<SPAN NAME="chap32"></SPAN>
<H3 ALIGN="center">
CHAPTER XXXII
</H3>
<H4 ALIGN="center">
TWO MEN—AND A WOMAN
</H4>
<P>
It took some time for Betty to carry out Dave's
wishes. Simon Odd, who was Jim Truscott's jailer
while the mills were idle, and who had him secreted
away where curious eyes were not likely to discover
him, was closely occupied with the preparations at
the other mill. She had to dispatch a messenger
to him, and the messenger having found Simon, it
was necessary for the latter to procure his prisoner
and hand him over to Dave himself. All this took
a long time, nearly an hour and a half, which made
it two o'clock in the morning before Truscott reached
the office under his escort.
</P>
<P>
Odd presented him with scant ceremony. He
knocked on the door, was admitted, and stood close
behind his charge's shoulder.
</P>
<P>
"Here he is, boss," said the man with rough
freedom. "Will I stand by in case he gits gay?"
</P>
<P>
But Dave had his own ideas. He needed no help
from anybody in dealing with this man.
</P>
<P>
"No," he said at once. "You can get back to
your mill. I relieve you of all further responsibility
of your—charge. But you can pass me some things
to prop my pillow up before you go."
</P>
<P>
The giant foreman did as he was bid. Being just
a plain lumberman, with no great nicety of fancy
he selected three of the ledgers for the purpose.
Having propped his employer into a sitting posture,
he took his departure in silence.
</P>
<P>
Dave waited until the door closed behind him.
His cold eyes were on the man who had so nearly
ruined him, who, indirectly, had nearly cost him his
life. As the door closed he drew his right hand
from under the blankets, and in it was a revolver.
He laid the weapon on the blanket, and his fingers
rested on the butt.
</P>
<P>
Jim Truscott watched his movements, but his
gaze was more mechanical than one of active interest.
What his thoughts were at the moment it would
have been hard to say, except that they were neither
easy nor pleasant, if one judged from the lowering
expression of his weak face. The active hatred
which he had recently displayed in Dave's presence
seemed to be lacking now. It almost seemed as
though the rough handling he had been treated to,
the failure of his schemes for Dave's ruin, had dulled
the edge of his vicious antagonism. It was as
though he were indifferent to the object of the
meeting, to its outcome. He did not even seem to
appreciate the significance of the presence of that
gun under Dave's fingers.
</P>
<P>
His attitude was that of a man beaten in the fight
where all the odds had seemed in his favor. His
mind was gazing back upon the scene of his disaster
as though trying to discover the joint in the armor
of his attack which had rendered him vulnerable and
brought about his defeat.
</P>
<P>
Dave understood something of this. His understanding
was more the result of his knowledge of a
character he had studied long ago, before the vicious
life the man had since lived had clouded the ingenuous
impulses of a naturally weak but happy
nature. He did not fathom the man's thoughts, he
did not even guess at them. He only knew the
character, and the rest was like reading from an
open book. In his heart he was more sorry for
him than he would have dared to admit, but his
mind was thinking of all the suffering the mischief
of this one man had caused, might yet cause. Betty
had displayed a wonderful wisdom when she bade
him let his heart govern his judgment in dealing
with this man.
</P>
<P>
"You'd best sit down—Jim," Dave said. Already
his heart was defying his head. That use of a familiar
first name betrayed him. "It may be a long
sitting. You're going to stay right here with me
until the mill starts up work. I don't know how
long that'll be."
</P>
<P>
Truscott made no answer. He showed he had
heard and understood by glancing round for a chair.
In this quest his eyes rested for a moment on the
closed door. They passed on to the chair at the
desk. Then they returned to the door again. Dave
saw the glance and spoke sharply.
</P>
<P>
"You'd best sit, boy. That door is closed—to
you. And I'm here to keep it closed—to you."
</P>
<P>
Still the man made no reply. He turned slowly
toward the chair at the desk and sat down. His
whole attitude expressed weariness. It was the
dejected weariness of a brain overcome by hopelessness.
