<SPAN name="Page_652" id="Page_652">[Pg 652]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="I_REMEMBER_I_REMEMBER" id="I_REMEMBER_I_REMEMBER"></SPAN>I REMEMBER, I REMEMBER</h2>
<h3>BY PHŒBE CARY</h3>
<div class="poem"><div class="stanza">
<span class="i0">I remember, I remember,<br /></span>
<span class="i2">The house where I was wed,<br /></span>
<span class="i0">And the little room from which that night,<br /></span>
<span class="i2">My smiling bride was led.<br /></span>
<span class="i0">She didn't come a wink too soon,<br /></span>
<span class="i2">Nor make too long a stay;<br /></span>
<span class="i0">But now I often wish her folks<br /></span>
<span class="i2">Had kept the girl away!<br /></span>
</div><div class="stanza">
<span class="i0">I remember, I remember,<br /></span>
<span class="i2">Her dresses, red and white,<br /></span>
<span class="i0">Her bonnets and her caps and cloaks,—<br /></span>
<span class="i2">They cost an awful sight!<br /></span>
<span class="i0">The "corner lot" on which I built,<br /></span>
<span class="i2">And where my brother met<br /></span>
<span class="i0">At first my wife, one washing-day,—<br /></span>
<span class="i2">That man is single yet!<br /></span>
</div><div class="stanza">
<span class="i0">I remember, I remember,<br /></span>
<span class="i2">Where I was used to court,<br /></span>
<span class="i0">And thought that all of married life<br /></span>
<span class="i2">Was just such pleasant sport:—<br /></span>
<span class="i0">My spirit flew in feathers then,<br /></span>
<span class="i2">No care was on my brow;<br /></span>
<span class="i0">I scarce could wait to shut the gate,—<br /></span>
<span class="i2">I'm not so anxious now!<br /></span><span class='pagenum'><SPAN name="Page_653" id="Page_653">[Pg 653]</SPAN></span>
</div><div class="stanza">
<span class="i0">I remember, I remember,<br /></span>
<span class="i2">My dear one's smile and sigh;<br /></span>
<span class="i0">I used to think her tender heart<br /></span>
<span class="i2">Was close against the sky.<br /></span>
<span class="i0">It was a childish ignorance,<br /></span>
<span class="i2">But now it soothes me not<br /></span>
<span class="i0">To know I'm farther off from Heaven<br /></span>
<span class="i2">Then when she wasn't got.<br /></span>
<span class='pagenum'><SPAN name="Page_654" id="Page_654">[Pg 654]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="THE_COUPON_BONDS" id="THE_COUPON_BONDS"></SPAN>THE COUPON BONDS</h2>
<h3>BY J.T. TROWBRIDGE</h3>
<p>(Mr. and Mrs. Ducklow have secretly purchased bonds with money that
should have been given to their adopted son Reuben, who has sacrificed
his health in serving his country as a soldier, and, going to visit
Reuben on the morning of his return home, they hide the bonds under the
carpet of the sitting-room, and leave the house in charge of Taddy,
another adopted son.)</p>
<hr style='width: 45%;' />
<p>Mr. Ducklow had scarcely turned the corner of the street, when, looking
anxiously in the direction of his homestead, he saw a column of smoke.
It was directly over the spot where he knew his house to be situated. He
guessed at a glance what had happened. The frightful catastrophe he
foreboded had befallen. Taddy had set the house afire.</p>
<p>"Them bonds! them bonds!" he exclaimed, distractedly. He did not think
so much of the house: house and furniture were insured; if they were
burned the inconvenience would be great indeed, and at any other time
the thought of such an event would have been a sufficient cause for
trepidation; but now his chief, his only anxiety was the bonds. They
were not insured. They would be a dead loss. And, what added sharpness
to his pangs, they would be a loss which he must keep a secret, as he
had kept their existence a secret,—a loss which he could not confess,
and of which he could not complain. Had<span class='pagenum'><SPAN name="Page_655" id="Page_655">[Pg 655]</SPAN></span> he not just given his neighbors
to understand that he had no such property? And his wife,—was she not
at that very moment, if not serving up a lie upon the subject, at least
paring the truth very thin indeed?</p>
<p>"A man would think," observed Ferring, "that Ducklow had some o' them
bonds on his hands, and got scaret, he took such a sudden start. He has,
hasn't he, Mrs. Ducklow?"</p>
<p>"Has what?" said Mrs. Ducklow, pretending ignorance.</p>
<p>"Some o' them cowpon bonds. I rather guess he's got some."</p>
<p>"You mean Gov'ment bonds? Ducklow got some? 'Tain't at all likely he'd
spec'late in them without saying something to <i>me</i> about it. No, he
couldn't have any without my knowing it, I'm sure."</p>
<p>How demure, how innocent she looked, plying her knitting-needle, and
stopping to take up a stitch! How little at that moment she knew of
Ducklow's trouble and its terrible cause!</p>
<p>Ducklow's first impulse was to drive on and endeavor at all hazards to
snatch the bonds from the flames. His next was to return and alarm his
neighbors and obtain their assistance. But a minute's delay might be
fatal: so he drove on, screaming, "Fire! fire!" at the top of his voice.</p>
<p>But the old mare was a slow-footed animal; and Ducklow had no whip. He
reached forward and struck her with the reins.</p>
<p>"Git up! git up!—Fire! fire!" screamed Ducklow. "Oh, them bonds! them
bonds! Why didn't I give the money to Reuben? Fire! fire! fire!"</p>
<p>By dint of screaming and slapping, he urged her from a trot into a
gallop, which was scarcely an improvement<span class='pagenum'><SPAN name="Page_656" id="Page_656">[Pg 656]</SPAN></span> as to speed, and certainly
not as to grace. It was like the gallop of an old cow. "Why don't ye go
'long?" he cried, despairingly.</p>
<p>Slap! slap! He knocked his own hat off with the loose end of the reins.
It fell under the wheels. He cast one look behind, to satisfy himself
that it had been very thoroughly run over and crushed into the dirt, and
left it to its fate.</p>
<p>Slap! slap! "Fire! fire!" Canter, canter, canter! Neighbors looked out
of their windows, and, recognizing Ducklow's wagon and old mare in such
an astonishing plight, and Ducklow himself, without his hat, rising from
his seat and reaching forward in wild attitudes, brandishing the reins,
and at the same time rending the azure with yells, thought he must be
insane.</p>
<p>He drove to the top of the hill, and, looking beyond, in expectation of
seeing his house wrapped in flames, discovered that the smoke proceeded
from a brush-heap which his neighbor Atkins was burning in a field near
by.</p>
<p>The revulsion of feeling that ensued was almost too much for the
excitable Ducklow. His strength went out of him. For a little while
there seemed to be nothing left of him but tremor and cold sweat.
Difficult as it had been to get the old mare in motion, it was now even
more difficult to stop her.</p>
<p>"Why, what has got into Ducklow's old mare? She's running away with him!
Who ever heard of such a thing!" And Atkins, watching the ludicrous
spectacle from his field, became almost as weak from laughter as Ducklow
was from the effects of fear.</p>
<p>At length Ducklow succeeded in checking the old mare's speed and in
turning her about. It was necessary to drive back for his hat. By this
time he could hear a chorus of shouts, "Fire! fire! fire!" over the
hill. He had<span class='pagenum'><SPAN name="Page_657" id="Page_657">[Pg 657]</SPAN></span> aroused the neighbors as he passed, and now they were
flocking to extinguish the flames.</p>
<p>"A false alarm! a false alarm!" said Ducklow, looking marvelously
sheepish, as he met them. "Nothing but Atkins's brush-heap!"</p>
<p>"Seems to me you ought to have found that out 'fore you raised all
creation with your yells!" said one hyperbolical fellow. "You looked
like the Flying Dutchman! This your hat? I thought 'twas a dead cat in
the road. No fire! no fire!"—turning back to his comrades,—"only one
of Ducklow's jokes."</p>
<p>Nevertheless, two or three boys there were who would not be convinced,
but continued to leap up, swing their caps, and scream "Fire!" against
all remonstrance. Ducklow did not wait to enter his explanations, but,
turning the old mare about again, drove home amid the laughter of the
by-standers and the screams of the misguided youngsters. As he
approached the house, he met Taddy rushing wildly up the street.</p>
<p>"Thaddeus! Thaddeus! Where ye goin', Thaddeus?"</p>
<p>"Goin' to the fire!" cried Taddy.</p>
<p>"There isn't any fire, boy."</p>
<p>"Yes, there is! Didn't ye hear 'em? They've been yellin' like fury."</p>
<p>"It's nothin' but Atkins's brush."</p>
<p>"That all?" And Taddy appeared very much disappointed. "I thought there
was goin' to be some fun. I wonder who was such a fool as to yell fire
just for a darned old brush-heap!"</p>
<p>Ducklow did not inform him.</p>
<p>"I've got to drive over to town and get Reuben's trunk. You stand by the
mare while I step in and brush my hat."</p>
<p>Instead of applying himself at once to the restoration of his beaver, he
hastened to the sitting-room, to see that the bonds were safe.<span class='pagenum'><SPAN name="Page_658" id="Page_658">[Pg 658]</SPAN></span></p>
<p>"Heavens and 'arth!" said Ducklow.</p>
<p>The chair, which had been carefully planted in the spot where they were
concealed, had been removed. Three or four tacks had been taken out, and
the carpet pushed from the wall. There was straw scattered about.
