<h2><SPAN name="CHAPTER_V" id="CHAPTER_V"></SPAN>CHAPTER V</h2>
<h3>THE KITTRIDGES</h3>
<p><span class='pagenum'><SPAN name="Page_25" id="Page_25"></SPAN></span>It did live. The little life, so frail, so unprofitable in
every mere material view, so precious in the eyes of love,
expanded and flowered at last into fair childhood. Not
without much watching and weariness. Many a night the
old fisherman walked the floor with the little thing in his
arms, talking to it that jargon of tender nonsense which
fairies bring as love-gifts to all who tend a cradle. Many
a day the good little old grandmother called the aid of gossips
about her, trying various experiments of catnip, and
sweet fern, and bayberry, and other teas of rustic reputation
for baby frailties.</p>
<p>At the end of three years, the two graves in the lonely
graveyard were sodded and cemented down by smooth velvet
turf, and playing round the door of the brown houses
was a slender child, with ways and manners so still and
singular as often to remind the neighbors that she was not
like other children,—a bud of hope and joy,—but the
outcome of a great sorrow,—a pearl washed ashore by a
mighty, uprooting tempest. They that looked at her remembered
that her father's eye had never beheld her, and
her baptismal cup had rested on her mother's coffin.</p>
<p>She was small of stature, beyond the wont of children of
her age, and moulded with a fine waxen delicacy that won
admiration from all eyes. Her hair was curly and golden,
but her eyes were dark like her mother's, and the lids
drooped over them in that manner which gives a peculiar
expression of dreamy wistfulness. Every one of us must<span class='pagenum'><SPAN name="Page_26" id="Page_26"></SPAN></span>
remember eyes that have a strange, peculiar expression of
pathos and desire, as if the spirit that looked out of them
were pressed with vague remembrances of a past, or but
dimly comprehended the mystery of its present life. Even
when the baby lay in its cradle, and its dark, inquiring
eyes would follow now one object and now another, the
gossips would say the child was longing for something, and
Miss Roxy would still further venture to predict that that
child always would long and never would know exactly
what she was after.</p>
<p>That dignitary sits at this minute enthroned in the
kitchen corner, looking majestically over the press-board
on her knee, where she is pressing the next year's Sunday
vest of Zephaniah Pennel. As she makes her heavy tailor's
goose squeak on the work, her eyes follow the little delicate
fairy form which trips about the kitchen, busily and
silently arranging a little grotto of gold and silver shells
and seaweed. The child sings to herself as she works in
a low chant, like the prattle of a brook, but ever and anon
she rests her little arms on a chair and looks through the
open kitchen-door far, far off where the horizon line of the
blue sea dissolves in the blue sky.</p>
<p>"See that child now, Roxy," said Miss Ruey, who sat
stitching beside her; "do look at her eyes. She's as handsome
as a pictur', but 't ain't an ordinary look she has
neither; she seems a contented little thing; but what
makes her eyes always look so kind o' wishful?"</p>
<p>"Wa'n't her mother always a-longin' and a-lookin' to
sea, and watchin' the ships, afore she was born?" said
Miss Roxy; "and didn't her heart break afore she was
born? Babies like that is marked always. They don't
know what ails 'em, nor nobody."</p>
<p>"It's her mother she's after," said Miss Ruey.</p>
<p>"The Lord only knows," said Miss Roxy; "but them
kind o' children always seem homesick to go back where<span class='pagenum'><SPAN name="Page_27" id="Page_27"></SPAN></span>
they come from. They're mostly grave and old-fashioned
like this 'un. If they gets past seven years, why they
live; but it's always in 'em to long; they don't seem to be
really unhappy neither, but if anything's ever the matter
with 'em, it seems a great deal easier for 'em to die than
to live. Some say it's the mothers longin' after 'em makes
'em feel so, and some say it's them longin' after their
mothers; but dear knows, Ruey, what anything is or what
makes anything. Children's mysterious, that's my mind."</p>
<p>"Mara, dear," said Miss Ruey, interrupting the child's
steady lookout, "what you thinking of?"</p>
<p>"Me want somefin'," said the little one.</p>
<p>"That's what she's always sayin'," said Miss Roxy.</p>
<p>"Me want somebody to pay wis'," continued the little
one.</p>
<p>"Want somebody to play with," said old Dame Pennel,
as she came in from the back-room with her hands yet
floury with kneading bread; "sure enough, she does. Our
house stands in such a lonesome place, and there ain't any
children. But I never saw such a quiet little thing—always