</P>
<P>
Watching him, Dave's mind reverted to Betty in
association with him. He wondered at the nature
of this man's regard for her, a regard which was his
excuse for the villainies he had planned and carried
out against him, and the mills. His thoughts went
back to the day of their boy and girl engagement,
as he called it now. He remembered the eager,
impulsive lover, weak, selfish, but full of passion and
youthful protestations. He thought of his decision
to go away, and the manner of it. He remembered
it was Betty who finally decided for them both.
And her decision was against his more selfish desires,
but one that opened out for him the opportunity
of showing himself to be the man she thought
him. Yes, this man had been too young, too weak,
too self-indulgent. There lay the trouble of his life.
His love for Betty, if it could be called by so pure a
name, had been a mere self-indulgence, a passionate
desire of the moment that swept every other consideration
out of its path. There was not that
underlying strength needed for its support. Was
he wholly to blame? Dave thought not.
</P>
<P>
Then there was that going to the Yukon. He
had protested at the boy's decision. He had known
from the first that his character had not the strength
to face the pitiless breath of that land of snowy
desolation. How could one so weak pit himself
against the cruel forces of nature such as are to be
found in that land? It was impossible. The inevitable
had resulted. He had fallen to the temptations
of the easier paths of vice in Dawson, and,
lost in that whirl, Betty was forgotten. His passion
died down, satiated in the filthy dives of Dawson.
Then had come his return to Malkern. Stinking
with the contamination of his vices, he had returned
caring for nothing but himself. He had once more
encountered Betty. The pure fresh beauty of the
girl had promptly set his vitiated soul on fire. But
now there was no love, not even a love such as had
been his before, but only a mad desire, a desire as
uncontrolled as the wind-swept rollers of a raging
sea. It was the culminating evil of a manhood debased
by a long period of loose, vicious living.
She must be his at any cost, and opposition only
fired his desire the more, and drove him to any
length to attain his end. The pity of it! A spirit,
a bright buoyant spirit lost in the mad whirl of a
nature it had not been given him the power to control.
His heart was full of a sorrowful regret. His
heart bled for the man, while his mind condemned
his ruthless actions.
</P>
<P>
He lay watching in a silence that made the room
seem heavy and oppressive. As yet he had no
words for the man who had come so nearly to ruining
him. He had not brought him there to preach
to him, to blame him, to twit him with the failure
of his evil plans, the failure he had made of a life
that had promised so much. He held him there
that he might settle his reckoning with him, once
and for all, in a manner which should shut him out
of his life forever. He intended to perform an action
the contemplation of which increased the sorrow
he felt an hundredfold, but one which he was
fully determined upon as being the only course, in
justice to Betty, to Malkern, to himself, possible.
</P>
<P>
The moments ticked heavily away. Truscott
made no move. He gave not the slightest sign of
desiring to speak. His eyes scarcely heeded his
surroundings. It was almost as if he had no care
for what this man who held him in his power intended
to do. It almost seemed as though the
weight of his failure had crushed the spirit within
him, as though a dreary lassitude had settled itself
upon him, and he had no longer a thought for the
future.
</P>
<P>
Once during that long silence he lifted his large
bloodshot eyes, and his gaze encountered the other's
steady regard. They dropped almost at once, but
in that fleeting glance Dave read the smouldering
fire of hate which still burned deep down in his heart.
The sight of it had no effect. The man's face alone
interested him. It looked years older, it bore a
tracery of lines about the eyes and mouth, which,
at his age, it had no right to possess. His hair, too,
was already graying amongst the curls that had always
been one of his chief physical attractions. It
was thinning, too, a premature thinning at the temples,
which also had nothing to do with his age.
</P>
<P>
Later, again, the man's eyes turned upon the door
with a calculating gaze. They came back to the
bed where Dave was lying. The movement was
unmistakable. Dave's fingers tightened on the butt
of his revolver, and his great head was moved in a
negative shake, and the ominous shining muzzle of
his revolver said plainly, "Don't!" Truscott seemed
to understand, for he made no movement, nor did
he again glance at the door.
</P>
<P>
It was a strange scene. It was almost appalling
in its significant silence. What feelings were passing,
what thoughts, no one could tell from the faces
of the two men. That each was living through a
small world of recollection, mostly bitter, perhaps
regretful, there could be no doubt, yet neither gave
any sign. They were both waiting. In the mind
of one it was a waiting for what he could not even
guess at, in the other it was for something for which
he longed yet feared might not come.
