name="FNanchor_4_4" id="FNanchor_4_4"></SPAN><SPAN href="#Footnote_4_4" class="fnanchor">[4]</SPAN></h2>
<h3>BY WALLACE IRWIN</h3>
<div class="poem"><div class="stanza">
<span class="i0">A-watchin' how the sea behaves<br /></span>
<span class="i2">For hours and hours I sit;<br /></span>
<span class="i0">And I know the sea is full o' waves—<br /></span>
<span class="i2">I've often noticed it.<br /></span>
</div><div class="stanza">
<span class="i0">For on the deck each starry night<br /></span>
<span class="i2">The wild waves and the tame<br /></span>
<span class="i0">I counts and knows 'em all by sight<br /></span>
<span class="i2">And some of 'em by name.<br /></span>
</div><div class="stanza">
<span class="i0">And then I thinks a cove like me<br /></span>
<span class="i2">Ain't got no right to roam;<br /></span>
<span class="i0">For I'm homesick when I puts to sea<br /></span>
<span class="i2">And seasick when I'm home.<br /></span>
</div></div>
<p><span class='pagenum'><SPAN name="Page_714" id="Page_714">[Pg 714]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="VICTORY5" id="VICTORY5"></SPAN>VICTORY<SPAN name="FNanchor_5_5" id="FNanchor_5_5"></SPAN><SPAN href="#Footnote_5_5" class="fnanchor">[5]</SPAN></h2>
<h3>BY TOM MASSON</h3>
<div class="poem"><div class="stanza">
<span class="i0">I turned to the dictionary<br /></span>
<span class="i2">For a word I couldn't spell,<br /></span>
<span class="i0">And closed the book when I found it<br /></span>
<span class="i2">And dipped my pen in the well.<br /></span>
</div><div class="stanza">
<span class="i0">Then I thought to myself, "How was it?"<br /></span>
<span class="i2">With a sense of inward pain,<br /></span>
<span class="i0">And still 'twas a little doubtful,<br /></span>
<span class="i2">So I turned to the book again.<br /></span>
</div><div class="stanza">
<span class="i0">This time I remarked, "How easy!"<br /></span>
<span class="i2">As I muttered each letter o'er,<br /></span>
<span class="i0">But when I got to the inkwell<br /></span>
<span class="i2">'Twas gone, as it went before.<br /></span>
</div><div class="stanza">
<span class="i0">Then I grabbed that dictionary<br /></span>
<span class="i2">And I sped its pages through,<br /></span>
<span class="i0">And under my nose I put it<br /></span>
<span class="i2">With that doubtful word in view.<br /></span>
</div><div class="stanza">
<span class="i0">I held it down with my body<br /></span>
<span class="i2">While I gripped that pen quite fast,<br /></span>
<span class="i0">And I howled, as I traced each letter:<br /></span>
<span class="i2">"I've got you now, <i>at last</i>!"<br /></span>
</div></div>
<p><span class='pagenum'><SPAN name="Page_715" id="Page_715">[Pg 715]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="THE_FAMILY_HORSE" id="THE_FAMILY_HORSE"></SPAN>THE FAMILY HORSE</h2>
<h3>BY FREDERICK S. COZZENS</h3>
<p>I have bought me a horse. As I had obtained some skill in the <i>manège</i>
during my younger days, it was a matter of consideration to have a
saddle-horse. It surprised me to find good saddle-horses very abundant
soon after my consultation with the stage proprietor upon this topic.
There were strange saddle-horses to sell almost every day. One man was
very candid about his horse: he told me, if his horse had a blemish, he
wouldn't wait to be asked about it; he would tell it right out; and, if
a man didn't want him then, he needn't take him. He also proposed to put
him on trial for sixty days, giving his note for the amount paid him for
the horse, to be taken up in case the animal were returned. I asked him
what were the principal defects of the horse. He said he'd been fired
once, because they thought he was spavined; but there was no more spavin
to him than there was to a fresh-laid egg—he was as sound as a dollar.
I asked him if he would just state what were the defects of the horse.
He answered, that he once had the pink-eye, and added, "now that's
honest." I thought so, but proceeded to question him closely. I asked
him if he had the bots. He said, not a bot. I asked him if he would go.
He said he would go till he dropped down dead; just touch him with a
whip, and he'll jump out of his hide. I inquired how old he was. He
answered, just eight years, exactly—some<span class='pagenum'><SPAN name="Page_716" id="Page_716">[Pg 716]</SPAN></span> men, he said, wanted to make
their horses younger than they be; he was willing to speak right out,
and own up he was eight years. I asked him if there were any other
objections. He said no, except that he was inclined to be a little gay;
"but," he added, "he is so kind, a child can drive him with a thread." I
asked him if he was a good family horse. He replied that no lady that
ever drew rein over him would be willing to part with him. Then I asked
him his price. He answered that no man could have bought him for one
hundred dollars a month ago, but now he was willing to sell him for
seventy-five, on account of having a note to pay. This seemed such a
very low price, I was about saying I would take him, when Mrs.
Sparrowgrass whispered that I had better <i>see the horse first</i>. I
confess I was a little afraid of losing my bargain by it, but, out of
deference to Mrs. S., I did ask to see the horse before I bought him. He
said he would fetch him down. "No man," he added, "ought to buy a horse
unless he's saw him." When the horse came down, it struck me that,
whatever his qualities might be, his personal appearance was against
him. One of his fore legs was shaped like the handle of our punch-ladle,
and the remaining three legs, about the fetlock, were slightly bunchy.
Besides, he had no tail to brag of; and his back had a very hollow sweep
from his high haunches to his low shoulder-blades. I was much pleased,
however, with the fondness and pride manifested by his owner, as he held
up, by both sides of the bridle, the rather longish head of his horse,
surmounting a neck shaped like a pea-pod, and said, in a sort of
triumphant voice, "three-quarters blood!" Mrs. Sparrowgrass flushed up a
little when she asked me if I intended to purchase <i>that</i> horse, and
added, that, if I did, she would never want to ride. So I told the man
he would not suit<span class='pagenum'><SPAN name="Page_717" id="Page_717">[Pg 717]</SPAN></span> me. He answered by suddenly throwing himself upon his
stomach across the backbone of his horse, and then, by turning round as
on a pivot, got up a-straddle of him; then he gave his horse a kick in
the ribs that caused him to jump out with all his legs, like a frog, and
then off went the spoon-legged animal with a gait that was not a trot,
nor yet precisely pacing. He rode around our grass plot twice, and then
pulled his horse's head up like the cock of a musket. "That," said he,
"is <i>time</i>." I replied that he did seem to go pretty fast. "Pretty
fast!" said his owner. "Well, do you know Mr. ——?" mentioning one of
the richest men in our village. I replied that I was acquainted with
him. "Well," said he, "you know his horse?" I replied that I had no
personal acquaintance with him. "Well," said he, "he's the fastest horse
in the county—jist so—I'm willin' to admit it. But do you know I
offered to put my horse agin' his to trot? I had no money to put up, or
rayther, to spare; but I offered to trot him, horse agin' horse, and the
winner to take both horses, and I tell you—<i>he wouldn't do it!</i>"</p>
<p>Mrs. Sparrowgrass got a little nervous, and twitched me by the skirt of
the coat "Dear," said she, "let him go." I assured her that I would not
buy the horse, and told the man firmly I would not buy him. He said,
very well—if he didn't suit 'twas no use to keep a-talkin': but he
added, he'd be down agin' with another horse, next morning, that
belonged to his brother; and if he didn't suit me, then I didn't want a
horse. With this remark he rode off....</p>
<p>"It rains very hard," said Mrs. Sparrowgrass, looking out of the window
next morning. Sure enough, the rain was sweeping broadcast over the
country, and the four Sparrowgrassii were flattening a quartet of noses
against the window-panes, believing most faithfully the man<span class='pagenum'><SPAN name="Page_718" id="Page_718">[Pg 718]</SPAN></span> would bring
the horse that belonged to his brother, in spite of the elements. It was
hoping against hope; no man having a horse to sell will trot him out in
a rainstorm, unless he intend to sell him at a bargain—but childhood is
so credulous! The succeeding morning was bright, however, and down came
the horse. He had been very cleverly groomed, and looked pleasant under
the saddle. The man led him back and forth before the door. "There,
'squire, 's as good a hos as ever stood on iron." Mrs. Sparrowgrass
asked me what he meant by that. I replied, it was a figurative way of
expressing, in horse-talk, that he was as good a horse as ever stood in
shoe-leather. "He's a handsome hos, 'squire," said the man. I replied
that he did seem to be a good-looking animal; but, said I, "he does not
quite come up to the description of a horse I have read." "Whose hos was
it?" said he. I replied it was the horse of Adonis. He said he didn't
know him; but, he added, "there is so many hosses stolen, that the
descriptions are stuck up now pretty common." To put him at his ease
(for he seemed to think I suspected him of having stolen the horse), I
told him the description I meant had been written some hundreds of years
ago by Shakespeare, and repeated it:</p>
<div class="poem"><div class="stanza">
<span class="i0">"Round-hooft, short-joynted, fetlocks shag and long,<br /></span>
<span class="i2">Broad breast, full eyes, small head, and nostrils wide,<br /></span>
<span class="i0">High crest, short ears, straight legs, and passing strong,<br /></span>
<span class="i2">Thin mane, thick tail, broad buttock, tender hide."<br /></span>
</div></div>
<p>"'Squire," said he, "that will do for a song, but it ain't no p'ints of
a good hos. Trotters nowadays go in all shapes, big heads and little
heads, big eyes and little eyes, short ears or long ears, thick tail and
no tail; so as they have sound legs, good l'in, good barrel, and good
stifle, and wind, 'squire, and speed well, they'll fetch a price.<span class='pagenum'><SPAN name="Page_719" id="Page_719">[Pg 719]</SPAN></span> Now,
this animal is what I call a hos, 'squire; he's got the p'ints, he's
stylish, he's close-ribbed, a free goer, kind in harness—single or
double—a good feeder." I asked him if being a good feeder was a
desirable quality. He replied it was; "of course," said he, "if your hos
is off his feed, he ain't good for nothin'. But what's the use," he
added, "of me tellin' you the p'ints of a good hos? You're a hos man,
'squire: you know—" "It seems to me," said I, "there is something the
matter with that left eye." "No, <i>sir</i>" said he, and with that he pulled
down the horse's head, and, rapidly crooking his forefinger at the
suspected organ, said, "see thar—don't wink a bit." "But he should
wink," I replied. "Not onless his eye are weak," he said. To satisfy
myself, I asked the man to let me take the bridle. He did so, and as
soon as I took hold of it, the horse started off in a remarkable
retrograde movement, dragging me with him into my best bed of hybrid
roses. Finding we were trampling down all the best plants, that had cost
at auction from three-and-sixpence to seven shillings apiece, and that
the more I pulled, the more he backed, I finally let him have his own
way, and jammed him stern-foremost into our largest climbing rose that
had been all summer prickling itself, in order to look as much like a
vegetable porcupine as possible. This unexpected bit of satire in his
rear changed his retrograde movement to a sidelong bound, by which he
flirted off half the pots on the balusters, upsetting my gladioluses and
tuberoses in the pod, and leaving great splashes of mould, geraniums,
and red pottery in the gravel walk. By this time his owner had managed
to give him two pretty severe cuts with the whip, which made him
unmanageable, so I let him go. We had a pleasant time catching him
again, when he got among the Lima-bean poles; but his owner led him back
with<span class='pagenum'><SPAN name="Page_720" id="Page_720">[Pg 720]</SPAN></span> a very self-satisfied expression. "Playful, ain't he, 'squire?" I
replied that I thought he was, and asked him if it was usual for his
horse to play such pranks. He said it was not "You see, 'squire, he
feels his oats, and hain't been out of the stable for a month. Use him,
and he's as kind as a kitten." With that he put his foot in the stirrup,
and mounted. The animal really looked very well as he moved around the
grass-plot, and, as Mrs. Sparrowgrass seemed to fancy him, I took a
written guarantee that he was sound, and bought him. What I gave for him
is a secret; I have not even told Mrs. Sparrowgrass....</p>
<p>We had passed Chicken Island, and the famous house with the stone gable
and the one stone chimney, in which General Washington slept, as he made
it a point to sleep in every old stone house in Westchester County, and
had gone pretty far on the road, past the cemetery, when Mrs.
Sparrowgrass said suddenly, "Dear, what is the matter with your horse?"
As I had been telling the children all the stories about the river on
the way, I managed to get my head pretty well inside of the carriage,
and, at the time she spoke, was keeping a lookout in front with my back.
The remark of Mrs. Sparrowgrass induced me to turn about, and I found
the new horse behaving in a most unaccountable manner. He was going down
hill with his nose almost to the ground, running the wagon first on this
side and then on the other. I thought of the remark made by the man, and
turning again to Mrs. Sparrowgrass, said, "Playful, isn't he?" The next
moment I heard something breaking away in front, and then the rockaway
gave a lurch and stood still. Upon examination I found the new horse had
tumbled down, broken one shaft, gotten the other through the check-rein
so as to bring his head up with a round turn, and besides<span class='pagenum'><SPAN name="Page_721" id="Page_721">[Pg 721]</SPAN></span> had managed
to put one of the traces in a single hitch around his off hind leg. So
soon as I had taken all the young ones and Mrs. Sparrowgrass out of the
rockaway, I set to work to liberate the horse, who was choking very fast
with the check-rein. It is unpleasant to get your fishing-line in a
tangle when you are in a hurry for bites, but I never saw fishing-line
in such a tangle as that harness. However, I set to work with a
pen-knife, and cut him out in such a way as to make getting home by our
conveyance impossible. When he got up, he was the sleepiest-looking
horse I ever saw. "Mrs. Sparrowgrass," said I, "won't you stay here with
the children until I go to the nearest farm-house?" Mrs. Sparrowgrass
replied that she would. Then I took the horse with me to get him out of
the way of the children, and went in search of assistance. The first
thing the new horse did when he got about a quarter of a mile from the
scene of the accident was to tumble down a bank. Fortunately the bank
was not over four feet high, but as I went with him, my trousers were
rent in a grievous place. While I was getting the new horse on his feet
again, I saw a colored person approaching, who came to my assistance.
The first thing he did was to pull out a large jack-knife, and the next
thing he did was to open the new horse's mouth and run the blade two or
three times inside the new horse's gums. Then the new horse commenced
bleeding. "Dah, sah," said the man, shutting up his jack-knife, "ef 't
hadn't been for dat yer, your hos would a' bin a goner." "What was the
matter with him?" said I. "Oh, he's only jis got de blind-staggers, das
all. Say," said he, before I was half indignant enough at the man who
had sold me such an animal, "say, ain't your name Sparrowgrass?" I
replied that my name was Sparrowgrass. "Oh," said he, "I knows<span class='pagenum'><SPAN name="Page_722" id="Page_722">[Pg 722]</SPAN></span> you, I
brung some fowls once down to you place. I heerd about you and your hos.
Dats de hos dats got de heaves so bad, heh! heh! You better sell dat
hoss." I determined to take his advice, and employed him to lead my
purchase to the nearest place where he would be cared for. Then I went
back to the rockaway, but met Mrs. Sparrowgrass and the children on the
road coming to meet me. She had left a man in charge of the rockaway.
When we got to the rockaway we found the man missing, also the whip and
one cushion. We got another person to take charge of the rockaway, and
had a pleasant walk home by moonlight. I think a moonlight night
delicious, upon the Hudson.</p>
<p>Does any person want a horse at a low price? A good stylish-looking
animal, close-ribbed, good loin, and good stifle, sound legs, with only
the heaves and blind-staggers, and a slight defect in one of his eyes?