Evidently Taddy had been interrupted, in the midst of his ransacking, by
the alarm of fire. Indeed, he was even now creeping into the house to
see what notice Ducklow would take of these evidences of his mischief.</p>
<p>In great trepidation the farmer thrust in his hand here and there, and
groped, until he found the envelope precisely where it had been placed
the night before, with the tape tied around it, which his wife had put
on to prevent its contents from slipping out and losing themselves.
Great was the joy of Ducklow. Great also was the wrath of him when he
turned and discovered Taddy.</p>
<p>"Didn't I tell you to stand by the old mare?"</p>
<p>"She won't stir," said Taddy, shrinking away again.</p>
<p>"Come here!" And Ducklow grasped him by the collar.</p>
<p>"What have you been doin'? Look at that!"</p>
<p>"'Twan't me!" beginning to whimper and ram his fists into his eyes.</p>
<p>"Don't tell me 'twan't you!" Ducklow shook him till his teeth chattered.
"What was you pullin' up the carpet for?"</p>
<p>"Lost a marble!" sniveled Taddy.</p>
<p>"Lost a marble! Ye didn't lose it under the carpet, did ye? Look at all
that straw pulled out!" shaking him again.</p>
<p>"Didn't know but it might 'a' got under the carpet, marbles roll so,"
explained Taddy, as soon as he could get his breath.</p>
<p>"Wal, sir,"—Ducklow administered a resounding box<span class='pagenum'><SPAN name="Page_659" id="Page_659">[Pg 659]</SPAN></span> on his ear,—"don't
you do such a thing again, if you lose a million marbles!"</p>
<p>"Hain't got a million!" Taddy wept, rubbing his cheek. "Hain't got but
four! Won't ye buy me some to-day?"</p>
<p>"Go to that mare, and don't you leave her again till I come, or I'll
<i>marble</i> ye in a way you won't like."</p>
<p>Understanding, by this somewhat equivocal form of expression, that
flagellation was threatened, Taddy obeyed, still feeling his smarting
and burning ear.</p>
<p>Ducklow was in trouble. What should he do with the bonds? The floor was
no place for them after what had happened; and he remembered too well
the experience of yesterday to think for a moment of carrying them about
his person. With unreasonable impatience, his mind reverted to Mrs.
Ducklow.</p>
<p>"Why ain't she to home? These women are forever a-gaddin'! I wish
Reuben's trunk was in Jericho!"</p>
<p>Thinking of the trunk reminded him of one in the garret, filled with old
papers of all sorts,—newspapers, letters, bills of sale, children's
writing-books,—accumulations of the past quarter of a century. Neither
fire nor burglar nor ransacking youngster had ever molested those
ancient records during all those five-and-twenty years. A bright thought
struck him.</p>
<p>"I'll slip the bonds down into that worthless heap o' rubbish, where no
one 'ull ever think o' lookin' for 'em, and resk 'em."</p>
<p>Having assured himself that Taddy was standing by the wagon, he paid a
hasty visit to the trunk in the garret, and concealed the envelope,
still bound in its band of tape, among the papers. He then drove away,
giving Taddy a final charge to beware of setting anything afire.</p>
<p>He had driven about half a mile, when he met a ped<span class='pagenum'><SPAN name="Page_660" id="Page_660">[Pg 660]</SPAN></span>dler. There was
nothing unusual or alarming in such a circumstance, surely; but, as
Ducklow kept on, it troubled him.</p>
<p>"He'll stop to the house, now, most likely, and want to trade. Findin'
nobody but Taddy, there's no knowin' what he'll be tempted to do. But I
ain't a-goin' to worry. I'll defy anybody to find them bonds. Besides,
she may be home by this time. I guess she'll hear of the fire-alarm and
hurry home: it'll be jest like her. She'll be there, and trade with the
peddler!" thought Ducklow, uneasily. Then a frightful fancy possessed
him. "She has threatened two or three times to sell that old trunkful of
papers. He'll offer a big price for 'em, and ten to one she'll let him
have 'em. Why <i>didn't</i> I think on't? What a stupid blunderbuss I be!"</p>
<p>As Ducklow thought of it, he felt almost certain that Mrs. Ducklow had
returned home, and that she was bargaining with the peddler at that
moment. He fancied her smilingly receiving bright tin-ware for the old
papers; and he could see the tape-tied envelope going into the bag with
the rest. The result was that he turned about and whipped his old mare
home again in terrific haste, to catch the departing peddler.</p>
<p>Arriving, he found the house as he had left it, and Taddy occupied in
making a kite-frame.</p>
<p>"Did that peddler stop here?"</p>
<p>"I hain't seen no peddler."</p>
<p>"And hain't yer Ma Ducklow been home, nuther?"</p>
<p>"No."</p>
<p>And, with a guilty look, Taddy put the kite-frame behind him.</p>
<p>Ducklow considered. The peddler had turned up a cross-street: he would
probably turn down again and stop at the house, after all: Mrs. Ducklow
might by that time<span class='pagenum'><SPAN name="Page_661" id="Page_661">[Pg 661]</SPAN></span> be at home: then the sale of old papers would be
very likely to take place. Ducklow thought of leaving word that he did
not wish any old papers in the house to be sold, but feared lest the
request might excite Taddy's suspicions.</p>
<p>"I don't see no way but for me to take the bonds with me," thought he,
with an inward groan.</p>
<p>He accordingly went to the garret, took the envelope out of the trunk,
and placed it in the breast-pocket of his overcoat, to which he pinned
it, to prevent it by any chance from getting out. He used six large,
strong pins for the purpose, and was afterwards sorry he did not use
seven.</p>
<p>"There's suthin' losin' out o' yer pocket!" bawled Taddy, as he was once
more mounting the wagon.</p>
<p>Quick as lightning, Ducklow clapped his hand to his breast. In doing so
he loosed his hold of the wagon-box and fell, raking his shin badly on
the wheel.</p>
<p>"Yer side-pocket! It's one o' yer mittens!" said Taddy.</p>
<p>"You rascal! How you scared me!"</p>
<p>Seating himself in the wagon, Ducklow gently pulled up his trousers-leg
to look at the bruised part.</p>
<p>"Got anything in your boot-leg to-day, Pa Ducklow?" asked Taddy,
innocently.</p>
<p>"Yes,—a barked shin!—all on your account, too! Go and put that straw
back, and fix the carpet; and don't ye let me hear ye speak of my
boot-leg again, or I'll boot-leg ye!"</p>
<p>So saying, Ducklow departed.</p>
<p>Instead of repairing the mischief he had done in the sitting-room, Taddy
devoted his time and talents to the more interesting occupation of
constructing his kite-frame. He worked at that until Mr. Grantly, the
minister, driving by, stopped to inquire how the folks were.<span class='pagenum'><SPAN name="Page_662" id="Page_662">[Pg 662]</SPAN></span></p>
<p>"Ain't to home: may I ride?" cried Taddy, all in a breath.</p>
<p>Mr. Grantly was an indulgent old gentleman, fond of children: so he
said, "Jump in;" and in a minute Taddy had scrambled to a seat by his
side.</p>
<p>And now occurred a circumstance which Ducklow had foreseen. The alarm of
fire had reached Reuben's; and, although the report of its falseness
followed immediately, Mrs. Ducklow's inflammable fancy was so kindled by
it that she could find no comfort in prolonging her visit.</p>
<p>"Mr. Ducklow'll be going for the trunk, and I <i>must</i> go home and see to
things, Taddy's <i>such</i> a fellow for mischief. I can foot it; I shan't
mind it."</p>
<p>And off she started, walking herself out of breath in anxiety.</p>
<p>She reached the brow of the hill just in time to see a chaise drive away
from her own door.</p>
<p>"Who <i>can</i> that be? I wonder if Taddy's ther' to guard the house! If
anything should happen to them bonds!"</p>
<p>Out of breath as she was, she quickened her pace, and trudged on,
flushed, perspiring, panting, until she reached the house.</p>
<p>"Thaddeus!" she called.</p>
<p>No Taddy answered. She went in. The house was deserted. And, lo! the
carpet torn up, and the bonds abstracted!</p>
<p>Mr. Ducklow never would have made such work, removing the bonds. Then
somebody else must have taken them, she reasoned.</p>
<p>"The man in the chaise!" she exclaimed, or rather made an effort to
exclaim, succeeding only in bringing forth a hoarse, gasping sound. Fear
dried up articulation. <i>Vox faucibus hæsit.</i><span class='pagenum'><SPAN name="Page_663" id="Page_663">[Pg 663]</SPAN></span></p>
<p>And Taddy? He had disappeared, been murdered, perhaps,—or gagged and
carried away by the man in the chaise.</p>
<p>Mrs. Ducklow flew hither and thither (to use a favorite phrase of her
own), "like a hen with her head cut off;" then rushed out of the house
and up the street, screaming after the chaise,—</p>
<p>"Murder! murder! Stop thief! stop thief!"</p>
<p>She waved her hands aloft in the air frantically. If she had trudged
before, now she trotted, now she cantered; but, if the cantering of the
old mare was fitly likened to that of a cow, to what thing, to what
manner of motion under the sun, shall we liken the cantering of Mrs.
