<SPAN name="chap0217"></SPAN>
<h3> CHAPTER XVII </h3>
<p>For months Daylight was buried in work. The outlay was terrific, and
there was nothing coming in. Beyond a general rise in land values,
Oakland had not acknowledged his irruption on the financial scene. The
city was waiting for him to show what he was going to do, and he lost
no time about it. The best skilled brains on the market were hired by
him for the different branches of the work. Initial mistakes he had no
patience with, and he was determined to start right, as when he engaged
Wilkinson, almost doubling his big salary, and brought him out from
Chicago to take charge of the street railway organization. Night and
day the road gangs toiled on the streets. And night and day the
pile-drivers hammered the big piles down into the mud of San Francisco
Bay. The pier was to be three miles long, and the Berkeley hills were
denuded of whole groves of mature eucalyptus for the piling.</p>
<p>At the same time that his electric roads were building out through the
hills, the hay-fields were being surveyed and broken up into city
squares, with here and there, according to best modern methods, winding
boulevards and strips of park. Broad streets, well graded, were made,
with sewers and water-pipes ready laid, and macadamized from his own
quarries. Cement sidewalks were also laid, so that all the purchaser
had to do was to select his lot and architect and start building. The
quick service of Daylight's new electric roads into Oakland made this
big district immediately accessible, and long before the ferry system
was in operation hundreds of residences were going up.</p>
<p>The profit on this land was enormous. In a day, his onslaught of
wealth had turned open farming country into one of the best residential
districts of the city.</p>
<p>But this money that flowed in upon him was immediately poured back into
his other investments. The need for electric cars was so great that he
installed his own shops for building them. And even on the rising land
market, he continued to buy choice factory sites and building
properties. On the advice of Wilkinson, practically every electric
road already in operation was rebuilt. The light, old fashioned rails
were torn out and replaced by the heaviest that were manufactured.
Corner lots, on the sharp turns of narrow streets, were bought and
ruthlessly presented to the city in order to make wide curves for his
tracks and high speed for his cars. Then, too, there were the
main-line feeders for his ferry system, tapping every portion of
Oakland, Alameda, and Berkeley, and running fast expresses to the pier
end. The same large-scale methods were employed in the water system.
Service of the best was needed, if his huge land investment was to
succeed. Oakland had to be made into a worth-while city, and that was
what he intended to do. In addition to his big hotels, he built
amusement parks for the common people, and art galleries and club-house
country inns for the more finicky classes. Even before there was any
increase in population, a marked increase in street-railway traffic
took place. There was nothing fanciful about his schemes. They were
sound investments.</p>
<p>"What Oakland wants is a first class theatre," he said, and, after
vainly trying to interest local capital, he started the building of the
theatre himself; for he alone had vision for the two hundred thousand
new people that were coming to the town.</p>
<p>But no matter what pressure was on Daylight, his Sundays he reserved
for his riding in the hills. It was not the winter weather, however,
that brought these rides with Dede to an end. One Saturday afternoon in
the office she told him not to expect to meet her next day, and, when
he pressed for an explanation:</p>
<p>"I've sold Mab."</p>
<p>Daylight was speechless for the moment. Her act meant one of so many
serious things that he couldn't classify it. It smacked almost of
treachery. She might have met with financial disaster.</p>
<p>It might be her way of letting him know she had seen enough of him.
Or...</p>
<p>"What's the matter?" he managed to ask.</p>
<p>"I couldn't afford to keep her with hay forty-five dollars a ton," Dede
answered.</p>
<p>"Was that your only reason?" he demanded, looking at her steadily; for
he remembered her once telling him how she had brought the mare through
one winter, five years before, when hay had gone as high as sixty
dollars a ton.</p>
<p>"No. My brother's expenses have been higher, as well, and I was driven
to the conclusion that since I could not afford both, I'd better let
the mare go and keep the brother."</p>
<p>Daylight felt inexpressibly saddened. He was suddenly aware of a great
emptiness. What would a Sunday be without Dede? And Sundays without
end without her? He drummed perplexedly on the desk with his fingers.</p>
<p>"Who bought her?" he asked. Dede's eyes flashed in the way long since
familiar to him when she was angry.</p>
<p>"Don't you dare buy her back for me," she cried. "And don't deny that
that was what you had in mind."</p>
<p>"I won't deny it. It was my idea to a tee. But I wouldn't have done
it without asking you first, and seeing how you feel about it, I won't
even ask you. But you thought a heap of that mare, and it's pretty
hard on you to lose her. I'm sure sorry. And I'm sorry, too, that you
won't be riding with me tomorrow. I'll be plumb lost. I won't know
what to do with myself."</p>
<p>"Neither shall I," Dede confessed mournfully, "except that I shall be
able to catch up with my sewing."</p>
<p>"But I haven't any sewing."</p>
<p>Daylight's tone was whimsically plaintive, but secretly he was
delighted with her confession of loneliness. It was almost worth the
loss of the mare to get that out of her. At any rate, he meant
something to her. He was not utterly unliked.</p>
<p>"I wish you would reconsider, Miss Mason," he said softly. "Not alone
for the mare's sake, but for my sake. Money don't cut any ice in this.