If at any time he slips his bridle and gets away, you can always
approach him by getting on his left side. I will also engage to give a
written guarantee that he is sound and kind, signed by the brother of
his former owner.<span class='pagenum'><SPAN name="Page_723" id="Page_723">[Pg 723]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="SONNET_OF_THE_LOVABLE_LASS_AND_THE_PLETHORIC_DAD6" id="SONNET_OF_THE_LOVABLE_LASS_AND_THE_PLETHORIC_DAD6"></SPAN>SONNET OF THE LOVABLE LASS AND THE PLETHORIC DAD<SPAN name="FNanchor_6_6" id="FNanchor_6_6"></SPAN><SPAN href="#Footnote_6_6" class="fnanchor">[6]</SPAN></h2>
<h3>BY J.W. FOLEY</h3>
<div class="poem"><div class="stanza">
<span class="i0">Shee sez shee neavur neavur luvd befoar<br /></span>
<span class="i0">shee saw me passen bi hur paws frunt dore<br /></span>
<span class="i0">wenn shee wuz hangen on the gait ann i<br /></span>
<span class="i0">Lookt foolish att hur wenn ime goen bi.<br /></span>
<span class="i0">Uv korse sheed hadd sum boze butt nun thatt sturd<br /></span>
<span class="i0">hur hart down too itts deppths until shee hurd<br /></span>
<span class="i0">me wissel ann shee saw mi fais. Ann wenn<br /></span>
<span class="i0">shee furst saw mee sheed neavur luv agen<br /></span>
<span class="i0">shee sedd shee noo. ann iff i shunnd hur eye<br /></span>
<span class="i0">sheed be a nunn ann bidd thee wurld good bi.<br /></span>
</div><div class="stanza">
<span class="i0">How swete itt is wenn munnys on thee throan<br /></span>
<span class="i0">uv life to bee luvd fore ureself aloan<br /></span>
<span class="i0">Ann no thatt u have gott thee powr to stur<br /></span>
<span class="i0">a woomans hart wenn u jusst look att hur.<br /></span>
<span class="i0">ann o itts sweeter still iff u kan no<br /></span>
<span class="i0">hur paw has gott jusst oshuns uv thee doe<br /></span>
<span class="i0">Ann u jusst hav to furnish luv ann hee<br /></span>
<span class="i0">wil furnish munny fore boath u ann shee.<br /></span>
<span class="i0">i wood nott kair iff shee wuz poor butt o<br /></span>
<span class="i0">itts dubley swete too no sheez gott thee doe:<br /></span>
<span class='pagenum'><SPAN name="Page_724" id="Page_724">[Pg 724]</SPAN></span></div><div class="stanza">
<span class="i0">i wood nott hezzetait iff shee wuz poor<br /></span>
<span class="i0">Too marrie hur. togeathur weed endoor<br /></span>
<span class="i0">wottever forchun sennt with rite good will<br /></span>
<span class="i0">butt sins sheeze rich itts awl thee bettur stil.<br /></span>
<span class="i0">ide luv hur in a cottidge jusst thee saim<br /></span>
<span class="i0">fore luv is such a holey sakerud flaim<br /></span>
<span class="i0">thatt burns like tindur wenn u strike a lite<br /></span>
<span class="i0">butt still itt burns moar gloarious ann brite<br /></span>
<span class="i0">wenn shee has lotts uv munny ann hur paw<br /></span>
<span class="i0">with menny thowsunds is ure fawthernlaw.<br /></span>
<span class='pagenum'><SPAN name="Page_725" id="Page_725">[Pg 725]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="THE_LOVE_SONNETS_OF_A_HUSBAND" id="THE_LOVE_SONNETS_OF_A_HUSBAND"></SPAN>THE LOVE SONNETS OF A HUSBAND</h2>
<h3>BY MAURICE SMILEY</h3>
<h3><br />I LOVE YOU STILL</h3>
<div class="poem"><div class="stanza">
<span class="i0">You ask me if I love you still, tho' you<br /></span>
<span class="i2">And I were wed scarce one short happy year<br /></span>
<span class="i2">Agone. How well do I remember, dear,<br /></span>
<span class="i0">The day you put your hand in mine, and through<br /></span>
<span class="i0">Life's good and ill, tho' skies were gray or blue,<br /></span>
<span class="i2">We plighted faith that should not know a fear.<br /></span>
<span class="i2">That was the day I kissed away the tear<br /></span>
<span class="i0">That trembled on your cheek like morning dew.<br /></span>
<span class="i2">Of course I love you—still. You're at your best,<br /></span>
<span class="i2">Your perihelion, when you're silentest.<br /></span>
<span class="i0">I'd love you as I did, dear heart, of yore,<br /></span>
<span class="i2">And still a little more, nor ever tire:<br /></span>
<span class="i2">Why, I would love you like a house afire<br /></span>
<span class="i0">If you were only still a little more.<br /></span>
</div></div>
<h3>SOUL TO SOUL</h3>
<div class="poem"><div class="stanza">
<span class="i0">I think I loved you first when in your eyes<br /></span>
<span class="i2">I saw the glad, rapt answer to the spell<br /></span>
<span class="i2">Of Paderewski, when we heard him tell<br /></span>
<span class="i0">Life's gentler meaning, Love's sweet sacrifice.<br /></span>
<span class="i0">The master caught the rhythm of your sighs<br /></span>
<span class="i2">And then, inspired, the story rose and fell<br /></span>
<span class="i2">And sang of moonlight in a leafy dell,<br /></span>
<span class="i0">Of souls' Arcadias and dreaming skies,<br /></span><span class='pagenum'><SPAN name="Page_726" id="Page_726">[Pg 726]</SPAN></span>
<span class="i2">Of hearts and hopes and purposes that blend.<br /></span>
<span class="i0">Your bosom heaved beneath the witcheries<br /></span>
<span class="i2">That seemed to set a halo on his brow,<br /></span>
<span class="i2">And then the message sobbed on to its end.<br /></span>
<span class="i2">"That's fine," you murmured, chewing faster; "please<br /></span>
<span class="i2">Ask him if he won't play 'Bedelia' now."<br /></span>
</div></div>
<h3>YOU SAID THAT YOU WOULD DIE FOR ME</h3>
<div class="poem"><div class="stanza">
<span class="i0">You said that you would die for me, if e'er<br /></span>
<span class="i2">That price would buy me happiness. I dreamed<br /></span>
<span class="i2">Not of devotion like to that, that seemed<br /></span>
<span class="i0">To joy in sacrifice; that, tenderer<br /></span>
<span class="i0">Than selfish Life's small immolations were,<br /></span>
<span class="i2">Made Love an altar whereupon it deemed<br /></span>
<span class="i2">It naught to offer all; a shrine that gleamed<br /></span>
<span class="i0">With utter loyalty's red drops. I ne'er<br /></span>
<span class="i2">Believed that you were just quite in your head<br /></span>
<span class="i0">In saying death would prove Fidelity.<br /></span>
<span class="i2">But when I saw the packages of white and red<br /></span>
<span class="i0">Your druggist showed me—he's my chum, you see—<br /></span>
<span class="i2">I knew you meant, dear heart, just what you said,<br /></span>
<span class="i0">When you declared that you would dye for me.<br /></span>
</div></div>
<h3>I CAN NOT BEAR YOUR SIGHS</h3>
<div class="poem"><div class="stanza">
<span class="i0">Your smiles, dear one, have all the glad surprise<br /></span>
<span class="i2">The sunshine hath for roses; what the day<br /></span>
<span class="i2">Brings to the waiting lark. When you are gay<br /></span>
<span class="i0">My spirit sings in tune, and sorrow flies<br /></span>
<span class="i0">Away. But, dear, I can not bear your sighs<br /></span>
<span class="i2">When on my knees you nestle and you lay<br /></span>
<span class="i2">Your tear-wet face upon my shoulder. Nay,<br /></span>
<span class="i0">I can not help the pain that fills mine eyes.<br /></span><span class='pagenum'><SPAN name="Page_727" id="Page_727">[Pg 727]</SPAN></span>
<span class="i0">So, love, whatever cup of Life you drain<br /></span>
<span class="i2">I'll stand for. Send the cashier's check to me.<br /></span>
<span class="i0">"Smile" all you want to; smile and smile again.<br /></span>
<span class="i2">But as you weigh two hundred pounds, you see<br /></span>
<span class="i2">Why, when you cuddle down upon my knee,<br /></span>
<span class="i0">It is your size, dear heart, that gives me pain.<br /></span>
</div></div>
<h3>A HAND I HELD</h3>
<div class="poem"><div class="stanza">
<span class="i0">The heartless years have many hopes dispelled.<br /></span>
<span class="i2">But they have left me one dear night in June.<br /></span>
<span class="i2">They've left the still white splendor of the moon.<br /></span>
<span class="i0">They've left the mem'ry of a hand I held,<br /></span>
<span class="i0">While up thro' all my soul the rapture welled<br /></span>
<span class="i2">Of victory. I hear again the croon<br /></span>
<span class="i2">Of twilight time, the lullaby that soon<br /></span>
<span class="i0">To all the day's glad music shall have swelled.<br /></span>
<span class="i2">I hold a hand I never held before,<br /></span>
<span class="i2">A hand like which I'll never hold some more.<br /></span>
<span class="i0">It was the first time I had ever "called."<br /></span>
<span class="i2">'Twas at the club, as we began to leave.<br /></span>
<span class="i0">I held five aces, but the dealer balled<br /></span>
<span class="i2">The ones that he had planted up his sleeve.<br /></span>
</div></div>
<h3>YOUR CHEEK</h3>
<div class="poem"><div class="stanza">
<span class="i0">To feel your hands stray shyly to my head<br /></span>
<span class="i2">And flutter down like birds that find their nest,<br /></span>
<span class="i2">To see the gentle rise and fall of your dear breast,<br /></span>
<span class="i0">To hear again some tender word you said,<br /></span>
<span class="i0">To watch the little feet whose dainty tread<br /></span>
<span class="i2">Fell light as flowers upon the way they pressed,<br /></span>
<span class="i2">To touch again the lips I have caressed—<br /></span>
<span class="i0">All these are precious. But your cheek of red<br /></span>
<span class="i2">Outlives the mem'ry of all other things.<br /></span><span class='pagenum'><SPAN name="Page_728" id="Page_728">[Pg 728]</SPAN></span>
<span class="i0">I'd known you scarce a month, or maybe two;<br /></span>
<span class="i2">I had not yet made up my mind to speak,<br /></span>
<span class="i2">You trots out Tifny's catalogue of rings;<br /></span>
<span class="i0">Says No. 6 (200 yen) will do.<br /></span>
<span class="i2">So I remember best of all your cheek.<br /></span>
</div></div>
<h3>WITH ALL YOUR FAULTS</h3>
<div class="poem"><div class="stanza">
<span class="i0">You would not stop this side the farthest line<br /></span>
<span class="i2">Of Truth, you said, nor hide one little falsity<br /></span>
<span class="i2">From my sweet faith that was too kind to see.<br /></span>
<span class="i0">You said a keener vision would divine<br /></span>
<span class="i0">All failings later, bare each hid design,<br /></span>
<span class="i2">Each poor disguise of loving's treachery<br /></span>
<span class="i2">That screened its weaknesses from even me.<br /></span>
<span class="i0">How oft you said those cherry lips were mine<br /></span>
<span class="i2">Alone. The cherries came in little jars,<br /></span>
<span class="i0">I learned. Those auburn locks, I found with pain,<br /></span>
<span class="i2">Cost forty plunks, according to the bill<br /></span>
<span class="i0">I saw. Those pearly teeth were porcelain.<br /></span>
<span class="i2">But I forgive you for each fault that mars.<br /></span>
<span class="i2">With all your faults, dear heart, I love you still.<br /></span>
<span class='pagenum'><SPAN name="Page_729" id="Page_729">[Pg 729]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="HOW_WE_BOUGHT_A_SEWIN_MACHINE_AND_ORGAN" id="HOW_WE_BOUGHT_A_SEWIN_MACHINE_AND_ORGAN"></SPAN>HOW WE BOUGHT A SEWIN' MACHINE AND ORGAN</h2>
<h3>BY JOSIAH ALLEN'S WIFE</h3>
<p>We done dretful well last year. The crops come in first-rate, and Josiah
had five or six heads of cattle to turn off at a big price. He felt
well, and he proposed to me that I should have a sewin' machine. That
man,—though he don't coo at me so frequent as he probable would if he
had more encouragement in it, is attached to me with a devotedness that
is firm and almost cast-iron, and says he, almost tenderly: "Samantha, I
will get you a sewin' machine."</p>
<p>Says I, "Josiah, I have got a couple of sewin' machines by me that have
run pretty well for upwards of—well it haint necessary to go into
particulars, but they have run for considerable of a spell anyway"—says
I, "I can git along without another one, though no doubt it would be
handy to have round."</p>
<p>But Josiah hung onto that machine. And then he up and said he was goin'
to buy a organ. Thomas Jefferson wanted one too. They both seemed sot
onto that organ. Tirzah Ann took hern with her of course when she was
married, and Josiah said it seemed so awful lonesome without any Tirzah
Ann or any music, that it seemed almost as if two girls had married out
of the family instead of one. He said money couldn't buy us another
Tirzah Ann, but it would buy us a new organ, and he was determined to
have one. He said it would be so handy for<span class='pagenum'><SPAN name="Page_730" id="Page_730">[Pg 730]</SPAN></span> her to play on when she came
home, and for other company. And then Thomas J. can play quite well; he
can play any tune, almost, with one hand, and he sings first-rate, too.
He and Tirzah Ann used to sing together a sight; he sings bearatone, and
she sulfireno—that is what they call it. They git up so many
new-fangled names nowadays, that I think it is most a wonder that I
don't make a slip once in a while and git things wrong. I should, if I
hadn't got a mind like a ox for strength.</p>
<p>But as I said, Josiah was fairly sot on that machine and organ, and I
thought I'd let him have his way. So it got out that we was goin' to buy
a sewin' machine, and a organ. Well, we made up our minds on Friday,
pretty late in the afternoon, and on Monday forenoon I was a washin',
when I heard a knock at the front door, and I wrung my hands out of the
water and went and opened it. A slick lookin' feller stood there, and I
invited him in and sot him a chair.</p>
<p>"I hear you are talkin' about buyin' a musical instrument," says he.</p>
<p>"No," says I, "we are goin' to buy a organ."</p>
<p>"Well," says he, "I want to advise you, not that I have any interest in
it at all, only I don't want to see you so imposed upon. It fairly makes
me mad to see a Methodist imposed upon; I lean towards that perswasion
myself. Organs are liable to fall to pieces any minute. There haint no
dependence on 'em at all, the insides of 'em are liable to break out at
any time. If you have any regard for your own welfare and safety, you
will buy a piano. Not that I have any interest in advising you, only my
devotion to the cause of Right; pianos never wear out."</p>
<p>"Where should we git one?" says I, for I didn't want Josiah to throw
away his property.</p>
<p>"Well," says he, "as it happens, I guess I have got one<span class='pagenum'><SPAN name="Page_731" id="Page_731">[Pg 731]</SPAN></span> out here in the
wagon. I believe I threw one into the bottom of the wagon this mornin',
as I was a comin' down by here on business. I am glad now I did, for it
always makes me feel ugly to see a Methodist imposed upon."</p>
<p>Josiah came into the house in a few minutes, and I told him about it,
and says I:</p>
<p>"How lucky it is Josiah, that we found out about organs before it was
too late."</p>
<p>But Josiah asked the price, and said he wasn't goin' to pay out no three
hundred dollars, for he wasn't able. But the man asked if we was willin'
to have it brought into the house for a spell—we could do as we was a
mind to about buyin' it; and of course we couldn't refuse, so Josiah
most broke his back a liftin' it in, and they set it up in the parlor,
and after dinner the man went away.</p>
<p>Josiah bathed his back with linement, for he had strained it bad a
liftin' that piano, and I had jest got back to my washin' again (I had
had to put it away to git dinner) when I heerd a knockin' again to the
front door, and I pulled down my dress sleeves and went and opened it,
and there stood a tall, slim feller; and the kitchen bein' all cluttered
up I opened the parlor door and asked him in there, and the minute he
catched sight of that piano, he jest lifted up both hands, and says he:</p>
<p>"You haint got one of them here!"</p>
<p>He looked so horrified that it skairt me, and says I in almost tremblin'
tones:</p>
<p>"What is the matter with 'em?" And I added in a cheerful tone, "we haint
bought it."</p>
<p>He looked more cheerful too as I said it, and says he "You may be
thankful enough that you haint. There haint no music in 'em at all; hear
that," says he, goin' up and strikin' the very top note. It did sound
flat enough.<span class='pagenum'><SPAN name="Page_732" id="Page_732">[Pg 732]</SPAN></span></p>
<p>Says I, "There must be more music in it than that, though I haint no
judge at all."</p>
<p>"Well, hear that, then," and he went and struck the very bottom note.
"You see just what it is, from top to bottom. But it haint its total
lack of music that makes me despise pianos so, it is because they are so
dangerous."</p>
<p>"Dangerous?" says I.</p>
<p>"Yes, in thunder storms, you see;" says he, liftin' up the cover, "here
it is all wire, enough for fifty lightnin' rods—draw the lightnin'
right into the room. Awful dangerous! No money would tempt me to have
one in my house with my wife and daughter. I shouldn't sleep a wink
thinkin' I had exposed 'em to such danger."</p>
<p>"Good land!" says I, "I never thought on it before."</p>
<p>"Well, now you <i>have</i> thought of it, you see plainly that a organ is
jest what you need. They are full of music, safe, healthy and don't cost
half so much."</p>
<p>Says I, "A organ was what we had sot our minds on at first."</p>
<p>"Well, I have got one out here, and I will bring it in."</p>
<p>"What is the price?" says I.</p>
<p>"One hundred and ninety dollars," says he.</p>
<p>"There won't be no need of bringin' it in at that price," says I, "for I
have heerd Josiah say, that he wouldn't give a cent over a hundred
dollars."</p>
<p>"Well," says the feller, "I'll tell you what I'll do. Your countenance
looks so kinder natural to me, and I like the looks of the country round
here so well, that if your mind is made up on the price you want to pay,
I won't let a trifle of ninety dollars part us. You can have it for one
hundred."</p>
<p>Well, the end on't was, he brung it in and sot it up the other end of
the parlor, and drove off. And when Josiah come in from his work, and
Thomas J. come home from Jonesville, they liked it first rate.<span class='pagenum'><SPAN name="Page_733" id="Page_733">[Pg 733]</SPAN></span></p>
<p>But the very next day, a new agent come, and he looked awful skairt when
he katched sight of that organ, and real mad and indignant too.</p>
<p>"That villain haint been a tryin' to get one of them organs off onto
you, has he?" says he.</p>
<p>"What is the trouble with 'em?" says I, in a awestruck tone, for he
looked bad.</p>
<p>"Why," says he, "there is a heavy mortgage on every one of his organs.
If you bought one of him, and paid for it, it would be liable to be took
away from you any minute when you was right in the middle of a tune,
leavin' you a settin' on the stool; and you would lose every cent of
your money."</p>
<p>"Good gracious!" says I, for it skairt me to think what a narrow chance
we had run. Well, finally, he brung in one of hisen, and sot it up in
the kitchen, the parlor bein' full on 'em.</p>
<p>And the fellers kep' a comin' and a goin' at all hours. For a spell, at
first, Josiah would come in and talk with 'em, but after a while he got
tired out, and when he would see one a comin' he would start on a run
for the barn, and hide, and I would have to stand the brunt of it alone.
One feller see Josiah a runnin' for the barn, and he follered him in,
and Josiah dove under the barn, as I found out afterwards. I happened to
see him a crawlin' out after the feller drove off. Josiah come in a
shakin' himself—for he was all covered with straw and feathers—and
says he:</p>
<p>"Samantha there has got to be a change."</p>
<p>"How is there goin' to be a change?" says I.</p>
<p>"I'll tell you," says he, in a whisper—for fear some on 'em was
prowlin' round the house yet—"we will git up before light to-morrow
mornin', and go to Jonesville and buy a organ right out."<span class='pagenum'><SPAN name="Page_734" id="Page_734">[Pg 734]</SPAN></span></p>
<p>I fell in with the idee, and we started for Jonesville the next mornin'.