Ducklow? It was original; it was unique; it was prodigious. Now, with
her frantically waving hands, and all her undulating and flapping
skirts, she seemed a species of huge, unwieldy bird, attempting to fly.
Then she sank down into a heavy, dragging walk,—breath and strength all
gone,—no voice left even to scream "murder!" Then, the awful
realization of the loss of the bonds once more rushing over her, she
started up again. "Half running, half flying, what progress she made!"
Then Atkins's dog saw her, and, naturally mistaking her for a prodigy,
came out at her, bristling up and bounding and barking terrifically.</p>
<p>"Come here!" cried Atkins, following the dog. "What's the matter? What's
to pay, Mrs. Ducklow?"</p>
<p>Attempting to speak, the good woman could only pant and wheeze.</p>
<p>"Robbed!" she at last managed to whisper, amid the yelpings of the cur
that refused to be silenced.</p>
<p>"Robbed? How? Who?"</p>
<p>"The chaise. Ketch it."</p>
<p>Her gestures expressed more than her words; and, At<span class='pagenum'><SPAN name="Page_664" id="Page_664">[Pg 664]</SPAN></span>kins's horse and
wagon, with which he had been drawing out brush, being in the yard
near-by, he ran to them, leaped to the seat, drove into the road, took
Mrs. Ducklow aboard, and set out in vigorous pursuit of the slow
two-wheeled vehicle.</p>
<p>"Stop, you, sir! Stop, you, sir!" shrieked Mrs. Ducklow, having
recovered her breath by the time they came up with the chaise.</p>
<p>It stopped, and Mr. Grantly, the minister, put out his good-natured,
surprised face.</p>
<p>"You've robbed my house! You've took—"</p>
<p>Mrs. Ducklow was going on in wild, accusatory accents, when she
recognized the benign countenance.</p>
<p>"What do you say? I have robbed you?" he exclaimed, very much
astonished.</p>
<p>"No, no! not you! You wouldn't do such a thing!" she stammered forth,
while Atkins, who had laughed himself weak at Mr. Ducklow's plight
earlier in the morning, now laughed himself into a side-ache at Mrs.
Ducklow's ludicrous mistake. "But did you—did you stop at my house?
Have you seen our Thaddeus?"</p>
<p>"Here I be, Ma Ducklow!" piped a small voice; and Taddy, who had till
then remained hidden, fearing punishment, peeped out of the chaise from
behind the broad back of the minister.</p>
<p>"Taddy! Taddy! how came the carpet—"</p>
<p>"I pulled it up, huntin' for a marble," said Taddy, as she paused,
overmastered by her emotions.</p>
<p>"And the—the thing tied up in a brown wrapper?"</p>
<p>"Pa Ducklow took it."</p>
<p>"Ye sure?"</p>
<p>"Yes; I seen him."</p>
<p>"Oh, dear!" said Mrs. Ducklow, "I never was so beat! Mr. Grantly, I
hope—excuse me—I didn't know what I<span class='pagenum'><SPAN name="Page_665" id="Page_665">[Pg 665]</SPAN></span> was about! Taddy, you notty boy,
what did you leave the house for? Be ye quite sure yer Pa Ducklow—"</p>
<p>Taddy replied that he was quite sure, as he climbed from the chaise into
Atkins's wagon. The minister smilingly remarked that he hoped she would
find no robbery had been committed, and went his way. Atkins, driving
back, and setting her and Taddy down at the Ducklow gate, answered her
embarrassed "Much obleeged to ye," with a sincere "Not at all,"
considering the fun he had had a sufficient compensation for his
trouble. And thus ended the morning adventures, with the exception of an
unimportant episode, in which Taddy, Mrs. Ducklow, and Mrs. Ducklow's
rattan were the principal actors.<span class='pagenum'><SPAN name="Page_666" id="Page_666">[Pg 666]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="THE_SHOOTING-MATCH" id="THE_SHOOTING-MATCH"></SPAN>THE SHOOTING-MATCH</h2>
<h3>BY A.B. LONGSTREET</h3>
<p>Shooting-matches are probably nearly coeval with the colonization of
Georgia. They are still common throughout the Southern States, though
they are not as common as they were twenty-five or thirty years ago.
Chance led me to one about a year ago. I was traveling in one of the
northeastern counties, when I overtook a swarthy, bright-eyed, smirky
little fellow, riding a small pony, and bearing on his shoulder a long,
heavy rifle, which, judging from its looks, I should say had done
service in Morgan's corps.</p>
<p>"Good morning, sir!" said I, reining up my horse as I came beside him.</p>
<p>"How goes it, stranger?" said he, with a tone of independence and
self-confidence that awakened my curiosity to know a little of his
character.</p>
<p>"Going driving?" inquired I.</p>
<p>"Not exactly," replied he, surveying my horse with a quizzical smile; "I
haven't been a driving <i>by myself</i> for a year or two; and my nose has
got so bad lately, I can't carry a cold trail <i>without hounds to help
me</i>."</p>
<p>Alone, and without hounds as he was, the question was rather a silly
one; but it answered the purpose for which it was put, which was only to
draw him into conversation, and I proceeded to make as decent a retreat
as I could.</p>
<p>"I didn't know," said I, "but that you were going to meet the huntsmen,
or going to your stand."<span class='pagenum'><SPAN name="Page_667" id="Page_667">[Pg 667]</SPAN></span></p>
<p>"Ah, sure enough," rejoined he, "that <i>mout</i> be a bee, as the old woman
said when she killed a wasp. It seems to me I ought to know you."</p>
<p>"Well, if you <i>ought</i>, why <i>don't</i> you?"</p>
<p>"What <i>mout</i> your name be?"</p>
<p>"It <i>might</i> be anything," said I, with a borrowed wit, for I knew my man
and knew what kind of conversation would please him most.</p>
<p>"Well, what <i>is</i> it, then?"</p>
<p>"It <i>is</i> Hall," said I; "but you know it might as well have been
anything else."</p>
<p>"Pretty digging!" said he. "I find you're not the fool I took you to be;
so here's to a better acquaintance with you."</p>
<p>"With all my heart," returned I; "but you must be as clever as I've
been, and give me your name."</p>
<p>"To be sure I will, my old coon; take it, take it, and welcome. Anything
else about me you'd like to have?"</p>
<p>"No," said I, "there's nothing else about you worth having."</p>
<p>"Oh, yes there is, stranger! Do you see this?" holding up his ponderous
rifle with an ease that astonished me. "If you will go with me to the
shooting-match, and see me knock out the <i>bull's-eye</i> with her a few
times, you'll agree the old <i>Soap-stick's</i> worth something when Billy
Curlew puts his shoulder to her."</p>
<p>This short sentence was replete with information to me. It taught me
that my companion was <i>Billy Curlew</i>; that he was going to a
<i>shooting-match</i>; that he called his rifle the <i>Soap-stick</i>, and that he
was very confident of winning beef with her; or, which is nearly, but
not quite the same thing, <i>driving the cross with her</i>.</p>
<p>"Well," said I, "if the shooting-match is not too far out of my way,
I'll go to it with pleasure."<span class='pagenum'><SPAN name="Page_668" id="Page_668">[Pg 668]</SPAN></span></p>
<p>"Unless your way lies through the woods from here," said Billy, "it'll
not be much out of your way; for it's only a mile ahead of us, and there
is no other road for you to take till you get there; and as that thing
you're riding in ain't well suited to fast traveling among brushy knobs,
I reckon you won't lose much by going by. I reckon you hardly ever was
at a shooting-match, stranger, from the cut of your coat?"</p>
<p>"Oh, yes," returned I, "many a time. I won beef at one when I was hardly
old enough to hold a shot-gun off-hand."</p>
<p>"<i>Children</i> don't go to shooting-matches about here," said he, with a
smile of incredulity. "I never heard of but one that did, and he was a
little <i>swinge</i> cat. He was born a shooting, and killed squirrels before
he was weaned."</p>
<p>"Nor did <i>I</i> ever hear of but one," replied I, "and that one was
myself."</p>
<p>"And where did you win beef so young, stranger?"</p>
<p>"At Berry Adams's."</p>
<p>"Why, stop, stranger, let me look at you good! Is your name <i>Lyman</i>
Hall?"</p>
<p>"The very same," said I.</p>
<p>"Well, dang my buttons, if you ain't the very boy my daddy used to tell
me about. I was too young to recollect you myself; but I've heard daddy
talk about you many a time. I believe mammy's got a neck-handkerchief
now that daddy won on your shooting at Collen Reid's store, when you
were hardly knee high. Come along, Lyman, and I'll go my death upon you
at the shooting-match, with the old Soap-stick at your shoulder."</p>
<p>"Ah, Billy," said I, "the old Soap-stick will do much better at your own
shoulder. It was my mother's notion that sent me to the shooting-match
at Berry Adams's;<span class='pagenum'><SPAN name="Page_669" id="Page_669">[Pg 669]</SPAN></span> and, to tell the honest truth, it was altogether a
chance shot that made me win beef; but that wasn't generally known; and
most everybody believed that I was carried there on account of my skill
in shooting; and my fame was spread far and wide, I well remember. I
remember, too, perfectly well, your father's bet on me at the store.