still and always busy."</p>
<p>"I'll take her down with me to Cap'n Kittridge's,"
said Miss Roxy, "and let her play with their little girl;
she'll chirk her up, I'll warrant. She's a regular little
witch, Sally is, but she'll chirk her up. It ain't good for
children to be so still and old-fashioned; children ought to
be children. Sally takes to Mara just 'cause she's so different."</p>
<p>"Well, now, you may," said Dame Pennel; "to be sure
<i>he</i> can't bear her out of his sight a minute after he comes
in; but after all, old folks can't be company for children."</p>
<p>Accordingly, that afternoon, the little Mara was arrayed
in a little blue flounced dress, which stood out like a balloon,
made by Miss Roxy in first-rate style, from a French
fashion-plate; her golden hair was twined in manifold curls<span class='pagenum'><SPAN name="Page_28" id="Page_28"></SPAN></span>
by Dame Pennel, who, restricted in her ideas of ornamentation,
spared, nevertheless, neither time nor money to
enhance the charms of this single ornament to her dwelling.
Mara was her picture-gallery, who gave her in the twenty-four
hours as many Murillos or Greuzes as a lover of art
could desire; and as she tied over the child's golden curls
a little flat hat, and saw her go dancing off along the sea-sands,
holding to Miss Roxy's bony finger, she felt she had
in her what galleries of pictures could not buy.</p>
<p>It was a good mile to the one story, gambrel-roofed
cottage where lived Captain Kittridge,—the long, lean,
brown man, with his good wife of the great Leghorn bonnet,
round, black bead eyes, and psalm-book, whom we
told you of at the funeral. The Captain, too, had followed
the sea in his early life, but being not, as he expressed it,
"very rugged," in time changed his ship for a tight little
cottage on the seashore, and devoted himself to boat-building,
which he found sufficiently lucrative to furnish his
brown cottage with all that his wife's heart desired, besides
extra money for knick-knacks when she chose to go
up to Brunswick or over to Portland to shop.</p>
<p>The Captain himself was a welcome guest at all the firesides
round, being a chatty body, and disposed to make the
most of his foreign experiences, in which he took the usual
advantages of a traveler. In fact, it was said, whether
slanderously or not, that the Captain's yarns were spun to
order; and as, when pressed to relate his foreign adventures,
he always responded with, "What would you like
to hear?" it was thought that he fabricated his article to
suit his market. In short, there was no species of experience,
finny, fishy, or aquatic,—no legend of strange and
unaccountable incident of fire or flood,—no romance of
foreign scenery and productions, to which his tongue was
not competent, when he had once seated himself in a double
bow-knot at a neighbor's evening fireside.<span class='pagenum'><SPAN name="Page_29" id="Page_29"></SPAN></span></p>
<p>His good wife, a sharp-eyed, literal body, and a vigorous
church-member, felt some concern of conscience on the
score of these narrations; for, being their constant auditor,
she, better than any one else, could perceive the variations
and discrepancies of text which showed their mythical
character, and oftentimes her black eyes would snap and
her knitting-needles rattle with an admonitory vigor as he
went on, and sometimes she would unmercifully come in
at the end of a narrative with,—</p>
<p>"Well, now, the Cap'n's told them ar stories till he
begins to b'lieve 'em himself, I think."</p>
<p>But works of fiction, as we all know, if only well gotten
up, have always their advantages in the hearts of listeners
over plain, homely truth; and so Captain Kittridge's yarns
were marketable fireside commodities still, despite the skepticisms
which attended them.</p>
<p>The afternoon sunbeams at this moment are painting the
gambrel-roof with a golden brown. It is September again,
as it was three years ago when our story commenced, and
the sea and sky are purple and amethystine with its Italian
haziness of atmosphere.</p>
<p>The brown house stands on a little knoll, about a hundred
yards from the open ocean. Behind it rises a ledge
of rocks, where cedars and hemlocks make deep shadows
into which the sun shoots golden shafts of light, illuminating
the scarlet feathers of the sumach, which throw themselves
jauntily forth from the crevices; while down below,
in deep, damp, mossy recesses, rise ferns which autumn
has just begun to tinge with yellow and brown. The little
knoll where the cottage stood had on its right hand a
tiny bay, where the ocean water made up amid picturesque
rocks—shaggy and solemn. Here trees of the primeval
forest, grand and lordly, looked down silently into the
waters which ebbed and flowed daily into this little pool.