We got there jest after the break of day, and bought it of the man to
the breakfast table. Says Josiah to me afterwards, as we was goin' down
into the village:</p>
<p>"Let's keep dark about buyin' one, and see how many of the creeters will
be a besettin' on us to-day."</p>
<p>So we kep' still, and there was half a dozen fellers follerin' us round
all the time a most, into stores and groceries and the manty makers, and
they would stop us on the sidewalk and argue with us about their organs
and pianos. One feller, a tall slim chap, never let Josiah out of his
sight a minute; and he follered him when he went after his horse, and
walked by the side of the wagon clear down to the store where I was, a
arguin' all the way about his piano. Josiah had bought a number of
things and left 'em to the store, and when we got there, there stood the
organ man by the side of the things, jest like a watch dog. He knew
Josiah would come and git 'em, and he could git the last word with him.</p>
<p>Amongst other things, Josiah had bought a barrel of salt, and the piano
feller that had stuck to Josiah so tight that day, offered to help him
on with it. And the organ man—not goin' to be outdone by the other—he
offered too. Josiah kinder winked to me, and then he held the old mare,
and let 'em lift. They wasn't used to such kind of work, and it fell
back on 'em once or twice, and most squashed 'em; but they nipped to,
and lifted again, and finally got it on; but they was completely
tuckered out.</p>
<p>And then Josiah got in, and thanked 'em for the liftin'; and the organ
man, a wipin' the sweat offen his face—that had started out in his hard
labor—said he should be down to-morrow mornin'; and the piano man, a
pantin' for breath, told Josiah not to make up his mind till <i>he</i><span class='pagenum'><SPAN name="Page_735" id="Page_735">[Pg 735]</SPAN></span> came;
he should be down that night if he got rested enough.</p>
<p>And then Josiah told 'em that he should be glad to see 'em down a
visitin' any time, but he had jest bought a organ.</p>
<p>I don't know but what they would have laid holt of Josiah, if they
hadn't been so tuckered out; but as it was, they was too beat out to
look anything but sneakin'; and so we drove off.</p>
<p>The manty maker had told me that day, that there was two or three new
agents with new kinds of sewin' machines jest come to Jonesville, and I
was tellin' Josiah on it, when we met a middle-aged man, and he looked
at us pretty close, and finally he asked us as he passed by, if we could
tell him where Josiah Allen lived.</p>
<p>Says Josiah, "I'm livin' at present in a Democrat."</p>
<p>Says I, "In this one-horse wagon, you know."</p>
<p>Says he, "You are thinkin' of buyin' a sewin' machine, haint you?"</p>
<p>Says Josiah, "I am a turnin' my mind that way."</p>
<p>At that, the man turned his horse round, and follered us, and I see he
had a sewin' machine in front of his wagon. We had the old mare and the
colt, and seein' a strange horse come up so close behind us, the colt
started off full run towards Jonesville, and then run down a cross-road
and into a lot.</p>
<p>Says the man behind us, "I am a little younger than you be, Mr. Allen;
if you will hold my horse I will go after the colt with pleasure."</p>
<p>Josiah was glad enough, and so he got into the feller's wagon; but
before he started off, the man, says he:</p>
<p>"You can look at that machine in front of you while I am gone. I tell
you frankly, that there haint another machine equal to it in America; it
requires no strength at<span class='pagenum'><SPAN name="Page_736" id="Page_736">[Pg 736]</SPAN></span> all; infants can run it for days at a time; or
idiots; if anybody knows enough to set and whistle, they can run this
machine; and it's especially adapted to the blind—blind people can run
it jest as well as them that can see. A blind woman last year, in one
day, made 43 dollars a makin' leather aprons; stitched them all round
the age two rows. She made two dozen of 'em, and then she made four
dozen gauze veils the same day, without changin' the needle. That is one
of the beauties of the machine, its goin' from leather to lace, and back
again, without changin' the needle. It is so tryin' for wimmen, every
time they want to go from leather to gauze and book muslin, to have to
change the needle; but you can see for yourself that it haint got its
equal in North America."</p>
<p>He heerd the colt whinner, and Josiah stood up in the wagon, and looked
after it. So he started off down the cross road.</p>
<p>And we sot there, feelin' considerable like a procession; Josiah holdin'
the stranger's horse, and I the old mare; and as we sot there, up driv
another slick lookin' chap, and I bein' ahead, he spoke to me, and says
he:</p>
<p>"Can you direct me, mom, to Josiah Allen's house?"</p>
<p>"It is about a mile from here," and I added in a friendly tone, "Josiah
is my husband."</p>
<p>"Is he?" says he, in a genteel tone.</p>
<p>"Yes," says I, "we have been to Jonesville, and our colt run down that
cross road, and—"</p>
<p>"I see," says he interruptin' of me, "I see how it is." And then he went
on in a lower tone, "If you think of buyin' a sewin' machine, don't git
one of that feller in the wagon behind you—I know him well; he is one
of the most worthless shacks in the country, as you can plainly see by
the looks of his countenance. If I ever see a face in which knave and
villain is wrote down, it is on hisen.<span class='pagenum'><SPAN name="Page_737" id="Page_737">[Pg 737]</SPAN></span> Any one with half an eye can see
that he would cheat his grandmother out of her snuff handkerchief, if he
got a chance."</p>
<p>He talked so fast that I couldn't git a chance to put in a word age ways
for Josiah.</p>
<p>"His sewin' machines are utterly worthless; he haint never sold one yet;
he cant. His character has got out—folks know him. There was a lady
tellin' me the other day that her machine she bought of him, all fell to
pieces in less than twenty-four hours after she bought it; fell onto her
infant, a sweet little babe, and crippled it for life. I see your
husband is havin' a hard time of it with that colt. I will jest hitch my
horse here to the fence, and go down and help him; I want to have a
little talk with him before he comes back here." So he started off on
the run.</p>
<p>I told Josiah what he said about him, for it madded me, but Josiah took
it cool. He seemed to love to set there and see them two men run. I
never <i>did</i> see a colt act as that one did; they didn't have time to
pass a word with each other, to find out their mistake, it kep' 'em so
on a keen run. They would git it headed towards us, and then it would
kick up its heels, and run into some lot, and canter round in a circle
with its head up in the air, and then bring up short ag'inst the fence;
and then they would leap over the fence. The first one had white
pantaloons on, but he didn't mind 'em; over he would go, right into
sikuta or elderbushes, and they would wave their hats at it, and holler,
and whistle, and bark like dogs, and the colt would whinner and start
off again right the wrong way, and them two men would go a pantin' after
it. They had been a runnin' nigh onto half an hour, when a good lookin'
young feller come along, and seein' me a settin' still and holdin' the
old mare, he up and says:<span class='pagenum'><SPAN name="Page_738" id="Page_738">[Pg 738]</SPAN></span></p>
<p>"Are you in any trouble that I can assist you?"</p>
<p>Says I, "We are goin' home from Jonesville, Josiah and me, and our colt
got away and—"</p>
<p>But Josiah interrupted me, and says he, "And them two fools a caperin'
after it, are sewin' machine agents."</p>
<p>The good lookin' chap see all through it in a minute, and he broke out
into a laugh it would have done your soul good to hear, it was so clear
and hearty, and honest. But he didn't say a word; he drove out to go by
us, and we see then that he had a sewin' machine in the buggy.</p>
<p>"Are you a agent?" says Josiah.</p>
<p>"Yes," says he.</p>
<p>"What sort of a machine is this here?" says Josiah, liftin' up the cloth
from the machine in front of him.</p>
<p>"A pretty good one," says the feller, lookin' at the name on it.</p>
<p>"Is yours as good?" says Josiah.</p>
<p>"I think it is better," says he. And then he started up his horse.</p>
<p>"Hello! stop!" says Josiah.</p>
<p>The feller stopped.</p>
<p>"Why don't you run down other fellers' machines, and beset us to buy
yourn?"</p>
<p>"Because I don't make a practice of stoppin' people on the street."</p>
<p>"Do you haunt folks day and night; foller 'em up ladders, through
trap-doors, down sullers, and under barns?"</p>
<p>"No," says the young chap, "I show people how my machine works; if they
want it, I sell it; and if they don't, I leave."</p>
<p>"How much is your machine?" says Josiah.</p>
<p>"75 dollars."</p>
<p>"Can't you," says Josiah, "because I look so much like your old father,
or because I am a Methodist, or because<span class='pagenum'><SPAN name="Page_739" id="Page_739">[Pg 739]</SPAN></span> my wife's mother used to live
neighbor to your grandmother—let me have it for 25 dollars?"</p>
<p>The feller got up on his wagon, and turned his machine round so we could
see it plain—it was a beauty—and says he:</p>
<p>"You see this machine, sir; I think it is the best one made, although
there is no great difference between this and the one over there; but I
think what difference there is, is in this one's favor. You can have it
for 75 dollars if you want it; if not, I will drive on."</p>
<p>"How do you like the looks on it, Samantha?"</p>
<p>Says I, "It is the kind I wanted to git."</p>
<p>Josiah took out his wallet, and counted out 75 dollars, and says he:</p>
<p>"Put that machine into that wagon where Samantha is."</p>
<p>The good lookin' feller was jest liftin' of it in, and countin' over his
money, when the two fellers come up with the colt. It seemed that they
had had a explanation as they was comin' back; I see they had as quick
as I catched sight on 'em, for they was a walkin' one on one side of the
road, and the other on the other, most tight up to the fence. They was
most dead the colt had run 'em so, and it did seem as if their faces
couldn't look no redder nor more madder than they did as we catched
sight on 'em and Josiah thanked 'em for drivin' back the colt; but when
they see that the other feller had sold us a machine, their faces <i>did</i>
look redder and madder.</p>
<p>But I didn't care a mite; we drove off tickled enough that we had got
through with our sufferin's with agents. And the colt had got so beat
out a runnin' and racin', that he drove home first-rate, walkin' along
by the old mare as stiddy as a deacon.<span class='pagenum'><SPAN name="Page_740" id="Page_740">[Pg 740]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="CHEER_FOR_THE_CONSUMER" id="CHEER_FOR_THE_CONSUMER"></SPAN>CHEER FOR THE CONSUMER</h2>
<h3>BY NIXON WATERMAN</h3>
<div class="poem"><div class="stanza">
<span class="i0">I'm only a consumer, and it really doesn't matter<br /></span>
<span class="i0">If you crowd me in the street cars till I couldn't well be flatter;<br /></span>
<span class="i0">I'm only a consumer, and the strikers may go striking,<br /></span>
<span class="i0">For it's mine to end my living if it isn't to my liking.<br /></span>
<span class="i0">I am a sort of parasite without a special mission<br /></span>
<span class="i0">Except to pay the damages—mine is a queer position:<br /></span>
<span class="i0">The Fates unite to squeeze me till I couldn't well be flatter,<br /></span>
<span class="i0">For I'm only a consumer, and it really doesn't matter.<br /></span>
</div><div class="stanza">
<span class="i0">The baker tilts the price of bread upon the vaguest rumor<br /></span>
<span class="i0">Of damage to the wheat crop, but I'm only a consumer,<br /></span>
<span class="i0">So it really doesn't matter, for there's no law that compells me<br /></span>
<span class="i0">To pay the added charges on the loaf of bread he sells me.<br /></span>
<span class="i0">The iceman leaves a smaller piece when days are growing hotter,<br /></span>
<span class="i0">But I'm only a consumer, and I do not need iced water:<br /></span>
<span class="i0">My business is to pay the bills and keep in a good humor,<br /></span>
<span class="i0">And it really doesn't matter, for I'm only a consumer.<br /></span>
</div><div class="stanza">
<span class="i0">The milkman waters milk for me; there's garlic in my butter,<br /></span>
<span class="i0">But I'm only a consumer, and it does no good to mutter;<br /></span>
<span class="i0">I know that coal is going up and beef is getting higher,<br /></span>
<span class="i0">But I'm only a consumer, and I have no need of fire;<br /></span><span class='pagenum'><SPAN name="Page_741" id="Page_741">[Pg 741]</SPAN></span>
<span class="i0">While beefsteak is a luxury that wealth alone is needing,<br /></span>
<span class="i0">I'm only a consumer, and what need have I for feeding?<br /></span>
<span class="i0">My business is to pay the bills and keep in a good humor,<br /></span>
<span class="i0">And it really doesn't matter, since I'm only a consumer.<br /></span>
</div><div class="stanza">
<span class="i0">The grocer sells me addled eggs; the tailor sells me shoddy,<br /></span>
<span class="i0">I'm only a consumer, and I am not anybody.<br /></span>
<span class="i0">The cobbler pegs me paper soles, the dairyman short-weights me,<br /></span>
<span class="i0">I'm only a consumer, and most everybody hates me.<br /></span>
<span class="i0">There's turnip in my pumpkin pie and ashes in my pepper,<br /></span>
<span class="i0">The world's my lazaretto, and I'm nothing but a leper;<br /></span>
<span class="i0">So lay me in my lonely grave and tread the turf down flatter,<br /></span>
<span class="i0">I'm only a consumer, and it really doesn't matter.<br /></span>
<span class='pagenum'><SPAN name="Page_742" id="Page_742">[Pg 742]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="A_DESPERATE_RACE" id="A_DESPERATE_RACE"></SPAN>A DESPERATE RACE</h2>
<h3>BY J.F. KELLEY</h3>
<p>Some years ago, I was one of a convivial party that met in the principal
hotel in the town of Columbus, Ohio, the seat of government of the
Buckeye state.</p>
<p>It was a winter's evening, when all without was bleak and stormy and all
within were blithe and gay,—when song and story made the circuit of the
festive board, filling up the chasms of life with mirth and laughter.</p>
<p>We had met for the express purpose of making a night of it, and the
pious intention was duly and most religiously carried out. The
Legislature was in session in that town, and not a few of the worthy
legislators were present upon this occasion.</p>
<p>One of these worthies I will name, as he not only took a big swath in
the evening's entertainment, but he was a man <i>more</i> generally known
than our worthy President, James K. Polk. That man was the famous
Captain Riley, whose "Narrative" of suffering and adventures is pretty
generally known all over the civilized world. Captain Riley was a fine,
fat, good-humored joker, who at the period of my story was the
representative of the Dayton district, and lived near that little city
when at home. Well, Captain Riley had amused the company with many of
his far-famed and singular adventures, which, being mostly told before
and read by millions of people that have seen his book, I will not
attempt to repeat.</p>
<p>Many were the stories and adventures told by the com<span class='pagenum'><SPAN name="Page_743" id="Page_743">[Pg 743]</SPAN></span>pany, when it came
to the turn of a well-known gentleman who represented the Cincinnati
district. As Mr. —— is yet among the living, and perhaps not disposed
to be the subject of joke or story, I do not feel at liberty to give his
name. Mr. —— was a slow believer of other men's adventures, and, at
the same time, much disposed to magnify himself into a marvellous hero
whenever the opportunity offered. As Captain Riley wound up one of his
truthful though really marvellous adventures, Mr. —— coolly remarked
that the captain's story was all very <i>well</i>, but it did not begin to
compare with an adventure that he had, "once upon a time," on the Ohio,
below the present city of Cincinnati.</p>
<p>"Let's have it!"—"Let's have it!" resounded from all hands.</p>
<p>"Well, gentlemen," said the Senator, clearing his voice for action and
knocking the ashes from his cigar against the arm of his
chair,—"gentlemen, I am not in the habit of spinning yarns of
marvellous or fictitious matters; and therefore it is scarcely necessary
to affirm upon the responsibility of my reputation, gentlemen, that what
I am about to tell you I most solemnly proclaim to be truth, and—"</p>
<p>"Oh, never mind that: go on, Mr. ——," chimed the party.</p>
<p>"Well gentlemen, in 18— I came down the Ohio River, and settled at
Losanti, now called Cincinnati. It was at that time but a little
settlement of some twenty or thirty log and frame cabins, and where now
stand the Broadway Hotel and blocks of stores and dwelling-houses, was
the cottage and corn-patch of old Mr. ——, the tailor, who, by the bye,
bought that land for the making of a coat for one of the settlers. Well,
I put up my cabin, with the aid of my neighbors, and put in a patch of
corn and potatoes,<span class='pagenum'><SPAN name="Page_744" id="Page_744">[Pg 744]</SPAN></span> about where the Fly Market now stands, and set about
improving my lot, house, etc.</p>
<p>"Occasionally I took up my rifle and started off with my dog down the
river, to look up a little deer or bar meat, then very plenty along the
river. The blasted red-skins were lurking about and hovering around the
settlement, and every once in a while picked off some of our neighbors
or stole our cattle or horses. I hated the red demons, and made no bones
of peppering the blasted sarpents whenever I got a sight of them. In
fact, the red rascals had a dread of me, and had laid a good many traps
to get my scalp, but I wasn't to be catched napping. No, no, gentlemen,
I was too well up to 'em for that.</p>
<p>"Well, I started off one morning, pretty early, to take a hunt, and
traveled a long way down the river, over the bottoms and hills, but
couldn't find no <i>bar</i> nor deer. About four o'clock in the afternoon I
made tracks for the settlement again. By and by I sees a buck just ahead
of me, walking leisurely down the river. I slipped up, with my faithful
old dog close in my rear, to within clever shooting-distance, and just
as the buck stuck his nose in the drink I drew a bead upon his top-knot,
and over he tumbled, and splurged and bounded a while, when I came up
and relieved him by cutting his wizen—"</p>
<p>"Well, but what has that to do with an <i>adventure</i>?" said Riley.</p>
<p>"Hold on a bit, if you please, gentlemen; by Jove, it had a great deal
to do with it. For, while I was busy skinning the hind-quarters of the
buck, and stowing away the kidney-fat in my hunting-shirt, I heard a
noise like the breaking of brush under a moccasin up 'the bottom.' My
dog heard it, and started up to reconnoiter, and I lost no time in
reloading my rifle. I had hardly got my priming out before my dog raised
a howl and broke through<span class='pagenum'><SPAN name="Page_745" id="Page_745">[Pg 745]</SPAN></span> the brush toward me with his tail down, as he
was not used to doing unless there were wolves, painters (panthers), or
Injins about.</p>
<p>"I picked up my knife, and took up my line of march in a skulking trot
up the river. The frequent gullies on the lower bank made it tedious
traveling there, so I scrabbled up to the upper bank, which was pretty
well covered with buckeye and sycamore, and very little underbrush. One
peep below discovered to me three as big and strapping red rascals,
gentlemen, as you ever clapped your eyes on! Yes, there they came, not
above six hundred yards in my rear, shouting and yelling like hounds,
and coming after me like all possessed."</p>
<p>"Well," said an old woodsman, sitting at the table, "you took a tree, of
course."</p>
<p>"Did I? No, gentlemen, I took no tree just then, but I took to my heels
like sixty, and it was just as much as my old dog could do to keep up
with me. I run until the whoops of my red-skins grew fainter and fainter
behind me, and, clean out of wind, I ventured to look behind me, and
there came one single red whelp, puffing and blowing, not three hundred
yards in my rear. He had got on to a piece of bottom where the trees
were small and scarce. 'Now,' thinks I, 'old fellow, I'll have you.' So
I trotted off at a pace sufficient to let my follower gain on me, and
when he had got just about near enough I wheeled and fired, and down I
brought him, dead as a door-nail, at a hundred and twenty yards!"</p>
<p>"Then you skelp'd (scalped) him immediately?" said the backwoodsman.</p>
<p>"Very clear of it, gentlemen; for by the time I got my rifle loaded,
here came the other two red-skins, shouting and whooping close on me,
and away I broke again like a quarter-horse. I was now about five miles
from the<span class='pagenum'><SPAN name="Page_746" id="Page_746">[Pg 746]</SPAN></span> settlement, and it was getting toward sunset. I ran till my
wind began to be pretty short, when I took a look back, and there they
came, snorting like mad buffaloes, one about two or three hundred yards
ahead of the other: so I acted possum again until the foremost Injin got
pretty well up, and I wheeled and fired at the very moment he was
'drawing a bead' on me: he fell head over stomach into the dirt, and up
came the last one!"</p>
<p>"So you laid for him, and—" gasped several.</p>
<p>"No," continued the "member," "I didn't lay for him, I hadn't time to
load, so I laid my <i>legs</i> to ground and started again. I heard every
bound he made after me. I ran and ran until the fire flew out of my
eyes, and the old dog's tongue hung out of his mouth a quarter of a yard
long!"</p>
<p>"Phe-e-e-e-w!" whistled somebody.</p>
<p>"Fact, gentlemen. Well, what I was to do I didn't know: rifle empty, no
big trees about, and a murdering red Indian not three hundred yards in
my rear; and what was worse, just then it occurred to me that I was not
a great ways from a big creek (now called Mill Creek), and there I
should be pinned at last.</p>
<p>"Just at this juncture, I struck my toe against a root, and down I
tumbled, and my old dog over me. Before I could scrabble up—"</p>
<p>"The Indian fired!" gasped the old woodsman.</p>
<p>"He did, gentlemen, and I felt the ball strike me under the shoulder;
but that didn't seem to put any embargo upon my locomotion, for as soon
as I got up I took off again, quite freshened by my fall! I heard the
red-skin close behind me coming booming on, and every minute I expected
to have his tomahawk dashed into my head or shoulders.</p>
<p>"Something kind of cool began to trickle down my legs into my boots—"<span class='pagenum'><SPAN name="Page_747" id="Page_747">[Pg 747]</SPAN></span></p>
<p>"Blood, eh? for the shot the varmint gin you," said the old woodsman, in
a great state of excitement.</p>
<p>"I thought so," said the Senator; "but what do you think it was?"</p>
<p>Not being blood, we were all puzzled to know what the blazes it could
be; when Riley observed,—</p>
<p>"I suppose you had—"</p>
<p>"Melted the deer-fat which I had stuck in the breast of my
hunting-shirt, and the grease was running down my leg until my feet got
so greasy that my heavy boots flew off, and one, hitting the dog, nearly
knocked his brains out."</p>
<p>We all grinned, which the "member" noticing, observed,—</p>
<p>"I hope, gentlemen, no man here will presume to think I'm exaggerating?"</p>
<p>"Oh, certainly not! Go on, Mr. ——," we all chimed in.</p>
<p>"Well, the ground under my feet was soft, and, being relieved of my
heavy boots, I put off with double-quick time, and, seeing the creek
about half a mile off, I ventured to look over my shoulder to see what
kind of chance there was to hold up and load. The red-skin was coming
jogging along, pretty well blowed out, about five hundred yards in the
rear. Thinks I, 'Here goes to load, anyhow.' So at it I went: in went
the powder, and, putting on my patch, down went the ball about half-way,
and off snapped my ramrod!"</p>
<p>"Thunder and lightning!" shouted the old woodsman, who was worked up to
the top-notch in the "member's" story.</p>
<p>"Good gracious! wasn't I in a pickle! There was the red whelp within two
hundred yards of me, pacing along and <i>loading up his rifle as he came</i>!