<i>He</i> was at the shooting-match, and nothing could make him believe but
that I was a great shot with a rifle as well as a shot-gun. Bet he would
on me, in spite of all I could say, though I assured him that I had
never shot a rifle in my life. It so happened, too, that there were but
two bullets, or, rather, a bullet and a half; and so confident was your
father in my skill, that he made me shoot the half bullet; and, strange
to tell, by another chance shot, I like to have drove the cross and won
his bet."</p>
<p>"Now I know you're the very chap, for I heard daddy tell that very thing
about the half bullet. Don't say anything about it, Lyman, and darn my
old shoes, if I don't tare the lint off the boys with you at the
shooting-match. They'll never 'spect such a looking man as you are of
knowing anything about a rifle. I'll risk your <i>chance</i> shots."</p>
<p>I soon discovered that the father had eaten sour grapes, and the son's
teeth were on edge; for Billy was just as incorrigibly obstinate in his
belief of my dexterity with a rifle as his father had been before him.</p>
<p>We soon reached the place appointed for the shooting-match. It went by
the name of Sims's Cross Roads, because here two roads intersected each
other; and because, from the time that the first had been laid out,
Archibald Sims had resided there. Archibald had been a justice of the
peace in his day (and where is the man of his age in Georgia who has
not?); consequently, he was called 'Squire Sims. It is the custom in
this state, when a man<span class='pagenum'><SPAN name="Page_670" id="Page_670">[Pg 670]</SPAN></span> has once acquired a title, civil or military, to
force it upon him as long as he lives; hence the countless number of
titled personages who are introduced in these sketches.</p>
<p>We stopped at the 'squire's door. Billy hastily dismounted, gave me the
shake of the hand which he had been reluctantly reserving for a mile
back, and, leading me up to the 'squire, thus introduced me: "Uncle
Archy, this is Lyman Hall; and for all you see him in these fine
clothes, he's a <i>swinge</i> cat; a darn sight cleverer fellow than he looks
to be. Wait till you see him lift the old Soap-stick, and draw a bead
upon the bull's-eye. You <i>gwine</i> to see fun here to-day. Don't say
nothing about it."</p>
<p>"Well, Mr. Swinge-cat," said the 'squire, "here's to a better
acquaintance with you," offering me his hand.</p>
<p>"How goes it, Uncle Archy?" said I, taking his hand warmly (for I am
always free and easy with those who are so with me; and in this course I
rarely fail to please). "How's the old woman?"</p>
<p>"Egad," said the 'squire, chuckling, "there you're too hard for me; for
she died two-and-twenty years ago, and I haven't heard a word from her
since."</p>
<p>"What! and you never married again?"</p>
<p>"Never, as God's my judge!" (a solemn asseveration, truly, upon so light
a subject.)</p>
<p>"Well, that's not my fault."</p>
<p>"No, nor it's not mine, <i>ni</i>ther," said the 'squire.</p>
<p>Here we were interrupted by the cry of another Rancey Sniffle. "Hello,
here! All you as wish to put in for the shoot'n'-match, come on here!
for the putt'n' in's <i>riddy</i> to begin."</p>
<p>About sixty persons, including mere spectators, had collected; the most
of whom were more or less obedient to the call of Mealy Whitecotton, for
that was the name of the self-constituted commander-in-chief. Some
hastened<span class='pagenum'><SPAN name="Page_671" id="Page_671">[Pg 671]</SPAN></span> and some loitered, as they desired to be first or last on the
list; for they shoot in the order in which their names are entered.</p>
<p>The beef was not present, nor is it ever upon such occasions; but
several of the company had seen it, who all concurred in the opinion
that it was a good beef, and well worth the price that was set upon
it—eleven dollars. A general inquiry ran around, in order to form some
opinion as to the number of shots that would be taken; for, of course,
the price of a shot is cheapened in proportion to the increase of that
number. It was soon ascertained that not more than twenty persons would
take chances; but these twenty agreed to take the number of shots, at
twenty-five cents each.</p>
<p>The competitors now began to give in their names; some for one, some for
two, three, and a few for as many as four shots.</p>
<p>Billy Curlew hung back to the last; and when the list was offered him,
five shots remained undisposed of.</p>
<p>"How many shots left?" inquired Billy.</p>
<p>"Five," was the reply.</p>
<p>"Well, I take 'em all. Put down four shots to me, and one to Lyman Hall,
paid for by William Curlew."</p>
<p>I was thunder-struck, not at his proposition to pay for my shot, because
I knew that Billy meant it as a token of friendship, and he would have
been hurt if I had refused to let him do me this favor; but at the
unexpected announcement of my name as a competitor for beef, at least
one hundred miles from the place of my residence. I was prepared for a
challenge from Billy to some of his neighbors for a <i>private</i> match upon
me; but not for this.</p>
<p>I therefore protested against his putting in for me, and urged every
reason to dissuade him from it that I could, without wounding his
feelings.<span class='pagenum'><SPAN name="Page_672" id="Page_672">[Pg 672]</SPAN></span></p>
<p>"Put it down!" said Billy, with the authority of an emperor, and with a
look that spoke volumes intelligible to every by-stander. "Reckon I
don't know what I'm about?" Then wheeling off, and muttering in an
under, self-confident tone, "Dang old Roper," continued he, "if he don't
knock that cross to the north corner of creation and back again before a
cat can lick her foot."</p>
<p>Had I been king of the cat tribe, they could not have regarded me with
more curious attention than did the whole company from this moment.
Every inch of me was examined with the nicest scrutiny; and some plainly
expressed by their looks that they never would have taken me for such a
bite. I saw no alternative but to throw myself upon a third chance shot;
for though, by the rules of the sport, I would have been allowed to
shoot by proxy, by all the rules of good breeding I was bound to shoot
in person. It would have been unpardonable to disappoint the
expectations which had been raised on me. Unfortunately, too, for me,
the match differed in one respect from those which I had been in the
habit of attending in my younger days. In olden times the contest was
carried on chiefly with <i>shot-guns</i>, a generic term which, in those
days, embraced three descriptions of firearms: <i>Indian-traders</i> (a long,
cheap, but sometimes excellent kind of gun, that mother Britain used to
send hither for traffic with the Indians), <i>the large musket</i>, and the
<i>shot-gun</i>, properly so-called. Rifles were, however, always permitted
to compete with them, under equitable restrictions. These were, that
they should be fired off-hand, while the shot-guns were allowed a rest,
the distance being equal; or that the distance should be one hundred
yards for a rifle, to sixty for the shot-gun, the mode of firing being
equal.</p>
<p>But this was a match of rifles exclusively; and these are by far the
most common at this time.<span class='pagenum'><SPAN name="Page_673" id="Page_673">[Pg 673]</SPAN></span></p>
<p>Most of the competitors fire at the same target; which is usually a
board from nine inches to a foot wide, charred on one side as black as
it can be made by fire, without impairing materially the uniformity of
its surface; on the darkened side of which is <i>pegged</i> a square piece of
white paper, which is larger or smaller, according to the distance at
which it is to be placed from the marksmen. This is almost invariably
sixty yards, and for it the paper is reduced to about two and a half
inches square. Out of the center of it is cut a rhombus of about the
width of an inch, measured diagonally; this is the <i>bull's-eye</i>, or
<i>diamond</i>, as the marksmen choose to call it; in the center of this is
the cross. But every man is permitted to fix his target to his own
taste; and accordingly, some remove one-fourth of the paper, cutting
from the center of the square to the two lower corners, so as to leave a
large angle opening from the center downward; while others reduce the
angle more or less: but it is rarely the case that all are not satisfied
with one of these figures.</p>
<p>The beef is divided into five prizes, or, as they are commonly termed,
five <i>quarters</i>—the hide and tallow counting as one. For several years
after the revolutionary war, a sixth was added: the <i>lead</i> which was
shot in the match. This was the prize of the sixth best shot; and it
used to be carefully extracted from the board or tree in which it was
lodged, and afterward remoulded. But this grew out of the exigency of
the times, and has, I believe, been long since abandoned everywhere.</p>
<p>The three master shots and rivals were Moses Firmby, Larkin Spivey and
Billy Curlew; to whom was added, upon this occasion, by common consent
and with awful forebodings, your humble servant.</p>