For me to buy that mare wouldn't mean as it does to most men to send a
bouquet of flowers or a box of candy to a young lady. And I've never
sent you flowers or candy." He observed the warning flash of her eyes,
and hurried on to escape refusal. "I'll tell you what we'll do.
Suppose I buy the mare and own her myself, and lend her to you when you
want to ride. There's nothing wrong in that. Anybody borrows a horse
from anybody, you know."</p>
<p>Agin he saw refusal, and headed her off.</p>
<p>"Lots of men take women buggy-riding. There's nothing wrong in that.
And the man always furnishes the horse and buggy. Well, now, what's the
difference between my taking you buggy-riding and furnishing the horse
and buggy, and taking you horse-back-riding and furnishing the horses?"</p>
<p>She shook her head, and declined to answer, at the same time looking at
the door as if to intimate that it was time for this unbusinesslike
conversation to end. He made one more effort.</p>
<p>"Do you know, Miss Mason, I haven't a friend in the world outside you?
I mean a real friend, man or woman, the kind you chum with, you know,
and that you're glad to be with and sorry to be away from. Hegan is
the nearest man I get to, and he's a million miles away from me.
Outside business, we don't hitch. He's got a big library of books, and
some crazy kind of culture, and he spends all his off times reading
things in French and German and other outlandish lingoes—when he ain't
writing plays and poetry. There's nobody I feel chummy with except you,
and you know how little we've chummed—once a week, if it didn't rain,
on Sunday. I've grown kind of to depend on you. You're a sort
of—of—of—"</p>
<p>"A sort of habit," she said with a smile.</p>
<p>"That's about it. And that mare, and you astride of her, coming along
the road under the trees or through the sunshine—why, with both you
and the mare missing, there won't be anything worth waiting through
the week for. If you'd just let me buy her back—"</p>
<p>"No, no; I tell you no." Dede rose impatiently, but her eyes were
moist with the memory of her pet. "Please don't mention her to me
again. If you think it was easy to part with her, you are mistaken.
But I've seen the last of her, and I want to forget her."</p>
<p>Daylight made no answer, and the door closed behind him.</p>
<p>Half an hour later he was conferring with Jones, the erstwhile elevator
boy and rabid proletarian whom Daylight long before had grubstaked to
literature for a year. The resulting novel had been a failure.
Editors and publishers would not look at it, and now Daylight was using
the disgruntled author in a little private secret service system he had
been compelled to establish for himself. Jones, who affected to be
surprised at nothing after his crushing experience with railroad
freight rates on firewood and charcoal, betrayed no surprise now when
the task was given to him to locate the purchaser of a certain sorrel
mare.</p>
<p>"How high shall I pay for her?" he asked.</p>
<p>"Any price. You've got to get her, that's the point. Drive a sharp
bargain so as not to excite suspicion, but buy her. Then you deliver
her to that address up in Sonoma County. The man's the caretaker on a
little ranch I have there. Tell him he's to take whacking good care of
her. And after that forget all about it. Don't tell me the name of the
man you buy her from. Don't tell me anything about it except that
you've got her and delivered her. Savvee?"</p>
<p>But the week had not passed, when Daylight noted the flash in Dede's
eyes that boded trouble.</p>
<p>"Something's gone wrong—what is it?" he asked boldly.</p>
<p>"Mab," she said. "The man who bought her has sold her already. If I
thought you had anything to do with it—"</p>
<p>"I don't even know who you sold her to," was Daylight's answer. "And
what's more, I'm not bothering my head about her. She was your mare,
and it's none of my business what you did with her. You haven't got
her, that's sure and worse luck. And now, while we're on touchy
subjects, I'm going to open another one with you. And you needn't get
touchy about it, for it's not really your business at all."</p>
<p>She waited in the pause that followed, eyeing him almost suspiciously.</p>
<p>"It's about that brother of yours. He needs more than you can do for
him. Selling that mare of yours won't send him to Germany. And that's
what his own doctors say he needs—that crack German specialist who
rips a man's bones and muscles into pulp and then molds them all over
again. Well, I want to send him to Germany and give that crack a
flutter, that's all."</p>
<p>"If it were only possible" she said, half breathlessly, and wholly
without anger. "Only it isn't, and you know it isn't. I can't accept
money from you—"</p>
<p>"Hold on, now," he interrupted. "Wouldn't you accept a drink of water
from one of the Twelve Apostles if you was dying of thirst? Or would
you be afraid of his evil intentions"—she made a gesture of dissent
"—or of what folks might say about it?"</p>
<p>"But that's different," she began.</p>
<p>"Now look here, Miss Mason. You've got to get some foolish notions out
of your head. This money notion is one of the funniest things I've
seen. Suppose you was falling over a cliff, wouldn't it be all right
for me to reach out and hold you by the arm? Sure it would. But
suppose you ended another sort of help—instead of the strength of arm,
the strength of my pocket? That would be all and that's what they all
say. But why do they say it. Because the robber gangs want all the
suckers to be honest and respect money. If the suckers weren't honest
and didn't respect money, where would the robbers be? Don't you see?