Every variety of those beautiful evergreens which feather<span class='pagenum'><SPAN name="Page_30" id="Page_30"></SPAN></span>
the coast of Maine, and dip their wings in the very spray
of its ocean foam, found here a representative. There were
aspiring black spruces, crowned on the very top with heavy
coronets of cones; there were balsamic firs, whose young
buds breathe the scent of strawberries; there were cedars,
black as midnight clouds, and white pines with their swaying
plumage of needle-like leaves, strewing the ground beneath
with a golden, fragrant matting; and there were the
gigantic, wide-winged hemlocks, hundreds of years old,
and with long, swaying, gray beards of moss, looking white
and ghostly under the deep shadows of their boughs. And
beneath, creeping round trunk and matting over stones,
were many and many of those wild, beautiful things which
embellish the shadows of these northern forests. Long,
feathery wreaths of what are called ground-pines ran here
and there in little ruffles of green, and the prince's pine
raised its oriental feather, with a mimic cone on the top, as
if it conceived itself to be a grown-up tree. Whole patches
of partridge-berry wove their evergreen matting, dotted
plentifully with brilliant scarlet berries. Here and there,
the rocks were covered with a curiously inwoven tapestry
of moss, overshot with the exquisite vine of the Linnea
borealis, which in early spring rings its two fairy bells on
the end of every spray; while elsewhere the wrinkled
leaves of the mayflower wove themselves through and
through deep beds of moss, meditating silently thoughts of
the thousand little cups of pink shell which they had it in
hand to make when the time of miracles should come round
next spring.</p>
<p>Nothing, in short, could be more quaintly fresh, wild,
and beautiful than the surroundings of this little cove
which Captain Kittridge had thought fit to dedicate to his
boat-building operations,—where he had set up his tar-kettle
between two great rocks above the highest tide-mark,
and where, at the present moment, he had a boat upon the
stocks.<span class='pagenum'><SPAN name="Page_31" id="Page_31"></SPAN></span></p>
<p>Mrs. Kittridge, at this hour, was sitting in her clean
kitchen, very busily engaged in ripping up a silk dress,
which Miss Roxy had engaged to come and make into a
new one; and, as she ripped, she cast now and then an eye
at the face of a tall, black clock, whose solemn tick-tock
was the only sound that could be heard in the kitchen.</p>
<p>By her side, on a low stool, sat a vigorous, healthy girl
of six years, whose employment evidently did not please
her, for her well-marked black eyebrows were bent in a
frown, and her large black eyes looked surly and wrathful,
and one versed in children's grievances could easily see
what the matter was,—she was turning a sheet! Perhaps,
happy young female reader, you don't know what
that is,—most likely not; for in these degenerate days
the strait and narrow ways of self-denial, formerly thought
so wholesome for little feet, are quite grass-grown with
neglect. Childhood nowadays is unceasingly fêted and caressed,
the principal difficulty of the grown people seeming
to be to discover what the little dears want,—a thing not
always clear to the little dears themselves. But in old
times, turning sheets was thought a most especial and
wholesome discipline for young girls; in the first place,
because it took off the hands of their betters a very uninteresting
and monotonous labor; and in the second place,
because it was such a long, straight, unending turnpike,
that the youthful travelers, once started thereupon, could
go on indefinitely, without requiring guidance and direction
of their elders. For these reasons, also, the task was
held in special detestation by children in direct proportion