</P>
<P>
The hands of the clock moved on, but neither
heeded them. Time meant nothing to them now.
An hour passed. An hour and a half. Two hours
of dreadful silence. That vigil seemed endless, and
its silence appalling.
</P>
<P>
Then suddenly a sound reached the waiting ears.
It was a fierce hissing, like an escape of steam. It
grew louder, and into the hiss came a hoarse tone,
like a harsh voice trying to bellow through
the rushing steam. It grew louder and louder.
The voice rose to a long-drawn "hoot," which must
have been heard far down the wide spread of the
Red Sand Valley. It struck deep into Dave's heart,
and loosed in it such a joy as rarely comes to the
heart of man. It was the steam siren of the mill
belching out its message to a sleeping village. The
master of the mills had triumphed over every obstacle.
The mill had once more started work.
</P>
<P>
Dave waited until the last echo of that welcome
voice had died out. Then, as his ears drank in the
welcome song of his saws, plunging their jagged
fangs into the newly-arrived logs, he was content.
</P>
<P>
He turned to the man in the chair.
</P>
<P>
"Did you hear that, Jim? D'you know what it
means?" he asked, in a voice softened by the emotion
of the moment.
</P>
<P>
Truscott's eyes lifted. But he made no answer.
The light in them was ugly. He knew.
</P>
<P>
"It means that you are free to go," Dave went
on. "It means that my contract will be successfully
completed within the time limit. It means
that you will leave this village at once and never
return, or the penitentiary awaits you for the wrecking
of my mills."
</P>
<P>
Truscott rose from his seat. The hate in his
heart was stirring. It was rising to his head. The
fury of his eyes was appalling. Dave saw it. He
shifted his gun and gripped it tightly.
</P>
<P>
"Wait a bit, lad," he said coldly. "It means more
than all that to you. A good deal more. Can you
guess it? It means that I—and not you—am going
to marry Betty Somers."
</P>
<P>
"God!"
</P>
<P>
The man was hit as Dave had meant him to be
hit. He started, and his clenched hand went up as
though about to strike. The devil in his eyes was
appalling.
</P>
<P>
"Now go! Quick!"
</P>
<P>
The word leaped from the lumberman's lips, and
his gun went up threateningly. For a moment it
seemed as though Truscott was about to spring
upon him, regardless of the weapon's shining muzzle.
But he did not move. A gun in Dave's hand
was no idle threat, and he knew it. Besides he had
not the moral strength of the other.
</P>
<P>
He moved to the door and opened it. Then for
one fleeting second he looked back. It may have
been to reassure himself that the gun was still there,
it may have been a last expression of his hate.
Another moment and he was gone. Dave replaced
his gun beneath the blankets and sighed.
</P>
<BR>
<P>
Betty sprang into the room.
</P>
<P>
"Hello, door open?" she demanded, glancing
about her suspiciously. Then her sparkling eyes
came back to the injured man.
</P>
<P>
"Do you hear, Dave?" she cried, in an ecstasy
of excitement. "Did you hear the siren! I pulled
and held the valve cord! Did you hear it! Thank
God!"
</P>
<P>
Dave's happy smile was sufficient for the girl.
Had he heard it? His heart was still ringing with
its echoes.
</P>
<P>
"Betty, come here," he commanded. "Help me
up."
</P>
<P>
"Why——"
</P>
<P>
"Help me up, dear," the man begged. "I must
get up. I must get to the door. Don't you understand,
child—I must see."
</P>
<P>
"But you can't go out, Dave!"
</P>
<P>
"I know. I know. Only to the door. But—I
must see."
</P>
<P>
The girl came over to his bedside. She lifted
him with a great effort. He sat up. Then he
swung his feet off the bed.
</P>
<P>
"Now, little girl, help me."
</P>
<P>
It felt good to him to enforce his will upon Betty
in this way. And the girl obeyed him with all her
strength, with all her heart stirred at his evident
weakness.
</P>
<P>
He stood leaning on her shakily.