<p>The target was fixed at an elevation of about three feet from the
ground; and the judges (Captain Turner and<span class='pagenum'><SPAN name="Page_674" id="Page_674">[Pg 674]</SPAN></span> 'Squire Porter) took their
stands by it, joined by about half the spectators.</p>
<p>The first name on the catalogue was Mealy Whitecotton. Mealy stepped
out, rifle in hand, and toed the mark. His rifle was about three inches
longer than himself, and near enough his own thickness to make the
remark of Darby Chislom, as he stepped out, tolerably appropriate: "Here
comes the corn-stalk and the sucker!" said Darby.</p>
<p>"Kiss my foot!" said Mealy. "The way I'll creep into that bull's-eye's a
fact."</p>
<p>"You'd better creep into your hind sight," said Darby. Mealy raised and
fired.</p>
<p>"A pretty good shot, Mealy!" said one.</p>
<p>"Yes, a blamed good shot!" said a second.</p>
<p>"Well done, Meal!" said a third.</p>
<p>I was rejoiced when one of the company inquired, "Where is it?" for I
could hardly believe they were founding these remarks upon the evidence
of their senses.</p>
<p>"Just on the right-hand side of the bull's-eye," was the reply.</p>
<p>I looked with all the power of my eyes, but was unable to discover the
least change in the surface of the paper. Their report, however, was
true; so much keener is the vision of a practiced than an unpracticed
eye.</p>
<p>The next in order was Hiram Baugh. Hiram was like some race-horses which
I have seen; he was too good not to contend for every prize, and too
good for nothing ever to win one.</p>
<p>"Gentlemen," said he, as he came to the mark, "I don't say that I'll win
beef; but if my piece don't blow, I'll eat the paper, or be mighty apt
to do it, if you'll b'lieve my racket. My powder are not good powder,
gentlemen; I bought it <i>thum</i> (from) Zeb Daggett, and gin him
three-quarters of a dollar a pound for it; but it are not what I<span class='pagenum'><SPAN name="Page_675" id="Page_675">[Pg 675]</SPAN></span> call
good powder, gentlemen; but if old Buck-killer burns it clear, the boy
you call Hiram Baugh eat's paper, or comes mighty near it."</p>
<p>"Well, blaze away," said Mealy, "and be d——d to you, and Zeb Daggett,
and your powder, and Buck-killer, and your powder-horn and shot-pouch to
boot! How long you gwine stand thar talking 'fore you shoot?"</p>
<p>"Never mind," said Hiram, "I can talk a little and shoot a little, too,
but that's nothin'. Here goes!"</p>
<p>Hiram assumed the figure of a note of interrogation, took a long sight,
and fired.</p>
<p>"I've eat paper," said he, at the crack of the gun, without looking, or
seeming to look, toward the target. "Buck-killer made a clear racket.
Where am I, gentlemen?"</p>
<p>"You're just between Mealy and the diamond," was the reply.</p>
<p>"I said I'd eat paper, and I've done it; haven't I, gentlemen?"</p>
<p>"And 'spose you have!" said Mealy, "what do that 'mount to? You'll not
win beef, and never did."</p>
<p>"Be that as it mout be, I've beat Meal 'Cotton mighty easy; and the boy
you call Hiram Baugh are able to do it."</p>
<p>"And what do that 'mount to? Who the devil an't able to beat Meal
'Cotton! I don't make no pretense of bein' nothin' great, no how; but
you always makes out as if you were gwine to keep 'em makin' crosses for
you constant, and then do nothin' but '<i>eat paper</i>' at last; and that's
a long way from <i>eatin' beef</i>, 'cordin' to Meal 'Cotton's notions, as
you call him."</p>
<p>Simon Stow was now called on.</p>
<p>"Oh, Lord!" exclaimed two or three: "now we have it. It'll take him as
long to shoot as it would take 'Squire Dobbins to run round a <i>track</i> o'
land."<span class='pagenum'><SPAN name="Page_676" id="Page_676">[Pg 676]</SPAN></span></p>
<p>"Good-by, boys," said Bob Martin.</p>
<p>"Where are you going, Bob?"</p>
<p>"Going to gather in my crop; I'll be back again though by the time Sime
Stow shoots."</p>
<p>Simon was used to all this, and therefore it did not disconcert him in
the least. He went off and brought his own target, and set it up with
his own hand.</p>
<p>He then wiped out his rifle, rubbed the pan with his hat, drew a piece
of tow through the touch-hole with his wiper, filled his charger with
great care, poured the powder into the rifle with equal caution, shoved
in with his finger the two or three vagrant grains that lodged round the
mouth of his piece, took out a handful of bullets, looked them all over
carefully, selected one without flaw or wrinkle, drew out his patching,
found the most even part of it, sprung open the grease-box in the breech
of his rifle; took up just so much grease, distributed it with great
equality over the chosen part of his patching, laid it over the muzzle
of his rifle, grease side down, placed his ball upon it, pressed it a
little, then took it up and turned the neck a little more
perpendicularly downward, placed his knife handle on it, just buried it
in the mouth of the rifle, cut off the redundant patching just above the
bullet, looked at it, and shook his head in token that he had cut off
too much or too little, no one knew which, sent down the ball, measured
the contents of his gun with his first and second fingers on the
protruding part of the ramrod, shook his head again, to signify there
was too much or too little powder, primed carefully, placed an arched
piece of tin over the hind sight to shade it, took his place, got a
friend to hold his hat over the foresight to shade it, took a very long
sight, fired, and didn't even eat the paper.</p>
<p>"My piece was badly <i>loadned</i>," said Simon, when he learned the place of
his ball.<span class='pagenum'><SPAN name="Page_677" id="Page_677">[Pg 677]</SPAN></span></p>
<p>"Oh, you didn't take time," said Mealy. "No man can shoot that's in such
a hurry as you is. I'd hardly got to sleep 'fore I heard the crack o'
the gun."</p>
<p>The next was Moses Firmby. He was a tall, slim man, of rather sallow
complexion; and it is a singular fact, that though probably no part of
the world is more healthy than the mountainous parts of Georgia, the
mountaineers have not generally robust frames or fine complexions: they
are, however, almost inexhaustible by toil.</p>
<p>Moses kept us not long in suspense. His rifle was already charged, and
he fixed it upon the target with a steadiness of nerve and aim that was
astonishing to me and alarming to all the rest. A few seconds, and the
report of his rifle broke the deathlike silence which prevailed.</p>
<p>"No great harm done yet," said Spivey, manifestly relieved from anxiety
by an event which seemed to me better calculated to produce despair.
Firmby's ball had cut out the lower angle of the diamond, directly on a
right line with the cross.</p>
<p>Three or four followed him without bettering his shot; all of whom,
however, with one exception, "eat the paper."</p>
<p>It now came to Spivey's turn. There was nothing remarkable in his person
or manner. He took his place, lowered his rifle slowly from a
perpendicular until it came on a line with the mark, held it there like
a vice for a moment and fired.</p>
<p>"Pretty <i>sevigrous</i>, but nothing killing yet," said Billy Curlew, as he
learned the place of Spivey's ball.</p>
<p>Spivey's ball had just broken the upper angle of the diamond; beating
Firmby about half its width.</p>
<p>A few more shots, in which there was nothing remarkable, brought us to
Billy Curlew. Billy stepped out with much confidence, and brought the
Soap-stick to an order,<span class='pagenum'><SPAN name="Page_678" id="Page_678">[Pg 678]</SPAN></span> while he deliberately rolled up his shirt
sleeves. Had I judged Billy's chance of success from the looks of his
gun, I should have said it was hopeless. The stock of Soap-stick seemed
to have been made with a case-knife; and had it been, the tool would
have been but a poor apology for its clumsy appearance. An auger-hole in
the breech served for a grease-box; a cotton string assisted a single
screw in holding on the lock; and the thimbles were made, one of brass,
one of iron, and one of tin.</p>
<p>"Where's Lark Spivey's bullet?" called out Billy to the judges, as he
finished rolling up his sleeves.</p>
<p>"About three-quarters of an inch from the cross," was the reply.</p>
<p>"Well, clear the way! the Soap-stick's coming, and she'll be along in
there among 'em presently."</p>
<p>Billy now planted himself astraddle, like an inverted V; shot forward
his left hip, drew his body back to an angle of about forty-five degrees
with the plane of the horizon, brought his cheek down close to the
breech of old Soap-stick, and fixed her upon the mark with untrembling
hand. His sight was long, and the swelling muscles of his left arm led
me to believe that he was lessening his chance of success with every
half second that he kept it burdened with his ponderous rifle; but it
neither flagged nor wavered until Soap-stick made her report.</p>
<p>"Where am I?" said Billy, as the smoke rose from before his eye.</p>
<p>"You've jist touched the cross on the lower side," was the reply of one
of the judges.</p>
<p>"I was afraid I was drawing my bead a <i>leetle</i> too fine," said Billy.