I jerked out the broken ramrod, dashed it away, and started on, priming<span class='pagenum'><SPAN name="Page_748" id="Page_748">[Pg 748]</SPAN></span>
up as I cantered off, determined to turn and give the red-skin a blast,
anyhow, as soon as I reached the creek.</p>
<p>"I was now within a hundred yards of the creek, could see the smoke from
the settlement chimneys. A few more jumps, and I was by the creek. The
Indian was close upon me: he gave a whoop, and I raised my rifle: on he
came, knowing that I had broken my ramrod and my load not down: another
whoop! whoop! and he was within fifty yards of me. I pulled trigger,
and—"</p>
<p>"And killed <i>him</i>?" chuckled Riley.</p>
<p>"No, <i>sir</i>! I missed fire!"</p>
<p>"And the red-skin—" shouted the old woodsman, in a frenzy of
excitement.</p>
<p>"<i>Fired and killed me!</i>"</p>
<p>The screams and shouts that followed this finale brought landlord Noble,
servants and hostlers running up stairs to see if the house was on
fire!<span class='pagenum'><SPAN name="Page_749" id="Page_749">[Pg 749]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="AS_GOOD_AS_A_PLAY" id="AS_GOOD_AS_A_PLAY"></SPAN>"AS GOOD AS A PLAY"</h2>
<h3>BY HORACE E. SCUDDER</h3>
<p>There was quite a row of them on the mantel-piece. They were all facing
front, and it looked as if they had come out of the wall behind, and
were on their little stage facing the audience. There was the bronze
monk reading a book by the light of a candle, who had a private opening
under his girdle, so that sometimes his head was thrown violently back,
and one looked down into him and found him full of brimstone matches.
Then the little boy leaning against a greyhound; he was made of Parian,
very fine Parian, too, so that one would expect to find a glass cover
over him: but no, the glass cover stood over a cat and a cat made of
worsted, too: still it was a very old cat, fifty years old in fact.
There was another young person there, young like the boy leaning on a
greyhound, and she, too, was of Parian: she was very fair in front, but
behind—ah, that is a secret which is not quite time yet to tell. One
other stood there, at least she seemed to stand, but nobody could see
her feet, for her dress was so very wide and so finely flounced. She was
the china girl that rose out of a pen-wiper.</p>
<p>The fire in the grate below was of soft coal, and flashed up and down,
throwing little jets of flame up that made very pretty foot-lights. So
here was a stage, and here were the actors, but where was the audience?
Oh, the Audience was in the arm-chair in front. He had a<span class='pagenum'><SPAN name="Page_750" id="Page_750">[Pg 750]</SPAN></span> special seat;
he was a critic, and could get up when he wanted to, when the play
became tiresome, and go out.</p>
<p>"It is painful to say such things out loud," said the
Boy-leaning-against-a-greyhound, with a trembling voice, "but we have
been together so long, and these people round us never will go away.
Dear girl, will you?—you know." It was the Parian girl that he spoke
to, but he did not look at her; he could not, he was leaning against the
greyhound; he only looked at the Audience.</p>
<p>"I am not quite sure," she coughed. "If, now, you were under a glass
case."</p>
<p>"I am under a glass case," spoke up the Cat-made-of-worsted. "Marry me.
I am fifty years old. Marry me, and live under a glass case."</p>
<p>"Shocking!" said she. "How can you? Fifty years old, too! That would
indeed be a match!"</p>
<p>"Marry!" muttered the bronze Monk-reading-a-book. "A match! I am full of
matches, but I don't marry. Folly!"</p>
<p>"You stand up very straight, neighbor," said the Cat-made-of-worsted.</p>
<p>"I never bend," said the bronze Monk-reading-a-book. "Life is earnest. I
read a book by candle. I am never idle."</p>
<p>The Cat-made-of-worsted grinned to himself.</p>
<p>"You've got a hinge in your back," said he, "they open you in the
middle; your head flies back. How the blood must run down. And then
you're full of brimstone matches. He! he!" and the Cat-made-of-worsted
grinned out loud. The Boy-leaning-against-a-greyhound spoke again, and
sighed:</p>
<p>"I am of Parian, you know, and there is no one else here of Parian
except yourself."</p>
<p>"And the greyhound," said the Parian girl.<span class='pagenum'><SPAN name="Page_751" id="Page_751">[Pg 751]</SPAN></span></p>
<p>"Yes, and the greyhound," said he eagerly. "He belongs to me. Come, a
glass case is nothing to it. We could roam; oh, we could roam!"</p>
<p>"I don't like roaming."</p>
<p>"Then we could stay at home, and lean against the greyhound."</p>
<p>"No," said the Parian girl, "I don't like that."</p>
<p>"Why?"</p>
<p>"I have private reasons."</p>
<p>"What?"</p>
<p>"No matter."</p>
<p>"I know," said the Cat-made-of-worsted. "I saw her behind. She's hollow.
She's stuffed with lamp-lighters. He! he!" and the Cat-made-of-worsted
grinned again.</p>
<p>"I love you just as much," said the steadfast
Boy-leaning-against-a-greyhound, "and I don't believe the Cat."</p>
<p>"Go away," said the Parian girl, angrily. "You're all hateful. I won't
have you."</p>
<p>"Ah!" sighed the Boy-leaning-against-a-greyhound.</p>
<p>"Ah!" came another sigh—it was from the
China-girl-rising-out-of-a-pen-wiper—"how I pity you!"</p>
<p>"Do you?" said he eagerly. "Do you? Then I love you. Will you marry me?"</p>
<p>"Ah!" said she; "but—"</p>
<p>"She can't!" said the Cat-made-of-worsted. "She can't come to you. She
hasn't got any legs. I know it. I'm fifty years old. I never saw them."</p>
<p>"Never mind the Cat," said the Boy-leaning-against-a-greyhound.</p>
<p>"But I do mind the Cat," said she, weeping. "I haven't. It's all
pen-wiper."</p>
<p>"Do I care?" said he.</p>
<p>"She has thoughts," said the bronze Monk-reading-a-book. "That lasts
longer than beauty. And she is solid behind."<span class='pagenum'><SPAN name="Page_752" id="Page_752">[Pg 752]</SPAN></span></p>
<p>"And she has no hinge in her back," grinned the Cat-made-of-worsted.
"Come, neighbors, let us congratulate them. You begin."</p>
<p>"Keep out of disagreeable company," said the bronze Monk-reading-a-book.</p>
<p>"That is not congratulation; that is advice," said the
Cat-made-of-worsted. "Never mind, go on, my dear,"—to the Parian girl.
"What! nothing to say? Then I'll say it for you. 'Friends, may your love
last as long as your courtship.' Now I'll congratulate you."</p>
<p>But before he could speak, the Audience got up.</p>
<p>"You shall not say a word. It must end happily."</p>
<p>He went to the mantel-piece and took up the
China-girl-rising-out-of-a-pen-wiper.</p>
<p>"Why, she has legs after all," said he.</p>
<p>"They're false," said the Cat-made-of-worsted. "They're false. I know
it. I'm fifty years old. I never saw true ones on her."</p>
<p>The Audience paid no attention, but took up the
Boy-leaning-against-a-greyhound.</p>
<p>"Ha!" said the Cat-made-of-worsted. "Come. I like this. He's hollow.
They're all hollow. He! he! Neighbor Monk, you're hollow. He! he!" and
the Cat-made-of-worsted never stopped grinning. The Audience lifted the
glass case from him and set it over the Boy-leaning-against-a-greyhound
and the China-girl-rising-out-of-a-pen-wiper.</p>
<p>"Be happy!" said he.</p>
<p>"Happy!" said the Cat-made-of-worsted. "Happy!"</p>
<p>Still they were happy.<span class='pagenum'><SPAN name="Page_753" id="Page_753">[Pg 753]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="THE_AUTOCRAT_OF_THE_BREAKFAST_TABLE" id="THE_AUTOCRAT_OF_THE_BREAKFAST_TABLE"></SPAN>THE AUTOCRAT OF THE BREAKFAST TABLE</h2>
<h3>BY OLIVER WENDELL HOLMES</h3>
<p>It is not easy, at the best, for two persons talking together to make
the most of each other's thoughts, there are so many of them.</p>
<p>[The company looked as if they wanted an explanation.]</p>
<p>When John and Thomas, for instance, are talking together, it is natural
enough that among the six there should be more or less confusion and
misapprehension.</p>
<p>[Our landlady turned pale;—no doubt she thought there was a screw loose
in my intellects,—and that involved the probable loss of a boarder. A
severe-looking person, who wears a Spanish cloak and a sad cheek, fluted
by the passions of the melodrama, whom I understand to be the
professional ruffian of the neighboring theater, alluded, with a certain
lifting of the brow, drawing down of the corners of the mouth and
somewhat rasping <i>voce di petti</i>, to Falstaff's nine men in buckram.
Everybody looked up. I believe the old gentleman opposite was afraid I
should seize the carving-knife; at any rate, he slid it to one side, as
it were carelessly.]</p>
<p>I think, I said, I can make it plain to Benjamin Franklin here, that
there are at least six personalities distinctly to be recognized as
taking part in that dialogue between John and Thomas.</p>
<div class='center'>
<table border="0" cellpadding="4" cellspacing="0" summary="Johns and Thomases">
<tr><td align='left' rowspan='3'>Three Johns</td><td align='left'>{ 1. The real John; known only to his Maker.</td></tr>
<tr><td align='left'>{ 2. John's ideal John; never the real one, and often very unlike him.</td></tr>
<tr><td align='left'>{ 3. Thomas's ideal John; never the real John, nor John's John, but often very unlike either.</td></tr>
<tr><td> </td></tr>
<tr><td align='left' rowspan='3'>Three Thomases</td><td align='left'>{ 1. The real Thomas.</td></tr>
<tr><td align='left'>{ 2. Thomas's ideal Thomas.</td></tr>
<tr><td align='left'>{ 3. John's ideal Thomas.</td></tr>
</table></div>
<p><span class='pagenum'><SPAN name="Page_754" id="Page_754">[Pg 754]</SPAN></span></p>
<p>Only one of the three Johns is taxed; only one can be weighed on a
platform-balance; but the other two are just as important in the
conversation. Let us suppose the real John to be old, dull and
ill-looking. But as the Higher Powers have not conferred on men the gift
of seeing themselves in the true light, John very possibly conceives
himself to be youthful, witty, and fascinating, and talks from the point
of view of this ideal. Thomas, again believes him to be an artful rogue,
we will say; therefore he <i>is</i> so far as Thomas's attitude in the
conversation is concerned, an artful rogue, though really simple and
stupid. The same conditions apply to the three Thomases. It follows,
that, until a man can be found who knows himself as his Maker knows him,
or who sees himself as others see him, there must be at least six
persons engaged in every dialogue between two. Of these, the least
important, philosophically speaking, is the one that we have called the
real person. No wonder two disputants often get angry, when there are
six of them talking and listening all at the same time.</p>
<p>[A very unphilosophical application of the above remarks was made by a
young fellow, answering to the name of John, who sits near me at table.
A certain basket of peaches, a rare vegetable, little known to boarding
houses, was on its way to me <i>viâ</i> this unlettered Johannes. He
appropriated the three that remained in the basket, remarking that there
was just one apiece for him. I convinced him that his practical
inference was hasty and illogical, but in the mean time he had eaten the
peaches.]<span class='pagenum'><SPAN name="Page_755" id="Page_755">[Pg 755]</SPAN></span></p>
<h3>"<span class="smcap">Our Sumatra Correspondence</span></h3>
<p>"This island is now the property of the Stamford family,—having been
won, it is said, in a raffle, by Sir —— Stamford, during the
stock-gambling mania of the South-Sea Scheme. The history of this
gentleman may be found in an interesting series of questions
(unfortunately not yet answered) contained in the "Notes and Queries."