The robbers don't deal in arm-holds; they deal in dollars. Therefore
arm-holds are just common and ordinary, while dollars are sacred—so
sacred that you didn't let me lend you a hand with a few.</p>
<p>"Or here's another way," he continued, spurred on by her mute protest.
"It's all right for me to give the strength of my arm when you're
falling over a cliff. But if I take that same strength of arm and use
it at pick-and-shovel work for a day and earn two dollars, you won't
have anything to do with the two dollars. Yet it's the same old
strength of arm in a new form, that's all. Besides, in this
proposition it won't be a claim on you. It ain't even a loan to you.
It's an arm-hold I'm giving your brother—just the same sort of
arm-hold as if he was falling over a cliff. And a nice one you are, to
come running out and yell 'Stop!' at me, and let your brother go on
over the cliff. What he needs to save his legs is that crack in
Germany, and that's the arm-hold I'm offering.</p>
<p>"Wish you could see my rooms. Walls all decorated with horsehair
bridles—scores of them—hundreds of them. They're no use to me, and
they cost like Sam Scratch. But there's a lot of convicts making them,
and I go on buying. Why, I've spent more money in a single night on
whiskey than would get the best specialists and pay all the expenses of
a dozen cases like your brother's. And remember, you've got nothing to
do with this. If your brother wants to look on it as a loan, all
right. It's up to him, and you've got to stand out of the way while I
pull him back from that cliff."</p>
<p>Still Dede refused, and Daylight's argument took a more painful turn.</p>
<p>"I can only guess that you're standing in your brother's way on account
of some mistaken idea in your head that this is my idea of courting.
Well, it ain't. You might as well think I'm courting all those
convicts I buy bridles from. I haven't asked you to marry me, and if I
do I won't come trying to buy you into consenting. And there won't be
anything underhand when I come a-asking."</p>
<p>Dede's face was flushed and angry. "If you knew how ridiculous you
are, you'd stop," she blurted out. "You can make me more uncomfortable
than any man I ever knew. Every little while you give me to understand
that you haven't asked me to marry you yet. I'm not waiting to be
asked, and I warned you from the first that you had no chance. And yet
you hold it over my head that some time, some day, you're going to ask
me to marry you. Go ahead and ask me now, and get your answer and get
it over and done with."</p>
<p>He looked at her in honest and pondering admiration. "I want you so
bad, Miss Mason, that I don't dast to ask you now," he said, with such
whimsicality and earnestness as to make her throw her head back in a
frank boyish laugh. "Besides, as I told you, I'm green at it. I never
went a-courting before, and I don't want to make any mistakes."</p>
<p>"But you're making them all the time," she cried impulsively. "No man
ever courted a woman by holding a threatened proposal over her head
like a club."</p>
<p>"I won't do it any more," he said humbly. "And anyway, we're off the
argument. My straight talk a minute ago still holds. You're standing
in your brother's way. No matter what notions you've got in your head,
you've got to get out of the way and give him a chance. Will you let
me go and see him and talk it over with him? I'll make it a hard and
fast business proposition. I'll stake him to get well, that's all, and
charge him interest."</p>
<p>She visibly hesitated.</p>
<p>"And just remember one thing, Miss Mason: it's HIS leg, not yours."</p>
<p>Still she refrained from giving her answer, and Daylight went on
strengthening his position.</p>
<p>"And remember, I go over to see him alone. He's a man, and I can deal
with him better without womenfolks around. I'll go over to-morrow
afternoon."</p>
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