</P>
<P>
"Now, little Betty," he said, breathing heavily,
"take me to the door."
</P>
<P>
He placed his sound arm round her shoulders.
He even leaned more heavily upon her than was
necessary. It was good to lean on her. He liked
to feel her soft round shoulders under his arm.
Then, too, he could look down upon the masses of
warm brown hair which crowned her head. To
him his weakness was nothing in the joy of that
moment, in the joy of his contact with her.
</P>
<P>
They moved slowly toward the door; he made
the pace slower than necessary. To him they were
delicious moments. To Betty—she did not know
what she felt as her arm encircled his great waist,
and all her woman's strength and love was extended
to him.
</P>
<P>
At the door they paused. They stared out into
the yards. The great mills loomed up in the ruddy
flare light. It was a dark, shadowy scene in that
inadequate light. The steady shriek of the saws
filled the air. The grinding of machinery droned
forth, broken by the pulsing throb of great shafts
and moving beams. Men were hurrying to and
fro, dim figures full of life and intent upon the
labors so long suspended. They could see the
trimmed logs sliding down the shoots, they could
hear the grind of the rollers, they could hear the
shoutings of "checkers"; and beyond they could
see the glowing reflection of the waste fire.
</P>
<P>
It was a sight that thrilled them both. It was a
sight that filled their hearts with thanks to God.
Each knew that it meant—Success.
</P>
<P>
Dave turned from the sight, and his eyes looked
down upon the slight figure at his side. Betty
looked up into his face. Her eyes were misty with
tears of joy. Suddenly she dropped her eyes and
looked again at the scene before them. Her heart
was beating wildly. Her arm supporting the man
at her side was shaking, nor was it with weariness
of her task. She felt that it could never tire of
that. Dave's deep voice, so gentle, yet so full of
the depth and strength of his nature, was speaking.
</P>
<P>
"It's good, Betty. It's good. We've won out—you
and I."
</P>
<P>
Her lips moved to protest at the part she had
played, but he silenced her.
</P>
<P>
"Yes, you and I," he said softly. "It's all ours—yours
and mine. You'll share it with me?" The
girl's supporting arm moved convulsively. "No,
no," he went on quickly. "Don't take your arm
away. I need—I need its support. Betty—little
Betty—I need more than that. I need your support
always. Say, dear, you'll give it me. You
won't leave me alone now? Betty—Betty, I love
you—so—so almighty badly."
</P>
<P>
The girl moved her head as though to avoid his
kisses upon her hair. Somehow her face was lifted
in doing so, and they fell at once upon her lips
instead.
</P>
<BR><BR><BR>
<HR>
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</P>
<P CLASS="t2">
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<P CLASS="t3">
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<P CLASS="noindent">
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<b>Lady of Big Shanty, The.</b> By Berkeley F. Smith.<BR>