This island is entirely surrounded by the ocean, which here contains a
large amount of saline substance, crystallizing in cubes remarkable for
their symmetry, and frequently displays on its surface, during calm
weather, the rainbow tints of the celebrated South-Sea bubbles. The
summers are oppressively hot, and the winters very probably cold; but
this fact can not be ascertained precisely, as, for some peculiar
reason, the mercury in these latitudes never shrinks, as in more
northern regions, and thus the thermometer is rendered useless in
winter.</p>
<p>"The principal vegetable productions of the island are the pepper-tree
and the bread-fruit tree. Pepper being very abundantly produced, a
benevolent society was organized in London during the last century for
supplying the natives with vinegar and oysters, as an addition to that
delightful condiment. [Note received from Dr. D.P.] It is said, however,
that, as the oysters were of the kind called <i>natives</i> in England, the
natives of Sumatra, in obedience to a natural instinct, refused to touch
them, and confined themselves entirely to the crew of the vessel in
which they were brought over. This information was received from one of
the oldest inhabitants, a native himself, and exceedingly fond of
missionaries. He is said also to be very skilful in the <i>cuisine</i>
peculiar to the island.</p>
<p>"During the season of gathering the pepper, the per<span class='pagenum'><SPAN name="Page_756" id="Page_756">[Pg 756]</SPAN></span>sons employed are
subject to various incommodities, the chief of which is violent and
long-continued sternutation, or sneezing. Such is the vehemence of these
attacks, that the unfortunate subjects of them are often driven backward
for great distances at immense speed, on the well-known principle of the
æolipile. Not being able to see where they are going, these poor
creatures dash themselves to pieces against the rocks or are
precipitated over the cliffs, and thus many valuable lives are lost
annually. As, during the whole pepper-harvest, they feed exclusively on
this stimulant, they become exceedingly irritable. The smallest injury
is resented with ungovernable rage. A young man suffering from the
<i>pepper-fever</i>, as it is called, cudgeled another most severely for
appropriating a superannuated relative of trifling value, and was only
pacified by having a present made him of a pig of that peculiar species
of swine called the <i>Peccavi</i> by the Catholic Jews, who, it is well
known, abstain from swine's flesh in imitation of the Mahometan
Buddhists.</p>
<p>"The bread-tree grows abundantly. Its branches are well known to Europe
and America under the familiar name of <i>macaroni</i>. The smaller twigs are
called <i>vermicelli</i>. They have a decided animal flavor, as may be
observed in the soups containing them. Macaroni, being tubular, is the
favorite habitat of a very dangerous insect, which is rendered
peculiarly ferocious by being boiled. The government of the island,
therefore, never allows a stick of it to be exported without being
accompanied by a piston with which its cavity may at any time be
thoroughly swept out. These are commonly lost or stolen before the
macaroni arrives among us. It therefore always contains many of these
insects, which, however, generally die of old age in the shops, so that
accidents from this source are comparatively rare.<span class='pagenum'><SPAN name="Page_757" id="Page_757">[Pg 757]</SPAN></span></p>
<p>"The fruit of the bread-tree consists principally of hot rolls. The
buttered-muffin variety is supposed to be a hybrid with a cocoanut palm,
the cream found on the milk of the cocoanut exuding from the hybrid in
the shape of butter, just as the ripe fruit is splitting, so as to fit
it for the tea-table, where it is commonly served up with cold—"</p>
<p>—There,—I don't want to read any more of it. You see that many of
these statements are highly improbable.—No, I shall not mention the
paper.—No, neither of them wrote it, though it reminds me of the style
of these popular writers. I think the fellow that wrote it must have
been reading some of their stories, and got them mixed up with his
history and geography. I don't suppose <i>he</i> lies; he sells it to the
editor, who knows how many squares off "Sumatra" is. The editor, who
sells it to the public—by the way, the papers have been very
civil—haven't they?—to the—the—what d'ye call it?—"Northern
Magazine,"—isn't it?—got up by some of these Come-outers, down East,
as an organ for their local peculiarities.</p>
<hr style='width: 45%;' />
<p>It is a very dangerous thing for a literary man to indulge his love for
the ridiculous. People laugh <i>with</i> him just so long as he amuses them;
but if he attempts to be serious, they must still have their laugh, and
so they laugh <i>at</i> him. There is in addition, however, a deeper reason
for this than would at first appear. Do you know that you feel a little
superior to every man who makes you laugh, whether by making faces or
verses? Are you aware that you have a pleasant sense of patronizing him,
when you condescend so far as to let him turn somersets, literal or
literary, for your royal delight? Now if a man can only be allowed to
stand on a dais, or raised platform, and look down on his neighbor who
is exerting his talent<span class='pagenum'><SPAN name="Page_758" id="Page_758">[Pg 758]</SPAN></span> for him, oh, it is all right!—first-rate
performance!—and all the rest of the fine phrases. But if all at once
the performer asks the gentleman to come upon the floor, and, stepping
upon the platform, begins to talk down at him,—ah, that wasn't in the
program!</p>
<p>I have never forgotten what happened when Sydney Smith—who, as
everybody knows, was an exceedingly sensible man, and a gentleman, every
inch of him—ventured to preach a sermon on the Duties of Royalty. The
"Quarterly," "so savage and tartly," came down upon him in the most
contemptuous style, as "a joker of jokes," a "diner-out of the first
water" in one of his own phrases; sneering at him, insulting him, as
nothing but a toady of a court, sneaking behind the anonymous, would
ever have been mean enough to do to a man of his position and genius, or
to any decent person even.—If I were giving advice to a young fellow of
talent, with two or three facets to his mind, I would tell him by all
means to keep his wit in the background until after he had made a
reputation by his more solid qualities. And so to an actor: <i>Hamlet</i>
first and <i>Bob Logic</i> afterward, if you like; but don't think, as they
say poor Liston used to, that people will be ready to allow that you can
do anything great with <i>Macbeth's</i> dagger after flourishing about with
<i>Paul Pry's</i> umbrella. Do you know, too, that the majority of men look
upon all who challenge their attention,—for a while, at least,—as
beggars, and nuisances? They always try to get off as cheaply as they
can; and the cheapest of all things they can give a literary man—pardon
the forlorn pleasantry!—is the <i>funny</i>-bone. That is all very well so
far as it goes, but satisfies no man, and makes a good many angry, as I
told you on a former occasion.</p>
<p>Oh, indeed, no!—I am not ashamed to make you laugh, occasionally. I
think I could read you something<span class='pagenum'><SPAN name="Page_759" id="Page_759">[Pg 759]</SPAN></span> I have in my desk that would probably
make you smile. Perhaps I will read it one of these days, if you are
patient with me when I am sentimental and reflective; not just now. The
ludicrous has its place in the universe; it is not a human invention,
but one of the Divine ideas, illustrated in the practical jokes as
kittens and monkeys long before Aristophanes or Shakespeare. How curious
it is that we always consider solemnity and the absence of all gay
surprises and encounter of wits as essential to the idea of the future
life of those whom we thus deprive of half their faculties and then
called <i>blessed</i>! There are not a few who, even in this life, seem to be
preparing themselves for that smileless eternity to which they look
forward, by banishing all gaiety from their hearts and all joyousness
from their countenances. I meet one such in the street not unfrequently,
a person of intelligence and education, but who gives me (and all that
he passes) such a rayless and chilling look of recognition,—something
as if he were one of Heaven's assessors, come down to "doom" every
acquaintance he met,—that I have sometimes begun to sneeze on the spot,
and gone home with a violent cold, dating from that instant. I don't
doubt he would cut his kitten's tail off, if he caught her playing with
it. Please tell me, who taught her to play with it?<span class='pagenum'><SPAN name="Page_760" id="Page_760">[Pg 760]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="CAESARS_QUIET_LUNCH_WITH_CICERO" id="CAESARS_QUIET_LUNCH_WITH_CICERO"></SPAN>CÆSAR'S QUIET LUNCH WITH CICERO</h2>
<h3>BY JAMES T. FIELDS</h3>
<div class="poem"><div class="stanza">
<span class="i0">Have you read how Julius Cæsar<br /></span>
<span class="i2">Made a call on Cicero<br /></span>
<span class="i0">In his modest Formian villa,<br /></span>
<span class="i2">Many and many a year ago?<br /></span>
</div><div class="stanza">
<span class="i0">"I shall pass your way," wrote Cæsar,<br /></span>
<span class="i2">"On the Saturnalia, Third,<br /></span>
<span class="i0">And I'll just drop in, my Tullius,<br /></span>
<span class="i2">For a quiet friendly word:<br /></span>
</div><div class="stanza">
<span class="i0">"Don't make a stranger of me, Marc,<br /></span>
<span class="i2">Nor be at all put out,<br /></span>
<span class="i0">A snack of anything you have<br /></span>
<span class="i2">Will serve my need, no doubt.<br /></span>
</div><div class="stanza">
<span class="i0">"I wish to show my confidence—<br /></span>
<span class="i2">The invitation's mine—<br /></span>
<span class="i0">I come to share your simple food,<br /></span>
<span class="i2">And taste your honest wine."<br /></span>
</div><div class="stanza">
<span class="i0">Up rose M. Tullius Cicero,<br /></span>
<span class="i2">And seized a Roman punch,—<br /></span>
<span class="i0">Then mused upon the god-like soul<br /></span>
<span class="i2">Was coming round to lunch.<br /></span><span class='pagenum'><SPAN name="Page_761" id="Page_761">[Pg 761]</SPAN></span>
</div><div class="stanza">
<span class="i0">"By Hercules!" he murmured low<br /></span>
<span class="i2">Unto his lordly self,<br /></span>
<span class="i0">"There are not many dainties left<br /></span>
<span class="i2">Upon my pantry shelf!<br /></span>
</div><div class="stanza">
<span class="i0">"But what I have shall Julius share.<br /></span>
<span class="i2">What, ho!" he proudly cried,<br /></span>
<span class="i0">"Great Cæsar comes this way anon<br /></span>
<span class="i2">To sit my chair beside.<br /></span>
</div><div class="stanza">
<span class="i0">"A dish of lampreys quickly stew,<br /></span>
<span class="i2">And cook them with a turn,<br /></span>
<span class="i0">For that's his favorite pabulum<br /></span>
<span class="i2">From Mamurra I learn."<br /></span>
</div><div class="stanza">
<span class="i0"> * * * * * * * * * *<br /></span>
</div><div class="stanza">
<span class="i0">His slaves obey their lord's command;<br /></span>
<span class="i2">The table soon is laid<br /></span>
<span class="i0">For two distinguished gentlemen,—<br /></span>
<span class="i2">One rather bald, 'tis said.<br /></span>
</div><div class="stanza">
<span class="i0">When lo! a messenger appears<br /></span>
<span class="i2">To sound approach—and then,<br /></span>
<span class="i0">"Brave Cæsar comes to greet his friend<br /></span>
<span class="i2">With <i>twice a thousand men</i>!<br /></span>
</div><div class="stanza">
<span class="i0">"His cohorts rend the air with shouts;<br /></span>
<span class="i2">That is their dust you see;<br /></span>
<span class="i0">The trumpeters announce him near!"<br /></span>
<span class="i2">Said Marcus, "Woe is me!<br /></span>
</div><div class="stanza">
<span class="i0">"Fly, Cassius, fly! assign a guard!<br /></span>
<span class="i2">Borrow what tents you can!<br /></span>
<span class="i0">Encamp his soldiers round the field,<br /></span>
<span class="i2">Or I'm a ruined man!<br /></span><span class='pagenum'><SPAN name="Page_762" id="Page_762">[Pg 762]</SPAN></span>
</div><div class="stanza">
<span class="i0">"Get sheep and oxen by the score!<br /></span>
<span class="i2">Buy corn at any price!<br /></span>
<span class="i0">O Jupiter! befriend me now,<br /></span>
<span class="i2">And give me your advice!"<br /></span>
</div><div class="stanza">
<span class="i0"> * * * * * * * * * *<br /></span>
</div><div class="stanza">
<span class="i0">It turned out better than he feared,—<br /></span>
<span class="i2">Things proved enough and good,—<br /></span>
<span class="i0">And Cæsar made himself at home,<br /></span>
<span class="i2">And much enjoyed his food.<br /></span>
</div><div class="stanza">
<span class="i0">But Marcus had an awful fright,—<br /></span>
<span class="i2"><i>That</i> can not be denied;<br /></span>
<span class="i0">"I'm glad 'tis over!"—when it was—<br /></span>
<span class="i2">The host sat down and sighed,<br /></span>
</div><div class="stanza">
<span class="i0">And when he wrote to Atticus,<br /></span>
<span class="i2">And all the story told,<br /></span>
<span class="i0">He ended his epistle thus:<br /></span>
<span class="i2">"J.C.'s a warrior bold,<br /></span>
</div><div class="stanza">
<span class="i0">"A vastly entertaining man,<br /></span>
<span class="i2">In Learning quite immense,<br /></span>
<span class="i0">So full of literary skill,<br /></span>
<span class="i2">And most uncommon sense,<br /></span>
</div><div class="stanza">
<span class="i0">"But, frankly, I should never say<br /></span>
<span class="i2">'No trouble, sir, at all;<br /></span>
<span class="i0">And when you pass this way again,<br /></span>
<span class="i2"><i>Give us another call!</i>'"<br /></span>
<span class='pagenum'><SPAN name="Page_763" id="Page_763">[Pg 763]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="COMIN_HOME_THANKSGIVIN" id="COMIN_HOME_THANKSGIVIN"></SPAN>COMIN' HOME THANKSGIVIN'</h2>
<h3>BY JAMES BALL NAYLOR</h3>
<div class="poem"><div class="stanza">
<span class="i0">I've clean fergot my rheumatiz—<br /></span>
<span class="i2">Hain't nary limp n'r hobble;<br /></span>
<span class="i0">I'm feelin' like a turkey-cock—<br /></span>
<span class="i2">An' ready 'most to gobble;<br /></span>
<span class="i0">I'm workin' spry, an' steppin' high—<br /></span>
<span class="i2">An' thinkin' life worth livin'.<br /></span>
<span class="i0">Fer all the children's comin' home<br /></span>
<span class="i2">All comin' home Thanksgivin'.<br /></span>
</div><div class="stanza">
<span class="i0">There's Mary up at Darby Town,<br /></span>
<span class="i2">An' Sally down at Goshen,<br /></span>
<span class="i0">An' Billy out at Kirkersville,<br /></span>
<span class="i2">An' Jim—who has a notion<br /></span>
<span class="i0">That Hackleyburg's the very place<br /></span>
<span class="i2">Fer which his soul has striven;<br /></span>
<span class="i0">They're all a-comin' home ag'in—<br /></span>
<span class="i2">All comin' home Thanksgivin'.<br /></span>
</div><div class="stanza">
<span class="i0">Yes—yes! They're all a-comin' back;<br /></span>
<span class="i2">There ain't no ifs n'r maybes.<br /></span>
<span class="i0">The boys'll fetch the'r wives an' kids;<br /></span>
<span class="i2">The gals, th'r men an' babies.<br /></span>
<span class="i0">The ol' place will be upside-down;<br /></span>
<span class="i2">An' me an' Mammy driven<br /></span>
<span class="i0">To roost out in the locus' trees—<br /></span>
<span class="i2">When they come home Thanksgivin'.<br /></span><span class='pagenum'><SPAN name="Page_764" id="Page_764">[Pg 764]</SPAN></span>
</div><div class="stanza">
<span class="i0">Fer Mary she has three 'r four<br /></span>
<span class="i2">Mis<i>chee</i>vous little tykes, sir,<br /></span>
<span class="i0">An' Sally has a houseful more—<br /></span>
<span class="i2">You never seen the like, sir;<br /></span>
<span class="i0">While Jim has six, an' Billy eight—<br /></span>
<span class="i2">They'll tear the house to flinders,<br /></span>
<span class="i0">An' dig the cellar out in chunks<br /></span>
<span class="i2">An' pitch it through the winders.<br /></span>
</div><div class="stanza">
<span class="i0">The gals 'll tag me to the barn;<br /></span>
<span class="i2">An' climb the mows, an' waller<br /></span>
<span class="i0">All over ev'ry ton o' hay—<br /></span>
<span class="i2">An' laugh an' scream an' holler.<br /></span>
<span class="i0">The boys 'll git in this an' that;<br /></span>
<span class="i2">An' git a lickin'—p'r'aps, sir—<br /></span>
<span class="i0">Jest like the'r daddies used to git<br /></span>
<span class="i2">When <i>they</i> was little chaps, sir.<br /></span>
</div><div class="stanza">
<span class="i0">But—lawzee-me!—w'y, I won't care.<br /></span>
<span class="i2">I'm jest so glad they're comin',<br /></span>
<span class="i0">I have to whistle to the tune<br /></span>
<span class="i2">That my ol' heart's a-hummin'.<br /></span>
<span class="i0">An' me an' Mammy—well, we think<br /></span>
<span class="i2">It's good to be a-livin',<br /></span>
<span class="i0">Sence all the children's comin' home<br /></span>
<span class="i2">To spend the day Thanksgivin'.<br /></span>
<span class='pagenum'><SPAN name="Page_765" id="Page_765">[Pg 765]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="PRAISE-GOD_BAREBONES" id="PRAISE-GOD_BAREBONES"></SPAN>PRAISE-GOD BAREBONES</h2>
<h3>BY ELLEN MACKAY HUTCHINSON CORTISSOZ</h3>
<div class="poem"><div class="stanza">
<span class="i0">I and my cousin Wildair met<br /></span>
<span class="i2">And tossed a pot together—<br /></span>
<span class="i0">Burnt sack it was that Molly brewed,<br /></span>
<span class="i2">For it was nipping weather.<br /></span>
<span class="i0">'Fore George! To see Dick buss the wench<br /></span>
<span class="i2">Set all the inn folk laughing!<br /></span>
<span class="i0">They dubbed him pearl of cavaliers<br /></span>
<span class="i2">At kissing and at quaffing.<br /></span>
</div><div class="stanza">
<span class="i0">"Oddsfish!" says Dick, "the sack is rare,<br /></span>
<span class="i2">And rarely burnt, fair Molly;<br /></span>
<span class="i0">'Twould cure the sourest Crop-ear yet<br /></span>
<span class="i2">Of Pious Melancholy."<br /></span>
<span class="i0">"Egad!" says I, "here cometh one<br /></span>
<span class="i2">Hath been at 's prayers but lately."<br /></span>
<span class="i0">—Sooth, Master Praise-God Barebones stepped<br /></span>
<span class="i2">Along the street sedately.<br /></span>
</div><div class="stanza">
<span class="i0">Dick Wildair, with a swashing bow,<br /></span>
<span class="i2">And touch of his Toledo,<br /></span>
<span class="i0">Gave Merry Xmas to the rogue<br /></span>
<span class="i2">And bade him say his Credo;<br /></span>
<span class="i0">Next crush a cup to the King's health,<br /></span>
<span class="i2">And eke to pretty Molly;<br /></span>
<span class="i0">"'T will cure your saintliness," says Dick,<br /></span>
<span class="i2">"Of Pious Melancholy."<br /></span><span class='pagenum'><SPAN name="Page_766" id="Page_766">[Pg 766]</SPAN></span>
</div><div class="stanza">
<span class="i0">Then Master Barebones stopped and frowned;<br /></span>
<span class="i2">My heart stood still a minute;<br /></span>
<span class="i0">Thinks I, both Dick and I will hang,<br /></span>
<span class="i2">Or else the devil's in it!<br /></span>
<span class="i0">For me, I care not for old Noll,<br /></span>
<span class="i2">Nor all the Rump together.<br /></span>
<span class="i0">Yet, faith! 't is best to be alive<br /></span>
<span class="i2">In pleasant Xmas weather.<br /></span>
</div><div class="stanza">
<span class="i0">His worship, Barebones, grimly smiled;<br /></span>
<span class="i2">"I love not blows nor brawling;<br /></span>
<span class="i0">Yet will I give thee, fool, a pledge!"<br /></span>
<span class="i2">And, zooks! he sent Dick sprawling!<br /></span>
<span class="i0">When Moll and I helped Wildair up,<br /></span>
<span class="i2">No longer trim and jolly—<br /></span>
<span class="i0">"Feelst not, Sir Dick," says saucy Moll,<br /></span>
<span class="i2">"A Pious Melancholy?"<br /></span>
<span class='pagenum'><SPAN name="Page_767" id="Page_767">[Pg 767]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="THE_LOAFER_AND_THE_SQUIRE" id="THE_LOAFER_AND_THE_SQUIRE"></SPAN>THE LOAFER AND THE SQUIRE</h2>
<h3>BY PORTE CRAYON</h3>
<p>The squire himself was the type of a class found only among the rural
population of our Southern States—a class, the individuals of which are
connected by a general similarity of position and circumstance, but
present a field to the student of man infinite in variety, rich in
originality.</p>
<p>As the isolated oak that spreads his umbrageous top in the meadow
surpasses his spindling congener of the forest, so does the country
gentleman, alone in the midst of his broad estate, outgrow the man of
crowds and conventionalities in our cities. The oak may have the
advantage in the comparison, as his locality and consequent superiority
are permanent. The Squire, out of his own district, we ignore. Whether
intrinsically, or simply in default of comparison, at home he is
invariably a great man. Such, at least, was Squire Hardy. Sour and
cynical in speech, yet overflowing with human kindness; contemning
luxury and expense in dress and equipage, but princely in his
hospitality; praising the olden time to the disparagement of the
present; the mortal foe of progressionists and fast people in every
department; above all, a philosopher of his own school, he judged by the
law of Procrustes, and permitted no appeals; opinionated and arbitrary
as the Czar, he was sauced by his negroes, respected and loved by his
neighbors, led by the<span class='pagenum'><SPAN name="Page_768" id="Page_768">[Pg 768]</SPAN></span> nose by his wife and daughters, and the abject
slave of his grandchildren.</p>
<p>His house was as big as a barn, and, as his sons and daughters married,
they brought their mates home to the old mansion. "It will be time
enough for them to hive," quoth the Squire, "when the old box is full."</p>
<p>Notwithstanding his contempt for fast men nowadays, he is rather pleased
with any allusion to his own youthful reputation in that line, and not
unfrequently tells a good story on himself. We can not omit one told by
a neighbor, as being characteristic of the times and manners forty years
ago:</p>
<p>At Culpepper Court-house, or some court-house thereabout, Dick Hardy,
then a good-humored, gay young bachelor, and the prime favorite of both
sexes, was called upon to carve the pig at the court dinner. The
district judge was at the table, the lawyers, justices, and everybody
else that felt disposed to dine. At Dick's right elbow sat a militia
colonel, who was tricked out in all the pomp and circumstance admitted
by his rank. He had probably been engaged on some court-martial,
imposing fifty-cent fines on absentees from the last general muster.
Howbeit Dick, in thrusting his fork into the back of the pig,
bespattered the officer's regimentals with some of the superfluous
gravy. "Beg your pardon," said Dick, as he went on with his carving. Now
these were times when the war spirit was high, and chivalry at a
premium. "Beg your pardon" might serve as a napkin to wipe the stain
from one's honor, but did not touch the question of the greased and
spotted regimentals.</p>
<p>The colonel, swelling with wrath, seized a spoon, and deliberately
dipping it into the gravy, dashed it over Dick's prominent shirt-frill.</p>
<p>All saw the act, and with open eyes and mouth sat in<span class='pagenum'><SPAN name="Page_769" id="Page_769">[Pg 769]</SPAN></span> astonished
silence, waiting to see what would be done next. The outraged citizen
calmly laid down his knife and fork, and looked at his frill, the
officer, and the pig, one after another. The colonel, unmindful of the
pallid countenance and significant glances of the burning eye, leaned
back in his chair, with arms akimbo, regarding the young farmer with
cool disdain. A murmur of surprise and indignation arose from the
congregated guests. Dick's face turned red as a turkey-gobbler's. He
deliberately took the pig by the hind legs, and with a sudden whirl
brought it down upon the head of the unlucky officer. Stunned by the
squashing blow, astounded and blinded with streams of gravy and wads of
stuffing, he attempted to rise, but blow after blow from the fat pig
fell upon his bewildered head. He seized a carving-knife and attempted
to defend himself with blind but ineffectual fury, and at length, with a
desperate effort, rose and took to his heels. Dick Hardy, whose wrath
waxed hotter and hotter, followed, belaboring him unmercifully at every
step, around the table, through the hall, and into the street, the crowd
shouting and applauding.</p>
<p>We are sorry to learn that among this crowd were lawyers, sheriffs,
magistrates, and constables; and that even his honor the judge,
forgetting his dignity and position, shouted in a loud voice, "Give it
to him, Dick Hardy! There's no law in Christendom against basting a man
with a roast pig!" Dick's weapon failed before his anger; and when at
length the battered colonel escaped into the door of a friendly
dwelling, the victor had nothing in his hands but the hind legs of the
roaster. He re-entered the dining-room flourishing these over his head,
and venting his still unappeased wrath in great oaths.</p>
<p>The company reassembled, and finished their dinner as best they might.