to their amount of life, and their ingenuity and love of
variety. A dull child took it tolerably well; but to a
lively, energetic one, it was a perfect torture.</p>
<p>"I don't see the use of sewing up sheets one side, and
ripping up the other," at last said Sally, breaking the monotonous
tick-tock of the clock by an observation which<span class='pagenum'><SPAN name="Page_32" id="Page_32"></SPAN></span>
has probably occurred to every child in similar circumstances.</p>
<p>"Sally Kittridge, if you say another word about that ar
sheet, I'll whip you," was the very explicit rejoinder;
and there was a snap of Mrs. Kittridge's black eyes, that
seemed to make it likely that she would keep her word.
It was answered by another snap from the six-year-old eyes,
as Sally comforted herself with thinking that when she was
a woman she'd speak her mind out in pay for all this.</p>
<p>At this moment a burst of silvery child-laughter rang
out, and there appeared in the doorway, illuminated by
the afternoon sunbeams, the vision of Miss Roxy's tall,
lank figure, with the little golden-haired, blue-robed fairy,
hanging like a gay butterfly upon the tip of a thorn-bush.
Sally dropped the sheet and clapped her hands, unnoticed
by her mother, who rose to pay her respects to the "cunning
woman" of the neighborhood.</p>
<p>"Well, now, Miss Roxy, I was 'mazin' afraid you
wer'n't a-comin'. I'd just been an' got my silk ripped
up, and didn't know how to get a step farther without
you."</p>
<p>"Well, I was finishin' up Cap'n Pennel's best pantaloons,"
said Miss Roxy; "and I've got 'em along so, Ruey
can go on with 'em; and I told Mis' Pennel I must come
to you, if 'twas only for a day; and I fetched the little
girl down, 'cause the little thing's so kind o' lonesome
like. I thought Sally could play with her, and chirk her
up a little."</p>
<p>"Well, Sally," said Mrs. Kittridge, "stick in your
needle, fold up your sheet, put your thimble in your work-pocket,
and then you may take the little Mara down to the
cove to play; but be sure you don't let her go near the tar,
nor wet her shoes. D'ye hear?"</p>
<p>"Yes, ma'am," said Sally, who had sprung up in light
and radiance, like a translated creature, at this unexpected<span class='pagenum'><SPAN name="Page_33" id="Page_33"></SPAN></span>
turn of fortune, and performed the welcome orders with a
celerity which showed how agreeable they were; and then,
stooping and catching the little one in her arms, disappeared
through the door, with the golden curls fluttering
over her own crow-black hair.</p>
<p>The fact was, that Sally, at that moment, was as happy
as human creature could be, with a keenness of happiness
that children who have never been made to turn sheets of
a bright afternoon can never realize. The sun was yet an
hour high, as she saw, by the flash of her shrewd, time-keeping
eye, and she could bear her little prize down to
the cove, and collect unknown quantities of gold and silver
shells, and starfish, and salad-dish shells, and white pebbles
for her, besides quantities of well turned shavings,
brown and white, from the pile which constantly was falling
under her father's joiner's bench, and with which she
would make long extemporaneous tresses, so that they
might play at being mermaids, like those that she had
heard her father tell about in some of his sea-stories.</p>
<p>"Now, railly, Sally, what you got there?" said Captain
Kittridge, as he stood in his shirt-sleeves peering over his
joiner's bench, to watch the little one whom Sally had
dumped down into a nest of clean white shavings. "Wal',
wal', I should think you'd a-stolen the big doll I see in a
shop-window the last time I was to Portland. So this is
Pennel's little girl?—poor child!"</p>
<p>"Yes, father, and we want some nice shavings."</p>