<b>Langford of the Three Bars.</b> By Kate and Virgil D. Boyles.<BR>
<b>Land of Long Ago, The.</b> By Eliza Calvert Hall.<BR>
<b>Lane That Had No Turning, The.</b> By Gilbert Parker.<BR>
<b>Last Trail, The.</b> By Zane Grey.<BR>
<b>Last Voyage of the Donna Isabel, The.</b> By Randall Parrish.<BR>
<b>Leavenworth Case, The.</b> By Anna Katharine Green.<BR>
<b>Lin McLean.</b> By Owen Wister.<BR>
<b>Little Brown Jug at Kildare, The.</b> By Meredith Nicholson.<BR>
<b>Loaded Dice.</b> By Ellery H. Clarke.<BR>
<b>Lord Loveland Discovers America.</b> By C. N. and A. M. Williamson.<BR>
<b>Lorimer of the Northwest.</b> By Harold Bindloss.<BR>
<b>Lorraine.</b> By Robert W. Chambers.<BR>
<b>Lost Ambassador, The.</b> By E. Phillips Oppenheim.<BR>
<b>Love Under Fire.</b> By Randall Parrish.<BR>
<b>Loves of Miss Anne, The.</b> By S. R. Crockett.<BR>
<b>Macaria.</b> (Illustrated Edition.) By Augusta J. Evans.<BR>
<b>Mademoiselle Celeste.</b> By Adele Ferguson Knight.<BR>
<b>Maid at Arms, The.</b> By Robert W. Chambers.<BR>
<b>Maid of Old New York, A.</b> By Amelia E. Barr.<BR>
<b>Maid of the Whispering Hills, The.</b> By Vingie Roe.<BR>
<b>Maids of Paradise, The.</b> By Robert W. Chambers.<BR>
<b>Making of Bobby Burnit, The.</b> By George Randolph Chester.<BR>
<b>Mam' Linda.</b> By Will N. Harben.<BR>
<b>Man Outside, The.</b> By Wyndham Martyn.<BR>
<b>Man In the Brown Derby, The.</b> By Wells Hastings.<BR>
<b>Marriage a la Mode.</b> By Mrs. Humphrey Ward.<BR>
<b>Marriage of Theodora, The.</b> By Molly Elliott Seawell.<BR>
<b>Marriage Under the Terror, A.</b> By Patricia Wentworth.<BR>
<b>Master Mummer, The.</b> By E. Phillips Oppenheim.<BR>
<b>Masters of the Wheatlands.</b> By Harold Bindloss.<BR>
<b>Max.</b> By Katherine Cecil Thurston.<BR>
<b>Memoirs of Sherlock Holmes.</b> By A. Conan Doyle.<BR>
<b>Millionaire Baby, The.</b> By Anna Katharine Green.<BR>
<b>Missioner, The.</b> By E. Phillips Oppenheim.<BR>
<b>Miss Selina Lue.</b> By Maria Thompson Daviess.<BR>
<b>Mistress of Brae Farm, The.</b> By Rosa N. Carey.<BR>
<b>Money Moon, The.</b> By Jeffery Farnol.<BR>
<b>Motor Maid, The.</b> By C. N. and A. M. Williamson.<BR>
<b>Much Ado About Peter.</b> By Jean Webster.<BR>
<b>Mr. Pratt.</b> By Joseph C. Lincoln.<BR>
<b>My Brother's Keeper.</b> By Charles Tenny Jackson.<BR>
<b>My Friend the Chauffeur.</b> By C. N. and A. M. Williamson<BR>
<b>My Lady Caprice</b> (author of the "Broad Highway"). Jeffery Farnol.<BR>
<b>My Lady of Doubt.</b> By Randall Parrish.<BR>
<b>My Lady of the North.</b> By Randall Parrish.<BR>
<b>My Lady of the South.</b> By Randall Parrish.<BR>
<b>Mystery Tales.</b> By Edgar Allen Poe.<BR>
<b>Nancy Stair.</b> By Elinor Macartney Lane.<BR>
<b>Ne'er-Do-Well, The.</b> By Rex Beach.<BR>
<b>No Friend Like a Sister.</b> By Rosa N. Carey.<BR>
<b>Officer 666.</b> By Barton W. Currie and Augustin McHugh.<BR>
<b>One Braver Thing.</b> By Richard Dehan.<BR>
<b>Order No. 11.</b> By Caroline Abbot Stanley.<BR>
<b>Orphan, The.</b> By Clarence E. Mulford.<BR>
<b>Out of the Primitive.</b> By Robert Ames Bennett.<BR>
<b>Pam.</b> By Bettina von Hutten.<BR>