In reply to a toast, Hardy made a<span class='pagenum'><SPAN name="Page_770" id="Page_770">[Pg 770]</SPAN></span> speech, wherein he apologized for
sacrificing the principal dinner-dish, and, as he expressed it, for
putting public property to private uses. In reply to this speech a treat
was ordered. In those good old days folks were not so virtuous but that
a man might have cakes and ale without being damned for it, and it is
presumable the day wound up with a spree.</p>
<p>After the squire got older, and a family grew up around him, he was not
always victorious in his contests. For example, a question lately arose
about the refurnishing of the house. On their return from a visit to
Richmond the ladies took it into their heads that the parlors looked
bare and old-fashioned, and it was decided by them in secret conclave
that a change was necessary.</p>
<p>"What!" said he, in a towering passion, "isn't it enough that you spend
your time and money in vinegar to sour sweet peaches, and your sugar to
sweeten crab-apples, that you must turn the house you were born in
topsy-turvy? God help us! we've a house with windows to let the light
in, and you want curtains to keep it out; we've plastered the walls to
make them white, and now you want to paste blue paper over them; we've
waxed floors to walk on, and we must pay two dollars a yard for a carpet
to save the oak plank! Begone with your nonsense, ye demented jades!"</p>
<p>The squire smote the oak floor with his heavy cane, and the rosy
petitioners fled from his presence laughing. In due time, however, the
parlors were furnished with carpets, curtains, paper, and all the
fixtures of modern luxury. The ladies were, of course, greatly
delighted; and while professing great aversion and contempt for the
"tawdry lumber," it was plain to see that the worthy man enjoyed their
pleasure as much as they did the new furniture.<span class='pagenum'><SPAN name="Page_771" id="Page_771">[Pg 771]</SPAN></span></p>
<p>On another occasion, too, did the doughty squire suffer defeat under
circumstances far more humiliating, and from an adversary far less
worthy.</p>
<p>The western horizon was blushing rosy red at the coming of the sun,
whose descending chariot was hidden by the thick Indian-summer haze that
covered lowland and mountain as it were with a violet-tinted veil. This
was the condition of things (we were going to say) when Squire Hardy
sallied forth, charged with a small bag of salt, for the purpose of
looking after his farm generally, and particularly of salting his sheep.
It was an interesting sight to see the old gentleman, with his
dignified, portly figure, marching at the head of a long procession of
improved breeds—the universally-received emblems of innocence and
patience. Barring his modern costume, he might have suggested to the
artist's mind a picture of one of the Patriarchs.</p>
<p>Having come to a convenient place, or having tired himself crying
<i>co-nan</i>, <i>co-nan</i>, at the top of his voice, the squire halted. The
black ram halted, and the long procession of ewes and well-grown lambs
moved up in a dense semicircle, and also halted, expressing their
pleasure at the expected treat by gentle bleatings. The squire stooped
to spread the salt. The black ram, either from most uncivil impatience,
or mistaking the movement of the proprietor's coat-tail for a challenge,
pitched into him incontinently. "<i>Plenum sed</i>," as the Oxonions say. An
attack from behind, so sudden and unexpected, threw the squire sprawling
on his face into a stone pile.</p>
<div class="poem"><div class="stanza">
<span class="i0">Oh, never was the thunder's jar,<br /></span>
<span class="i2">The red tornado's wasting wing,<br /></span>
<span class="i0">Or all the elemental war,<br /></span>
</div></div>
<p>like the fury of Squire Hardy on that occasion.<span class='pagenum'><SPAN name="Page_772" id="Page_772">[Pg 772]</SPAN></span></p>
<p>He recovered his feet with the agility of a boy, his nose bleeding and a
stone in each hand. The timid flock looked all aghast, while the
audacious offender, so far from having shown any disposition to skulk,
stood shaking his head and threatening, as if he had a mind to follow up
the dastardly attack. The squire let fly one stone, which grazed the
villain's head and killed a lamb. With the other he crippled a favorite
ewe. The ram still showed fight, and the vengeful proprietor would
probably have soon decimated his flock had not Porte Crayon (who had
been squirrel-shooting) made his appearance in time to save them.</p>
<p>"Quick, quick! young man—your gun; let me shoot the cursed brute on the
spot."</p>
<p>The squire was frantic with rage, the cause of which our hero, having
seen something of the affray, easily divined. He was unwilling, however,
to trust his hair-triggered piece in the hands of his excited host.</p>
<p>"By your leave, Squire, and by your orders, I'll do the shooting myself.
Which of them was it?"</p>
<p>"The ram—the d——d black ram—kill him—shoot—don't let him live a
minute!"</p>
<p>Crayon leveled his piece and fired. The offender made a bound and fell
dead, the black blood spouting from his forehead in a stream as thick as
your thumb.</p>
<p>"There, now," exclaimed the squire, with infinite satisfaction, "you've
got it, you ungrateful brute! You've found something harder than your
own head at last, you cursed reptile! Friend Crayon, that's a capital
gun of yours, and you shot well."</p>
<p>The squire dropped the stones which he had in his hands, and looking
back at the dead body of the belligerent sheep, observed, with a
thoughtful air, "He was a fine<span class='pagenum'><SPAN name="Page_773" id="Page_773">[Pg 773]</SPAN></span> animal, Mr. Crayon—a fine animal, and
this will teach him a good lesson."</p>
<p>"In all likelihood," replied Crayon, dryly, "it will break him of this
trick of butting."</p>
<p>Not long after this occurrence, Squire Hardy went to hear an itinerant
phrenologist who lectured in the village. In the progress of his
discourse, the lecturer, for purposes of illustration, introduced the
skulls of several animals, mapped off in the most correct and scientific
manner.</p>
<p>"Observe, ladies and gentlemen, the head of the wolf: combativeness
enormously developed, alimentiveness large, while conscientiousness is
entirely wanting. On the other hand, look at this cranium. Here
combativeness is a nullity—absolutely wanting—while the fullness of
the sentimental organs indicate at once the mild and peaceful
disposition of the sheep."</p>
<p>The squire, who had listened with great attention up to this point,
hastily rose to his feet.</p>
<p>"A sheep!" he exclaimed; "did you call a sheep a peaceful animal? I tell
you, sir, it is the most ferocious and unruly beast in existence. Sir, I
had a ram once—"</p>
<p>"My dear sir," cried the astonished lecturer, "on the authority of our
most distinguished writers, the sheep is an emblem of peace and
innocence."</p>
<p>"An emblem of the devil," interrupted the squire, boiling over. "You are
an ignorant impostor, and your science a humbug. I had a ram once that
would have taught you more in five seconds than you've learned from
books in all your lifetime."</p>
<p>And so Squire Hardy put on his hat and walked out, leaving the lecturer
to rectify his blunder as best he might.<span class='pagenum'><SPAN name="Page_774" id="Page_774">[Pg 774]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="DE_STOVE_PIPE_HOLE7" id="DE_STOVE_PIPE_HOLE7"></SPAN>DE STOVE PIPE HOLE<SPAN name="FNanchor_7_7" id="FNanchor_7_7"></SPAN><SPAN href="#Footnote_7_7" class="fnanchor">[7]</SPAN></h2>
<h3>BY WILLIAM HENRY DRUMMOND</h3>
<div class="poem"><div class="stanza">
<span class="i0">Dat's very cole an' stormy night on Village St. Mathieu,<br /></span>
<span class="i0">W'en ev'ry wan he's go couché, an' dog was quiet, too—<br /></span>
<span class="i0">Young Dominique is start heem out see Emmeline Gourdon,<br /></span>
<span class="i0">Was leevin' on her fader's place, Maxime de Forgeron.<br /></span>
</div><div class="stanza">
<span class="i0">Poor Dominique he's lak dat girl, an' love her mos' de tam,<br /></span>
<span class="i0">An' she was mak' de promise—sure—some day she be his famme,<br /></span>
<span class="i0">But she have worse ole fader dat's never on de worl',<br /></span>
<span class="i0">Was swear onless he's riche lak diable, no feller's get hees girl.<br /></span>
</div><div class="stanza">
<span class="i0">He's mak' it plaintee fuss about hees daughter Emmeline,<br /></span>
<span class="i0">Dat's mebby nice girl, too, but den, Mon Dieu, she's not de queen!<br /></span>
<span class="i0">An' w'en de young man's come aroun' for spark it on de door,<br /></span>
<span class="i0">An' hear de ole man swear "Bapteme!" he's never come no more.<br /></span>
<span class='pagenum'><SPAN name="Page_775" id="Page_775">[Pg 775]</SPAN></span></div><div class="stanza">
<span class="i0">Young Dominique he's sam' de res',—was scare for ole Maxime,<br /></span>
<span class="i0">He don't lak risk hese'f too moche for chances seein' heem,<br /></span>
<span class="i0">Dat's only stormy night he come, so dark you can not see,<br /></span>
<span class="i0">An dat's de reason w'y also, he's climb de gallerie.<br /></span>
</div><div class="stanza">
<span class="i0">De girl she's waitin' dere for heem—don't care about de rain,<br /></span>
<span class="i0">So glad for see young Dominique he's comin' back again,<br /></span>
<span class="i0">Dey bote forget de ole Maxime, an' mak de embrasser<br /></span>
<span class="i0">An affer dey was finish dat, poor Dominique is say—<br /></span>
</div><div class="stanza">
<span class="i0">"Good-by, dear Emmeline, good-by; I'm goin' very soon,<br /></span>
<span class="i0">For you I got no better chance, dan feller on de moon—<br /></span>
<span class="i0">It's all de fault your fader, too, dat I be go away,<br /></span>
<span class="i0">He's got no use for me at all—I see dat ev'ry day.<br /></span>
</div><div class="stanza">
<span class="i0">"He's never meet me on de road but he is say 'Sapré!'<br /></span>
<span class="i0">An' if he ketch me on de house I'm scare he's killin' me,<br /></span>
<span class="i0">So I mus' lef' ole St. Mathieu, for work on 'noder place,<br /></span>
<span class="i0">An' till I mak de beeg for-tune, you never see ma face."<br /></span>
</div><div class="stanza">
<span class="i0">Den Emmeline say "Dominique, ma love you'll alway be<br /></span>
<span class="i0">An' if you kiss me two, t'ree tam I'll not tole noboddy—<br /></span>
<span class="i0">But prenez garde ma fader, please, I know he's gettin' ole—<br /></span>
<span class="i0">All sam' he offen walk de house upon de stockin' sole.<br /></span>
</div><div class="stanza">
<span class="i0">"Good-by, good-by, cher Dominique! I know you will be true,<br /></span>
<span class="i0">I don't want no riche feller me, ma heart she go wit' you,"<br /></span>
<span class="i0">Dat's very quick he's kiss her den, before de fader come,<br /></span>
<span class="i0">But don't get too moche pleasurement—so 'fraid de ole Bonhomme.<br /></span><span class='pagenum'><SPAN name="Page_776" id="Page_776">[Pg 776]</SPAN></span>
</div><div class="stanza">
<span class="i0">Wall! jus' about dey're half way t'roo wit all dat love beez-nesse<br /></span>
<span class="i0">Emmeline say, "Dominique, w'at for you're scare lak all de res'?<br /></span>
<span class="i0">Don't see mese'f moche danger now de ole man come aroun',"<br /></span>
<span class="i0">W'en minute affer dat, dere's noise, lak' house she's fallin' down.<br /></span>
</div><div class="stanza">
<span class="i0">Den Emmeline she holler "Fire! will no wan come for me?"<br /></span>
<span class="i0">An' Dominique is jomp so high, near bus' de gallerie,—<br /></span>
<span class="i0">"Help! help! right off," somebody shout, "I'm killin' on ma place,<br /></span>
<span class="i0">It's all de fault ma daughter, too, dat girl she's ma disgrace."<br /></span>
</div><div class="stanza">
<span class="i0">He's kip it up long tam lak dat, but not hard tellin' now,<br /></span>
<span class="i0">W'at's all de noise upon de house—who's kick heem up de row?<br /></span>
<span class="i0">It seem Bonhomme was sneak aroun' upon de stockin' sole,<br /></span>
<span class="i0">An' firs' t'ing den de ole man walk right t'roo de stove pipe hole.<br /></span>
</div><div class="stanza">
<span class="i0">W'en Dominique is see heem dere, wit' wan leg hang below,<br /></span>
<span class="i0">An' 'noder leg straight out above, he's glad for ketch heem so—<br /></span>
<span class="i0">De ole man can't do not'ing, den, but swear and ax for w'y<br /></span>
<span class="i0">Noboddy tak' heem out dat hole before he's comin' die.<br /></span><span class='pagenum'><SPAN name="Page_777" id="Page_777">[Pg 777]</SPAN></span>
</div><div class="stanza">
<span class="i0">Den Dominique he spik lak dis, "Mon cher M'sieur Gourdon<br /></span>
<span class="i0">I'm not riche city feller, me, I'm only habitant,<br /></span>
<span class="i0">But I was love more I can tole your daughter Emmeline,<br /></span>
<span class="i0">An' if I marry on dat girl, Bagosh! she's lak de Queen.<br /></span>
</div><div class="stanza">
<span class="i0">"I want you mak de promise now, before it's come too late,<br /></span>
<span class="i0">An' I mus' tole you dis also, dere's not moche tam for wait.<br /></span>
<span class="i0">Your foot she's hangin' down so low, I'm 'fraid she ketch de cole,<br /></span>
<span class="i0">Wall! if you give me Emmeline, I pull you out de hole."<br /></span>
</div><div class="stanza">
<span class="i0">Dat mak' de ole man swear more hard he never swear before,<br /></span>
<span class="i0">An' wit' de foot he's got above, he's kick it on de floor,<br /></span>
<span class="i0">"Non, non," he say "Sapré tonnerre! she never marry you,<br /></span>
<span class="i0">An' if you don't look out you get de jail on St. Mathieu."<br /></span>
</div><div class="stanza">
<span class="i0">"Correc'," young Dominique is say, "mebbe de jail's tight place,<br /></span>
<span class="i0">But you got wan small corner, too, I see it on de face,<br /></span>
<span class="i0">So if you don't lak geev de girl on wan poor habitant,<br /></span>
<span class="i0">Dat's be mese'f, I say, Bonsoir, mon cher M'sieur Gourdon."<br /></span>
</div><div class="stanza">
<span class="i0">"Come back, come back," Maxime is shout—"I promise you de girl,<br /></span>
<span class="i0">I never see no wan lak you—no never on de worl'!<br /></span>
<span class="i0">It's not de nice trick you was play on man dat's gettin' ole,<br /></span>
<span class="i0">But do jus' w'at you lak, so long you pull me out de hole."<br /></span><span class='pagenum'><SPAN name="Page_778" id="Page_778">[Pg 778]</SPAN></span>
</div><div class="stanza">
<span class="i0">"Hooraw! Hooraw!" Den Dominique is pull heem out tout suite<br /></span>
<span class="i0">An' Emmeline she's helpin' too for place heem on de feet,<br /></span>
<span class="i0">An' affer dat de ole man's tak' de young peep down de stair,<br /></span>
<span class="i0">W'ere he is go couché right off, an' dey go on parloir.<br /></span>
</div><div class="stanza">
<span class="i0">Nex' Sunday morning dey was call by M'sieur le Curé<br /></span>
<span class="i0">Get marry soon, an' ole Maxime geev Emmeline away;<br /></span>
<span class="i0">Den affer dat dey settle down lak habitant is do,<br /></span>
<span class="i0">An' have de mos' fine familee on Village St. Mathieu.<br /></span>
<span class='pagenum'><SPAN name="Page_779" id="Page_779">[Pg 779]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="THE_GIRL_FROM_MERCURY" id="THE_GIRL_FROM_MERCURY"></SPAN>THE GIRL FROM MERCURY</h2>
<h3><span class="smcap">An Interplanetary Love Story</span></h3>
<h4><i>Being the Interpretation of Certain Phonic Vibragraphs Recorded by the
Long's Peak Wireless Installation, Now for the First Time Made Public
Through the Courtesy of Professor Caducious, Ph.D., Sometime Secretary
of the Boulder Branch of the Association for the Advancement of
Interplanetary Communication.</i></h4>
<h3>BY HERMAN KNICKERBOCKER VIELÉ</h3>
<p>It is evident that the following logograms form part of a correspondence
between a young lady, formerly of Mercury, and her confidential friend
still resident upon the inferior planet. The translator has thought it
best to preserve, as far as possible, the spirit of the original by the
employment of mundane colloquialisms; the result, in spite of many
regrettable trivialities, will, it is believed, be of interest to
students of Cosmic Sociology.</p>
<h3><span class="smcap">The First Record</span></h3>
<p>Yes, dear, it's me. I'm down here on the Earth and in our Settlement
House, safe and sound. I meant to have called you up before, but really
this is the first moment I have had to myself all day.—Yes, of course,
I said "all day." You know very well they have days and nights here,
because this restless little planet spins, or something of the sort.—I
haven't the least idea why it does so, and<span class='pagenum'><SPAN name="Page_780" id="Page_780">[Pg 780]</SPAN></span> I don't care.—I did not
come here to make intelligent observations like a dowdy "Seeing Saturn"
tourist. So don't be Uranian. Try to exercise intuitive perception if I
say anything you can't understand.—What is that?—Please concentrate a
little harder.—Oh! Yes, I have seen a lot of human beings already, and
would you believe it? some of them seem almost possible—especially
<i>one</i>.—But I will come to that one later. I've got so much to tell you
all at once I scarcely know where to begin.—Yes, dear, the One happens
to be a man. You would not have me discriminate, would you, when our
object is to bring whatever happiness we can to those less fortunate
than ourselves? You know success in slumming depends first of all upon
getting yourself admired, for then the others will want to be like you,
and once thoroughly dissatisfied with themselves they are almost certain
to reform. Of course I am only a visitor here, and shall not stay long
enough to take up serious work, so Ooma says I may as well proceed along
the line of least resistance.—If you remember Ooma's enthusiasm when
she ran the Board of Missions to Inferior Planets, you can fancy her now
that she has an opportunity to carry out all her theories. Oh, she's
great!</p>
<p>My transmigration was disappointing as an experience. It was nothing
more than going to sleep and dreaming about circles—orange circles,
yellow circles, with a thousand others of graduated shades between, and
so on through the spectrum till you pass absolute green and get a tone
or two toward blue and strike the Earth color-note. Then with me
everything got jumbled together and seemed about to take new shapes, and
I woke up in the most commonplace manner and opened my eyes to find
myself externalized in our Earth Settlement House with Ooma laughing at
me.<span class='pagenum'><SPAN name="Page_781" id="Page_781">[Pg 781]</SPAN></span></p>
<p>"Don't stir!" she cried. "Don't lift a finger till we are sure your
specific gravity is all right." And then she pinched me to see if I was
dense enough, because the atmosphere is heavier or lighter or something
here than with us.</p>
<p>I reminded her that matter everywhere must maintain an absolute
equilibrium with its environment, but she protested.</p>
<p>"That's well enough in theory; you must understand that the Earth is
awfully out of tune at present, and sometimes it requires time to
readjust ourselves to its conditions."</p>
<p>—I did not say so, but I fancy Ooma may have been undergoing
readjustment.—My dear, she has grown as pudgy as a Jupitan, and her
clothes—but then she always did look more like a spiral nebula than
anything else.</p>
<p><i>(The record here becomes unintelligible by reason of the passage of a
thunderstorm above the summit of Long's Peak.)</i></p>
<p>—There must be star-dust in the ether.—I never had to concentrate so
hard before.—That's all about the Settlement House, and don't accuse me
again of slighting details. I'm sure you know the place now as well as
Ooma herself, so I can go on to tell what little I have learned about
human beings.</p>
<p>It seems I am never to admit that I was not born on Earth, for, like all
provincials, the humans pride themselves on disbelieving everything
beyond their own experience, and if they understood they would be