"Now, Lyman, you see what the Soap-stick can do. Take her, and show the
boys how you used to do when you was a baby."</p>
<p>I begged to reserve my shot to the last; pleading, rather<span class='pagenum'><SPAN name="Page_679" id="Page_679">[Pg 679]</SPAN></span>
sophistically, that it was, in point of fact, one of the Billy's shots.
My plea was rather indulged than sustained, and the marksmen who had
taken more than one shot commenced the second round. This round was a
manifest improvement upon the first. The cross was driven three times:
once by Spivey, once by Firmby, and once by no less a personage than
Mealy Whitecotton, whom chance seemed to favor for this time, merely
that he might retaliate upon Hiram Baugh; and the bull's-eye was
disfigured out of all shape.</p>
<p>The third and fourth rounds were shot. Billy discharged his last shot,
which left the rights of parties thus: Billy Curlew first and fourth
choice, Spivey second, Firmby third and Whitecotton fifth. Some of my
readers may perhaps be curious to learn how a distinction comes to be
made between several, all of whom drive the cross. The distinction is
perfectly natural and equitable. Threads are stretched from the
uneffaced parts of the once intersecting lines, by means of which the
original position of the cross is precisely ascertained. Each
bullet-hole being nicely pegged up as it is made, it is easy to
ascertain its circumference. To this I believe they usually, if not
invariably, measure, where none of the balls touch the cross; but if the
cross be driven, they measure from it to the center of the bullet-hole.
To make a draw shot, therefore, between two who drive the cross, it is
necessary that the center of both balls should pass directly through the
cross; a thing that very rarely happens.</p>
<p><i>The Bite</i> alone remained to shoot. Billy wiped out his rifle carefully,
loaded her to the top of his skill, and handed her to me. "Now," said
he, "Lyman, draw a fine bead, but not too fine; for Soap-stick bears up
her ball well. Take care and don't touch the trigger until you've got
your bead; for she's spring-trigger'd and goes mighty<span class='pagenum'><SPAN name="Page_680" id="Page_680">[Pg 680]</SPAN></span> easy: but you
hold her to the place you want her, and if she don't go there, dang old
Roper."</p>
<p>I took hold of Soap-stick, and lapsed immediately into the most hopeless
despair. I am sure I never handled as heavy a gun in all my life. "Why,
Billy," said I, "you little mortal, you! what do you use such a gun as
this for?"</p>
<p>"Look at the bull's-eye yonder!" said he.</p>
<p>"True," said I, "but <i>I</i> can't shoot her; it is impossible."</p>
<p>"Go 'long, you old coon!" said Billy; "I see what you're at;" intimating
that all this was merely to make the coming shot the more remarkable.
"Daddy's little boy don't shoot anything but the old Soap-stick here
to-day, I know."</p>
<p>The judges, I knew, were becoming impatient, and, withal, my situation
was growing more embarrassing every second; so I e'en resolved to try
the Soap-stick without further parley.</p>
<p>I stepped out, and the most intense interest was excited all around me,
and it flashed like electricity around the target, as I judged from the
anxious gaze of all in that direction.</p>
<p>Policy dictated that I should fire with a falling rifle, and I adopted
this mode; determining to fire as soon as the sights came on a line with
the diamond, <i>bead</i> or no <i>bead</i>. Accordingly, I commenced lowering old
Soap-stick; but, in spite of all my muscular powers, she was strictly
obedient to the laws of gravitation, and came down with a uniformly
accelerated velocity. Before I could arrest her downward flight, she had
not only passed the target, but was making rapid encroachments on my own
toes.</p>
<p>"Why, he's the weakest man in the arms I ever seed," said one, in a half
whisper.<span class='pagenum'><SPAN name="Page_681" id="Page_681">[Pg 681]</SPAN></span></p>
<p>"It's only his fun," said Billy; "I know him."</p>
<p>"It may be fun," said the other, "but it looks mightily like yearnest to
a man up a tree."</p>
<p>I now, of course, determined to reverse the mode of firing, and put
forth all my physical energies to raise Soap-stick to the mark. The
effort silenced Billy, and gave tongue to all his companions. I had just
strength enough to master Soap-stick's obstinate proclivity, and,
consequently, my nerves began to exhibit palpable signs of distress with
her first imperceptible movement upward. A trembling commenced in my
arms; increased, and extended rapidly to my body and lower extremities;
so that, by the time that I had brought Soap-stick up to the mark, I was
shaking from head to foot, exactly like a man under the continued action
of a strong galvanic battery. In the meantime my friends gave vent to
their feelings freely.</p>
<p>"I swear poin' blank," said one, "that man can't shoot."</p>
<p>"He used to shoot well," said another; "but can't now, nor never could."</p>
<p>"You better git away from 'bout that mark!" bawled a third, "for I'll be
dod darned if Broadcloth don't give some of you the dry gripes if you
stand too close thare."</p>
<p>"The stranger's got the peedoddles," said a fourth, with humorous
gravity.</p>
<p>"If he had bullets enough in his gun, he'd shoot a ring round the
bull's-eye big as a spinning wheel," said a fifth.</p>
<p>As soon as I found that Soap-stick was high enough (for I made no
farther use of the sights than to ascertain this fact), I pulled
trigger, and off she went. I have always found that the most creditable
way of relieving myself of derision was to heighten it myself as much as
possible. It is a good plan in all circles, but by far the best which
can be adopted among the plain, rough farmers of the country.
Accordingly, I brought old Soap-stick to an<span class='pagenum'><SPAN name="Page_682" id="Page_682">[Pg 682]</SPAN></span> order with an air of
triumph; tipped Billy a wink, and observed, "Now, Billy, 's your time to
make your fortune. Bet 'em two to one that I've knocked out the cross."</p>
<p>"No, I'll be dod blamed if I do," said Billy; "but I'll bet you two to
one that you hain't hit the plank."</p>
<p>"Ah, Billy," said I, "I was joking about <i>betting</i>, for I never bet; nor
would I have you to bet: indeed, I do not feel exactly right in shooting
for beef; for it is a species of gaming at last: but I'll say this much:
if that cross isn't knocked out, I'll never shoot for beef again as long
as I live."</p>
<p>"By dod," said Mealy Whitecotton, "you'll lose no great things at that."</p>
<p>"Well," said I, "I reckon I know a little about wabbling. Is it
possible, Billy, a man who shoots as well as you do, never practiced
shooting with the double wabble? It's the greatest take in the world
when you learn to drive the cross with it. Another sort for getting bets
upon, to the drop-sight, with a single wabble! And the Soap-stick's the
very yarn for it."</p>
<p>"Tell you what, stranger," said one, "you're too hard for us all here.
We never <i>hearn</i> o' that sort o' shoot'n' in these parts."</p>
<p>"Well," returned I, "you've seen it now, and I'm the boy that can do
it."</p>
<p>The judges were now approaching with the target, and a singular
combination of circumstances had kept all my party in utter ignorance of
the result of my shot. Those about the target had been prepared by Billy
Curlew for a great shot from me; their expectations had received
assurance from the courtesy which had been extended to me; and nothing
had happened to disappoint them but the single caution to them against
the "dry gripes," which was as likely to have been given in irony as in
earnest;<span class='pagenum'><SPAN name="Page_683" id="Page_683">[Pg 683]</SPAN></span> for my agonies under the weight of the Soap-stick were either
imperceptible to them at the distance of sixty yards, or, being visible,
were taken as the flourishes of an expert who wished to "astonish the
natives." The other party did not think the direction of my ball worth
the trouble of a question; or if they did, my airs and harangue had put
the thought to flight before it was delivered. Consequently, they were
all transfixed with astonishment when the judges presented the target to
them, and gravely observed, "It's only second best, after all the fuss."</p>
<p>"Second best!" exclaimed I, with uncontrollable transports.</p>
<p>The whole of my party rushed to the target to have the evidence of their
senses before they would believe the report; but most marvelous fortune
decreed that it should be true. Their incredulity and astonishment were
most fortunate for me; for they blinded my hearers to the real feelings
with which the exclamation was uttered, and allowed me sufficient time
to prepare myself for making the best use of what I had said before with
a very different object.</p>
<p>"Second best!" reiterated I, with an air of despondency, as the company
turned from the target to me. "Second best, only? Here, Billy, my son,
take the old Soap-stick; she's a good piece, but I'm getting too old and
dim-sighted to shoot a rifle, especially with the drop-sight and double
wabbles."</p>
<p>"Why, good Lord a'mighty!" said Billy, with a look that baffles all
description, "an't you <i>driv</i> the cross?"</p>
<p>"Oh, driv the cross!" rejoined I, carelessly. "What's that! Just look
where my ball is! I do believe in my soul its center is a full quarter
of an inch from the cross. I wanted to lay the center of the bullet upon
the cross, just as if you'd put it there with your fingers."<span class='pagenum'><SPAN name="Page_684" id="Page_684">[Pg 684]</SPAN></span></p>
<p>Several received this palaver with a contemptuous but very appropriate
curl of the nose; and Mealy Whitecotton offered to bet a half pint "that
I couldn't do the like again with no sort o' wabbles, he didn't care
what." But I had already fortified myself on this quarter of my
morality. A decided majority, however, were clearly of opinion that I
was serious; and they regarded me as one of the wonders of the world.