<b>Pam Decides.</b> By Bettina von Hutten.<BR>
<b>Pardners.</b> By Rex Beach.<BR>
<b>Partners of the Tide.</b> By Joseph C. Lincoln.<BR>
<b>Passage Perilous, The.</b> By Rosa N. Carey.<BR>
<b>Passers By.</b> By Anthony Partridge.<BR>
<b>Paternoster Ruby, The.</b> By Charles Edmonds Walk.<BR>
<b>Patience of John Moreland, The.</b> By Mary Dillon.<BR>
<b>Paul Anthony, Christian.</b> By Hiram W. Hays.<BR>
<b>Phillip Steele.</b> By James Oliver Curwood.<BR>
<b>Phra the Phoenician.</b> By Edwin Lester Arnold.<BR>
<b>Plunderer, The.</b> By Roy Norton.<BR>
<b>Pole Baker.</b> By Will N. Harben.<BR>
<b>Politician, The.</b> By Edith Huntington Mason.<BR>
<b>Polly of the Circus.</b> By Margaret Mayo.<BR>
<b>Pool of Flame, The.</b> By Louis Joseph Vance.<BR>
<b>Poppy.</b> By Cynthia Stockley.<BR>
<b>Power and the Glory, The.</b> By Grace McGowan Cooke.<BR>
<b>Price of the Prairie, The.</b> By Margaret Hill McCarter.<BR>
<b>Prince of Sinners, A.</b> By E. Phillips Oppenheim.<BR>
<b>Prince or Chauffeur.</b> By Lawrence Perry.<BR>
<b>Princess Dehra, The.</b> By John Reed Scott.<BR>
<b>Princess Passes, The.</b> By C. N. and A. M. Williamson.<BR>
<b>Princess Virginia, The.</b> By C. N. and A. M. Williamson.<BR>
<b>Prisoners of Chance.</b> By Randall Parrish.<BR>
<b>Prodigal Son, The.</b> By Hall Caine.<BR>
<b>Purple Parasol, The.</b> By George Barr McCutcheon.<BR>
<b>Reconstructed Marriage, A.</b> By Amelia Barr.<BR>
<b>Redemption of Kenneth Galt, The.</b> By Will N. Harben.<BR>
<b>Red House on Rowan Street.</b> By Roman Doubleday.<BR>
<b>Red Mouse, The.</b> By William Hamilton Osborne.<BR>
<b>Red Pepper Burns.</b> By Grace S. Richmond.<BR>
<b>Refugees, The.</b> By A. Conan Doyle.<BR>
<b>Rejuvenation of Aunt Mary, The.</b> By Anne Warner.<BR>
<b>Road to Providence, The.</b> By Maria Thompson Daviess.<BR>
<b>Romance of a Plain Man, The.</b> By Ellen Glasgow.<BR>
<b>Rose in the Ring, The.</b> By George Barr McCutcheon.<BR>
<b>Rose of Old Harpeth, The.</b> By Maria Thompson Daviess.<BR>
<b>Rose of the World.</b> By Agnes and Egerton Castle.<BR>
<b>Round the Corner in Gay Street.</b> By Grace S. Richmond.<BR>
<b>Routledge Rides Alone.</b> By Will Livingston Comfort.<BR>
<b>Running Fight, The.</b> By Wm. Hamilton Osborne.<BR>
<b>Seats of the Mighty, The.</b> By Gilbert Parker.<BR>
<b>Septimus.</b> By William J. Locke.<BR>
<b>Set In Silver.</b> By C. N. and A. M. Williamson.<BR>
<b>Self-Raised.</b> (Illustrated.) By Mrs. Southworth.<BR>
<b>Shepherd of the Hills, The.</b> By Harold Bell Wright.<BR>
<b>Sheriff of Dyke Hole, The.</b> By Ridgwell Cullum.<BR>
<b>Sidney Carteret, Rancher.</b> By Harold Bindloss.<BR>
<b>Simon the Jester.</b> By William J. Locke.<BR>
<b>Silver Blade, The.</b> By Charles E. Walk.<BR>
<b>Silver Horde, The.</b> By Rex Beach.<BR>
<b>Sir Nigel.</b> By A. Conan Doyle.<BR>
<b>Sir Richard Calmady.</b> By Lucas Malet.<BR>
<b>Skyman, The.</b> By Henry Ketchell Webster.<BR>
<b>Slim Princess, The.</b> By George Ade.<BR>
<b>Speckled Bird, A.</b> By Augusta Evans Wilson.<BR>
<b>Spirit In Prison, A.</b> By Robert Hichens.<BR>