certain to resent intrusions from another planet. I'm sure I don't blame
them altogether when I recall those patronizing Jupitans.—And I'm told
they are awfully jealous and distrustful even of one another, herding
together for protection and governed by so many funny little tribal
codes that<span class='pagenum'><SPAN name="Page_782" id="Page_782">[Pg 782]</SPAN></span> what is right on one side of an imaginary boundary may be
wrong on the other.—Ooma considers this survival of the group-soul most
interesting, and intends to make it the subject of a paper. I mention it
only to explain why we call our Settlement a Boarding-House. A
Boarding-House, you must know, is fundamentally a hunting pack
which one can affiliate with or separate from at will.—Rather a
pale yellow idea, isn't it? Ooma thinks it necessary to conform
to it in order to be considered respectable, which is the one thing
on Earth most desired.—What, dear?—Oh, I don't know what it means
to be respectable any more than you do.—One thing more. You'll have
to draw on your imagination! Ooma is called here Mrs. Bloomer.—Her own
name was just a little too unearthly. Mrs. signifies that a woman is
married.—What?—Oh, no, no, no, nothing of the sort.—But I shall have
to leave that for another time. I'm not at all sure how it is myself.</p>
<p>By the way, if <i>any one</i> should ask you where I am, just say I've left
the planet, and you don't know when I shall be back.—Yes, you know who
I mean.—And, dear, perhaps you might drop a hint that I detest all
foreigners, especially Jupitans.—Please don't laugh so hard; you'll get
the atmospheric molecules all woozy.—Indeed, there's not the slightest
danger here. Just fancy, if you please, beings who don't know when they
are hungry without consulting a wretched little mechanism, and who
measure their radius of conception by the length of their own feet.—Of
course I shall be on hand for the Solstice! I wouldn't miss that for an
asteroid!—Oh, did I really promise that? Well, I'll tell you about hi-m
another time.<span class='pagenum'><SPAN name="Page_783" id="Page_783">[Pg 783]</SPAN></span></p>
<h3><span class="smcap">The Second Record</span></h3>
<h4>THOUGH PROBABLY THIRD COMMUNICATION</h4>
<p>—I really must not waste so much gray matter, dear, over unimportant
details. But I simply had to tell you all about my struggles with the
clothes. When Ooma came back, just as I had mastered them with the aid
of her diagrams, the dear thing was so much pleased she actually hugged
me, and I must confess the effect made me forget my discomfort. Really,
an Earth girl is not so much to be pitied if she has becoming dresses to
wear. As you may be sure I was anxious to compare myself with others, I
was glad enough to hear Ooma suggest going out.</p>
<p>"Come on," she said, executively, "I have only a half-hour to devote to
your first walk. Keep close beside me, and remember on no account to
either dance or sing."</p>
<p>"But if I see others dancing may I not join them?" I inquired.</p>
<p>"You won't see anybody dancing on Broadway," she replied, a trifle
snubbily, but I resolved to escape from her as soon as possible and find
out for myself.</p>
<p>I shall never forget my shock on discovering the sky blue instead of the
color it should be, but soon my eyes became accustomed to the change. In
fact, I have not since that first moment been able to conceive of the
sky as anything but blue. And the city?—Oh, my dear, my dear, I never
expected to encounter anything so much out of key with the essential
euphonies. Of course I have not traveled very much, but I should say
there is nothing in the universe like a street they call
Broadway—unless it be upon the lesser satellite of Mars, where the poor
people are so awfully cramped for space. When I suggested this to Ooma
she laughed and called me clever, for it seems<span class='pagenum'><SPAN name="Page_784" id="Page_784">[Pg 784]</SPAN></span> there is a tradition
that a mob of meddling Martians once stopped on Earth long enough to
give the foolish humans false ideas about architecture and many other
matters. But I soon forgot everything in my interest in the people. Such
a poor puzzle-headed lot they are. One's heart goes out to them at once
as they push and jostle one another this way and that, with no
conceivable object other than to get anywhere but where they are in the
shortest time possible. One longs to help them; to call a halt upon
their senseless struggles; to reason with them and explain how all the
psychic force they waste might, if exerted in constructive thought,
bring everything they wish to pass. Mrs. Bloomer assures me they only
ridicule those who venture to interfere, and it will take at least a
Saturn century to so much as start them in the right direction. Our
settlement is their only hope, she says, and even we can help them only
indirectly.</p>
<p>Not long ago, it appears, they had to choose a King or Mayor, or
whatever the creature is called who executes their silly laws, and our
people so manipulated the election that the choice fell on one of us.</p>
<p>I thought this a really good idea, and supposed, of course, we must at
once have set about demonstrating how a planet should be managed. But
no! that was not our system, if you please. Instead of making proper
laws our agent misbehaved himself in every way the committee could
suggest, until at last the humans rose against him and put one of
themselves in his place, and after that things went just a little better
than before. This is the only way in which they can be taught. But, dear
me, isn't it tedious?</p>
<p>Of course, I soon grew anxious for an exchange of thought with almost
any one, but it was a long while before I discovered a single person who
was not in a violent<span class='pagenum'><SPAN name="Page_785" id="Page_785">[Pg 785]</SPAN></span> hurry. At last, however, we came upon a human
drawn apart a little from the throng, who stood with folded arms,
engaged apparently in lofty meditation. His countenance was amiable,
although a little red.</p>
<p>Saying nothing to Ooma of my purpose, I slipped away from her, and
looking up into the creature's eyes inquired mentally the subject of his
thoughts; also, how he came to be so inordinately stout, and why he wore
bright metal buttons on his garment. But my only answer was a stupid
blink, for his mentality seemed absolutely incapable of receiving
suggestions not expressed in sounds. I observed farther that his aura
inclined too much toward violet for perfect equipoise.</p>
<p>"G'wan out of this, and quit yer foolin'," he remarked, missing my
meaning altogether.</p>
<p>Of course I spoke then, using the human speech quite glibly for a first
attempt, and hastened to assure him that though I had no idea of
fooling, I should not go on until my curiosity had been satisfied. But
just then Ooma found me.</p>
<p>"My friend is a stranger," she explained to the brass-buttoned man.</p>
<p>"Then why don't you put a string to her?" he asked.</p>
<p>I learned later that I had been addressing one of the public jesters
employed by the community to keep Broadway from becoming intolerably
dull.</p>
<p>"But you must not speak to people in the street," said Ooma, "not even
to policemen."</p>
<p>"Then how am I to brighten others' lives?" I asked, more than a little
disappointed, for several humans hurrying past had turned upon me looks
indicating moods receptive of all the brightening I could give.</p>
<p>I might have amused myself indefinitely, studying the rapid succession
of varying faces, had not Bloomer cau<span class='pagenum'><SPAN name="Page_786" id="Page_786">[Pg 786]</SPAN></span>tioned me not to stare. She said
people would think me from the country, which is considered
discreditable, and as this reminded me that I had as yet seen nothing
growing, I asked to be shown the gardens and groves.</p>
<p>"There is one," she said, indicating an open space not far away, where
sure enough there stood some wretched looking trees which I had not
recognized before, forgetting that, of course, leaves here must be
green. I saw no flowers growing, but presently we came upon some in a
sort of crystal bower guarded by a powerful black person. I wanted so to
ask him how he came to be black, but the memory of my last attempt at
information deterred me. Instead, I inquired if I might have some roses.</p>
<p>"Walk in, Miss," he replied most civilly, and in I walked through the
door, past the sweetest little embryonic, who wore the vesture of a
young policeman.</p>
<p>"Boy," I said, "have you begun to realize your soul?"</p>
<p>"Nope," he replied. "I ain't in fractions yet."</p>
<p>—Some stage of earthly progress, I suppose, though I did not like a
certain movement of his eyelid, and one never can tell, you know, how
hard embryonics are really striving. So I made haste to gather all the
roses I could carry, and was about to hurry after Ooma, when a person
barred my way.</p>
<p>"Hold on!" he cried. "Ain't you forgetting something? Why don't you take
the whole lot?"</p>
<p>"Because I have all I want for the present," I answered, rather
frightened, perceiving that his aura had grown livid, and I don't know
how I could have soothed him had not Ooma once more come to my relief. I
could see that she was annoyed with me, but she controlled herself and
placed some token in the being's hand which acted on his agitation like
a charm.</p>
<p>As I told you, Bloomer had given me with the other<span class='pagenum'><SPAN name="Page_787" id="Page_787">[Pg 787]</SPAN></span> things, a crown of
artificial roses which, now that I had real flowers to wear, I wanted to
throw away, but this she would not permit, insisting that such a
proceeding would make the humans laugh at me—though to look into their
serious faces one would not believe this possible. The thoughts of those
about me, as I divined them, seemed anything but jocular. They came to
me incoherent and inconsecutive, a jumble of conditional premises
leading to approximate conclusions expressed in symbols having no
intrinsic meaning.—Of course, it is unfair to judge too soon, but I
have already begun to doubt the existence of direct perception among
them.—What did you say, dear?—Bother direct perception?—Well, I
wonder how <i>we</i> should like to apprehend nothing that could not be put
into words? You, I'm sure, would have the most confused ideas about
Earthly conditions if you depended entirely upon my remarks.—Now
concentrate, and you shall hear something really interesting.</p>
<p>—No, not the One yet.—He comes later.—</p>
<p>We had not gone far, I carrying my roses, and Bloomer not too well
pleased, as I fancied, because so many people turned to look at us
(Bloomer has retrograded physically until she is at times almost
Uranian, probably as the result of wearing black, which appears to be
the chromatic equivalent of respectability), when suddenly I became
sensible of a familiar influence, which was quite startling because so
unexpected. Looking everywhere, I caught sight of—who do you suppose?
Our old friend Tuk.—Mr. Tuck, T-u-c-k here, if you please. He was about
to enter a—a means of transportation, and though his back was towards
me, I recognized that drab aura of his at once, and projected a
reactionary impulse which was most effective.</p>
<p>In his surprise he was for the moment in danger of<span class='pagenum'><SPAN name="Page_788" id="Page_788">[Pg 788]</SPAN></span> being trampled upon
by a rapidly moving animal.—Yes, dear, I said "animal."—I don't know
and I don't consider it at all important. I do not pretend to be
familiar with mundane zoölogy.—Tuck declared himself delighted to see
me, and so I believe he was, though he controlled his radiations in the
supercilious way he always had. But upon one point he did not leave me
long in doubt. Externally, at least, my Earthly Ego is a—</p>
<p>(<span class="smcap">Note</span>: <i>The word which signifies a species of peach or nectarine
peculiar to the planet Mercury is doubtless used here in a symbolic
sense.</i>)</p>
<p>—I caught on to that most interesting fact the moment his eyes rested
on me.</p>
<p>"By all that's fair to look upon!" he cried, jumping about in a manner
human people think eccentric, "are you astral or actualized?"</p>
<p>"See for yourself," I said, holding out my hand, which it took him
rather longer than necessary to make sure of.</p>
<p>"Well, what on Earth brings you here? Come down to paint another planet
red?" he rattled on, believing himself amusing.</p>
<p>"Now haven't I as much right to light on Earth as on any other bit of
cosmic dust?" I asked, laughing and forgetting how much snubbing he
requires in the delight of seeing any one I knew.</p>
<p>Then he insisted that I had a "date" with him.—A date, as I discovered
later, means something nice to eat—and hinted very broadly that Bloomer
need not wait if she had more important matters to attend to. I must
confess she did not seem at all sorry to have me taken off her hands,
for after cautioning me to beware of a number of things I did not so
much as know by name, she shot off like a respectable old aerolite with
a black trail streaming out behind. If she remains here much longer she
will be<span class='pagenum'><SPAN name="Page_789" id="Page_789">[Pg 789]</SPAN></span> coming back upon a mission to reform <i>us</i>. As for Tuck, he
became insufferably patronizing at once.</p>
<p>"Well, how do you like the Only Planet? and how do you like the Only
Town? and how do you like the Only Street?" he began, waving his hands
and looking about him as though there were anything here that one of
<i>us</i> could admire. But, of course, I refused to gratify him with my
crude impressions. I simply said:</p>
<p>"You appear very well pleased with them yourself."</p>
<p>"And so will you be," he replied, "when you have realized their
possibilities. Remark that elderly entity across the street. I have to
but exert my will that he shall sneeze and drop his eyeglasses, and
behold, there they go."—Yes, my dear, eyeglasses. They are worn on the
nose by people who imagine they can not see very well.</p>
<p>"I consider such actions cruel and unkind," I said, at the same time
willing an embryonic girl to pick the glasses up, and though the child
was rather beyond my normal circle, I was delighted to see her obey. But
I have an idea Tuck regretted an experiment which taught me something I
might not have found out, at least for a while.</p>
<p>I had now been on Earth several hours, and change of atmosphere gives
one a ravenous appetite. You see, I had forgotten to ask Ooma how, and
how often, humans ate, so when Tuck suggested breakfast as a form of
entertainment I put myself in sympathy with the idea at once. Besides it
is most important to know just where to find the things you want, and
you may be sure I made a lot of mental notes when we came, as presently
we did, to a tower called Astoria.</p>
<p>I understand that the upper portions of the edifice are used for study
of the Stars, but we were made welcome on the lower story by a stately
being, who conducted us to honorable seats in an inner court. There were
small trees<span class='pagenum'><SPAN name="Page_790" id="Page_790">[Pg 790]</SPAN></span> growing here, green, of course, but rather pretty for all
that; the people, gathered under their shade in little groups, were much
more cheerful and sustaining than any I had seen so far, and an
elemental intelligence detailed to minister to our wants seemed
well-trained and docile.</p>
<p>"Here you have a glimpse of High Life," announced Tuck, when he had
written something on a paper.</p>
<p>"The Higher Life?" I inquired, eagerly, and I did not like the flippant
tone in which he answered:</p>
<p>"No, not quite—just high enough."</p>
<p>I was beginning to be so bored by his conceit and self-complacency that
I cast my eyes about and smiled at several pleasant-looking persons, who
returned the smile and nodded in a friendly fashion, till I could
perceive Tuck's aura bristle and turn greenish-brown.</p>
<p>"You can't possibly see any one you know here," he protested, crossly.</p>
<p>"All the better reason why I should reach out in search of affinities,"
I retorted. But after that, though I was careful to keep my eyes lowered
most of the time, I resolved to come some day to the Astoria alone and
smile at every one I liked. I don't believe I should ever know a human
if Tuck could have his way.</p>
<p>Presently the elemental brought us delicious things, and while we ate
them Tuck talked about himself. It appears he has produced an opera here
which is a success. People throng to hear it and consider him a great
composer. At all of which, you may believe, I was astonished—just fancy
our Tuk posing as a genius!—but presently when he became elated by the
theme and hummed a bar or two, I understood. The wretch had simply
actualized a few essential harmonies—and done it very badly. I see now
why he likes so much being here, and understand why his associates are
almost altogether human. I don't<span class='pagenum'><SPAN name="Page_791" id="Page_791">[Pg 791]</SPAN></span> remember ever meeting with such deceit
and effrontery before. I was so indignant that I could feel my astral
fingers tremble. I could not bear to look at him, and as by that time I
had eaten all I could, I rose and walked directly from the court without
another word. I am sure he would have pursued me had not the elemental,
divining my wish to escape, detained him forcibly.</p>
<p>Once in the street again, I immediately hypnotized an old lady, willing
her to go direct to Bloomer's Boarding-House while I followed behind. It
may not have been convenient for her, I am afraid, but I knew of no
other way to get back.—Dear me, the light is growing dim, and I must be
dressing for the evening. Good-by!—By the way, I forgot to tell you
something else that happened—remind me of it next time!</p>
<h3><span class="smcap">The Third Record</span></h3>
<p>—Yes, I remember, and you shall hear all about it before I describe an
evening at the Settlement, but it don't amount to much.—I told you how
cross and over-bearing Tuck was at the Astoria tower, and of the mean
way in which he restricted my observations. Well, of all the people in
the grove that day there was only one whom I could see without being
criticized, and he sat all alone and facing me, just behind Tuck's back.
Some green leaves hung between us, and whenever I moved my head to note
what he was doing he moved his, too, to look at me. He seemed so lonely
that I was sorry for him, but his atmosphere showed him to be neither
sullen nor Uranian, and I could not help it if I was just a little bit
responsive. Besides, Tuck, once on the subject of his opera, grew so
self-engrossed and dominant that one had either to assert one's own
mentality or become subjective.<span class='pagenum'><SPAN name="Page_792" id="Page_792">[Pg 792]</SPAN></span></p>
<p>—No, dear, that is not the <i>only</i> reason. There may be such a thing as
an isolated reason, but I have never met one—they always go in packs. I
confess to a feeling of interest in the stranger. Nobody can look at you
with round blue eyes for half an hour steadily without exercising some
attraction, either positive or negative, and I felt, too, that he was
trying to tell me something which would have been a great deal more
interesting than Tuck's opera, and I believe had I remained a little
longer we could have understood each other between the trees just as you
and I can understand each other across the intervals of space. But then
it is so easy to be mistaken.—I had to pass quite close to him in going
out, and I am not sure I did not drop a rose.</p>
<p>—There may be just a weenie little bit more about the Astorian, but
that will come in its proper place. Now I must get on to the
evening.—It was not much of an occasion, merely the usual gathering of
our crowd, or rather of those of us who have no special assignment for
the time in the large Council Room I have described to you.</p>
<p>The President of the Board of Control at present is Marlow, Marlow the
Great, as he is called, the painter whose pictures did so much to
elevate the Patagonians.—No, dear, I never heard of Patagonia before,
but I'm almost sure it's not a planet.—With Marlow came a Mrs. Mopes,
who is engaged in creating schools of fiction by writing stories under
different names and then reviewing them in her own seven magazines.