Billy increased the majority by now coming out fully with my history, as
he had received it from his father; to which I listened with quite as
much astonishment as any other one of his hearers. He begged me to go
home with him for the night, or, as he expressed it, "to go home with
him and swap lies that night, and it shouldn't cost me a cent;" the true
reading of which is, that if I would go home with him, and give him the
pleasure of an evening's chat about old times, his house should be as
free to me as my own. But I could not accept his hospitality without
retracing five or six miles of the road which I had already passed, and
therefore I declined it.</p>
<p>"Well, if you won't go, what must I tell the old woman for you, for
she'll be mighty glad to hear from the boy that won the silk
handkerchief for her, and I expect she'll lick me for not bringing you
home with me."</p>
<p>"Tell her," said I, "that I send her a quarter of beef which I won, as I
did the handkerchief, by nothing in the world but mere good luck."</p>
<p>"Hold your jaw, Lyman!" said Billy; "I an't a gwine to tell the old
woman any such lies; for she's a reg'lar built Meth'dist."</p>
<p>As I turned to depart, "Stop a minute, stranger!" said one: then
lowering his voice to a confidential but distinctly audible tone, "What
you offering for?" continued he. I assured him I was not a candidate for
anything; that I had accidentally fallen in with Billy Curlew, who<span class='pagenum'><SPAN name="Page_685" id="Page_685">[Pg 685]</SPAN></span>
begged me to come with him to the shooting-match, and, as it lay right
on my road, I had stopped. "Oh," said he, with a conciliatory nod, "if
you're up for anything, you needn't be mealy-mouthed about it 'fore us
boys; for we'll all go in for you here up to the handle."</p>
<p>"Yes," said Billy, "dang old Roper if we don't go our death for you, no
matter who offers. If ever you come out for anything, Lyman, jist let
the boys of Upper Hogthief know it, and they'll go for you to the hilt,
against creation, tit or no tit, that's the <i>tatur</i>."</p>
<p>I thanked them, kindly, but repeated my assurances. The reader will not
suppose that the district took its name from the character of the
inhabitants. In almost every county in the state there is some spot or
district which bears a contemptuous appellation, usually derived from
local rivalships, or from a single accidental circumstance.<span class='pagenum'><SPAN name="Page_686" id="Page_686">[Pg 686]</SPAN></span></p>
<hr style="width: 65%;" />
<h2><SPAN name="DESOLATION1" id="DESOLATION1"></SPAN>DESOLATION<SPAN name="FNanchor_1_1" id="FNanchor_1_1"></SPAN><SPAN href="#Footnote_1_1" class="fnanchor">[1]</SPAN></h2>
<h3>BY TOM MASSON</h3>
<div class="poem"><div class="stanza">
<span class="i0">Somewhat back from the village street<br /></span>
<span class="i0">Stands the old-fashioned country seat.<br /></span>
<span class="i0">Across its antique portico<br /></span>
<span class="i0">Tall poplar trees their shadows throw.<br /></span>
<span class="i0">And there throughout the livelong day,<br /></span>
<span class="i0">Jemima plays the pi-a-na.<br /></span>
<span class="i12">Do, re, mi,<br /></span>
<span class="i12">Mi, re, do.<br /></span>
</div><div class="stanza">
<span class="i0">In the front parlor, there it stands,<br /></span>
<span class="i0">And there Jemima plies her hands,<br /></span>
<span class="i0">While her papa beneath his cloak,<br /></span>
<span class="i0">Mutters and groans: "This is no joke!"<br /></span>
<span class="i0">And swears to himself and sighs, alas!<br /></span>
<span class="i0">With sorrowful voice to all who pass.<br /></span>
<span class="i12">Do, re, mi,<br /></span>
<span class="i12">Mi, re, do.<br /></span>
</div><div class="stanza">
<span class="i0">Through days of death and days of birth<br /></span>
<span class="i0">She plays as if she owned the earth.<br /></span>
<span class="i0">Through every swift vicissitude<br /></span>
<span class="i0">She drums as if it did her good,<br /></span>
<span class="i0">And still she sits from morn till night<br /></span>
<span class="i0">And plunks away with main and might,<br /></span>
<span class="i12">Do, re, mi,<br /></span>
<span class="i12">Mi, re, do.<br /></span>
</div><div class="stanza">
<span class='pagenum'><SPAN name="Page_687" id="Page_687">[Pg 687]</SPAN></span><span class="i0">In that mansion used to be<br /></span>
<span class="i0">Free-hearted hospitality;<br /></span>
<span class="i0">But that was many years before<br /></span>
<span class="i0">Jemima monkeyed with the score.<br /></span>
<span class="i0">When she began her daily plunk,<br /></span>
<span class="i0">Into their graves the neighbors sunk.<br /></span>
<span class="i12">Do, re, mi,<br /></span>
<span class="i12">Mi, re, do.<br /></span>
</div><div class="stanza">
<span class="i0">To other worlds they've long since fled,<br /></span>
<span class="i0">All thankful that they're safely dead.<br /></span>
<span class="i0">They stood the racket while alive<br /></span>
<span class="i0">Until Jemima rose at five.<br /></span>
<span class="i0">And then they laid their burdens down,<br /></span>
<span class="i0">And one and all they skipped the town.<br /></span>
<span class="i12">Do, re, mi,<br /></span>
<span class="i12">Mi, re, do.<br /></span>
<span class='pagenum'><SPAN name="Page_688" id="Page_688">[Pg 688]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="CRANKIDOXOLOGY2" id="CRANKIDOXOLOGY2"></SPAN>CRANKIDOXOLOGY<SPAN name="FNanchor_2_2" id="FNanchor_2_2"></SPAN><SPAN href="#Footnote_2_2" class="fnanchor">[2]</SPAN></h2>
<h3>BY WALLACE IRWIN</h3>
<h3>(<i>Being a Mental Attitude from Bernard Pshaw</i>)</h3>
<div class="poem"><div class="stanza">
<span class="i0">It's wrong to be thoroughly human,<br /></span>
<span class="i2">It's stupid alone to be good,<br /></span>
<span class="i0">And why should the "virtuous" woman<br /></span>
<span class="i2">Continue to do as she should?<br /></span>
<span class="i2">(It's stupid to do as you should!)<br /></span>
</div><div class="stanza">
<span class="i0">For I'd rather be famous than pleasant,<br /></span>
<span class="i2">I'd rather be rude than polite;<br /></span>
<span class="i4">It's easy to sneer<br /></span>
<span class="i4">When you're witty and queer,<br /></span>
<span class="i0">And I'd rather be Clever than Right.<br /></span>
</div><div class="stanza">
<span class="i0">I'm bored by mere Shakespeare and Milton,<br /></span>
<span class="i2">Though Hubbard compels me to rave;<br /></span>
<span class="i0">If <i>I</i> should lay laurels to wilt on<br /></span>
<span class="i2">That foggy Shakespearean grave,<br /></span>
<span class="i2">How William would squirm in his grave!<br /></span>
</div><div class="stanza">
<span class="i0">For I'd rather be Pshaw than be Shakespeare,<br /></span>
<span class="i2">I'd rather be Candid than Wise;<br /></span>
<span class="i4">And the way I amuse<br /></span>
<span class="i4">Is to roundly abuse<br /></span>
<span class="i0">The Public I feign to despise.<br /></span>
<span class='pagenum'><SPAN name="Page_689" id="Page_689">[Pg 689]</SPAN></span></div><div class="stanza">
<span class="i0">I'm a Socialist, loving my brother<br /></span>
<span class="i2">In quite an original way,<br /></span>
<span class="i0">With my maxim, "Detest One Another"—<br /></span>
<span class="i2">Though, faith, I don't mean what I say.<br /></span>
<span class="i2">(It's beastly to mean what you say!)<br /></span>
</div><div class="stanza">
<span class="i0">For I'm fonder of talk than of Husbands,<br /></span>
<span class="i2">And I'm fonder of fads than of Wives,<br /></span>
<span class="i4">So I say unto you,<br /></span>
<span class="i4">If you don't as you do<br /></span>
<span class="i0">You will do as you don't all your lives.<br /></span>
</div><div class="stanza">
<span class="i0">My "Candida's" ruddy as coral,<br /></span>
<span class="i2">With thoughts quite too awfully plain—<br /></span>
<span class="i0">If folks would just call me Immoral<br /></span>
<span class="i2">I'd feel that I'd not lived in vain.<br /></span>
<span class="i2">(It's nasty, this living in vain!)<br /></span>
</div><div class="stanza">
<span class="i0">For I'd rather be Martyred than Married,<br /></span>
<span class="i2">I'd rather be tempted than tamed,<br /></span>
<span class="i4">And if <i>I</i> had my way<br /></span>
<span class="i4">(At least, so I say)<br /></span>
<span class="i0">All Babes would be labeled, "Unclaimed."<br /></span>
</div><div class="stanza">
<span class="i0">I'm an epigrammatical Moses,<br /></span>
<span class="i2">Whose humorous tablets of stone<br /></span>
<span class="i0">Condemn affectations and poses—<br /></span>
<span class="i2">Excepting a few of my own.<br /></span>
<span class="i2">(I dote on a few of my own.)<br /></span>
</div><div class="stanza">
<span class="i0">For my method of booming the market<br /></span>
<span class="i2">When Managers ask for a play<br /></span>
<span class="i4">Is to say on a bluff,<br /></span>
<span class="i4">"I'm so fond of my stuff<br /></span>