<b>Spirit of the Border, The.</b> By Zane Grey.<BR>
<b>Spirit Trail, The.</b> By Kate and Virgil D. Boyles.<BR>
<b>Spoilers, The.</b> By Rex Beach.<BR>
<b>Stanton Wins.</b> By Eleanor M. Ingram.<BR>
<b>St. Elmo.</b> (Illustrated Edition.) By Augusta J. Evans.<BR>
<b>Stolen Singer, The.</b> By Martha Bellinger.<BR>
<b>Stooping Lady, The.</b> By Maurice Hewlett.<BR>
<b>Story of the Outlaw, The.</b> By Emerson Hough.<BR>
<b>Strawberry Acres.</b> By Grace S. Richmond.<BR>
<b>Strawberry Handkerchief, The.</b> By Amelia E. Barr.<BR>
<b>Sunnyside of the Hill, The.</b> By Rosa N. Carey.<BR>
<b>Sunset Trail, The.</b> By Alfred Henry Lewis.<BR>
<b>Susan Clegg and Her Friend Mrs. Lathrop.</b> By Anne Warner.<BR>
<b>Sword of the Old Frontier, A.</b> By Randall Parrish.<BR>
<b>Tales of Sherlock Holmes.</b> By A. Conan Doyle.<BR>
<b>Tennessee Shad, The.</b> By Owen Johnson.<BR>
<b>Tess of the D'Urbervilles.</b> By Thomas Hardy.<BR>
<b>Texican, The.</b> By Dane Coolidge.<BR>
<b>That Printer of Udell's.</b> By Harold Bell Wright.<BR>
<b>Three Brothers, The.</b> By Eden Phillpotts.<BR>
<b>Throwback, The.</b> By Alfred Henry Lewis.<BR>
<b>Thurston of Orchard Valley.</b> By Harold Bindloss.<BR>
<b>Title Market, The.</b> By Emily Post.<BR>
<b>Torn Sails. A Tale of a Welsh Village.</b> By Allen Raine.<BR>
<b>Trail of the Axe, The.</b> By Ridgwell Cullum.<BR>
<b>Treasure of Heaven, The.</b> By Marie Corelli.<BR>
<b>Two-Gun Man, The.</b> By Charles Alden Seltzer.<BR>
<b>Two Vanrevels, The.</b> By Booth Tarkington.<BR>
<b>Uncle William.</b> By Jennette Lee.<BR>
<b>Up from Slavery.</b> By Booker T. Washington.<BR>
<b>Vanity Box, The.</b> By C. N. Williamson.<BR>
<b>Vashti.</b> By Augusta Evans Wilson.<BR>
<b>Varmint, The.</b> By Owen Johnson.<BR>
<b>Vigilante Girl, A.</b> By Jerome Hart.<BR>
<b>Village of Vagabonds, A.</b> By F. Berkeley Smith.<BR>
<b>Visioning, The.</b> By Susan Glaspell.<BR>
<b>Voice of the People, The.</b> By Ellen Glasgow.<BR>
<b>Wanted—A Chaperon.</b> By Paul Leicester Ford.<BR>
<b>Wanted: A Matchmaker.</b> By Paul Leicester Ford.<BR>
<b>Watchers of the Plains, The.</b> By Ridgwell Cullum.<BR>
<b>Wayfarers, The.</b> By Mary Stewart Cutting.<BR>
<b>Way of a Man, The.</b> By Emerson Hough.<BR>
<b>Weavers, The.</b> By Gilbert Parker.<BR>
<b>When Wilderness Was King.</b> By Randall Parrish.<BR>
<b>Where the Trail Divides.</b> By Will Lillibridge.<BR>
<b>White Sister, The.</b> By Marion Crawford.<BR>
<b>Window at the White Cat, The.</b> By Mary Roberts Rinehart.<BR>
<b>Winning of Barbara Worth, The.</b> By Harold Bell Wright.<BR>
<b>With Juliet In England.</b> By Grace S. Richmond.<BR>
<b>Woman Haters, The.</b> By Joseph C. Lincoln.<BR>
<b>Woman In Question, The.</b> By John Reed Scott.<BR>
<b>Woman In the Alcove, The.</b> By Anna Katharine Green.<BR>
<b>Yellow Circle, The.</b> By Charles E. Walk.<BR>
<b>Yellow Letter, The.</b> By William Johnston.<BR>
<b>Younger Set, The.</b> By Robert W. Chambers.<BR>
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End of the Project Gutenberg EBook of The Trail of the Axe, by Ridgwell Cullum