Next, taking the guests at random, was Baxter, a deadly person in his
human incarnation, whose business it is to make stocks fly up or tumble
down.—I don't know what stocks are, but they must be something very
easily frightened.—Then there was a Mr. Waller, nicknamed the Reverend,
whom the Council allows to speak the truth occasionally, while<span class='pagenum'><SPAN name="Page_793" id="Page_793">[Pg 793]</SPAN></span> the rest
of the time he tells people anything they want to hear to win their
confidence. And the two Miss Dooleys who sing so badly that thousands
who can not sing at all leave off singing altogether when they once hear
them. And Mr. Flick, who misbehaves at funerals to distract mourners
from their grief, and a Mr. O'Brien, whose duty it is to fly into
violent passions in public places just to show how unbecoming temper is.</p>
<p>There were many others, so many I can not begin to enumerate them. Some
had written books and were known all over the planet, and some who were
not known at all had done things because there was nobody else to do
them. And some were singers and some were actors, and some were rich and
some were poor to the outside world, but in the Council Room they met
and laughed and matched experiences and made jokes; from the one who had
built a battle ship so terrible that all the other ships were burnt on
condition that his should be also, to the ordinary helpers who applaud
stupid plays till intelligent human beings become thoroughly disgusted
with bad art.</p>
<p>In the world, of course, they are all serious enough, and often know
each other only by secret signs, while every day and night and minute
our poor earth-brothers come a little nearer the light—pushed toward
it, pulled toward it, wheedled and trickled and bullied and coaxed, and
thinking all the while how immensely clever they are, and what a
wonderful progressive, glorious age they have brought about for
themselves.—At all events, this is the rather vague composite
impression I have received of the plans and purposes of the Board of
Directors, and doubtless it is wrong.</p>
<p>I suppose with a little trouble I might have recognized nearly every
one, but the fancy took me to suspend in<span class='pagenum'><SPAN name="Page_794" id="Page_794">[Pg 794]</SPAN></span>tuition just to see how Earth
girls feel, and you know when one is hearing a lot of pleasant things
one does not much care who happens to be saying them.</p>
<p>I fancy Marlow thought less of me when I confessed that I am here only
for the lark, and really do not care a meteor whether the planet is ever
elevated or not. But he is a charming old fellow all the same, and the
only one of the lot who has not grown the least bit smudgy.</p>
<p>Marlow announced that the evening would be spent in harmony with the
vibrations of Orion, and set us all at work to get in touch. I love
Orion light myself, for none other suits my aura quite so well, and I
was glad to find they had not taken up the Vega fad.—The light here? My
dear, it is not even filtered.—Some of us, no doubt for want of
practice, were rather slow about perfecting, but finally we all caught
on, and when O'Brien, no longer fat and florid, and the elder Miss
Dooley, no longer scrawny, moved out to start the dance, there was only
one who had not assumed an astral personality. Poor fellow, though I
pitied him, I did admire his spunk in holding back. It seems that as an
editor he took to telling falsehoods on his own account so often that
the Syndicate is packing him off as Special Correspondent to a tailless
comet.</p>
<p>Tuck never came at all; either he realizes how honest people must regard
him and his opera, or else the elementals at the Astoria are still
detaining him.</p>
<p>We had a lovely dance, and while we rested Marlow called on some of us
for specialties. Mrs. Mopes did a paragraph by a man named Henry James,
translated into action, which seemed quite difficult, and then a person
called Parker externalized a violin and gave the Laocoon in terms of
sound. To me his rendering of marble resembled terra-cotta until I
learned that the copy of the<span class='pagenum'><SPAN name="Page_795" id="Page_795">[Pg 795]</SPAN></span> statue here is awfully weatherstained.
After this three pretty girls gave the Aurora Borealis by telepathic
suggestion rather well, and then I sang "Love Lives Everywhere"—just
plain so.</p>
<p>—I know this must all sound dreadfully flat to you, quite like
"Pastimes for the Rainy Season in Neptune," but Bloomer says she doesn't
know what would happen if we should ever give a really characteristic
jolly party.</p>
<p>We wound up with an Earth dance called the Virginia Reel, the quickest
means you ever saw for descending to a lower psychic plane. That's all I
have to tell, and quite enough, I'm sure you'll think.—What? The
Astorian? I have not seen him since.—But there is a little more, a very
little, if you are not tired.—This morning I received a gift of roses,
just like the one I dropped yesterday, brought me by the same small
embryonic I had seen in the flower shop. I asked the child in whose
intelligence the impulse had originated, and he replied:</p>
<p>"A blue-eyed feller with a mustache, but he gave me a plunk not to
tell."</p>
<p>I understood a plunk to be a token of confidence, and I at once
expressed displeasure at the boy's betrayal of his trust. I told him
such an act would make dark lines upon his aura which might not fade for
several days.</p>
<p>"Say, ain't you got some message to send back?" he asked.</p>
<p>"Boy!" said I, "don't forget your little aura."</p>
<p>"All right," he answered, "I'll tell him 'Don't forget your little
aura.' I'll bet he coughs up another plunk."</p>
<p>I don't know what he meant, but I am very much afraid there may be some
mistake.—Oh, yes, I am quite sure to be back in time for the
Solstice.—Or at least for the Eclipse.<span class='pagenum'><SPAN name="Page_796" id="Page_796">[Pg 796]</SPAN></span></p>
<h3><span class="smcap">The Fourth Record</span></h3>
<p>(<span class="smcap">Note</span>: <i>Between this logogram and the last the Long's Peak Receptive
Pulsator was unfortunately not in operation for the space of a
fortnight, as the electrician who took the instrument apart for
adjustment found it necessary to return to Denver for oil.</i>)</p>
<p>—Yes, dear, it's me, though if I did not know personality to be
indestructible I should begin to have my doubts. I have not made any
more mistakes, that is, not any bad ones, since I went to the Astoria
alone for lunch, and the elementals were so very disagreeable just
because I had no money. I know all about money now, except exactly how
you get it, and Tuck assures me that is really of no importance. I never
told Ooma how the blue-eyed Astorian paid my bill for me, and her
perceptive faculties have grown too dull to apprehend a thing she is not
told. Fresh roses still come regularly every day, and of course I can do
no less than express my gratitude now and then.—Oh, I don't know how
often, I don't remember.—But it is ever so much pleasanter to have some
one you like to show you the way about than to depend on hypnotizing
strangers, who may have something else to do.</p>
<p>—I told you last week about the picnic, did I not? The day, I mean,
when Bloomer took me into the country, and Tuck so far forgave my
rudeness to him as to come with us to carry the basket.—Oh, yes,
indeed, I am becoming thoroughly domesticated on Earth. And, my dear,
these humans are docility itself when you once acquire the knack of
making them do exactly as you wish, which is as easy as falling off a
log.—A <i>log</i> is the external evidence of a pre-existent tree,
cylindrical in form, and though often sticky, not sufficiently so to be
adhesive.</p>
<p>—That picnic was so pleasant—or would have been but<span class='pagenum'><SPAN name="Page_797" id="Page_797">[Pg 797]</SPAN></span> for Bloomer's
anxiety that I should behave myself, and Tuck's anxiety that I should
not—that I determined to have another all by myself—and I have had it.</p>
<p>I traveled to the same little dell I described before, and I put my feet
in the water just as I wasn't allowed to do the other day. And I built a
fire and almost cooked an egg and ate cake (an egg is the bud of a bird,
and cake is edible poetry) sitting on a fence.—Fences grow horizontally
and have no leaves.—Don't ask so many questions!</p>
<p>After a while, however, I became tired of being alone, so I started off
across some beautiful green meadows toward a hillside, where I had
observed a human walking about and waving a forked wand. He proved the
strangest-looking being I have met with yet, more like those wild and
woolly space-dwellers who tumbled out when that tramp comet bumped
against our second moon. But he was a considerate person, for when he
saw me coming and divined that I should be tired, he piled up a quantity
of delicious-scented herbage for me to sit on.</p>
<p>"Good morning, mister," I said, plumping myself down upon the mound he
had made, and he, being much more impressionable than you would suppose
from his Uranian appearance, replied:</p>
<p>"I swan, I like your cheek."</p>
<p>"It's a pleasant day," I said, because one is always expected to
announce some result of observation of the atmosphere. It shows at once
whether or not one is an idiot.</p>
<p>"I call it pretty danged hot," he returned, intelligently.</p>
<p>"Then why don't you get out of the sun?" I suggested, more to keep the
conversation fluid than because I cared a bit.</p>
<p>"I'm a-goin' to," he answered, "just as soon as that goll-darned wagon
comes." (A "goll-darned" wagon is, I think, a wagon without springs.)<span class='pagenum'><SPAN name="Page_798" id="Page_798">[Pg 798]</SPAN></span></p>
<p>"What are you going to do then?" I asked, beginning to fear I should be
left alone again after all my trouble.</p>
<p>"Goin' home to dinner," he replied, and I at once said I would go with
him.—You see, I had placed a little too much reliance on the egg.</p>
<p>"I dunno about that, but I guess it will be all right," he urged,
hospitably, and presently the goll-darned wagon arrived with another
man, who turned out to be the first one's son and who looked as though
he bit.</p>
<p>Together the two threw all the herbage into the wagon till it was heaped
far above their heads.</p>
<p>"How am I ever to get up?" I asked, for I had no idea of walking any
farther, and I could see the man's white house ever so far away.</p>
<p>"Who said you was goin' to get up at all?" inquired the biter,
disagreeably, but the other answered for me.</p>
<p>"I said it, that's who, you consarned jay," he announced, reprovingly.</p>
<p>When I had made them both climb up first and give me each a hand, I had
no difficulty at all in mounting, but I was very careful not to thank
the Jay, which seemed to make him more morose than ever. Then they slid
down again, and off we started.</p>
<p>Once when we came to some lovely blue flowers growing in water near the
roadside I told the Jay to stop and wade in and pick them for me.</p>
<p>"I'll be dogged if I do," he answered; so I said:</p>
<p>"I don't know what being 'dogged' means, but if it is a reward for being
nice and kind and polite, I hope you will be."</p>
<p>Whereupon he bit at me once and waded in, while the other man, whose
name, it seems, was Pop, sat down upon a stone and laughed.</p>
<p>"Gosh! If this don't beat the cats," he said, slapping<span class='pagenum'><SPAN name="Page_799" id="Page_799">[Pg 799]</SPAN></span> his knee, which
was his way of making himself laugh harder.</p>
<p>I put the flowers in my hair and in my belt and wherever I could stick
them. But there was still a lot left over, and whenever we met people I
threw them some, which appeared to please Pop, but made the Jay still
more bite-y.</p>
<p>Presently we came to a very narrow place and there, as luck would have
it, we met an automobile.—Thank goodness, I need not explain
automobile.—And who should be at the lever all alone but—the Astorian.</p>
<p>I recognized him instantly, and he recognized me, which was, I suppose,
his reason for forgetting to stop till he had nearly run us down. In a
moment we were in the wildest tangle, though nothing need have happened
had not the Jay completely lost his temper.</p>
<p>"Hang your picture!" he called out, savagely, "What do you want?—The
Earth?"</p>
<p>And with that he struck the animals—the wagon was not
self-propelling—a violent blow, and they sprang forward with a lurch
which made the hay begin to slip. I tried to save myself, but there was
nothing to catch hold of, so off I slid and—oh, my dear, my dear, just
fancy it!—I landed directly in his lap.—No, not the Jay's.—Of course,
I stayed there as short a time as possible, for he was very nice about
moving up to make room for me on the seat, but I am afraid it did seem
frightfully informal just at first.</p>
<p>"It was all the fault of that consarned Jay," I explained, as soon as I
had recovered my composure, "and I shall never ride in his goll-darned
wagon again."</p>
<p>"I sincerely hope you will not," replied Astoria, looking at me with the
most curious expression. "It would be much better to let me take you
wherever you wish to go."</p>
<p>"That's awfully kind of you," I said, "but I don't care<span class='pagenum'><SPAN name="Page_800" id="Page_800">[Pg 800]</SPAN></span> to go anywhere
in particular this afternoon, except as far as possible from that
objectionable young man."</p>
<p>The Astorian did not speak again till he had turned something in the
machine to make it back and jerk, and, once free from the upset hay, go
on again.</p>
<p>"Say, Sissy, I thought you was comin' to take dinner," Pop called out
from under the wagon, where he had crawled for safety, and when I
replied as nicely as I could, "No, thank you, not to-day," he said
again, quite sadly as I thought, "Gosh blim me, if that don't beat the
cats!" and also several other things I could not hear because we were
moving away so rapidly.</p>
<p>When we had gone about a hundred miles—or yards, or inches, whichever
it was—the Astorian, who had been sitting very straight, inquired if
those gentlemen—meaning Pop and Jay—were near relatives.</p>
<p>I showed him plainly that I thought his question Uranian, and explained
that I had not a relative on Earth. Then I told him exactly how I had
come to be with them, and about my picnic and the egg. I am afraid I did
not take great pains to make the story very clear, for it was such fun
to perplex him. He is not at all like the Venus people, who have become
so superlatively clever that they are always bored to death.</p>
<p>"Were you surprised to see me flying through the air?" I asked.</p>
<p>"Oh, no," he said; "I have always thought of you as coming to Earth in
some such way from some far-distant planet."</p>
<p>"Oh, then, you know!" I gasped.</p>
<p>The Astorian laughed.</p>
<p>"I know you are the one perfect being in the world, and that is quite
enough," he said, and I saw at once that whatever he had guessed about
me he knew nothing at all of the Settlement.<span class='pagenum'><SPAN name="Page_801" id="Page_801">[Pg 801]</SPAN></span></p>
<p>"Miss Aura," he went on,—he has called me that ever since that little
embryonic made his stupid blunder, and I have not corrected him—here it
is almost necessary to have some sort of a name—"Miss Aura, don't you
think we have been mere acquaintances long enough? I'm only human—"</p>
<p>"Yes, of course," I interrupted, "but then that is not your fault—"</p>
<p>"I'm glad you look upon my misfortune so charitably," he said, a trifle
more puzzled than usual, as I fancied.</p>
<p>"It is my duty," I replied. "I want to elevate you; to brighten your
existence."</p>
<p>"My Aura!" he whispered; and I was not quite sure whether he meant me or
not.</p>
<p>We were moving rapidly along the broad road beside a river. There were
hills in the distance and the air from them was in the key of the
Pleiades. There were gardens everywhere full of sunlight translated into
flowers, and without an effort one divined the harmony of growing
things. I felt that something was about to happen; I knew it, but I did
not care to ask what it might be. Perhaps if I had tried I could not
have known; perhaps for that hour I was only an Earth girl and could
only know things as they know them, but I did not care.</p>
<p>We were going faster, faster every moment.</p>
<p>"Was it you who willed me to come out into the country?" I asked. "Have
you been watching for me and expecting me?"</p>
<p>We were moving now as clouds that rush across a moon.</p>
<p>"I think I have been watching for you all my life and willing you to
come," he said, which shows how dreadfully unjust we sometimes are to
humans.</p>
<p>"While I was on another planet?" I inquired. "While<span class='pagenum'><SPAN name="Page_802" id="Page_802">[Pg 802]</SPAN></span> we were millions
and millions of miles apart? Suppose that I had never come to Earth?"</p>
<p>We were moving like the falling stars one journeys to the Dark
Hemisphere to see.</p>
<p>"I should have found you all the same," he whispered, half laughing, but
his blue eyes glistened. "I do not think that space itself could
separate us."</p>
<p>"Oh, do you realize that?" I asked, "and do you really know?"</p>
<p>"I know I have you with me now," he said, "and that is all I care to
know."</p>
<p>We were flying now, flying as comets fly to perihelion. The world about
was slipping from us, disintegrating and dissolving into cosmic thoughts
expressed in color. Only his eyes were actual, and the blue hills far
away, and the wind from them in the key of the Pleiades.</p>
<p>"There shall never any more be time or space for us," he said.</p>
<p>"But," I protested, "we must not overlook the fundamental facts."</p>
<p>"In all the universe there is just one fact," he cried, catching my hand
in his, and then—</p>
<p>(<span class="smcap">Note</span>: <i>Here a portion of the logogram becomes indecipherable, owing,
perhaps, to the passage of some large bird across the line of
projection. What follows is the last recorded vibragraph to date.</i>)</p>
<p>—Yes, dear, I know I should have been more circumspect. I should have
remembered my position, but I didn't. And that's why I'm engaged to be
married.—You have to here, when you reach a certain point—I know you
will think it a great come-down for one of us, but after all do we not
owe something to our sister planets?—</p>
<hr style="width: 65%;" />
<h2><SPAN name="FOOTNOTES" id="FOOTNOTES"></SPAN>FOOTNOTES:</h2>
<div class="footnote"><p><SPAN name="Footnote_1_1" id="Footnote_1_1"></SPAN><SPAN href="#FNanchor_1_1"><span class="label">[1]</span></SPAN> By permission of Life Publishing Company.</p></div>
<div class="footnote"><p><SPAN name="Footnote_2_2" id="Footnote_2_2"></SPAN><SPAN href="#FNanchor_2_2"><span class="label">[2]</span></SPAN> From "At the Sign of the Dollar," by Wallace Irwin.
Copyright, 1905, by Fox, Duffield & Co.</p></div>
<div class="footnote"><p><SPAN name="Footnote_3_3" id="Footnote_3_3"></SPAN><SPAN href="#FNanchor_3_3"><span class="label">[3]</span></SPAN> Reprinted from Mr. Owen Wister's "The Virginian."
Copyright, 1902-1904, by The Macmillan Company.</p></div>
<div class="footnote"><p><SPAN name="Footnote_4_4" id="Footnote_4_4"></SPAN><SPAN href="#FNanchor_4_4"><span class="label">[4]</span></SPAN> From "Nautical Lays of a Landsman," by Wallace Irwin.
Copyright, 1904, by Dodd, Mead & Co.</p></div>
<div class="footnote"><p><SPAN name="Footnote_5_5" id="Footnote_5_5"></SPAN><SPAN href="#FNanchor_5_5"><span class="label">[5]</span></SPAN> Lippincott's Magazine.</p></div>
<div class="footnote"><p><SPAN name="Footnote_6_6" id="Footnote_6_6"></SPAN><SPAN href="#FNanchor_6_6"><span class="label">[6]</span></SPAN> By permission of Life Publishing Company.</p></div>
<div class="footnote"><p><SPAN name="Footnote_7_7" id="Footnote_7_7"></SPAN><SPAN href="#FNanchor_7_7"><span class="label">[7]</span></SPAN> From "The Habitant and Other French Canadian Poems," by
William Henry Drummond. Copyright 1897 by G.P. Putnam's Sons.</p></div>
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