<p>"Stay a bit, I'll make ye a few a-purpose," said the old
man, reaching his long, bony arm, with the greatest ease,
to the farther part of his bench, and bringing up a board,
from which he proceeded to roll off shavings in fine satin
rings, which perfectly delighted the hearts of the children,
and made them dance with glee; and, truth to say, reader,
there are coarser and homelier things in the world than a
well turned shaving.<span class='pagenum'><SPAN name="Page_34" id="Page_34"></SPAN></span></p>
<p>"There, go now," he said, when both of them stood
with both hands full; "go now and play; and mind you
don't let the baby wet her feet, Sally; them shoes o' hern
must have cost five-and-sixpence at the very least."</p>
<p>That sunny hour before sundown seemed as long to Sally
as the whole seam of the sheet; for childhood's joys are
all pure gold; and as she ran up and down the white
sands, shouting at every shell she found, or darted up into
the overhanging forest for checkerberries and ground-pine,
all the sorrows of the morning came no more into her
remembrance.</p>
<p>The little Mara had one of those sensitive, excitable
natures, on which every external influence acts with immediate
power. Stimulated by the society of her energetic,
buoyant little neighbor, she no longer seemed wishful or
pensive, but kindled into a perfect flame of wild delight,
and gamboled about the shore like a blue and gold-winged
fly; while her bursts of laughter made the squirrels and
blue jays look out inquisitively from their fastnesses in the
old evergreens. Gradually the sunbeams faded from the
pines, and the waves of the tide in the little cove came
in, solemnly tinted with purple, flaked with orange and
crimson, borne in from a great rippling sea of fire, into
which the sun had just sunk.</p>
<p>"Mercy on us—them children!" said Miss Roxy.</p>
<p>"<i>He's</i> bringin' 'em along," said Mrs. Kittridge, as she
looked out of the window and saw the tall, lank form of
the Captain, with one child seated on either shoulder, and
holding on by his head.</p>
<p>The two children were both in the highest state of excitement,
but never was there a more marked contrast of
nature. The one seemed a perfect type of well-developed
childish health and vigor, good solid flesh and bones, with
glowing skin, brilliant eyes, shining teeth, well-knit, supple
limbs,—vigorously and healthily beautiful; while the<span class='pagenum'><SPAN name="Page_35" id="Page_35"></SPAN></span>
other appeared one of those aerial mixtures of cloud and fire,
whose radiance seems scarcely earthly. A physiologist,
looking at the child, would shake his head, seeing one of
those perilous organizations, all nerve and brain, which
come to life under the clear, stimulating skies of America,
and, burning with the intensity of lighted phosphorus,
waste themselves too early.</p>
<p>The little Mara seemed like a fairy sprite, possessed
with a wild spirit of glee. She laughed and clapped her
hands incessantly, and when set down on the kitchen-floor
spun round like a little elf; and that night it was late and
long before her wide, wakeful eyes could be veiled in
sleep.</p>
<p>"Company jist sets this 'ere child crazy," said Miss
Roxy; "it's jist her lonely way of livin'; a pity Mis'
Pennel hadn't another child to keep company along with
her."</p>
<p>"Mis' Pennel oughter be trainin' of her up to work,"
said Mrs. Kittridge. "Sally could oversew and hem when
she wa'n't more'n three years old; nothin' straightens out
children like work. Mis' Pennel she just keeps that ar
child to look at."</p>
<p>"All children ain't alike, Mis' Kittridge," said Miss
Roxy, sententiously. "This 'un ain't like your Sally.
'A hen and a bumble-bee can't be fetched up alike, fix it
how you will!'"</p>
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