<span class="i0">That I don't want it acted—go 'way!"<br /></span><span class='pagenum'><SPAN name="Page_690" id="Page_690">[Pg 690]</SPAN></span>
</div><div class="stanza">
<span class="i0">I'm the club-ladies' Topic of Topics,<br /></span>
<span class="i2">Where solemn discussions are spent<br /></span>
<span class="i0">In struggles as hot as the tropics,<br /></span>
<span class="i2">Attempting to find what I meant.<br /></span>
<span class="i1">(<i>I</i> never can tell what I meant!)<br /></span>
</div><div class="stanza">
<span class="i0">For it's fun to make bosh of the Gospel,<br /></span>
<span class="i2">And it's sport to make gospel of Bosh,<br /></span>
<span class="i4">While divorcées hurrah<br /></span>
<span class="i4">For the Sayings of Pshaw<br /></span>
<span class="i0">And his sub-psychological Josh.<br /></span>
<span class='pagenum'><SPAN name="Page_691" id="Page_691">[Pg 691]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="MY_HONEY_MY_LOVE" id="MY_HONEY_MY_LOVE"></SPAN>MY HONEY, MY LOVE</h2>
<h3>BY JOEL CHANDLER HARRIS</h3>
<div class="poem"><div class="stanza">
<span class="i0">Hit's a mighty fur ways up de Far'well Lane,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">You may ax Mister Crow, you may ax Mr. Crane,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Dey'll make you a bow, en dey'll tell you de same,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Hit's a mighty fur ways fer ter go in de night,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0"><i>My honey, my love, my heart's delight</i>—<br /></span>
<span class="i14"><i>My honey, my love!</i><br /></span>
</div><div class="stanza">
<span class="i0">Mister Mink, he creeps twel he wake up de snipe,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Mister Bull-Frog holler, Come alight my pipe!<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">En de Pa'tridge ax, Ain't yo' peas ripe?<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Better not walk erlong dar much atter night,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0"><i>My honey, my love, my heart's delight</i>—<br /></span>
<span class="i14"><i>My honey, my love!</i><br /></span>
</div><div class="stanza">
<span class="i0">De Bully-Bat fly mighty close ter de groun',<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Mister Fox, he coax 'er, Do come down!<br /></span>
<span class="i14">My honey, my love!<br /></span><span class='pagenum'><SPAN name="Page_692" id="Page_692">[Pg 692]</SPAN></span>
</div><div class="stanza">
<span class="i0">Mister Coon, he rack all 'roun' en 'roun',<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">In de darkes' night, oh, de nigger, he's a sight!<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0"><i>My honey, my love, my heart's delight</i>—<br /></span>
<span class="i14"><i>My honey, my love!</i><br /></span>
</div><div class="stanza">
<span class="i0">Oh, flee, Miss Nancy, flee ter my knee,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">'Lev'n big, fat coons liv' in one tree,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Oh, ladies all, won't you marry me?<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Tu'n lef, tu'n right, we'll dance all night,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0"><i>My honey, my love, my heart's delight</i>—<br /></span>
<span class="i14"><i>My honey, my love!</i><br /></span>
</div><div class="stanza">
<span class="i0">De big Owl holler en cry fer his mate,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Oh, don't stay long! Oh, don't stay late!<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Hit ain't so mighty fur ter de Good-by Gate,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0">Whar we all got ter go w'en we sing out de night,<br /></span>
<span class="i14">My honey, my love!<br /></span>
<span class="i0"><i>My honey, my love, my heart's delight</i>—<br /></span>
<span class="i14"><i>My honey, my love!</i><br /></span>
<span class='pagenum'><SPAN name="Page_693" id="Page_693">[Pg 693]</SPAN></span></div></div>
<hr style="width: 65%;" />
<h2><SPAN name="THE_GRAND_OPERA" id="THE_GRAND_OPERA"></SPAN>THE GRAND OPERA</h2>
<h3>BY BILLY BAXTER</h3>
<p>Well, I decided to get into my class, so I started for the smoking-room.
I hadn't gone three feet till some woman held me up and began telling me
how she adored Grand Opera. I didn't even reply. I fled madly, and
remained hidden in the tall grasses of the smoking-room until it was
time to go home. Jim, should any one ever tell you that Grand Opera is
all right, he is either trying to even up or he is not a true friend. I
was over in New York with the family last winter, and they made me go
with them to <i>Die Walkure</i> at the Metropolitan Opera House. When I got
the tickets I asked the man's advice as to the best location. He said
that all true lovers of music occupied the dress-circle and balconies,
and that he had some good center dress-circle seats at three bones per.
Here's a tip, Jim. If the box man ever hands you that true-lover game,
just reach in through the little hole and soak him in the solar for me.
It's coming to him. I'll give you my word of honor we were a quarter of
a mile from the stage. We went up in an elevator, were shown to our
seats, and who was right behind us but my old pal, Bud Hathaway, from
Chicago. Bud had his two sisters with him, and he gave me one sad look,
which said plainer than words, "So you're up against it, too, eh!" We
introduced all hands around, and about nine o'clock the curtain went up.
After we had waited fully ten minutes, out came a big, fat, greasy
looking Dago<span class='pagenum'><SPAN name="Page_694" id="Page_694">[Pg 694]</SPAN></span> with nothing on but a bear robe. He went over to the side
of the stage and sat down on a bum rock. It was plainly to be seen, even
from my true lovers' seat, that his bearlets was sorer than a dog about
something. Presently in came a woman, and none of the true lovers seemed
to know who she was. Some said it was Melba, others Nordica. Bud and I
decided that it was May Irwin. We were mistaken, though, as Irwin has
this woman lashed to the mast at any time or place. As soon as Mike the
Dago espied the dame it was all off. He rushed and drove a straight-arm
jab, which had it reached would have given him the purse. But shifty
Sadie wasn't there. She ducked, side-stepped, and landed a clever
half-arm hook, which seemed to stun the big fellow. They clinched, and
swayed back and forth, growling continually, while the orchestra played
this trembly Eliza-crossing-the-ice music. Jim, I'm not swelling this a
bit. On the level, it happened just as I write it. All of a sudden some
one seemed to win. They broke away, and ran wildly to the front of the
stage with their arms outstretched, yelling to beat three of a kind. The
band cut loose something fierce. The leader tore out about $9.00 worth
of hair, and acted generally as though he had bats in his belfry. I
thought sure the place would be pinched. It reminded me of Thirsty
Thornton's dance-hall out in Merrill, Wisconsin, when the Silent Swede
used to start a general survival of the fittest every time Mamie the
Mink danced twice in succession with the young fellow from Albany, whose
father owned the big mill up Rough River. Of course, this audience was
perfectly orderly, and showed no intention whatever of cutting in, and
there were no chairs or glasses in the air, but I am forced to admit
that the opera had Thornton's faded for noise. I asked Bud what the
trouble was, and he answered that I could search<span class='pagenum'><SPAN name="Page_695" id="Page_695">[Pg 695]</SPAN></span> him. The audience
apparently went wild. Everybody said "Simply sublime!" "Isn't it grand?"
"Perfectly superb!" "Bravo!" etc.; not because they really enjoyed it,
but merely because they thought it was the proper thing to do. After
that for three solid hours Rough House Mike and Shifty Sadie seemed to
be apologizing to the audience for their disgraceful street brawl, which
was honestly the only good thing in the show. Along about twelve o'clock
I thought I would talk over old times with Bud, but when I turned his
way I found my tired and trusty comrade "Asleep at the Switch."</p>
<p>At the finish, the woman next to me, who seemed to be on, said that the
main lady was dying. After it was too late, Mike seemed kind of sorry.
He must have give her the knife or the drops, because there wasn't a
minute that he could look in on her according to the rules. He laid her
out on the bum rock, they set off a lot of red fire for some unknown
reason, and the curtain dropped at 12:25. Never again for my money. Far
be it from me knocking, but any time I want noise I'll take to a
boiler-shop or a Union Station, where I can understand what's coming
off. I'm for a good-mother show. Do you remember <i>The White Slave</i>, Jim?
Well, that's me. Wasn't it immense where the main lady spurned the
leering villain's gold and exclaimed with flashing eye, "Rags are royal
raiment when worn for virtue's sake." Great! <i>The White Slave</i> had <i>Die
Walkure</i> beaten to a pulp, and they don't get to you for three cases
gate-money, either.<span class='pagenum'>